EIG School - Ralph Birrell Collection. - Construction of Latrobe Uni. C1970. Bendigo Institute of Technology, Engineering School, Applied Science. Three men at the front one at the microphone, one is Ralph Birrell sitting to the left. Men and women in the audience.Kodakeducation, tertiary, latrobe university bendigo, eig school - ralph birrell collection. - construction of latrobe uni. c1970. bendigo institute of technology, engineering school, applied science. three men at the front microphone ralph birrell men women audience

A cardboard folder covered with red striped paper. Contains short stories from various magazines - 'Womans's Day with Woman,' 'The Australian Women's Day,' 'Woman's Realm,' 'Woman's Illustrated,''The Saturday Evening Post,' 'Woman's Journal' and 'Woman's Home Journal.' 1950s.'entertainment, short stories, lydia chancellor, collection, short stories, stories, literature, magazines, entertainment, reading

Assorted magazines - 'Australian Women's Weekly Hobbies for Everyone,' (1969), 'The Star Weekly Magazine' (1958) and 'The Australian Women's Weekly' (1959.)magazine, organization, recreation, lydia chancellor, collection, magazine, 'the australian women's weekly, ' 'the star weekly magazine'

Australian Women's Weekly Cutting dated January 13th 1971. Story relating to the immigrant ship 'Great Britain'. Related to 1861 passenger ticket from Black Ball Shipping Line, Cat No 6731.history, australian, transport

Paper, Passenger Ticket No 21835 issued to Charles Lee, aged 22 years from Black Ball Line of British and australian Ex-Royal Mail Packets, and 'Eagle' Line of Packets. Ship named 'Great Britain, 3209 tons scheduled to leave from Liverpool to Melbourne on the eighteenth of October 1861. Charles Lee Market Gardener born in China buried in Bendigo Cemetery. Died April 12th 1921 aged 86 years. Married 1874 to Louisa Yates. Florence Maude Tooley daughter. Catalogue No 6733 provides cutting from The Australian Women's Weekly-Jan 13 1971 describing history and restoration details of the 'Great Britain'. Ticket Reverse. Outline of conditions and provisions ship owners supply to passengers. Stamped 'Paid' Oct 16th 1861 Liverpool. Name of Charles Lee with age 22years.person, individual, charles lee

A damaged photograph of four unknown women formally dressed in frocks and lace - the fashion of the day. Date unknown.photograph, portrait, female group, lydia chancellor, collection, women, fashion, costume, person, people, photograph, photo, photography, family, portrait

2 large white posters titled, ' FEMALE EMIGRATION to AUSTRALIA.' encouraging single and widowed women ' of good character from 15 to 30 years of age, desirous of bettering their Condition by Emigrating..-' ' Payment of 5 pounds only.' ' ..the splendid teak-built ship' 'David Scott,' of 773 tons register will sail from 'GRAVESEND,' on Thursday 10th of July next…' Printed by Joseph Hartnell, Fleet Street for His Majesty's Stationary Office.' C1834.Printed by Joseph Hartnell, Fleet Street for His Majesty's Stationary Office.' C1834.history, australian, emigration, lydia chancellor, collection, australian history, history, emigration, women, free settlers, early settlement, sydney

Newspaper article re: a committee proposal of a Memorial for the former Bendigo Advertiser women's editor Miss Amy Huxtablenewspaper

Photograph. The Patricia Coles (nee McLean) collection. Bendigo Easter Parade Queen Competition 1928. Copy of a black and white original photograph of five women and two small girls. The child on the left is identified as Shirley McLean, daughter of Nellie & Tom McLean of the United Kingdom Hotel, Golden Square. Others unidentified.bendigo, entertainment, easter parade queen competition, bendigo easter fair. bendigo easter parade queen compettion. mclean family of golden square. united kingdom hotel.

Photograph. The Patricia Coles (nee McLean) collection. Bendigo Easter Parade Queen Competition 1926. Copy of an original black and white photograph of 5 women and two small girls posed with bouquets. The two children are identified as Shirley McLean on the left and June McLean on the right. Gwen McPherson is second from right. She was the daughter of McPherson, a senior policeman in Golden Square. Shirley and June were the daughters of Nellie & Tom McLean of the United Kingdom Hotel, Golden Square and sisters of Patricia.bendigo, entertainment, easter parade queen competition, bendigo easter fair queen parade competion. mclean family of golden square.

Round Hat Box containing a collection of lace womens wedding items. Box is approximately 400mm in diameter.

These oral histories were collected at a Talking Shop Community Day, March 2019, where the community was invited to come and share their memories on local shops and businesses. This edited piece was created for International Womens Day and features the voices of Heather Horrocks (speaking about the haberdashery business Picot and Widmer and the controversial McDonald's established on Bakery Hill in the 1970s), Shirley Whitefield (speaking about Ballarat tram and shop memories and playing local football in the 1960s), and Isabel Gribble (recalling visits to local shops and hotels). These snippets capture some of the varied and spirited lives of Ballarat women.Audio file. Edited from oral histories collected at Talking Shop exhibition Community Day March 2019, featuring the voices of Heather Horrocks, Shirley Whitefield, and Isabel Gribbleoral history, international womens day, heather horrocks, shop, haberdashery, business picot, widmer, mcdonald's, bakery hill,1970s, shirley whitefield, trams, football,1960s, isabel gribble, hotels, ballarat, women

Historical essay and timeline of the Women’s Art Register, including Vision Statement, Chronology, Publications, Associations, Overview of the unique Women’s Art Register including significant events and actions.Display copy of the softcover promotional booklet published by Women’s Art Register in 2005, with essay by Juliette Peers and design by Josephine Fagan. Contents: About the Women’s Art Register; Vision Statement, Pulications, Liasons and Associations, How to use the Women’s Art Register, Advocacy and Leading Issues, Chronology, Short HIstory of the Women’s Art Register, Membership Form, Resources and KitsThe word Corrections is handwritten on the cover.

non-fictionWomen interior decorators of the 1920s and 30s and their contribution to the Arts and Crafts movement in Britain, The Glasgow School of Art and The Bauhaus School..industrial design, craft, wallpaper, weaving, furniture, design theory, architecture

Black and white text on cover and throughout non-fictionOverview of funded and non-funded organisations focused on women's rights, and the diversity of the South Australian Women's Liberation Movement through interviews and social history. Essays written by artists, writers and women working in women's services.suffrage, voting rights, violence, communism, activism, pascifism

non-fictionA history of Australian women artists, the lives and practice of 24 women are covered to redress their absence in critical and art historical records. painting, water colour, portraiture, print making

non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity

Booknon-fictionIllustrated overview of women artists from 5th - 20th century including European, British and American artists. A chapter on Chinese artists states that Chinese women's contribution to the arts ' beginning around 3000 BC.'painting, portraiture, sculpture, textiles, photography

Booknon-fictionSixteen illustrated essays by various writers on the works and practice of women surrealists working in Europe, the United Kingdom and the United States in the 20th century.surrealism, merit openheim, leonora carrington, valentine hugo, remedios varo, leonor fini, elléouët

Booknon-fictionIllustrated feminist overview of women artists from the Middle Ages to the late 20th century, practising predominantly in Europe, United Kingdom and the United States.painting, sculpture, performance, feminism, collage

Booknon-fictionFollowing an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.art history, criticism, gender, contemporary, feminism, joan mitchell, judy chicago, faith ringgold, louise bourgeois, adrian piper, eva hesse, performance

Booknon-fictionAnthology of articles on the history and theory of community arts in Australia written by artists and artsworkers involved. community arts, collaborative practice, art history, political art, community arts network, aboriginal land rights

Booknon-fictionSeventeen essays covering every major art period from the ancient Egyptian to the 1970s presenting an alternative history of Western art history.representation, the male gaze, portraiture, the nude

Booknon-fictionAn examination of the relationship between representations of ancient and contemporary goddesses, and how they are used by contemporary artists.pre-history, spirituality, frida kahlo, judy chicago, religion, mythology, anna mendieta, ritual, sacred at, women's movement

Explores the images childhood - common, sacred, controversial -from the 18th-century portraits to today by Sir Joshua Reynolds to greeting cards by Anne Geddes, from the ambiguous photographs of Lewis Carroll to those of Sally Mann.     •     Publisher has copyright anne geddes, sally mann

Booknon-fictionArising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. Many of the works come from private collections and have not been previously published.self portraiture, self-portraiture, pictorialism, home magazine, studio photography, melbourne society of women painters and sculptors, olive cotton, ruth hollick

Booknon-fictionHistory of the Society, founded in 1902, told through the stories of three generations of artists. Includes original research, unpublished primary sources and photographs and over 300 biographies of members. china painting, portraiture, self-portraiture, flower painting, sculpture, print making, art and craft