Rectangular wooden stool with two legs with triangular cutout. Storage area inside stool with rectangular opening. Chipwood on base of stool with black veneer. Seems to have been modified at some stage and the chipwood added.No visible markingscostume accessories, footwear accessories, shoe, polish, boots, foot stool, stool, footwear.

Restored kindergarten chair from the Methodist Sunday School in Wandin. (Old ones were sold to the Congregation for 2/6pence each in the 1960's). Purchased by Valmae Gaudion, and stripped of many layers of paint.A small brown wooden kindergarten chair, with four round turned legs, a seat and back support which is joined to the two long side supports with four screws. These supports are also made of turned round wood.chairs, children's furniture, furniture

Cast Iron circle base with 3 holes and nut and bolts to screw to bench. Raised plinth with centre hole to stand shoe last in. Removable cast iron shoe last with leg to put in hole in plinthNil

Indicated or provided a location to tram drivers and passengers of a tram stop that trams had to be hailed or be requested to stop or to alight. Has the outline of a Z class tram. Introduced after Z class trams started to be used. A small sign providing details of the route number could be placed on the bottom edge. The 1977-78 MMTB Annual report has a photo of one of these then-new signs.Demonstrates the form of tram stop that the MMTB used in Melbourne that trams had to be signaled to stop at. Style introduced following following the use of Z class trams. Sign - Tram Stop - "Tram Stop Request" - formed from a formed steel sheet with a short angle leg, with holes along the top and bottom edges and on the angled side. Painted with a white background and red detailing.tram stop, signs, mmtb, trams, tramways

Case belonged to Les Iser. He had pre War service 3 years Cadets and 2 years L.Horse. Leslie Iser No 8150 enlisted in the 17th Battery 6th F.A.Brigade AIF on 18.6.1915. Promoted to Sgt 9.10.1915. Embarked for Eygpt 22.11.1915. Promoted 2nd Lieut 12.3.1916. Embarked for France 17.3.1916. WIA severe at Bois Greiner 26.6.1916, GSW's to right foot, left leg and forearm. The right foot required immediate amputation and then done again. The left leg became septic and he suffered from Jaundice. He was promoted to Lieut on 1.8.1917 and placed on the supernumerary list. Embarked for Australia 9.10.1917 and his appointment in the AIF was terminated on 4.1.1918. Refer 339.2, 1971, 2049P.Metal case, hinged with two elastic straps inside to hold cigarettes. Inscribed on lid."8150 / L. Iser / 17 BTY 6 FAB / AIF"cigarette cases, accesory, engraving

The diamond firetail bird is native to inland southeastern Australia, inhabiting woodland regions. It is often described as one of the most stunningly coloured birds of the finch family. The nest is built by both partners but only the female does the weaving. Both partners incubate the eggs and care for the young. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The diamond firetail finch it characterised by the top of its body being ash brown, with crown, forehead and neck grey. The under feathers are white with a crimson rump. There is a black band across its neck which continues down the flank to be dotted with white. The bill and eye ring are coral, and the legs and feet are dark grey. The female is similar to the male although sometimes smaller. 10057 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 41a./ Firetialed Finch / See Catalogue, Page 15. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, finch, diamond firetail

Eastern Meadowlarks live throughout the grasslands and farms in eastern North America. On the ground, their brown-and-black dappled upperparts camouflage the birds among dirt clods and dry grasses. When in flight or perching, they reveal bright-yellow breasts and bellies, and a striking black chevron across the chest. The Eastern Meadowlark has a diet which consists of mainly insects and seeds. These birds forage by walking on the ground and taking insects and seeds from the ground and from low plants. In winter, these birds may choose to forage in flocks. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Eastern Meadowlark has a yellow breast and throat with black plumage in the shape of a 'V' on it's throat. This particular specimen has a long pointed bill which is in the shape of a spear. The crown of the bird is a dark brown and it also has lighter brown/yellow stripes on the brow. The back, wings, and tail are light brown with dark brown mottling. This specimen stands upon a wooden platform and has an identification tag tied around its leg. The legs are long and the specimen has been styalised in an upright position.Label: [illegible] Ant-Eating Thrush / Catalogue, Page 66. /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, eastern meadowlark, meadowlark

The Dusky Woodswallow is often found in flocks which can be located in two separate populations. The Eastern population if located in Atherton Tableland in Queensland south to Tasmania and west to Eyre Peninsula in South Australia. The other population is found in south-west Western Australia. They reside in open forests and woodlands. This species is surprisingly aggressive and may fight with other Woodswallows for territory and nest sights. They will even chase raptors away from their homes. This species flies in flocks of around 10 to 30 birds which cluster together. In terms of diet, these birds eat insects and nectar from flowers. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Dusky Woodswallow has largely deep brown colouring with some areas of grey on the head, neck and chest. There is a deeper brown colouring between the wings on the back of the specimen and the wings are black. This bird has a small curved bill which is grey and white. The legs are dark grey and the bird has long talons with an extra long toe in the centre. The eyes are made of brown glass with a back pupil. The bird is styalised standing on a wooden mount and has a paper identification tag attached to its right leg.[torn] / 9 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swallow, woodswallow, dusky woodswallow

The Belted Kingfisher is commonly seen near bodies of water or coasts in Canada, Alaska and the United States. During migration periods these birds may stray far from their usual habitat. Interestingly, the female of this species, as is the case for this specimen, is often larger than the male. They are also more brightly coloured. This species feed on amphibians, small crustaceans, insects, small mammals and reptiles. They lie await perched on a tree located close to water and remain there watching until they see their prey. When they have located their prey, the Belted Kingfisher plunges its head into the water and catches its food. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Belted Kingfisher stands upon a wooden perch with a light brown paper tag attached to leg. This specimen has pale cream/white and slate grey/blueplumage. The head and back are coloured the blue-grey while the neck and stomach are cream/white. The bird has a black ring around its upper chest. The stomach has a chestnut brown band which identifies this particular specimen as female. The bill is long and pointed and the eyes and legs black. The bird is small and stocky with a large head and a square-tipped tail.95.a / Belted / Kingfisher / Catalogue page, 25 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, kingfisher, small birds, belted kingfisher, king fisher, female bird

This item belonged to Dr Horace Iles Holmes (1877-1959). He was born and educated in Tasmania and completed a medical degree at Melbourne University. He commenced a medical practice in Warrnambool in 1906 and was the Honorary Medical Officer at the Warrnambool Hospital and Warrnambool’s Health Officer. His practice was at ‘Ierne’ at the corner of Spence and Kepler Streets. Dr Holmes was an early member of the Royal Australian College of Surgeons and was prominent in Warrnambool community affairs (foundation President of the Warrnambool Rotary Club, a member of the local Masonic Lodge for over 50 years, a Warrnambool Hospital Committee member, a long-term Trustee of the Warrnambool Methodist Church and President of the Lyndoch Hostel for the Aged Committee). Dr Holmes also had many recreational interests, including fishing, bowls and golf. This item is of considerable interest as one coming from the collection of Horace Iles Holmes, a doctor who was prominently associated with the professional and community life of Warrnambool for well over 50 years..1 This is a cylindrical-shaped brown leather case with white stitching along the sides and at the ends. The top end has a leather lid attached to the body of the case with a metal pin. The leather attachment here is broken away. On the side of the case is a leather handle. The case is much scuffed. .2 This is a metal tripod with three legs and pointed ends for embedding into the ground area. The three legs sit on a rounded metal top with a screw for attachment to a camera. The metal top has white printing. The top part of the tripod is slightly rusted. ‘Normal Marque Deposee’warrnambool, dr horace holmes, photographic accessories, history of warrnambool

Black and white photo - mines and mining. At centre front - deep trench. At centre shed, poppet legs, wood pile, building with chimney at right. Wood pile, Building with chimney at back. At back, poppet legs on horizon, trees, building ( house ) buildings with chimney, trees, behind trees large 2 storey building ( Gold Mines Hotel ? ) other large buildings on horizon to right. ' Mining - Bendigo Vic. View of Victoria Hill taken from Old Chum Hill' written on back of photo.place, landscape view, victoria hill

Bendigo Advertiser "The way we were" from Monday, February 28, 2005. Heyday: the surface view of the test shaft, plant and poppet legs of the government shaft at Fosterville (October 1900-April 1903). A pumping plant and winch were purchased from the Tyson's Reef Mine for 900 pounds and removal and assembly cost 723 pounds. Arrangements were also made with the North Stewart Company for the loan of poppet legs, the steam winch engine and buildings. The closing of the shaft led to the exodus from Fosterville.newspaper, bendigo advertiser, the way we were

Food safes / cabinets are used principally to keep food safe (from flies and other pests), clean and cool. They have been used to store perishable foodstuffs for centuries, and are still made and used today. They are usually placed in a well ventilated area to allow for air flow, thus ensuring the produce is kept cool. This was a normal household item before iceboxes came into regular use.This was a normal household item before iceboxes came into regular use.A wooden cabinet / safe. It has two doors and zinc mesh insets on the sides and front. Inside are two shelves. The back and top are closed. The knob fittings are brass. It has four turned wooden legs and the doors are hinged.furniture-domestic cabinet food-safe

The Mont Eltham Pot Belly Stove History The Mont Eltham Pot Belly Stoves were first manufactured in the 1960s at the Burrowes family business The Lyn Iron Foundry in Coburg Victoria by Barry and his father Charles Thomas Burrowes. The manufacture of The Mont Eltham Pot Belly continued in Victoria as The Mont Eltham Stove Co. by Barry and Glenda Burrowes in Montmorency and later in Thomastown. The castings were produced by leading Melbourne foundries, Cox & Rosetti , and Anderson & Ritchie. They were also made in Ballarat by The Harding Bros Foundry, and in Shepparton by The Furphy Foundry. The Mount Eltham pot belly stoves were manufactured until the late 1980s. Stove; cast iron pot belly stove. Very large cylinder shape with square base, grate shelf around centre, on 4 legs. Inscription on door. "Swagman" model. Made by Mont Eltham Stoves, Victoria. "Mont Eltham Stoves Vic Swagman Aust"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, domestic heating, domestic heating, stove, pot belly stove, wood fired stove, old world stove, the mont eltham stove co., the lyn iron foundry, barry and glenda burrowes

Black and white photograph. Poppet legs. Corrugated iron buildings and associated mine equipment. Dam in foreground. Three houses at R. Inscriptions: on back - rubber stamp 'Central Nell Gwynne Gold Mining Company. No liability:mine, gold, central nell gwynne mine, bendigo, mines and mining, mines, mining, poppet head, landscape

Photograph - black & white. A portrait of a older woman and a cat, the cat standing on it's back legs It was known that Lydia had cats and she loved cats and by looking at what Lydia's estate gave to the Historical Sociey, is this Lydia?person, individual, pethard family, photograph. pethard family. female portrait with a cat.

Mk. 3 Martin Baker ejection seat. Canberra bomber pilot reat. Consists of oxygen hose, safety harness, leg restraints, face blind, seat harness, head cushion, parachute back support padejection seat, canberra bomber

The stocking were worn with corsets or a suspender belt and were fastened to the foundation garments with suspenders. 60 denier stocking were not the finest knit stocking. The stockings are seamed and have a heel and toe shaping.A coffee coloured pair of 60 denier nylon stockings Size 10. The 'Myer' price tag is on the inside of the leg and shows the department (26), the size (10) and the price (9/9). There is a band of red around the top of the ribbing.GOLDEN OPPORTUNITY / 60 DENIER / SELECTED MEDIUMS / NO 2 NYLON 10myer, hosiery, nylon stockings, clothing and dress, footwear accessories, george evans collection

Small oblong table with bamboo legs and bamboo trim curved on two sides and crossed on two sides. A narrow wood shelf nailed to the lower cross supports. Table has been painted with brown shellac varnish.furniture, domestic, domestic-nursery

Bisque Doll dressed in cream silk smocked dress with crocheted lace border on collar.and hem. White lawn petticoat pin tucked on hem. Wooden legs on cords attached to body. Brown hair with pink ribbon.toys, dolls

Brass candle stick holder. Decorative patterns on the base and stem. Base has three legs/supports. On top of the base is a circular cut-out pattern, then on top of the that is the cylindrical shape where you would insert the candle. candlestick holder, candles, light

BHS CollectionHorwood Collection. Mine in Kneebone St., near Langhorne' Garage which was on the corner of Eaglehawk Rd., and Parsonage Street, Markings Wooden Poppet Legs. Markings; Mine in Kneebone St, Eaglehawk, near Langhorng's Garage. OCT65MKodakmine, gold, poppet head, horwood collection. mine in kneebone st., near langhorne' garage which was on the corner of eaglehawk rd., and parsonage street, markings wooden poppet legs

The Central Red White and Blue Gold Mine was Bendigo's leading gold mine from 1910 - 1913. During the mine's operation, the main shaft was sunk 670 metres, and retrieved over 2500KG of gold. The Central Red White and Blue Gold Mine was located on the corner of Chum St and Honeysuckle St in Golden Square.black and white photo - poppet legs, corrugated iron buildings, round brick chimney stack, 3 cylindrical metal tanks, picket fence across from left to RH side of building, Electricity pole at centre..bendigo, gold mining, gold, central red white and blue gold mine, chum street, honeysuckle

Eaglehawk was declared a municipality 22/7/1862. It was to be made up of a council of seven, constituted as follows:- 1 councillor from Peg Leg Gully, 1 from Sailor's Gully, 1 from Myers Flat, 2 from California Gully and 2 from Eaglehawk proper.Yellow folder titled Eaglehawk centenary 1962 and other items. Inside several newspaper articles all relating the Eaglehawk centenary in 1962.eaglehawk, centenary, 1962

This book was produced by Patons and Baldwins and contains patterns of knitted garments for men. It was owned by Billie Rech, the aunt of the donor, who was a great knitter. It was produced during World War II and contains both service and civilian patterns, including a pattern for an amputation cover for either an arm or leg.Front cover of Patons and Baldwins Specialty Knitting Book no. 132. Contains WWII patterns. Back cover of Patons and Baldwins Specialty Knitting Book no. 132. Contains WWII patterns.PATONS & BALDWINS' / SPECIALTY / Knitting Book / No. 132 / 6 1/2D.handicrafts - history knitting world war ii, patons and baldwins (australia) ltd, handicrafts - history, knitting, world war ii

This majestic peacock embodies technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897), and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians, loved majolica, and the large peacock would have been the ultimate home accessory, as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became famous pottery and porcelain manufacturers. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best known work. Comolera, kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio, to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today some historians now believe that twelve were fired at the Minton factory, research is still on-going. These peacocks were so admired that the Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, assuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics, tiles and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares including the peacock at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria in calm foggy weather in June 1878 on the final leg on the ships journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods including this peacock back into the sea. The two men found the peacock in its case ‘bobbing along in the water’, and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue the head had broken from the body. This account was proven to be true in 1988, following the birds display in Brisbane. This peacock began its life in Australia, not in grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton &Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home for many years, and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Florence tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell the peacock, it was displayed in the window of the Argus newspaper office on Collins Street, and at the National Museum on 1st June 1935, the date of the 57th anniversary of the Loch Ard wreck. As a result, the peacock again attracted public attention with books, newspaper and magazine articles being published telling the story of its survival from a shipwreck. After Miller's death, the peacock remained in an antique dealer's shop in Melbourne for many years until it was bought at auction by Frank Ridley-Lee, in the 1940s, who displayed the bird at his home in Ivanhoe/Heidelberg. The peacock remained in the hands of the Ridley-Lee, until it was offered for sale in 1975 as part of Mrs Ridley-Lee's estate. In 1975, an advertisement in Melbourne newspaper, the Age announced the sale by auction of the art collection of the Ridley-Lee estate that included this peacock. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to raise the necessary funds through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half of the of the cost. On 9 September 1975, the peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since, it has only left Warrnambool twice. Firstly, in 1980 at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire

This scale model of a mining plant was made by Donald Douglas Mather of Talbot. The engine shed houses the winches, which raise and lower the cages carrying the workmen. The winches also control the water-Baling tanks, which are lowered into the pump shaft to clean the water. The Pump Shaft is part of the main shaft partitioned off for keeping the water down. The old style plant (or cas commonly known poppet legs), were all of timber construction and, when erected, straddled the main shaft. This scale model allows for steel construction, and is set over the shaft to permit an unobstructed view of the operations. The Bad level is where the workmen enter and leave the shaft. The staging platform on the first level is where the trucks and mullock or other material are wheeled out on rails and then tipped to form the mine dump. The top level is to allow for maintenance of plant. Donald Douglas Mather of Talbot worked in mines in Ballarat, and made the model of the poppet head. The poppet head is a replica of those used at many mines in Ballarat. Back in the 1850s Ballarat was a god rush town and many mining claims were made and poppet heads built this is a replica of those poppet heads which are a part of Ballarat's Heritage and a full size poppet head is erected at Sovereign Hill Theme Park in Ballarat. Mining is a huge part of Ballarat's history.A timber poppet head and engine room model. "This scale model - the modern construction of a mining plant - was made by Mr Donald Douglas Mather* of Bonnie Doon, Talbot, Victoria. The engine shed houses the winches, which raise and lower the cages carrying the workmen. The winches also control the water-baling tanks, which are lowered into the pump shaft to clean the water. The pump shaft is part of the main shaft partitioned off for keeping the water down. The old style plant (or as commonly known poppet legs), were all of timber construction and, when erected, straddled the main shaft. this scale model allows for steel construction, ans is set over the shaft to permit an unobstructed view of the operations. The bad level is where the workmen enter and leave the shaft. The staging platform on the first level is where trucks ad mullock or other material are wheeled out on rails and then tipped to form the mine dump. The top level is to allow for maintenance of plant. * Mr Mater, previously of Ballarat, worked for many years as a miner and plant erector" (Old interpretive panel)mining, mather, mining plant, poppet head, engine house, model, donald douglas mather