A4 size sheet outlining accessories to be found with the Dubied hand knitting machine.machine knitting, sartori, mrs genitilia

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

This knitting pattern book was published by The New Idea magazine and contains crochet patterns for accessories and novelties."THE NEW IDEA" / SMART ACCESSORIES / IN CROCHET / 6D. / CROCHET BOOK NO. 4 / 15 Lovely and / Simple Designs.crochet handicrafts - history, the new idea, crochet, handicrafts - history

Bendigo Advertiser ''The way we were'' from 2000. This undated photograph shows materials in readiness for the building of the Hanro Knitting Mills on Hargeaves Street. The Jewish Synagogue is on the left. The picture was taken by Perc Pinder. (Photograph courtesy of the Bendigo Historical Society). The clip is in a folder.newspaper, bendigo advertiser, the way we were

This knitting pattern leaflet was produced by Lincoln Mills and contains a pattern for a knitted vest for women in fair isle.LINCOLN / Model No. L1105 / PRICE 2D.handicrafts - history knitting - fair isle, lincoln mills (australia) limited, handicrafts - history, knitting - fair isle

Specification manual for the Dubied Type MR hand knitting machine, which also forms part of the collection.machine knitting, sartori, mrs genitilia

Student sitting in a classroom and knitting, c. 1980s. Please contact [email protected] to request access to this record.art

Belonged to Joan Fitzmaurice, mother in law of donor, who got the bag from her mother (Mrs Wharton) in England in the 1940's. Joan was a Knitter not a sewer.A cream linen bag - half circle pleated onto a yoke with a strap handle. Yoke decorated with appliqued crinoline lady in an embroidered cottage garden of hollyhocks. Border and strap in green embroidery. Body of bag decorated in petit - point of vase of flowers.handcrafts, knitting

Hand knitted by Frances WarrenFancy stitch (chain) Pink wool cardigan. Adult sizehandcrafts, knitting

Hanro (Australia) Bendigo Knitting Mills Pty Ltd. Shares for signing 22/8/29. Four typed pages listing names of shareholders. The holding are divided under heading for 8% Preference Shares, 10% Second Cumulative Preference Shares and Ordinary Shares "A" and "B"hanro, clothing, share register

.1 LARGE BLACK AND WHITE PHOTOGRAPH (REPRINTS) CROWD SCENE AT ASSEMBLY LINE STREET PARADE. BACK TO CLUNES 1920. DECORATED CARS AND TRUCK (MODEL T FORD?) PASSENGERS OWNERS AND ONLOOKERS. (CYCLONES KNITTING MILL ENTRY?) .2 SMALL COPY OF LARGE PHOTOGRAPH.1 ON BACK HANDWRITTEN:WILLIAM BARKELL MEMORIAL ARTS AND HISTORIC CENTRE IN PENCIL: 1930local history, photography, photographs, events and celebrations, back to clunes

Catalogue of reserve parts for the Dubied Type MR hand knitting machine, which also forms part of the collection.machine knitting, sartori, mrs genitilia

Sheet listing needle positions required for types of garments to be created and types of stitches, for Dubied hand knitting machine.machine knitting, sartori, mrs genitilia

Letter dated 1st june, 1937 on Hanro (Australia) Knitting Mills letterhead stating that a Mr. W. H. Russell a shareholder of the comany has requested the secratary to offer on his behalf 500 "B" shares for a cash consideration of 10 shilling per share. The latter is not signed.hanro, clothing, share register

An item forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in the mansion originally named Illapa, 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937) and his wife Edith Mary Weir (1867-1948). Bound copy of Weldon's Practical Needlework, retailed by W.C. Wright and Co., Booksellers & c., Broken Hill, New South Wales. The book includes advice for women on Knitting, Crochet, Drawn Thread Work, Netting, Knitted Edgings or Shawls, Mountmellick Embroidery with full working descriptions.Inscribed top right of title page: "E.M. Betteridge, Broken Hill, July 2nd 1891 / E. Weir".edith mary weir (nee betteridge), 84 princess street -- kew (vic), needlework patterns

Hand machine knitted skirt, part of set with cardigan. Knitted on the Dubied knitting machine, also donated to the National Wool Museum.Skirt knitted by Mrs Genitilia Sartori.machine knitting, sartori, mrs genitilia

Four ladies sitting in a row all wearing glasses and knitting whilst Tilly Aston stands and the end assisting one of them. Copy of newspaper photograph with negativeExpert knitter. Blind War Workers. Poetess has formed little band of blind women and girls who knit for Red Cross. Miss Aston assists, instructs. Experts describe work as of highest class. Blind are supplying fighting forces with socks and scarves.tilly aston, association for the advancement of the blind

Event, Bendigo Y.M.C.A., Y's Workbox, Display & Demonstration of Hand Crafts, at The Y.M.C.A. Stadium, Mundy Street, Bendigo, Sunday October 27, 1985, 10am - 5pm. Admission: Adults $2.00 , Children 50c, Devonshire Teas $1.20. Crafts include: Plate Decorations, Wood Carving, Tatting, Bonsai, Filet Crochet, Patchwork, Jigsaws, Model Ships in Bottles, Knitting from Fleece, Soft Toys, Silversmithing, Christmas Decorations, Floral Art, Wood Turning, Pickled People, Padded Baskets, Machine Embroidery, Applique, Knitting, Overlocking, Latchhook Rugs, Make-Up (TV & Films), Bobbin Lace, Printing, Golden North Centre.event, exhibition, bendigo y.m.c.a.

Information and photographs about David Collyer, including an article from Diamond Valley News 28/06/1983, discussing David's hobby of knitting.This photograph and text was copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Article and photograph sourced from social media.david collyer, collyer family

Each column has white dots on it which is used to count numbers. The counting frame can be used as a knitting row counter or to add sums of money. A black rectangle with four plastic movable columns"Brynolf pocket counter made for Royal National Institute for the Blind by Peter Tilling Plastics Ltd" on front of counter. "Royal National Institute for the Blind Brynolf Pocket Counter Catalogue No. 9484" on box.assistive devices, peter tilling plastics

Typical magazines from the 1950's and 60'sThree magazines, colour printed No 1 My Home September 1958 English magazine No 2 New Idea August 21st 1963 Australian magazine No 3 New idea March 29th 1961 Australian magazine all feature knitting patterns, recipes, stories and homemaking plus advertisements of the daySee photographs

Undated survey plan by William Bockli, Consulting Engineer 422-428 Collins St Melbourne showing land between Hargreaves St and Hopetoun St Bendigo, stamped 'Hanro Aust Bendigo Knitting Mill, PTY,LTD., Job 37, drawing No 8. Scale . 30 feet to an inch. Unknown donorbendigo, industry, hanro knitting mill

Black and White Photograph, Preparations for the construction of the 'Hanro Knitting Mills', Hargreaves Street, The Jewish Synagogue is on the left, Markings on back read 'Hargreaves Street between Mundy and Chapel Streets Bendigo 1920 ( ?? 6 or 0' Last digit is unclear but must be 1926 - Terry Davidson comment 2012) 'Percival Pinder Photographer'.Percival Pinderphotograph, hanro knitting mills, hargreaves street, mundy street, chapel street, hargreaves st, mundy st, chapel st, hanro knitting mills, jewish synagogue, percival pinder

There were many Comforts funds providing items for our troops overseas.Thirty two pages, white with black print, “ACF” badge in red on the front. The book as per the cover contains a guide to the various sections mentioned regarding of clothing .On the back of page 23 printed, “Renwick Pride”comforts fund, knitting, acf