00088 Black Merchant Navy pollyester jacket, 8 gold buttons, Captains rank on sleeves with certificate 00088.1 Black Merchant Navy trouser.Melbourne Tailoring, 566 Elizabeth street Melbourne, 347 6844

Document. Malone Collection. Small white card with raised outer edge. On the left is a gold ship's mast with rigging lines. One line has 9 small flags, grouped in 3's attached to it. The flags are various combinations of white, blue, red and gold. Another line has two flags on it, the top one is larger and is white with a red cross with the Union Jack in the top left corner. The lower one is smaller and has 3 red and 2 white vertical strips. Printed on the front in gold: We'll meet the future full of Faith and Hope. (signalled.) A Happy Christmas.person, greeting cards, malone collection, malone collection, greeting cards

2 x hard covered books- - Thomas Williams Dentist 'PREMIER ' APPOINTMENT BOOK ' dated 1926 & 1929 / 1926 Maroon ' With the Compliments of B.N. Pty Ltd ' in gold letters/ - diary and appointment book / black and white photos of Dental equipment and adverts / 'Wholly set up and printed in Australia by Arthur Norwood , 429 Kent St , Sydney / 1929 black with gold letters , glossy red and gold inside covers , page 2 written in pencil 'Thos Williams Dentist . 275 Hargreaves St Bendigo / black and white photos of Dental equipment and advertsbendigo, business, thomas williams dentist, hargreaves street.

This is believed to be a figurine of Queen Victoria. Staffordshire pottery began to be produced in the 1840s, at the beginning of the reign of Queen Victoria, and the Queen and her family were popular subjects for depiction in pottery.Painted ceramic figurine of a woman holding a baby. The woman is wearing a dark blue dress with gold lapels and a white frilled collar, and a decorative gold pattern at the hem. The woman is also wearing a white bonnet with gold bow at the top and a red flower at the front, white gloves, and yellow slippers. The woman has short, dark coloured hair visible beneath the bonnet, and rosy cheeks. She is seated on a stool and cushion, and is holding a baby on her knee. The baby is dressed in a long white gown, with a hood. Sticker beneath the base of the statue carries the handwritten number '44'.

Prior to the election of female Councillors and Mayors from the 1960’s onwards the Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when the Mayor was unavailable. Annie Irene Michelsen (nee Tussup) born Huntly (1870-1955). Mayoress 1926/1927, 1935/1936, 1942/1943. Wife of Cr John Andrew Michelsen OBE. Pioneer in the field of social work and regarded as a woman of tremendous vitality and versatility. Known as an outstanding horse woman and breeder of standardbreds for harness racing. Member numerous sporting clubs and foundation president of the Bendigo Nurses Association. Framed, oval photographic studio portrait. Hand coloured detail. Mrs. Michelsen wore a gown of black crepe eros, cut to mould the figure and fall into a train at the back. A cascade eflect of gold lame from one shoulder to the hem in front gave graceful movement to the front of the gown, and wing draperies lined with gold lame were shirred to the shoulders of the square neckline. She wore a shoulder spray of golden orchids and carried a bouquet of old gold roses and golden leaves (1). The Argus (Melbourne, Vic. : 1848 - 1957) Wed 3 Jun 1936 annie tussup, mayoress michelsen, mayor michelsen, vincent kelly photographer, city of bendigo, city of greater bendigo portraits

Blue cloth covered hardcover Children's book with the title in gold lettering, Gentleman Jackson by H. Frederick Charles. A gold, black and red illustration is featured on the front cover of a man saving a young boy from a house on fire by lowering him in a knotted sheet. The spine has the title, a picture of a boy holding a book and the initials RTS in gold. Black and white illustrations are throughout with the same front cover one at the frontispiece opposite the title page. There is a tissue paper page protecting it. 255p. At the back are 16 pages of The Religious Tract Society's List of Books for Presentation. 255p.fictionA story of a young boy Ned and his difficult life growing up in England in the late 1800's with a drunken father and mother who dies. He is a kind boy and becomes a young man who does good deeds for many people. Religious themes throughout.religious stories, adventure stories, family life fiction

Gold award medal for elocution, with a suspension piece at the crest with a suspension ring. Obverse 3mm wide ring engraved "AUSTRAL SOCIETY CHAMPION MEDAL BENDIGO 1903" In the centre is a gold lyre attached to a scroll attached to the ring by two horizontal bars. Banner underneath the gold ring "QUI MERUIT FERAT" (translation "Let he who merits the palm possess it" OR "If you wish to gain recognition, work hard for it") Reverse Engraved on outer ring "ALEX J HAMILTON BENDIGO" Engraved on centre scroll "Grand Elocutionary Championships and 17 Prizes". Hallmarks on back of banner.person, individual, alexander john hamilton

The term Rechabites refers to a religious order, similar in some ways to the Nazirites, and they are mentioned by Eusebius of Emesa. In more recent times, the name has been used by Christian groups keen to promote total abstinence from alcohol, such as the Independent Order of Rechabites. The chain was added by Mrs Clarrie Rouget - daughter-in-law.A small gold I.O.R Independent order of Rechabites medallion on a gold open paperlink style chain to be worn around the neck. It has eight flat star shape points around the edge of a round blue centre which has a shield with symbols representing the Rechabites. On the back is the inscription as noted in detail in the next section below. The chain was added by Mrs Clarrie Rouget - daughter-in-law. It is displayed in a velvet purple jewelley box which has a cream and flock lining. The jeweller's name printed in gold letters inside the lid may not be the original maker of the medallion, but possibly made the link chain.'IOR Presented to Bro James Rouget PCR Eighteen Years Treasurer No 246 Tent 12th -4- 1909.' 'Henry Decru Watchmaker and Jeweller Main St. Croydon & Lilydale Ph 7257613 - PH 7351511'medallions, commemorative medallions, objects of vertu

handwritten notes from the Annual Report. Mines mentioned ae: Central Nell Gwynne, Deborah, New Chum Syncline and the South Virginia. Carshalton B. M. L. closed down. Also mentioned are District Gold Statistics for alluvial and quartz mining, No. of men employed in mining in Bendigo. Also mentioned are tons crushed, gold yield, fees rec'd, concessions allowed and free trial crushings at the State Battery for Bendigo and Eaglehawk. The London price of gold per ounce is mentioned and also the number of 1st class and 2nd class e' driver Certificate issued for the years 1937 and 1938.Albert Richardsondocument, gold, mining reports, annual repport inc gold & mineral statistics etc 1938, central nell gwynne, deborah, new chum yncline, south virginia, carshalton b m l, state battery

The Lay Reader David Conolly was associated with the Mission for many years in particular working with trainee cadets and RAN Officers. Painted wood crucifix on a very thin backing support of hardboard. Style of the painting is that of icon artist of Russian/Greek/Byzantine style. An inscription on the reverse. Small steel hanging hook at top edge on reverse. The edges of the icon are painted red and the whole depiction is decorated with much gilding. The whole support is in the form of a t-shaped cross. The top section depicts a risen Christ at the centre surrounded by ten disciples or saints and the hand of God appears to be at the upper central edge. The Christ figure is flanked on the main cross piece by five archangels and Saint Peter. Flanking the torso of the crucified figure appear to be Maria and St Joan and on the right side Mary Magdalen, Mark (Saint?) and a centurion figure. Three small figures also featured in this section. At the lower right corner are two haloed male figures (unidentified).Front; above haloed head of the crucified figure U.C.; IHSNAZARE in gold on a red ground/ REXIVDEORV. Beneath the central panel again gold on red SEASIOANNES AND MARIA. On the other side of the central figure; MARIAMARK CENTURIU/ MAGDALEN...IACO/ BI. Hand-written inscription on reverse; "For/ all who enter/ this sacred space./ The gift of/ David Conolly/ sometime stipendiary Lay Reader/ in the Mission/ 1956-1958.david conolly, crucifix, icons, othodox, artwork

Northern District School of Nursing trainee nurse's base uniform from 1972Nurse's one piece dress in yellow with yoke and central front chest panel in white. Dress fastens with full back zip to waist and metal hook and eye. There are two pockets at sides below waist. There is a gusset to each side of back to sleeve. There is a long sleeved, waist length jacket, satin lined, with round neck with five buttons and button holes at front. The fabric is of stretch cotton. There is a metal press stud at the top of the jacketDress has a white label with gold embroidered 'House of King, Melbourne' stitched to left rear neck facing. Stitched to the top of this label is another small white label with the name 'Anne Fitzpatrick' in green embroidery. The jacket has a white label stitched to the lining at base of neck with 'Florgale Uniforms, Melbourne, Sydney" in gold. 'SW' and a female figure in long dress is embroidered in navy blue on the label.nurses uniform, northern district school of nursing, dress, jacket

The history of spectacles The earliest form of spectacles are generally agreed to have been invented in Northern Italy in the thirteenth century. Over hundreds of years of innovation and refinement, they have been perfected into the stylish and functional designs you see today worn by millions of people to correct their eyesight. Here's a look at the key moments that defined the history of spectacles. Thirteenth century - Rivet spectacles The earliest form of spectacles was simply two mounted lenses riveted together at the handle ends. They had no sides and were secured to the face by clamping the nose between the rims, some of which had notches which may have been intended to improve the grip. Even then the wearer could only keep them in place by remaining relatively still and would normally support them with the hand. These spectacles contained convex lenses for the correction of presbyopic long-sightedness and were generally suited only to those few who lived beyond their forties and had the ability to read. Sixteenth century - Nose spectacles Nose spectacles were in more common use by the early sixteenth century. These often had a bow-shaped continuous bridge, almost of a modern appearance, that was sometimes flexible depending upon the material, for example leather or whalebone. The bridge was as much an area to be gripped as to rest on the nose. Spectacles were still usually held in place with the hand whilst being used temporarily for a brief period of reading or close inspection. By now the lenses could be used to correct both long and short sight. The general design changed little through the seventeenth century, though certain refinements increased the flexibility and comfort for some wearers. In some localised areas, notably in Spain, people experimented with ear loops made of string. This allowed them to walk around with their spectacles on. Eighteenth century - Temple glasses Only in the eighteenth century did the first modern eyewear, or ‘glasses’ as we would understand them, start to appear. The lenses might be glass, rock crystal or any other transparent mineral substance and were prone to smashing if the spectacles fell off, so there was an impetus to develop frames that could be worn continuously and would stay in place. London optician Edward Scarlett is credited with developing the modern style of spectacles which were kept in place with arms, known as ‘temples’. These were made of iron or steel and gripped the side of the head but did not yet hook over the ears because often the ears were concealed beneath a powdered wig, such as was fashionable at the time. As temples developed they were made with wide ring ends through which the wearer could pass a ribbon, thus tying the spectacles securely to the head. As spectacles were no longer primarily for use in sedentary activities, people began to be noticed out and about in their spectacles and might come to be identified as a ‘spectacle wearer’. By the end of the eighteenth century, people who needed correction for both distance and near could choose bifocals. Nineteenth century - Pince-nez Pince-nez were a nineteenth century innovation that literally translates as ‘pinching the nose’. They had a spring clip to retain the item in place under its own tension. Sometimes this clip was too tight and the wearer struggled to breathe. If it was too loose the pince-nez could fall off so, for safety and security, they were often connected to the wearer's clothing by a cord or a chain to avoid them being dropped or lost. Pince-nez were sometimes chosen by people who felt that large spectacles were too prominent and drew attention to a physical defect. They were also suitable for mounting lenses that could correct astigmatism. Twentieth century spectacles Spectacle wearing continued to become more widespread, key developments being the supply of spectacles to troops in the First World War, cheaper spectacles being subsidised through insurance schemes arranged by friendly societies, and the beginning of the National Health Service in 1948, when free spectacles were made available to all who might benefit from them. This normalised spectacle wearing and led to a significant increase in the scale of production. Entirely separate categories of women’s spectacles and sports eyewear both emerged in the 1930s. The latter half of the twentieth century saw spectacles become more fashionable and stylish as frames with different shapes, materials, and colours became available. Plastics frames, in particular, allowed a greater choice of colours and textured finishes. Plastic lenses were more durable and could be made lighter and thinner than glass, spurring a renewed interest in rimless designs. Designer eyewear bearing popular high-street brand names encouraged patients to regard spectacles as a desirable commodity, even as a fashion accessory, not just a disability aid. https://www.college-optometrists.org/the-british-optical-association-museum/the-history-of-spectacles The company Optical Prescription Spectacle Makers (OPSM ) was formed in Sydney in 1932 and publically listed in 1953. These spectacles and case were used by Dr. Angus when testing patients' eyes. The spectacles and case were donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he would take time to further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . The organisation began in South Australia through the Presbyterian Church in that year, with its first station being in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill where he’d previously worked as Medical Assistant and purchased a share of the Nelson Street practice and Mira hospital from Dr Les Middleton one of the Middleton Brothers, the current owners of what was once Dr Tom Ryan’s practice. Dr L Middleton was House Surgeon to the Nhill Hospital 1926-1933, when he resigned. [Dr Tom Ryan’s practice had originally belonged to his older brother Dr Edward Ryan, who came to Nhill in 1885. Dr Edward saw patients at his rooms, firstly in Victoria Street and in 1886 in Nelson Street, until 1901. The Nelson Street practice also had a 2 bed ward, called Mira Private Hospital ). Dr Edward Ryan was House Surgeon at the Nhill Hospital 1884-1902 . He also had occasions where he successfully performed veterinary surgery for the local farmers too. Dr Tom Ryan then purchased the practice from his brother in 1901. Both Dr Edward and Dr Tom Ryan work as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He too was House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. Dr Tom Ryan moved from Nhill in 1926. He became a Fellow of the Royal Australasian College of Surgeons in 1927, soon after its formation, a rare accolade for a doctor outside any of the major cities. He remained a bachelor and died suddenly on 7th Dec 1955, aged 91, at his home in Ararat. Scholarships and prizes are still awarded to medical students in the honour of Dr T.F. Ryan and his father, Dr Michael Ryan, and brother, John Patrick Ryan. ] When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery states “HOURS Daily, except Tuesdays, Fridays and Saturday afternoons, 9-10am, 2-4pm, 7-8pm. Sundays by appointment”. This plate is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. Dr Edward Ryan and Dr Tom Ryan had an extensive collection of historical medical equipment and materials spanning 1884-1926 and when Dr Angus took up practice in their old premises he obtained this collection, a large part of which is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. During his time in Nhill Dr Angus was involved in the merging of the Mira Hospital and Nhill Public Hospital into one public hospital and the property titles passed on to Nhill Hospital in 1939. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. ). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (The duties of a Port Medical Officer were outlined by the Colonial Secretary on 21st June, 1839 under the terms of the Quarantine Act. Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII 1941-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. Their interests included organisations such as Red Cross, Rostrum, Warrnambool and District Historical Society (founding members), Wine and Food Society, Steering Committee for Tertiary Education in Warrnambool, Local National Trust, Good Neighbour Council, Housing Commission Advisory Board, United Services Institute, Legion of Ex-Servicemen, Olympic Pool Committee, Food for Britain Organisation, Warrnambool Hospital, Anti-Cancer Council, Boys’ Club, Charitable Council, National Fitness Council and Air Raid Precautions Group. He was also a member of the Steam Preservation Society and derived much pleasure from a steam traction engine on his farm. He had an interest in people and the community He and his wife Gladys were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Spectacles and case, from the W.R. Angus Collection and used by Dr. Angus testing the sight of his patients. Metal case covered in red leather, black velvet lining. Tan rimmed spectacles. Maker is OPSM. Inscriptions on case, inside case and on spectacle rim.Inscribed on spectacle arms “CONTORA”. Inscription on case in gold print “OPSM Optical Prescription Spectacle Makers Pty Ltd”. Inscription on white oval label inside case is illegible. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, spectacles and case, optical testing, optometrist examination, opsm optical prescription spectacle makers

Part of the Kevin John Herdman, No.397661, collection. Refer Cat No 5492P for service details.Two RAASC Officer's metal hat badges. The badges are of bi-metal construction using silver and brass coloured metals. The silver metal background features a Queen's Crown and a seven pointed star. Centre piece is brass coloured and features a Royal Cypher encircled by a blue enameled band. On the back of 1, are two pins and brass fastening clips. 2. has two loops on two threaded rods for fastening. Both brass coloured centerpieces' are loose.Stamped on brass centrepiece "ROYAL AUSTRALIAN ARMY SERVICE CORPS" Printed in gold on blue enamel circle "MONI, SOIT, QUI. MAL. Y.PENSE" Stamped at back: “STOKES, MELB”badge, uniform, royal australian army service corps, kevin john herdman

Correspondence to & from soldiers in WWI..1) - .3) Rectangular coloured postcards sent during World War I..1) “To my hero on Active Service” .2) “Dear (Albert) After a long time on rail have just arrived at Bendigo” .3) “Hope I'm not intruding in gold lettering”documents - postcards, military history, passchendaele barracks trust

Items in the collection re Ian McLeod RWAFF, refer Cat No 2262.2 for service details.Paper envelope (stamps and corner cut out) post date stamped and addressed. A return address on the rear of envelope.On Front, “Lt. Neil McLeod x 1415. 7th Bn Gold Cost Regt RWAFF West African forces” On rear, “ Mrs Neil McLeod Box 106 Salisbury.envelopes, accessory, rhodesia.

This gilt plate is from an era where master crockery manufacturers where either located in Britain or Europe.The cost of transportation and the time taken to receive items limited the availability of first class goods. This was an era that was "British is best" in all manufactured goods. With the slow influx of European immigrants European manufactured goods also became of high value. This social requirement was more of a prerequisite for the more affluent rural population, especially at a time when Australia "rode on the sheep's back". Fine British and European goods were a "status symbol", even in rural Australia. After World War II, the invasion of American and Japanese merchandise opened up the market place for cheaper "throw away" items. Longevity and quality of goods fell away as the "throw away" society rolled on.This item demonstrates the time when the rural sector was at its most affluent and influential in dictating the strong ties between Australia, Britain and Europe. The very influential "Country Party" ensured that the protection of the rural sector was well entrenched. The ability of the "well off" rural sector, in this period, were not only able to travel abroad but also to purchase expensive items "overseas" cutlery and crockery. The significance of this item is that it highlights a period in time when the "rural" affluence was at its peak.This hand painted floral gilt plate is a cream fluted china plate decorated with pink and yellow orchid flower arrangement. It is in the "Art Nouveau" period 1880-1920.underneath and within the circular base and in gold freehand script "4" underneath "1562". Pressed into the base is the manufacturer's monogram.Circled around the FAM mark is "* FRANZ ANT. MEHLEM*BONN A/RHEIN*"hand painted china, floral gilt plate, decorative china

Clothing. Brown leather ladies shoes with 3cm heels. Pointed toes. Fold over flap across the bridge of the foot with cut out pattern. Fastened on outside of shoe with three flaps with button holes and three .8cm round plastic buttons. Heads of tacks visible on heels of shoes. Old box 573On sole of shoe, E.Salter Handsown, Gold lettering inside shoe, ''The Countess Handsown shoe by Ernest Salter. Late of Bond street and Piccadilly London. Exclusive for Mutual Store Ltd''.costume, female, brown leather ladies shoes

Colour postcard photograph of barber trimming hair of a customer. Shop walls are covered with various memorabilia.At bottom left of photo: "Antique Barber Shop Museum" On back of card: "Jack O'Keefe in his barber shop, part of the Winery Gold Country Museum, Main Street, Rutherglen"antique barber shop museum, jack o'keefe, barber shop, winery gold country museum

Shield shaped varnished wooden plaque with a Royal Australian Infantry hat badge located in the centre. "TASK FORCE GREEN TROPHY *FOR VOLLEYBALL* 1969 6RVR 1970 1 SUB-DEPOT 11BOD 1971 1RVR 1972 1973 1974 1975" painted in gold on the face of the plaqueplaque, 6rvr, task force green, wark vc club, infantry'

Round lapel pin.Image of the map of the world, light blue oceans, bright red abstract outlines of continents. Surrounded by navy blue border with STOKE MANDEVILLE GAMES GREAT BRITAIN written in gold.stoke-mandeville games

Index, bibliography, ill (plates), p.327.non-fictionBiography of Bert Kienzle who established a trail across the Owen Stanley ranges.kienzle herbert thompson 1905-1988, kokoda trail (papua new guinea)

Dance cards or Harmony Lodge (No. 203) ball held on 29 June 1915. Dance program printed on rear has provision for names. The printing of the words 'Harmony Lodge' on the front was originally in gold.Two cards of blue cardboard printed in dark blue both sides. String threaded through the hole in the top left hand corner of each card attaches a small pencil. Pencil painted white with tin metal cap attachment.harmony lodge, harmony lodge 203, dance card, st kilda balls

The donor's great-uncle, Walter Harold Lumsden of 90 Gold Street, Collingwood, is in the white shirt in the back row. In 1921 his occupation was brass moulder. His family knew him as a shoemakerBlack and white photo of Hellings and Sons' Annual picnic at Blackburn Lake on 17 March 1923hellings and sons, blackburn lake, lumsden, walter harold

A gold bronze plastic case with zip containing 3 braille set squares with 3 pins and perforator. Set squares made from yellow plastic. Marked: Chinese inscriptions on the set squares. 3 orange set square with Braille, 3 red tipped pins and an orange perforatorassistive devices, association for the blind

Volunteer gift wrapper gets ready to wrap Christmas presents at Myer Gift Wrap. For each present, a gold coin donation ensures a well wrapped present and that funds are raised for Vision Australia.Coloured photograph of woman in white shirt and purple apron cutting ribbon on gift wrap tablevision australia, fundraising

Souvenir colouring and activity book and set of colour pencils for children. Contains illustrations of a family of four undertaking various tourism activities such as visiting Deborah Gold Mine, Bendigo Pottery and the Chinese Dragon.A4 size, twelve page illustrated children's activity book with set of six coloured pencils. Book includes pages to colour in and find-a-word puzzles. Coloured pencils are housed in separate plastic pocket.Bendigo / The Centre of Attraction / Activity / Book / Bendigo / The Centrepiece of Victoriacity of greater bendigo tourism

This book was given to Henry Huntingdon Smith in 1918 by a grateful sister of a soldier killed in World War One. Private Percy Palmer was listed as coming from the Warrnambool area even though his enlistment place was given as Bannockburn. H.H.Smith (1857-1941) is an important figure in Warrnambool’s history. He had a bakery business at the corner of Lava and Fairy Streets. He was a Warrnambool Councillor and Mayor, a Hospital Committee member for 39 years, a Methodist church office-bearer and an active worker for the welfare of local returned soldiers. It was said that he greeted every returning soldier at the Warrnambool Railway Station. Mrs Sharpe was one of those who benefited from his solicitude and kindness. This is book is of antiquarian interest but more importantly it is a lovely memento of Henry Smith’s untiring concern for local soldiers returning from World War One and for their family members. This is a hard cover book of 38 pages. The cover is blue with gold lettering and gold ornamentation on the front and back covers. There are two sepia-coloured photographs of Melbourne at the front of the book and two blue stamps of the Warrnambool and District Historical Society at the front and the back of the book. The pages of the book have become detached from the binding. The inscription at the front of the book is handwritten in purple ink. ‘Melbourne, Aug. 28, 1918, To Mr H. Smith as a small token for kindness shown on behalf of my dear late brother, Private Percy Palmer from N. Sharpe.’ private percy palmer, world war one and warrnambool, henry huntingdon smith, warrnambool history