A related souvenir from the Second Word War is the colourful 'Souvenir of Palestine'. Like the First World War Egyptian embroideries, they used cotton sateen in a range of bright colours (although sometimes velveteen was used instead) and bear the words 'Souvenir of Palestine', a year date, and sometimes a personal message, as well as images of specific mosques or landmarks, camels, goats and date palms. The Palestinian souvenirs were often seen displayed for sale outside houses in country villages These types of souvenirs were very popular with Australian troops; they were easy to send home and were colourful. The vendors would have a number of designs for sale already machine embroidered, from which the soldier could select and then personalise with a date or message. Brown timber frame containing dark green square silk cloth edged with gold fringe, embroidered with two flap poles either side of rising sun crest/badge above two red heartsSouvenir Of Palestine 1941 Australia Commonwealth Military Forcespalestine, 1941, souvenir, embroidered cloth

Made by Vincenzo Longo, an Italian POW, in Murchison Camp 13, Graytown POW Camp and Tocumwal and presented to Vincent Villarroya, an Army Guard/Interpreter for Italian POW'sWooden framed, embroidered picture of "Head of Christ" worked in shades of red, blue, brown and cream cottons. Face and hands have been drawn. A bronze plaque in a small plastic bag is stuck on the back of the pictureDonated by the daughters of Vincent Villarroy 7/12/2007head of christ, embroidery, longo v, villarroya family, camp 13, tatura, ww2 camp 13, graytown pow camp, tocumwal, handcrafts

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern

Ref. No. 4362Classroom sign for Grade 5B. Black iron attached to a bracket which had two screws to fix to wall or door frame at a right angle. The sign has two loops attached to bar. White writing.school, equipment

Mitcham RSL collection History of war service- enlisted Geelong 25/8/1915 aged 18. Died 15/4/1917 Bristol England age 19Picture containing service memorabilia for Pentzlyn, Charles Stewart memorial plaque (Dead mans penny) Memorial certificate Kings letter Mothers badge Victory Medal & Mothers medal Photograp |Mounted in black frame Medals & memorial plaque inscribed with namemilitary history, army

Black simulated leather 'Gold Crest' handbag with two carry handles - Hinged frame opening with chrome clip. Single inner zip pocket with small chrome bars decorate handles. Label affixed to pocket.Label ' Made in nsw by Gold Crest Leathergoods Pty Ltd. Simulated Leather Plastic.costume accessories, female

Would have been used for eye protection by drivers of automobiles before they were completely enclosed, by airmen in open cockpit airplanes, by balloonists, or by motor cycle riders. Hinged goggles, metal framed glass lenses, stockingette & wool protective rims behind lenses. Elastic fastener for securing to head. Tin container, rectangular to hold goggles, coloured mainly yellow, hinged lidOn tin: Around lid: "Made in France". Around tin: "OTO" several times. Also several balloon-shaped trade marks. Black painted picture of goggles on top of box. Lettering in trade mark "Marque Deposé / Brevete SGDG"driving equipment, eye protection, cars, motor cycles, motor bikes, airplanes, pilots, dispatch riders

Red, Blue & White painted child's trike. Wood handle and seat. Metal frame, pedals and wheels. Two small wheels at the back. One larger wheel at the front with pedals attached. Rubber rims on the wheels.toys, children, presents, trike, tricycle

This medal was conferred posthumously as Robin Boyd died in 1971. In 1973, Patricia Boyd travelled to the American Institute of Architects Convention in San Francisco, to receive the AIA's Architecture Critics Medal on behalf of her late husband. She gave an acceptance speech at this event.Certificate from The American Institute of Architects, with crest, conferring 1973 Architecture Critics' Medal on Robin Boyd. Signed by the President, F. Scott Ferebee Jr, and Secretary, Hilliard J. Smith Jr. It is in a perspex frame.The American Institute of Architects is honored to confer the 1973 Architecture Critics' Medal on Robin Boyd. Distinguished creator as well as critic of architecture, Robin Boyd was passionately devoted to the ideal of what the human environment - particularly that most intimate environment, the home - could be. His writing could be pitiless, because he hated the cheap, the shoddy, the ugly around us. But more than most critics, he was able to empathize with us fellow professionals as they struggled to solve what he called "the puzzle of architecture'. May 1973. Signed by President and Secretary.critics award, the american institute of architects, aia award, robin boyd, patricia boyd

Created by architects Grant and Associates to show their concept for a new ambulance district headquarters and station in Wangaratta. This building was subsequently built and as of 2015 is still in use.Timber framed water colour showing ambulance station seen from the road. Two cars present and several women and men are walking near the building. Ambulance Service logo has been adhered to the building.north eastern victoria district ambulance service, wangaratta

Good framed photograph for display purposesFramed colour photograph of Thirteenth Light Horse ( Gippsland ) Regiment guidon. Red with gold fringe badge in centre. Red and white diamond colour patch with battle honours of the Thirteenth Light Horse ( Gippsland ) RegimentGuidon of the Thirteenth Light Horse ( Gippsland ) Regiment.military, guidon, ceremonial, light horse

Painted by Bianca BiesuzCream card window mount with pink edging lines. Text panel cut out lower edge. Brown wood frame with gold edging. Painting portrays trees with a pathway through them, white bridge,"Dryings Road Bridge"

Framed oil painting featuring a country landscape painted by G. Guppy 1996. Includes trees, road, fence and gate. Signed and dated by the artist lower left corner. Painted in shades of blue, yellow and green.

Colour photograph of various vehicles in corrugated iron shedding at Narre Warren orchard. A barrel drum can be seen in the extreme left side of frame. The driveway heading to the sheds has a plough-like device resting.

Black & white photograph, Bert Graham Collection, Bendigo East Carpet Bowls Association, 1958 Life Membership Certificate recipients are; Mrs. Chalkley, Bert Graham, Mrs. Reill, with their framed certificates. Names are on the back.bendigo, clubs, bendigo east progress carpet bowls

1860: Kew's first library was the Kew Literary and Scientific Society, which opened on 6 August 1860. 1884: Kew Town Hall was extended and the library transferred to a room on the upper floor. This was not an ideal arrangement as the room was required for Council purposes. 1904: A cottage adjoining Kew Town Hall was purchased for use as a library. 1937: The library was closed for a major overhaul of stock and renovation of the building. It reopened in December 1937 and remained there for more than 35 years. 1973: When the Civic Centre opened in Charles Street, Kew, the library moved in. 1987: Kew Library moved to its current location in the converted city hall, overlooking the beautiful Alexandra Gardens. The library was officially opened at this site on Friday 23 October 1987 by the Mayor of Kew, Cr James Tutt. (Source: Boroondara Library Services)Historically and socially significant set of regulations governing the use of the children's library in Kew in the early 1950sOriginal framed rules and regulations of the junior section of the Kew Library, dated 16.6.1953, authorised by the Mayor (W.E.R. Hope) and Town Clerk (W.D.Birrell). The document also lists opening hours of the Kew and East Kew branches.kew public library - kew (vic), kew public library - east kew (vic), city of kew - library guidelines

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Nixon NV 1980, The History of the Kew Bowling Club 1880-1980. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Framed and glazed original photograph of the A1 Division Team, Winners of RVBA Pennant 1954-55. [The item is part of the historic Kew Bowling Club collection (1880-1988) gifted to the Kew Historical Society in 2020].kew bowling club - wellington street - kew (vic), clubs - lawn bowls - kew (vic)

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. References Barnard FGA 1910, 'Sports and Pastimes' in Jubilee History of Kew Victoria: Its origin & progress 1803-1910. Nixon NV 1980, The History of the Kew Bowling Club 1880-1980. Reeve S 2012, City of Boroondara: Thematic Environmental History, p.216.The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Framed and glazed large photograph of twelve honour boards in the collection of Kew Bowling Club. [The item is part of the large historic Kew Bowling Club collection (1880-1988) gifted to the Kew Historical Society in 2020].kew bowling club - wellington street - kew (vic), clubs - lawn bowls - kew (vic), honour boards

Page featuring colour lithograph entitled 'A WHISTLING SHOP...TOM AND JERRY VISITNG LOGIC "ON BOARD THE FLEET"'. Another Cruikshank print is adhered to backing of frame. Materials: Paper, Ink, Cardboard, Wood, Metal, Glasstennis

This photograph is likely to have been taken by a newspaper photographer when visiting the 8th Light Horse Regiment on manoeuvres with the 2nd Cavalry Division at Torquay Victoria in 1940. This assumption is supported by the identification of the districts from which the soldiers are drawn. The Fine studies of citizen soldiers while on manoeuvres in the period immediately preceding phasing out of horses and the transition to mechanised transport.Framed black and white photograph of sixty mounted light horsemen drawn up in massed ranks on a sand hill. Small insert photograph of five light horsemen, probably the squadron officers in lower right corner."8th Light Horse B. Squadron. The districts represented in this Squadron are Wangaratta, Rutherglen, Myrtleford, Tawonga and Moyhu"8th light horse regiment, wangaratta, rutherglen, myrtleford, tawonga, moyhu

Black and white photograph. Ground floor acing south towards Lonsdale street in what was the cafe and in 2015 is the Breacan office. Wires hang from roof. Wheelbarrow in middle of frame. Taken during restoration inspection.historic buildings, building construction, cultural structures and establishments

Colour photograph. Interior of level 5 atrium after renovations works have been competed. Taken facing south west. There is a room divider in the foreground, left of frame. Stained glass window seen in background. historic buildings, cultural structures and establishments, christmas, official events

Neville Bunning taught Sculpture and ceramics at the Ballarat Technical Art School, a division of the Ballarat School of mines, from 1945 until 1964. During that time he formed the Ballarat Artist's Society, a group that sponsored art and invited modernist artists to visit Ballarat to speak to students and the public. Bunning wrote a weekly column in 'The Courier', where his insightful comments made readers aware of significant trends in art. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A framed unfinished portrait by Neville Bunning, teacher of Ceramics at the Ballarat School of Mines. The portrait of the artists shows a camera around his neck, a ceramic pot in one hand, and some of Neville Bunnings paintings in the background.art, artwork, neville bunning, bunning, available

Victor COBB (14 August 1876-02 December 1945) Born Footscray, Melbourne, Victoria Cobb's reputation rests on a large oeuvre of etchings, built up during his lifetime and depicting with meticulous accuracy the architectural splendour of Melbourne's colleges and churches, vistas of the city, the tea-tree patterned foreshore and the outer areas of bush and countryside. State galleries hold many examples of his work. (http://adb.anu.edu.au/biography/cobb-victor-ernest-5698) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition etching of a street scene where an archway over road leads to the Cobb & Co. stables. These scene depicted is possibly in Elizabeth Street, Melbourne. Gift of the National Trust of Australia (Western Australia)Incised in plate l.l.: "The approach to the old Stables / - of Cobb & Co." / Victor Cobb 1926./ (no relation) inscribed in pencil l.l.: Victor Cobb inscribed in pencil l.c.: "Approach to the old Stables of Cobb & Co. / Melbourne inscribed in pencil l.r.: 3?/85. art, artwork, victor cobb, cobb and co, cobb & co, printmaking, etching

Photographic print of King George V Regimental oil painting commissioned by 2nd Btn King's Regiment (Liverpool). One of three identical portraits the King sat for on 28 February 1931 in timber frame with plaque.Plaque reading - "His Majesty King George V / by John A Berrie / Copyright"

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington. Eppalock Ward is one of three wards in the Greater Bendigo municipality which includes the former Strathfieldsaye Shire. Framed black and white head and shoulder portrait with hand coloured detail. Man with profile slightly to right, walrus moustache, image encircled. Photograph is attached to mount card. Hand written title lower centre.Ex. Councillor / F. Orr / Eppalock / The / Yeoman / Studiosshire of strathfieldsaye, councillor orr

David Gordon Collection. Original sepia photograph mounted on card backing. Depicts workers gathered at Prince Of Wales and Old Poverty Co's main shaft in January 1886 (Information from caption on framed copy of this image THA-2020.0338).

Presented to Gerda Decker for her outstanding performance in a Camp 3 theatrical production.Oil painting - tree on left of centre, short post on right and to its right another short post with stay. 2 long posts right side, several huts in centre below the horizon. Black frame.painting - oil, vagarini c, camp 3, tatura, ww2 camp 3, illustrations, oil