Reginald Griffiths Jones was a guard at the Camp hospital and at POW Camp 13. Black and white photograph of a man in army uniform, with trees in background and a cut of child to his left. Picture taken off another picture.reginald griffiths jones, camp 13 guard, pow guards

A sepia coloured photograph of Alice Ivy Benzley (left) and Mary Ann Benzley (nee Harman) and an unidentified child. Mounted with a cardboard frame.written on back: Sun 1933 September 14thvineyards, vignerons, buttlejork vineyard, benzley, alice ivy, mary ann (mrs), harman, mary ann (miss), adolph (mr), george evans collection

TAKEN AT CLUNES SHOW C.1875PHOTOGRAPH OF TEAM OF HORSES PULLING CART. JOHN PHILLIPS AND SMALL CHILD AND TWO LADIES IN FOREGROUND AT CLUNES AGRICULTURAL SHOW. C 1875.local history, photography, photographs, events and celebrations, clunes show

Sunday School Prize.Green Hard Cover. Title in Gold. Coloured Flower Drawings above a drawing of a woman. Yellow picture of child with baby beside drawing. Presented to Ethel Crothers for Diligence and Good Behaviour Charles Akin Supt. W Viant Secystawell education

From Till collectionSmall square wooden box with a painting of a child reading a book, sitting under a tree. Box is brown painting is yellow. There is a lock but no keyscostume accessories, jewellery, containers, domestic, ornaments, wood

Child's white cotton half petticoat. Wide waist band with 3 buttonholes. 5 layers of pin tucking and crochet lace at hem.costume, children's underwear

Refer to NP4174Black & white photograph of Cecil Rhodes and his 3 children. Smallest child in front. Photo taken out of doors with garden behind.rhodes, cecil, carolyn, peter, anne-maree.

Constructed from a single piece of local stone. Ellis Park in background. Child seated is Victoria Wall about 5 years old.fiveways, ellis park, peace memorial

Hat styles have sometimes changed little over the last 100 years. The 'fedora' style used for the manufacture of this 1970s hat dates from the 1890s. Originally a style favoured by women, it became primarily used for men's hats in the early 20th century, being popularised by the Prince of Wales, later Edward VIII. At one stage the fedora style became a symbol of the women's rights movement.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.A small unadorned dark brown felt fedora, assumed to be designed for a child. The hat has an indented crown and a soft brim. It is otherwise with adornment.Nilchildren's hats, headwear, fedoras

Four page booklet with black, white, blue and yellow printed text and graphics. Cover shows images of two sheep, a dog and a child. front: [printed] BREAK THE CHAIN OF INFECTION / wipe out HYDATIDS / and PROTECT / YOUR CHILDREN / YOUR STOCK / YOUR MONEY / YOUR DOGproducts, agriculture, animal breeding, animal husbandry, vaccination, health

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A child, Dolly Hughes, with a sheep and lamb. There are trees and a fence line in the background.wodonga pioneers, haeusler family, glass negatives, dry plate photography, dolly hughes

Other number 03664.2Black and white photograph of mixed racquetball team Kym Dennys holding child, Paul Sumner and Mel Barling Lakes Entrance Victoriasports, racquetball

The photograph is from the album of Ivy Child and shows a view across the Kalorama Valley sometime between 1927 and 1932. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph with a wire and pole fence in the foreground of a sweeping view across a valley. Numerous roof tops are visible in the distance. The land has been cleared. Hills are in the distance.Written below the photograph in the album: The Valleykalorama valley, kalorama, ivy child

The photograph is from the album of Ivy Child. The scene is looking across the Kalorama Valley with land cultivated by the Jeeves family. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with bushes in the foreground, hills in the distance and a cleared, cultivated area in the centre.Below the photograph in the album" LOOKING INTO THE VALLEYkalorama, kalorama valley, jeeves, valley

The photograph is from the album of Ivy Child and shows a view of one of the early homesteads in Kalorama. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with a large trr in the centre beside a homestead with bush in the background.kalorama, homestead, ivy child

The photograph is from the album of Ivy Child and shows a shows an area of Kalorama that has been cleared to grow crops. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with bushes in the foreground, a cleared area in the centre and thick trees behind.ivy child, kalorama, crops

The photograph is from the album of Ivy Child. It shows a homestead situated in a clearing at Kalorama in the late 1920s. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph with two large trees in the foreground framing a building in the distance.ivy child, kalorama, homestead

The Ship's Report Inward contains entries from 1877 to 1917. It is a record of vessels that visited the Port of Warrnambool during that time and was filled in by the Harbour Master on behalf of the Warrnambool Harbour Board. The book has also been used as football scrapbook for both the Australian and Victorian Leagues, with articles and photographs from the early 20th century events and photos of players in 1953. A child has also used the book for drawing and writing.It appears that this historic ledger was once regarded as insignificant and used for other purposes such as a scrapbook and spare paper for drawing. However, the ledger is now considered to be of important locall significant for its accurate reports of all vessels inward bound to the Port of Warrnambool, giving a summary of activities during the forty year period from 1877 to 1917. It is also a reference to early Australian and Victorian football media.Ledger of the Warrnambool Harbour Board, containing the handwritten Ships Report Inwards for the Port of Warrnambool. First entry 1877. Last entry 1917. The book has also been used for a football scrapbook and contains newspaper cuttings of early 20th century AFL (Australian Football League) and VFL (Victorian Football League) events and photographs. There are several lose clippings between the pages throughout the book. The cover's spine has a gold embossed title and a pasted title, and the pasted front cover has figures relate to the scrapbook. There are also child's writing and drawings in pencil on some pages. A white label inside the back cover has a blue pen inscription. Embossed title "SHIPS' / REPORT / INWARDS" Pasted title "LEAGUE / GAMES" Label inside back cover: "R 759"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, warrnambool harbour board, ships' report inward, port of warrnambool, warrnambool harbour, harbour master, afl, vfl, australian football league, victorian football league, early 20th century, newspaper cuttings, maritime record, maritime history, 1877-1917, 1953

This small child's dress with insertion and crochet work was worn in 1920- 30 by a child of an early settlers family of MoorabbinEarly settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these familiesA girl's white cotton blouse, with large collar, hand-crochet work and insertion at waistline clothing, moorabbin, dressmaking, cheltenham, market gardners, craftwork, early settlerse

Louisa Amelia Schwerkolt was the oldest child of Louis and Franceska(Cissie) Schwerkolt. Louis was the fifth child of August and PaulineSchwerkolt.Sepia photograph of a small girl wearing a large hat and lacy apron and sitting on a strange looking chair made of branches. Decorative surround around photographLouisa Amelia Schwerkolt 1890schwerkolt louisa amelia, schwerkolt family

The photograph shows an old car rounding a bend on what is now the Mt Dandenong Tourist Road. Around 1930 it would have been called the CRB Road or the Main Road. The photograph is in the Ivy Child Album. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944.Sepia coloured photograph showing an old car rounding a bend in the road.Below photograph in album: The Main Mountain Highwaymain road, crb road mt dandenong tourist road, car, automobile, ivy child, kalorama

Photograph shows three old cars coming down a hill, possibly racing. c1930. Photoraph from the Ivy Child Album. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph that shows three old cars driving down a fairly steep hill. There is bush in the background.ivy child, cars, kalorama

Taken c1930 the photograph shows three men in suits standing at Kalorama FiveWays. The photograph is from the Ivy Child Album. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing 3 men in the foreground with the Kalorama FiveWays intersection behind them.Written below photograph in album: Kalorama Sheaksfiveways, kalorama, car, ivy child

The photograph is from the album of Ivy My Child. The area depicted would be looking across the Kalorama Valley with the visible roof tops being the homes of the early settler families. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with trees and bushes in the foreground and hills in the distance. White shapes scattered throughout the centre are the roofs of buildings.Written below the photograph in album: Kaloramakalorama valley, kalorama

The photograph is from the album of Ivy Child and shows a scene from Lyrebird gully that runs alongside the Olinda Falls. This has been a popular tourist area from the 1900s onwards. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a bush setting with tree ferns and other trees.Written below the photograph in the album: THE GULLYlyrebird gully, tree ferns, bush, olinda falls

The photograph is from the album of Ivy Child. It gives an insight into the size and make up of the settler selections in Kalorama between 1927 and 1932. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph looking from a flat, grassed area up a hillside. There has been significany clearing of trees with a patchwork of crops planted. A fence is visible in the foreground.ivy child, kalorama, selections

RDNS Sister Marilyn Smith is visiting the little girl in her own home to apply sterilized dressings, as ordered by a Doctor, to the wounds on her body. Visiting the child at home provides her with a familiar environment to undergo the procedure. The Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885, provided wound care to their patients who ranged in age from the very young to the elderly. The patients required their wounds to be dressed following various types of surgery, accidents, burns, cancer, leg ulcers etc. As research developed better products and dressing materials, the methods and medication applied to wounds changed. MDNS received Royal patronage in 1966 and as Royal District Nursing Service (RDNS), the Education department developed wound care programs, such as the Leg Ulcer Management Program to provide their Trained nurses (Sisters) with methods of best quality care. They ran a program for Wound Care Specialists who made assessments and provided advice and support to the District Sisters working in the field as needed. The Sisters liaised with the patient’s Doctors and Hospitals to provide information on the progress of patient’s wounds and to receive any change of wound care from the Doctors. On the left of this black and white photograph is Royal District Nursing Service (RDNS), Sister Marilyn Smith, who has short dark hair and is wearing a white gown over her RDNS uniform kneeling on the floor as she dresses the wound of a young girl. Sister Smith is kneeling on a white covering which is placed over the patterned carpet in the lounge room. Only the back of her head can be seen; her left arm is extended and bent over the head of a seated small girl; she has a forcep in her hand. The young girl, who has shoulder length dark hair, is seated on the white covering and has her right hand on Sister Smith's right arm. She is watching as Sister Smith is removing a dressing from a wound on her left side. The child's left arm and hand are held above the dressing. A wound can also be seen on the girls left thigh. In the left rear, part of a patterned couch can be seen and part of a white curtain to its right. Behind the little girl, part of a brick fireplace and gas fire can be seen.Photographer stamp. Quote No. DO 58 mdns, melbourne district nursing society, royal district nursing service, rdns, rdns patient care - wound dressing, sister marilyn smith