Small oval shaped tin with hinged lid, decorations of female with cattle on lid & farmyard scenes around sides.domestic equipment, containers, tin

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Views of Victoria (General Series) No.21 / ‘Scene near the Yarra Flats’ / Albumen silver photograph mounted on board.Inscription on reverse: ‘The scenery in the vicinity of the Yarra Flats is of a very varied character. In some places the River winds its way through flat open country, with scarcely a shrub on its banks; and in others the scenery is of the wildest description. The stream being impeded in its course by fallen timber, is not so rapid here as at other places. The present illustration is a characteristic one of the above place.’nicholas caire, australia - landscape photography

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The many annuals seen in this postcard demonstrates the intensity of Edwardian gardening. Colour scene of staked flowers (mostly blue) surrounding a grassed area with a circular garden in the centre and trees in the backgroundFront: ‘The Botanic Gardens, Williamstown’. Reverse: ‘POST W.T.P. (in a double rectangle inside a patterned diamond) CARD’ centre top of card, underlined with a dividing line down the centre of the card. ‘This Space may be used for Correspondence’ on left side of line; ‘This Space for Address Only.’ on right side of line. Right top corner inside dotted lines to indicate stamp placement ‘Printed / in / Germany / 155/103580’.postcard, garden-beds, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, colour-postcard, flowers

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Unframed watercolour of a coastal scene by David Alexander with a similar unfinished watercolour on verso. Gift of David Alexander, 2013art, artwork, merimbula, david alexander, seaside, coast, seascape, unframed

Two porcelain dress buckles, used on belts. One with brown & blue floral pattern. One with country scene. belt buckles, buckles

Limoges porcelain is hard-paste porcelain produced by factories in and around the city of Limoges, France beginning in the late 18th century. Limoges had strong antecedents in the production of decorative objects. The city was the most famous European centre of vitreous enamel production in the 12th century. These shoes were bought by Mr. & Mrs. H. N. Lord in Paris in 1966.Small Limoges ornamental porcelain chair with scene of a man and woman in a garden on seat and back. Gold frame and edges.china, ornaments, chairs

Postcards collected after WW1 whilst R.H. Baron was stationed at 5th Divisional Headquarters (57 Batt) in Belgium, 1919. Part of the "Robert H. Baron" (3596) and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Eight black and white postcard scenes of Couillet near Charleroi, Belgium. Perforated edge on LHS of each card.robert h. baron, cooper collection, postcard, ww1, couillet, belgium

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. Religion played a significant part in daily life at the time.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920.This postcard depicts the scene of Mark 10: 13-16 from the bible, where Christ meetings a group of children.On front, printed under image: 'Christ Blessing Little Children / St. Mark 10: 13-16' On back, printed above line: 'Christ Blessing Little Children' On back, printed below line: 'THEY brought young children to / Jesus, that He should touch them: / and His disciples rebuked those that / brought them. / But when Jesus saw it, He was much / displeased, and said unto them, "Suffer / the little children to come unto me, and / forbid them not; for of such is the / kingdom of God. Verily I say unto you, / Whosoever shall not receive the kingdom / of God as a little child, he shall not enter / therein." / And He took them up in His arms, / put His hands on them, and blessed / them. / So that day the mother helped the / disciples to learn about Jesus. The dis- / ciples thought the children would be a / trouble, but the mothers knew that Jesus / loved the little and helpless ones, and / would bless them, for one day He had / said, " All who seek to enter the kingdom / of heaven must become like little chil- / dren." So they were not afraid to draw / near.'postcard, 1900s

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Black and white photograph of a semicircular structure set amidst trees on the banks of a lake, with the reflection seen in the lake below. The structure is a concert bowl, with numerous spotlights on the ceiling lighting the stage area below. On the stage is a group of musicians playing. The place is the Concert Bowl in Kenwood, Hampstead, London. The musicians are the London Symphony Orchestra, conducted by Frank Wright. 2). Black and white newspaper clipping of the same scene with a caption. The newspaper is 'The British Bandsman'.1). Written in pencil on back - Kenwood, Hampstead, London, c1969 2). Typed caption - A Remarkable Photograph.The many thousands of visitors to Kenwood, home of outdoor Concerts in Hampstead, London, will recognise the scene of the Concert Bowl, looking over the lake. Our photograph was taken on 7 June this year and shows the London Symphony Orchestra conducted by Frank Wright. The music performed was Mr Wright's Prelidio Marziale and the occasion was the 100th performance at Kenwood.frank wright, conductor, brass bands, london symphony orchestra, kenwood hampstead, concert bowl, reflection on lake

7081, WMC Manager Keith Parry addressing audience, Seated from L. Mine manager Brian Micke, unknown, unknown, Don Webb Seated far right Jean Earle Standing Pat Krause (bearded), John Van Leeuwen (hat and glasses) 7081a: Crowd Scene at the opening of the Magdala decline Front: L to R Eric and Hazel Lewis, Keith and Elwyn Haymes, Joan and Keith Hallam second row: unknown , unknown, Cynthia and Glynn Cashin, unknown , unknown third row: none known fourth row: Peter Ruthven, unknown, Jack Jones, Ken Dadswell at end, behind him Ian McCann Standing behind Mr and Mrs Kinsella on L. 5th from R. Terry Monaghan 7081b: Male Breaking ground with a Gold Pick (Mr David White, Minister for Minerals and Energy) 7081c: Catapillar Dozer digging the decline. 7081d: Conveyor belt moving soil with two workers 7081e: Underground Photo, a worker looking at drill placement. 7081f: The entrance to Magdala Delcine 1981. 7081g: A large dumper in the decline underground. 7081h: A Vehicle at the entrance to the Magdala Decline. 7081i: A Large group of miners around a vehicle at the entrance to the Magdala decline. 7081j: B/W showing a large rock with the dedication Plaque 7081K: Outside machinery for the drive. 7081l: Tanks containing liquid, one with the shell logo, and a red container. 7081m: Yellow tray truck emerging from the Magdala Decline. 14 Photographs showing crowd scenes at the Magdala Deline Opening in 1981 First shows CEO of WMC Keith Parry addressing the crowd Manager Brian Micke seated on far left Mayor Don Webb seated second from right7081k: On Reverse Stawell Gold MInes: Neg 26: 257 7081l: On Reverse Stawell Gold MInes: Neg 24: 257 7081m: On Reverse Stawell Gold Mines: Neg 25: 257 mining

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 23 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. In the 1920s, the photographer travelled throughout Victoria, including on the west coast from Port Campbell to Port Fairy. Trips were presumably made by train and by foot. Lynda Tieman and her team at the Port Fairy Historical Society were able to identify a number of Henry Christian's photographs of Port Fairy of which this is one. The scene is of Port Fairy Bay, with the Red lighthouse on Griffith Island on the horizon. In the foreground, two men are rowing a boat. henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, port fairy bay, red lighthouse, griffith island

Ship model Eumeralla steamship with one funnel, two masts portholes in hull, set against a coastal scene with lighthouse. Ship is painted green. Model is in a wooden framed glass case. Split on background scene. Case strengthened by metal brackets at top corners and bottom front corners. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Victorian scene. Location not identified. This scene is part of Charles Marshall's collection of World War 1 photographs.Digital copy of black and white photographcharles marshall, world war 1, victoria

Victorian scene. Location not identified. This scene is part of Charles Marshall's collection of World War 1 photographs.Digital copy of black and white photographcharles marshall, world war 1, victoria

Catalogue card reads, "Greenwood Park Kindergarten" (3 scenes). Note same young girl (unidentified) is in all 3 photos.

Bookmark of Mrs. Edward Hunter Snr, circa 1890Silk bookmark, with fringed edges, and a 'Forget Me Not' motif and text."When with varied scenes, you wander. Whatsoever be your lot. As on bygone days you ponder then I ask forget me not."bookmarks

Each postcard folder was sent to a Mss B Murdoch by F.G.Davey, .1) features New York City, .2) Kansas City, .3) Salt Lake City. Part of the Frederick Gardner Davey DFC RAAF collection. Refer Cat No 3536P for his service records.Postcard folders, set of three containing coloured illustrations depicting city scenes, each folder cover and back depicts a city scene, titles are printed in colour in various fonts, each front cover has a space for an address and postage stamp, on the inside cover of each is a history of each city.On all three covers in black ink, “Miss B Murdoch 123 Wattle street, Bendigo, Victoria, Australia”. On inside cover of .3) handwritten in black ink, “Fondest love, yours truly”postcards, souvenirs

An illustration of a mountain scene on light wood. Originally there was a calendar hanging from the scene. Above the illustration are the words - 'With Compliments from K.P. & A.M. Robertson. Your Family Butcher. 81 View Street, Bendigo Phone 3 6028. Friendly Service - Top Quality Meat - Orders Delivered Free.'bendigo, business, butcher, lydia chancellor collection, collection, k.p. & a.m. robertson, industries, business, bendigo, butcher

Victorian country scene. Location not identified. This scene is part of Charles Marshall's collection of World War 1 photographs.Digital copy of black and white photographcharles marshall, world war 1, victoria

Back Lake track is near Metung, East Gippsland.This is a pictorial record of the Gippsland Lakes in the early 20th century.A black / white postcard photograph of a beach scene. Small groups of people are standing on a vegetated sand dune overlooking the water. on front - " Gippsland Lakes via Bairnsdale - the Back Lakes, S. Vogt"gippsland-lakes back-lake-bairnsdale

This photograph has been taken looking up McLeod Street, Orbost from the present farmers' store towards the Club Hotel in 1897.This is a pictorial record of the Orbost township in the late 19th century.A black / white photograph of a street scene. The road is unsealed and there are several wooden buildings. A man can be seen on the left side.orbost-township mcleod-street-orbost

A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria.A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria. Photographs by Nicholas John Caire are among the most widely published late nineteenth and early twentieth-century Australian photographs. Between 1875 and 1905 Nicholas Caire travelled the Victorian countryside, looking to capture the scenery for the commercial market. His artistic sensitivity created images which earned him popular acceptance during his lifetime and an enduring place as one of Australia's finest landscape photographers.Hardcover. Front cover photograph-Fairy Scene at the Landslip, Blacks' Spur c1878-9; taken by Nicholas John Caire.For Jane and Clarephotographers, australia, photograpy, landscapes, history, description, travel, views, anne pitkethly, don pitkethly, nicholas john caire, victoria

A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria.A book of photographs taken by Nicholas John Caire of places and scenery throughout Victoria. Photographs by Nicholas John Caire are among the most widely published late nineteenth and early twentieth-century Australian photographs. Between 1875 and 1905 Nicholas Caire travelled the Victorian countryside, looking to capture the scenery for the commercial market. His artistic sensitivity created images which earned him popular acceptance during his lifetime and an enduring place as one of Australia's finest landscape photographers.Hardcover. Front cover photograph-Fairy Scene at the Landslip, Blacks' Spur c1878-9; taken by Nicholas John Caire.For Jane and Clarenicholas j caire, photographers, australia, photograpy, landscapes, history, description, travel, views, anne pitkethly, don pitkethly, victoria

Postcard sent to Ballarat College boarder, William L Sloss, by his mother Bernice A Sloss during a visit to Paris with his father in 1929.Its slightly formal phrasing gives insight into parent-child relations of the era. Black and white illustrated postcard; photograph of Paris scene on front; hand-written letter on back and 90p stamp attached;Address: Master Bill Sloss / Ballarat College / Ballarat - Victoria / Australia Letter: 21/3/29 / This is just a tiny corner of Paris. It is a very busy city and the taxis and cars make a dreadful noice - far greater noise than in London. Though traffic is just as great - We are having lovely weather to see this beautiful city. We are all well. Hope you are. Daddy is visiting hospital. Love from us all - Your loving mother, Bernice A Sloss.bernice-a-sloss, ballarat college, boarding, 1929, bill-sloss, william-l-sloss-1934, postcard

Single portraits are of Corporal Alan COOKE VX124263 of 148 General Transport Company. Enlisted 13.3.1943.A collection of photos depicting country scenes, camps, & sporting groups in the Northern Territory 1939 - 1945. Also single portraits.photographs, northern territory

Everyday kitchen items added a feeling of "home" in many of Victoria's institutions. The vintage butter dish is significant in its representatives of a kitchen object frequently used in Victorian institutions. Objects such as these tell the stories of peoples everyday lives.Inscribed with “The Jolly Boatman” River scene – boat, bridge and cottage Two pieces – dish and lid Yellow porcelain – crazed Manufacturer: Lancaster & Sandlandkitchen item, dish

Photograph taken by Jessie Smith ("Girlie") of San Remo who owned the Penguin Cafe in Thompson Avenue, Cowes, Phillip Island One of the Jessie Smith Collection.Black & White photograph of the scene after fire. Chimney remaining standing. Isle of Wight Hotel. 23/4/1925phillip island, isle of wight, phillip island, jessie smith, isle of wight fire, phillip island