Showing 8130 items
matching works
-
St Patrick's Old Collegians Association (SPOCA)Photograph - SPOCA, APSJ Works
-
City of KingstonPhotograph - Colour, 6 March 1993
Edithvale is a suburb in the City of Kingston. It is located between Aspendale and Chelsea on the Port Phillip Bay and built within remnant areas of the Carrum Carrum swamp. The foreshore precinct comprises a wide sandy beach, with low sand dunes and numerous historic boat sheds. The suburb consists of older style dwellings and former holiday houses, combined with mid-century housing and newer homes. The large blocks are increasingly subdivided and the existing dwellings demolished to accommodate units and townhouses, thus changing the landscape of the area and reducing the tree canopy.The beachside suburb of Edithvale was previously part of the extensive Carrum Carrum Swamp. The area was once a source of fish and eels for the Mayone-Bulluk clan of the Bunurong people. Over time the area was drained and predominantly devoted to dairy farming and holiday houses. The farms were gradually sold and subdivided with a large number of homes built after World War II and in the 1960s. Edithvale is mainly residential with a shopping strip along Nepean Highway but little significant industry was ever established in the area apart from a plaster works and confectionary factory, both now closed.Laminated aerial colour photograph of Edithvale as viewed from Alexandra Avenue in the north to Ella Grove Chelsea/Edithvale in the south. regents Park Aspendale can be seen in the top left. The area is built-up with residential housing and facilities including Edithvale Primary School, numerous churches and the Edithvale Railway station. Large sections depict the remnant Carrum Carrum swamp. Edithvale Common and the former "Duck Inn" (Melbourne Water/Friends of Edithvale Seaford Wetlands) can be seen. Edithvale Recreational reserve, the valodrome and Edithvale Public Golf Course are prominent. The image shows vacant land in the area now known as Aspendale Gardens and the newer residential section of Chelsea Heights is not developed. A bike path has been established to cover the secondary drain. The Golf Links Court residential development located off Hughes Avenue is a large vacant block.Black type on white adhesive label: 6-3-93 Black type on white adhesive label: 25/9211, 6/3/93, 11.20 am Black type on white adhesive label: 9211 Yellow circular adhesive sticker Black pencil: 9211 6-3-93 arrow pointing Nedthvale, carrum carrum swamp, aspendale, chelsea -
Melbourne LegacyPhotograph - Photo, Keeping a promise. Picking up the pieces, 2000
A 2 page double spread feature in the Herald Sun on 29th August 2000 to promote Legacy prior to Legacy Week. The photo of widows Jo Stanley and Muriel Love is accompanied by the article 'Picking up the pieces'. They were helped by Legacy when their husbands passed away. Muriel nursed her husband and after his death found a void, Legacy was a 'lifesaver'. Jo joined the younger widows club where each of them still have children on their hands so they have more in common and meet every second month. The other article 'Keeping a promise' gives an overview of Legacy and an interview with David Kelly who was president in 2000.A story on how Legacy works and its impact on the lives of two widows.Colour photo x 2 of two widows and a newspaper article about them.Photocopy of a newspaper articles are titled 'Picking up the pieces' and 'Keeping a promise'.legacy promotion, legacy week -
Melbourne LegacyPhotograph, Jack Cato, 'Digger', 1932
An iconic image of a soldier, eyes raised to the sky, taken by photographer Jack Cato in 1932. He used the artist/entertainer Pat Hanna as a model in the photoshoot. Pat wrote down his experience in a moving two page document 'The Story Behind the Picture', it tells how he was moved to imagine the action in France when posing. The image is described as the portrait of a soldier, eyes raised to the sky. This portrait is a study which is called 'The spirit of Anzac' or 'The Digger'. Pat Hanna, said he tried to recreate the "look something between fear and defiance which we have all seen so often, and which will always remain in my memory as typical of our gallant old cobbers 'the Diggers'". A colour image is held in the AWM collection. The photo was stored with other items including a letter to Frank (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01404). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed just after the armistice in France. His popular stage show was 'Diggers' that performed in many towns in Australia post-war and adapted into a film in 1931. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Black and white photo of Pat Hanna as a 'Digger' and a two page recollection of the photoshoot with Jack Cato.Handwritten on photo 'Digger' in black ink in Pat Hanna's handwriting. Handwritten on reverse " 'The Digger', sometimes called 'The spirit of Anzac' / photo Jack Cato / model -Pat Hanna" in black ink. Typed on a paper note 'Spirit of Anzac / Pat Hanna'. Stamped with copyright of The Age in blue ink.hanna, solider, portrait -
Melbourne LegacyDrawing, A Toast
A drawing done by artist Pat Hanna and sent to friends at Legacy. He was living in London at the time and drew this on his letterhead. It was stored with other items including a letter to Frank in 1972 (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01403). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed in France just after the armistice. A popular stage show was 'Diggers' that performed around Australia post-war and adapted to film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years. Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Drawing of a kangaroo and kiwi from Pat Hanna on his letterhead pasted onto brown cardboard. Also a digger's face, a rising run and maps of Australia and New Zealand.Handwritten in the drawing 'Heres to every cobber who wore the old chapeau, 20 - 30 - 40 - 50 years ago!!!' and 'There's a wee toon on the Yarra with streets broad and narra that's where we first toasted dear old Legacy.'hanna, founding legatee -
Melbourne LegacyLetter, Pat Hanna, 'Digger', 1972
A letter from Pat Hanna to Frank (presumably L/- Frank Doolan) about his request for information for Legacy's archive project. He mentions some of the outstanding events in the early days of Legacy were the wonderful holidays the children had at Somers Camp and outings for widows and their children to Luna Park. Pat posed for the iconic image of a digger taken by photographer Jack Cato in 1932. Pat wrote down his experience in a moving two page document 'The Story Behind the Picture', it tells how he was moved to imagine the action in France when posing (see 01400). This letter and another copy of the photo was stored with other items - see items 01400 to 01403. Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed just after the armistice in France. A popular stage show was 'Diggers' that performed in many towns in Australia post-war and was adapted into a film in 1931. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Letter on Pat Hanna's letterhead in June 1972.Signed 'Pat' in black ink.hanna, solider -
Melbourne LegacyDrawing, Caricature by Pat Hanna, 1955
A drawing done by artist Pat Hanna and sent to friends at Legacy as a postcard. It could be a self portrait or a caricature of another Legatee. It was stored with other items including a letter to Frank (L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01403). Pat Hanna was an entertainer, comedian, artist and producer of revues, plays and movies. One of his first revues was performed just after the armistice in France. A popular stage show was 'Diggers' that performed around Australia post-war it was adapted into a film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Cartoon drawing of a man with a monocle, signed Pat Hanna on a postcard.Post card is addressed to 'President and Legatees, Legacy Club, Market St, Melbourne' in blue ink. It is postmarked 29 December 1955 in Melbourne and an Australian 3d postage stamp. Also handwritten is 'Cartoon card by Pat Hanna 1955' in blue pen.hanna, founding legatee -
Melbourne LegacyDrawing, Card players drawn by Pat Hanna, 1955
A cartoon drawing done by artist Pat Hanna and sent to friends at Legacy. It looks like a funny caption is missing from the drawing. It was stored with other items including a letter to Frank (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01404). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed in France just after the armistice. A popular stage show was 'Diggers' that performed around Australia post-war and adapted into a film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Cartoon drawing of a four people playing cards signed Pat (Hanna).Signed 'Pat'hanna, founding legatee, cartoon -
Mrs Aeneas Gunn Memorial LibraryBook, Blackie and Son, Charles Dickens : a critical study, 1898
A critical examination of Charles Dickens and his worksIndex, p.242.A critical examination of Charles Dickens and his worksenglish literature, charles dickens -
Mrs Aeneas Gunn Memorial LibraryBook, Leo Tolstoy et al, Childhood, boyhood and youth, 1912
Tolstoy's first published novel and the beginning of his Autobiographical Trilogy. Written when he was just twenty-three years old and stationed at a remote army outpost in the Caucasus Mountains, Childhood won Leo Tolstoy immediate fame and critical praise years before works like War and Peace and Anna Karenina would bring him to the forefront of Russian literature. It is the story of the ten-year-old son of a wealthy Russian landowner in the mid-1800s, as told by the child himself. Not a mere chronicle of events and characters, the novel is an intense study of the boy's inner life and his reactions to the world around him. With an intricacy of thought and substance, Tolstoy describes the everyday thoughts of a child-innocent and mischievous, bold and afraid, and curious above all. Childhood, followed by Boyhood and Youth, is the first part of Tolstoy's semiautobiographical series, originally planned as a quartet tentatively called the "Four Epochs of Growth." The completed works together form a remarkable expression of the great Russian novelist's early voice and vision, which would ultimately make him one of the most renowned and revered authors in literary history.p.314.Tolstoy's first published novel and the beginning of his Autobiographical Trilogy. Written when he was just twenty-three years old and stationed at a remote army outpost in the Caucasus Mountains, Childhood won Leo Tolstoy immediate fame and critical praise years before works like War and Peace and Anna Karenina would bring him to the forefront of Russian literature. It is the story of the ten-year-old son of a wealthy Russian landowner in the mid-1800s, as told by the child himself. Not a mere chronicle of events and characters, the novel is an intense study of the boy's inner life and his reactions to the world around him. With an intricacy of thought and substance, Tolstoy describes the everyday thoughts of a child-innocent and mischievous, bold and afraid, and curious above all. Childhood, followed by Boyhood and Youth, is the first part of Tolstoy's semiautobiographical series, originally planned as a quartet tentatively called the "Four Epochs of Growth." The completed works together form a remarkable expression of the great Russian novelist's early voice and vision, which would ultimately make him one of the most renowned and revered authors in literary history. rusian fiction, leo tolstoy 1828-1910 -
Mrs Aeneas Gunn Memorial LibraryBook, JM Dent and sons, Goethe's Faust : Parts I and II, 1908
Faust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifep.424.non-fictionFaust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifegerman literature, german drama -
Mrs Aeneas Gunn Memorial LibraryBook, Oxford University Press, Christmas Books
Dickens's story of solitary miser Ebenezer Scrooge, who is taught the true meaning of Christmas by a series of ghostly visitors, has proved one of his most well-loved works. Ever since it was published in 1843 it has had an enduring influence on the way we think about the traditions of Christmas. Dickens's other Christmas writings collected here include 'The Story of the Goblins who Stole a Sexton', the short story from The Pickwick Papers on which A Christmas Carol was based; along with shorter pieces drawn from the 'Christmas Stories' that Dickens wrote annually for his weekly journals. In all of them Dickens celebrates the season as one of geniality, charity and remembrance.Ill, p.399.fictionDickens's story of solitary miser Ebenezer Scrooge, who is taught the true meaning of Christmas by a series of ghostly visitors, has proved one of his most well-loved works. Ever since it was published in 1843 it has had an enduring influence on the way we think about the traditions of Christmas. Dickens's other Christmas writings collected here include 'The Story of the Goblins who Stole a Sexton', the short story from The Pickwick Papers on which A Christmas Carol was based; along with shorter pieces drawn from the 'Christmas Stories' that Dickens wrote annually for his weekly journals. In all of them Dickens celebrates the season as one of geniality, charity and remembrance.english fiction, charles dickens 1812-1870 -
Mrs Aeneas Gunn Memorial LibraryBook, McMillan and Co, The life of Benvenuto Cellini, 1908
You should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novelIndex, p.450.non-fictionYou should know that men like Benvenuto, unique in their profession, need not be subject to the law.'" "Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations. A man of action as well as an artist, he took part in the Sack of Rome in 1527; he was temperamental, passionate, and conceited, capable of committing criminal acts ranging from brawling and sodomy to theft and murder. He numbered among his patrons popes and kings and members of the Medici family, and his autobiography is a fascinating account of sixteenth-century Italy and France written with all the verve of a novelart - italy - history, artists - florence - biography -
Mrs Aeneas Gunn Memorial LibraryBook, T.C. & E.C. Jack, Sargent, 189
An illustrated catalogue of the works of John SargentIll, p.80.non-fictionAn illustrated catalogue of the works of John Sargentpainting - english, john singer sargent 1856-1925 -
Mrs Aeneas Gunn Memorial LibraryBook, T.C. & E.C. Jack, Velazquez, 189
An illustrated catalogue of the works of Diego VelazquezIll, p.77.non-fictionAn illustrated catalogue of the works of Diego Velazquezpainting - spain, diego velazquez 1599-1660 -
Mrs Aeneas Gunn Memorial LibraryBook, T. Nelson, Augustus John, 19
An illustrated catalogue of the works of August JohnIll, p.77.non-fictionAn illustrated catalogue of the works of August Johnpainting - english, augustus john 1878-1961 -
Mrs Aeneas Gunn Memorial LibraryBook, Heinemann, El Greco, 1953
An illustrated catalogue of the works of El GrecoIll, p.106.non-fictionAn illustrated catalogue of the works of El Grecopainting - spain, artists - spain -
Mrs Aeneas Gunn Memorial LibraryBook, William Heinemann, Rembrandt, 1954
An illustrated catalogue of the works of RembrandtIll, p.64.non-fictionAn illustrated catalogue of the works of Rembrandtdutch painters, rembrandt -
Mrs Aeneas Gunn Memorial LibraryBook, Electa Editrice, Corot
An illustrated catalogue of the works of CorotIndex, ill, p.128.non-fictionAn illustrated catalogue of the works of Corotpainters - france, artists - france -
Mrs Aeneas Gunn Memorial LibraryBook, Electa Editrice, Rubens
An illustrated catalogue of the works of RubensIndex, ill, p.64.non-fictionAn illustrated catalogue of the works of Rubensdutch painters, rubens -
Mrs Aeneas Gunn Memorial LibraryBook, Electa Editrice, Beato Angelico
An illustrated catalogue of the works of Beato AngelicoIndex, ill, p.66.non-fictionAn illustrated catalogue of the works of Beato Angelicopainters - italy, beato angelico -
Mrs Aeneas Gunn Memorial LibraryBook, Electa Editrice, Giotto
An illustrated catalogue of the works of GiottoIndex, ill, p.64.non-fictionAn illustrated catalogue of the works of Giottopainters - italy, giotto -
Mrs Aeneas Gunn Memorial LibraryBook, Electa Editrice, Raffaello
An illustrated catalogue of the works of RaffaelloIndex, ill, p.128.non-fictionAn illustrated catalogue of the works of Raffaellopainters - italy, raffaello -
Mrs Aeneas Gunn Memorial LibraryBook, Electa Editrice, Veronese
An illustrated catalogue of the works of VeroneseIndex, ill, p.128.non-fictionAn illustrated catalogue of the works of Veronesepainters - italy, veronese -
Mrs Aeneas Gunn Memorial LibraryBook, Electa Editrice, Giovanni Bellini
An illustrated catalogue of the works of Giovanni BelliniIndex, ill, p.64.non-fictionAn illustrated catalogue of the works of Giovanni Bellinipainters - italy, giovanni bellini -
Mrs Aeneas Gunn Memorial LibraryBook, Electa Editrice, Botticelli
An illustrated catalogue of the works of BotticelliIndex, ill, p.64.non-fictionAn illustrated catalogue of the works of Botticellipainters - italy, botticelli -
Mrs Aeneas Gunn Memorial LibraryBook, Electa Editrice, Michelangelo
An illustrated catalogue of the works of MichelangeloIndex, ill, p.64.non-fictionAn illustrated catalogue of the works of Michelangelopainters - italy, michelangelo -
Mrs Aeneas Gunn Memorial LibraryBook, Electa Editrice, Donatello
An illustrated catalogue of the works of DonatelloIndex, ill, p.128.non-fictionAn illustrated catalogue of the works of Donatellopainters - italy, donatello -
Mrs Aeneas Gunn Memorial LibraryBook, Methuen, Claude, 1905
An essay on the works of ClaudeIndex, bib, ill, p.192.non-fictionAn essay on the works of Claudepainters - france, claude lorrain 1600-1682 -
Mrs Aeneas Gunn Memorial LibraryBook, Siegle Hill and Co, Murillo, 1908
Murillo was the leading painter in Seville in the later 17th century. He remained one of the most admired and popular of all European artists in the 18th and early 19th centuries. His early works were much influenced by the early works of Velázquez, executed before Velázquez left Seville in 1623, and by the paintings of Zurbarán.Ill, p.64.non-fictionMurillo was the leading painter in Seville in the later 17th century. He remained one of the most admired and popular of all European artists in the 18th and early 19th centuries. His early works were much influenced by the early works of Velázquez, executed before Velázquez left Seville in 1623, and by the paintings of Zurbarán.painters - spain, art - spain
