The cards where distributed army personal to send home from the war. J.I. McIntyre was a member of the Lara RSL along with brothers Jim and Thonas Blue Card with white boundary, with card insert and red ribbon tying them together On the front page 58th Battalion Badge. Inside 1916-1917 inside a wreath of wheat .Going down on either side in a scroll like pattern is the names of battles on the left is Somme, Fromelles Sinai and on the right is Lagnicourt, Bullecourt, Polygon Wood. In the middle is written in script With Kindness Remembrances & all Good A.I.FWishes for Christmas & New Year From J.L McIntyre. Down the bottom is 58th Battalion A.I.F Xmas 1917 New Year 1918 christmas card, world war one, army, a.i.f, mcintyre

Army issue , World War 1,folding cutters convenient for personal carrying.used for cutting wire if required when on duty during service dutyFolding metal wire cutter, four rivets, one large and three small. Some rustingStamped on cutting head "THOMAS SMITH & SON / SALTLEY LTD / 1917" stamped on opposite plier arm, broad arrow and "J"world war 1, army issue, metal, wire cutters, folding wire cutters, cutting tools, broad arrow, thomas and sons, saltley, birmingham unitedkingdom

Editorial, Obituary, Personal, Fumes from the Lab, Arts & Crafts Gossip, Sport, Echoes of the Past, Commercial Notes, Geelong Trip, The Junior TechsRed soft covered magazine of 48 pages. Artwork * The Familiar Spirit - Lino cut - By Colvin Smith * Zipp - By Colvin Smith * Puss - By Colvin Smith * Jean - By Colvin Smith * Pen and Ink Sketch - By Don Refshauge * Alice - By Colvin Smith * Joe - By Colvin Smith * Enormous cheek shown by Walters - By James Allan * Here is a fair maiden all forlawn - By Levi Molineux * Lend us one till Monday - By Levi Molineux * The Ratter - By Levi Molineux * Silence is golden - By Jimmy Wright * Glimpse of assaying room - By Geo Crawley * Boy and Girl with umbrella and puppy - By D.W. * Vic Hunt - By Don RafshaugeSigned on front cover by H. Darbyballarat school of mines, magazine, a. e. williams, m. wilson, a. bosher, r. elsworth, dr. j. r. pound, a. w. williams, c. l. smith, k. windsor, j. curran, j. walters, j. skelton, f. whitworth, r. w. morrison, n. baker, e. h. schache, p. f. chaplin, don refshauge, corinne rockwell swain, h. maddern, a. raworth, k. jones, r. nimon, j. allan, f. longhurst, s. hillman, f. penney, f. faram, c. martin, j. muntz, a. gray, k. keith, p. mcgregor, n. graham, d. ferguson, w. usebach, j. capuano, d. flynn, e. george, o. lyons, m. kelley, e. curnow, m. bettles, j. corbett, i. davidson, c. dulfer, a. watson, j. p. elsworth, l. b. evans, w. hughes, a. collins, j. pittard, geo. crawley, edith curnow, fred longhurst, olga dulfer, nornie gude, jesse hopwood, stan hillman, levi molineux, hester darby, hector ashley, howard beanland, yallourn technical school, henry kum yuen, edwin a. brophy, r.s. russell, e.h. schache, a. perry, h. koeford, l.b. evans, w. hughes, a. colling, f. sparkman, r. falla, w. hughes, j. pittard, a. collins, a.w.steane, r. morrison, e. steane, c. ellis, k. butler, b. titheridge, a. collins

What makes Jewish Anzacs unique is its interweaving of the many remarkable lives and personal accounts of Jewish Australians who have served in uniform.Produced by the Bendigo South East College in co-operation with members of the Bendigo Sub Branch of the VVAA.jewish soldiers - australia, armed forces

Pat Corrigan was a lifelong collector of fine art and rare book and commissioned Australian artists to design personal bookplates for his family since the 1970s. Framed bookplatepatrick corrigan, bookplates, framed bookplate, keith wingrove memorial trust

Pat Corrigan was a lifelong collector of fine art and rare book and commissioned Australian artists to design personal bookplates for his family since the 1970s. Bookplate featuring Patrick Corrigan playing a trumpet in front of the Sydney Harbour Bridge.Signed: Andrew Sibley 2014patrick corrigan, sydney harbour bridge, trumpet, bookplates

Used on MMTB caps until the early 1980s, with their operations or their assigned personal employee number or crew number below. Used from the late 1910s.Demonstrates a MMTB cap badge.Badge or cap badge, nickel-plated brass? for MMTB caps - letters TB combined together. Has two metal lugs soldered onto the rear to enable it to be fixed into a cap. In the middle on the rear the manufacturer's name "STOKES" is stamped into the badge. Set of 2. tramways, trams, mmtb, operations, badges, crews, drivers, conductors, personnel, employees

Hard Cover book. Hard cover - cardboard, green buckram with gold print on front and spine. Gold decorative edge on front and spine. 371 pages, cut, plain, off white paper. Illustrated in colour - photographs of National and State Symbols, The Order of Australia, Australian Bravery Decorations, Personal Arms. Handwritten inscription, reverse side of front end paper. Front and back end papers in green and gold coloured designs. Illustrated in colour - photographs of National and State Symbols, The Order of Australia, Australian Bravery Decorations, Personal Arms. Handwritten inscription, reverse side of front end paper. books, australia, symbols, decorations

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. One typed page, headed Personal. Letter from F. C. Dyett, 7 Bignold Avenue Bendigo addressed to the Mayor, Cr N. J. Oliver. Dated 15th January, 1965. Thanks the Mayor for his representation of the City at the funeral of his late uncle, Sir Gilbert Dyett, C.M.G.bendigo, council, sir gilbert dyett, norman joseph oliver , councillor norman oliver. mayor of bendigo. sir gilbert dyett, c.m.g.

A wooden racquet with yellow and blue whipping around shoulders. Decal image of Ellsworth Vines on stem on obverse. Inscription, from head to stem, on obverse: WILSON/ELLSWORTH VINES/PERSONAL/MODEL. Inscription on stem on reverse: WILSON/WEIGHT/BY/BALANCE. A red and blue chevron design features at the base of the stem on both sides. Butt cover features Wilson 'W' trademark. Materials: Wood, Gut, String, Ink, Leather, Metal, Glue, Lacquertennis

This item forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.An important item of mixed-media commemorating a child's participation in fundraising during the First World War. Dorothy Richardson's brother died in Alexandria after being wounded at Gallipoli. This item formed part of a larger collection comporting service in World War 1.Young Workers’ Patriotic Guild commemorative certificate. The certificate was awarded to Dorothy Richardson, a pupil of Kew Primary School. Forty-two buttons, created to support the war effort, surround the certificate. The Young Workers’ Patriotic Guild was formed in Victorian schools in 1916. Each child who raised one pound ‘by personal productive effort’ received a certificate. The money was used for the war effort. [Dorothy Richardson is better known as the historian Dorothy Rogers].young workers patriotic league, world war 1, first world war, department of education -- victoria, dorothy richardson, dorothy rogers, rogers collection, wwi

Yields information about the design and construction of the depot extensions for the BTPS in the mid 1970's and has a strong association with Warren DoubledaySet of personal papers of Warren Doubleday concerning the extension of the original depot of the BTPS in the mid 1970s' Includes drawings, sketches, Letters In and Out, Specifications, calculations, Building Permit and General Papers. This includes plans of Bungaree, list of drawings held by Bill Kingsley at the time, and a report dated 25/4/1977 titled "First Report of the Expert Panel on Tramway Museum Safety Standards to the Chairman and Members of the Council of Tramway Museums of Australasia".trams, tramways, btps, depot extensions, cotma, safety

Set of personal papers - carbon copies of original documents involved with the "Consolidation of Melbourne and Metropolitan Tramway Acts" 1 - List of documents prepared by the Board for the Director of Statutory Consolidation 2 - Statement regarding tramways authorised by tramway construction acts passed since 1928 3 - ditto by National Security Regulations passed since 1928 4 - ditto authorised by Order in Council pursuant to Section 42(3) of Act 3732 since 1928.trams, tramways, mmtb, tramways, parliament, order in council, world war 2, acts of parliament

Two copies of a white soft covered book titled, 'For The Empire. The Last Post.' On the inside front cover are the words, ' Major Murdoch Nish Mackay, LLM. Scholar and Patriot.' Forward by G. Mackay the father of Murdoch. One copy has some personal signatures. Cambridge Press, Bendigo. C.1917. 44 pgs. [photos]. In recent years someone has researched Mackay, and the printed sheets have been included here.Cambridge Press, Bendigo. C.1917.world war 1, major murdoch nish mackay, lydia chancellor, world war 1, memorials, major murdoch nish mackay llm., soldiers, war

Postcards and letters like this,sent by family and friends to their loved ones serving overseas are greatly appreciated by the service personal as they receive news from back home.This Postcard was sent overseas by Ida Robinson to Sergeant B.Partridge but was returned to sender as he was deceased.Rectangular shaped fawn coloured envelope containing a Postcard.This envelope is addressed to Sergeant B Partridge and was delivered but now has a return to sender sticker on it as he is now deceased.cards,picture post cards,lara r.s.l. letters.

A personal recollection by Betty Bennell of her early life, her time spent at Janefield Training Centre and later living with friends away from Janefield.3 pages typescript, 1 colour image.janefield, betty bennell, janefield training centre

Curriculum Vitae of Debra Ann Layt, Managing Director/Owner of The Patchwork Gallery, Watsonia. Note: complete document available. Personal details not shown here.2p. black and white print, colour photograph, stapleddebra layt, the patchwork gallery, watsonia people

Crime cards were used by police to record an offenders personal details, their offense, arrest and release or transfer. These crime cards are from Ballarat region, 1872. White paper card, stamped form, filled out in ink. crime, criminal record, police, victoria police, goldfields, ballarat, crime card

The computerphone was an advanced telephone, a personal computer with a built-in display and two micro-drives for storage, an information terminal, and electronic messaging terminal and included a printer option.A 14 inch colour monitor, keyboard and phone handset complete with accessories and instruction manuals. The Computerphone was known as a 'CP'. See http://www.telephonecollecting.org/telecom.htmstitchboard, computer screen, telephone, telecommunications

Under the doona investigates the creative potential of observing the domestic environment and connecting with the local landscape within the restrictions of COVID-19 in 2020. The global pandemic is explored from a personal domestic and local position on Wurundjeri Country in Nillumbik in my 5km radius.Universally recognisable as a symbol of hygiene, the Chux cloth was discovered discarded and coated in Nillumbik’s infamous clay on my daily walk. Local Indigofera Australis was used to extract ‘Chux blue’ to botanically dye hand spun silk and Polwarth yarn. Not a scratchy synthetic Chux, my handwoven natural fibre soft cloth positions soothing touch as an all-important sense within the physical constraints of social distancing. My masked daughter holds her pet rooster. My son learns new card tricks using crackers. Family and local surrounds provide close and reassuring comfort. The project values intimacy, touch and local connectedness. On a global scale.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it

My paintings reflect upon the peculiar state of our existence in the pandemic ravaged world: a microscopic and invisible virus has wreaked havoc and revealed the fragility of the human race regardless of our technological and economic advancements. Overwhelmed by the hostile environment, our once arrogant bodies are depersonalized, suspended, fragmented, perplexed and isolated. Mixed with different races, colours and genders, the new bodily world is an imaginative vision of the post pandemic psyche. The lines and shapes delineate an space with new boundaries and depth, full of aching, longing, order less and distorted bodies forming an assemblage endlessly floating on the blue surface, gasping for air, emerging and submerging, shrinking and extending. COVID-19 is a wakeup call for us to rethink our relationship with technology and environment in order to create new control, purpose and identities, which we need to help future generations to survive. Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it

Isolation is something I am all too familiar with.In the middle of the last decade, for a period of three years, isolation became my way of living, as due to my health, I physically couldn’t leave the house, or even my bed very often. I would be so desperate to get out of the house at times that it was if I was a prisoner trying to escape the confines of Alcatraz. The isolation experience during the COVID-19 pandemic has brought back many emotions and memories of that time, some of which I would rather not remember.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it.

‘Relax, We’re Doing Great’ explores the mixed messages and lottery of language we have been exposed to during COVID19. Sourced from local and global leaders, warning signs and public messages, the text ranges from instructional to in-denial; to even epidemiologically dangerous rhetoric.These works connect into the hand-made, digital and 24/7 news cycles - key coping mechanisms for fears and uncertainty - of this pandemic period. The power and importance of language is highlighted when experienced en masse. The repetition of the layout of these works also allows for the creation of GIFs – mimicking the flickering of LED signage.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it.

Leaving Isolation is play on words; a pun. It is a joke shared with new imaginary friends found while living alone, in isolation. Processing emotions, sanitising theories, engaging in shadow play; these works show individual native leaves that resemble expressive faces collected on permitted daily walks. 30 small, 15 x 21 cm still life studies in ink and watercolour are hung to reference a calendar month during COVID-19. The work considers the nature of ecology in the anthropocene while confronting emergent psychological myth-scapes during Lockdown.Commissioned by Nillumbik Shire Council as part of the Art in the Time of Covid project which invited artists to create artworks that reflect the pandemic and the artists' personal experiences of it.