Showing 9143 items matching "illustrations-oil"
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Victorian Aboriginal Corporation for Languages
Book, Bibliography of the Victorian Aborigines : from the earliest manuscripts to 31 December 1970, 1971
This bibliography is designed to list all the material written about Victorian Aborigines (except for newspaper accounts) within the given time frame. The material has been divided under headings distinguishing the subject, town, region and locality in alphabetical order, and provide a cross-index.colour illustrationshistorical bibliography, victorian aborigines, victorian history, local history -
Maldon Vintage Machinery Museum Inc
Horizontal Oil Engine, Early 20th century
Horizontal cylinder oil engine in working condition. Mounted on a steel and timber chassis with 4 wrought iron wheels. Axles are fixed to timber spacer beams. Two flywheels. Cylindrical cooling water tank, cast iron exhaust system and vertical exhaust pipe mounted at crankshaft end. Engine painted dark green, crankshaft balance weights red, flywheels black, cooling water tank black. Oval brass plate on cylinder - "The "Blackstone" / Carter's Patent / 92393 / Quote This No. / When Ordering Parts / Oil Engine". Brass plate on engine frame - "British Patents / Nos. 19640-02 / 24611-03" Oval brass plate on Balance weight guard - "The "Blackstone" Oil Engine / Clutterbuck Bros / Adelaide / South Australia". engines .... horizontal cylinder ....oil engine, machinery - engines, oil -
Melbourne Tram Museum
Photograph - Illustration, Panoramic View of Melbourne Southern Aspect
Illustration titled - "Panoramic View of Melbourne Southern Aspect" photo from the Eastern Hill Fire Station watch tower, late 1890s early 1900s of a view looking south. There are three maybe four cable trams in the view. The photograph notes the St Patrick's Cathedral (consecrated in 1897), the German Lutheran Church, Government offices, Treasury Buildings, Government House in the far distance, St Peters Church, and the Victorian Parliament building. The photo looks along Gisborne and Macarthur Streets.Yields information about the Eastern Hill and Parliament precinct late 1890's early 1900's.Black and white print of a published illustration - Panoramic View of Melbourne Southern Aspecteastern hill, cable trams, st patrick's cathedral, gisborne street, macarthur street, st peters church -
Whitehorse Historical Society Inc.
Document, Post World War 2 housing in Whitehorse, 2009
Brief history of housing in the eastern section of the City of Whitehorse 1945-20078.Brief history of housing in the eastern section of the City of Whitehorse 1945-20078. Illustrations for a talk given to Whitehorse Historical Society at a General Meeting 18 April 2009 by Samantha Westbrooke. Tape at NP3568Brief history of housing in the eastern section of the City of Whitehorse 1945-20078. houses, residential development, city of whitehorse, city of nunawading, whitehorse historical society inc. -
Horsham Regional Art Gallery
Painting, Elioth GRUNER, The mountains
Gift of Mack Jost, 1983oil on board -
Horsham Regional Art Gallery
Painting, Desiderius ORBAN, Affinity, 1964
Gift of Mack Jost, 1998oil on board -
Horsham Regional Art Gallery
Painting, Donald LAYCOCK, Floating, c. 1972
Gift of Mack Jost, 1993oil on canvas -
Horsham Regional Art Gallery
Painting, Norman HOFMAIER, In the depths of the temple, 1989
Mack Jost Bequest, 2001oil on board -
Horsham Regional Art Gallery
Painting, Aileen DENT, Mixed roses, n.d
Mack Jost Bequest, 2001oil on canvas -
Horsham Regional Art Gallery
Painting, William ROWELL, Still life, n.d
Gift of Mack Jost, 1991oil on canvas -
Horsham Regional Art Gallery
Painting, Kenneth HOOD, Oranges and flowers, 1963
Mack Jost Bequest, 2001oil on canvas -
Horsham Regional Art Gallery
Painting, Kenneth HOOD, Still life - fruit, 1964
Mack Jost Bequest, 2001oil on canvas -
Horsham Regional Art Gallery
Painting, Scott PENDLEBURY, Flower piece, n.d
Gift of Mack Jost, 1991oil on canvas -
Horsham Regional Art Gallery
Painting, Travis WEBBER, Untitled, n.d
Victoria Anderson Bequest, 1992oil on board -
Horsham Regional Art Gallery
Painting, Francis LYMBURNER, Ships and flowers, n.d
Mack Jost Bequest, 2001oil on canvas -
Horsham Regional Art Gallery
Painting, Greg IRVINE, Lovers in the garden, 1967
Gift of Mack Jost, 1994oil on canvas -
Horsham Regional Art Gallery
Painting, John LONGSTAFF, Portrait of my son Frank, n.d
Mack Jost Bequest, 2001.oil on canvas -
Horsham Regional Art Gallery
Painting, Kevin LINCOLN, Untitled, 1980
Donated through the Australian Government's Cultural Gifts Program by Mia Heriot, 2005oil on canvas -
Horsham Regional Art Gallery
Painting, Wes WALTERS, Nadia, 1987
Gift of the artist, 2001oil on canvas -
Horsham Regional Art Gallery
Painting, Scott PENDLEBURY, The recital (Mack Jost), n.d
Gift of Mack Jost, 1986oil on canvas -
Horsham Regional Art Gallery
Painting, Scott PENDLEBURY, Queenstown - Tasmania, n.d
Gift of Mack Jost, 1983oil on canvas -
Horsham Regional Art Gallery
Painting, Kathleen MITCHELL, Strath Creek, n.d
Gift of Mack Jost, 1992oil on board -
Horsham Regional Art Gallery
Painting, Phyl WATERHOUSE, In the studio, n.d
Mack Jost Bequest, 2001oil on board -
Horsham Regional Art Gallery
Painting, Phyl WATERHOUSE, The islands, n.d
Gift of Mack Jost, 1983oil on board -
Horsham Regional Art Gallery
Painting, Jessie TRAILL, Digging the bank, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1995oil on canvas -
Horsham Regional Art Gallery
Painting, Jessie TRAILL, Saplings, n.d
Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1998oil on board -
Horsham Regional Art Gallery
Painting, Murray WALKER, Near Silverband Falls (Grampians), 2006
Purchased through the Horsham Art Gallery Trust Fund, 2006oil on canvaswimmera related -
Lakes Entrance Historical Society
Painting - oil painting, The Entrance Lakes Entrance viewed from Jemmys Point
oil paintingwaterways -
Nillumbik Shire Council
Painting: Camilla TADICH, Camilla Tadich, 6.23am Kangaroo Ground, 2009
Tadich spends time observing night time phenomena, the light from the moon, street lights and other sources; atmospheric states, fog and dampness and the nature of surfaces, vegetation, road, vehicles and buildings. She uses photographs and sketches before settling on the final idea for a work.This painting is typical of Tadich's recent work. She continues her exploration of the Australian landscape (most often the local, Nillumbik Shire). It is 'a dramatic interplay between narrative, landscape and the binaries of light/dark and the known/unknown of local landscape. The swathes of darkness within the work(s) pose questions about our inscribed fears and tensions, both cultural and existential'. (catalogue, 'Silent Space' Ex. 2006) Tadich's early experiences of fireworks, simple fireworks and bonfire in the surrounding bush of her outer Melbourne home, caught her imagination. She was inspired to investigate the issues surrounding nights in the bush. In this painting the narrative is ambiguous, the pinpricks of light, in this case from the car headlights provide a critical element. We can distinguish familiar features, a road, trees and a car that suggest human presence. However, what is going on is unclear. The resulting tension can leave us unsure, unsettled and anxious.Oil on canvascamilla tadich, nillumbik shire council, kangaroo ground -
Nillumbik Shire Council
Painting: David MOORE, Untitled (Landscape with Water), date unknown
oil on canvasek prac 2015