A digital copy of a black and white postcard from the Fruit Salad Farm in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.A digital copy of a black and white postcard from the Fruit Salad Farm in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.marysville, victoria, australia, fruit salad farm, accommodation, restaurant, rose series, rose stereograph company, postcard, souvenir, p. 13096

First diploma certificate of Royal Horticultural School Burnleydiploma certificate, royal horticultural school burnley, burnley horticultural college, a. e. bennett, a p winzenried

384 p. : col. ill. Title page missing. Brown cover, with image of a man being driven in an open carriage past a group of onlookers.fictionh. m. ward, children's fiction

A copy of p. 43 in the Bendigo Teachers' College magazine 'Silver and Blue'. This is the autograph page and it contains 52 autographs. November, 1928. See 3320.100bendigo, education, magazine, la trobe university bendigo collection, collection, bendigo, education, teacher training, tertiary education, teaching, silver and blue, silver & blue, magazine, bendigo teachers' college, miss j.c. burnett, mr. geoff pryor, autograph, autographs

Photocopy of Report - 33 foolscap pages - titled "The Prahran and Malvern Tramways Trust - Report and Statement of Accounts for Twelve Months ending 30th September 1919". Report Shows Mr. Dix at Chairman. Gives listings of Trust Members and Officers, lines opened, Rollingstock, power supply problems, Finance, Operation and General matters, statistics, finance statements, balance sheet and Auditors Report. Appendices includes the Engineers and Manager's Report, Statistics, accounts, funding, auditor reports and maps. Also covers union action, land for a storage site and shelter houses, Lists names of Employees who volunteered for active service, including those who volunteer but did not pass the medical test. Audited by Percy P Cook. See htd2390i2.pdf for the listing of those who served in WW1Has the stamp of the Tramway Museum Society on the rear of the first page.trams, tramways, pmtt, reports, construction, finances, operations, horse trams, tourist tickets, world war 1, unions

The document was sent to F.G. Davey and featured the citation for his DFC. Part of the F.G. Davey Collection. See catalogue no. 3536 P for details of his service record.Single page document on cream coloured paper with text in black type. Details of the recipients rank, service number and home address are included along with the citation.Handwritten signature in black ink.distinguished flying cross, f.g. davey, medal citation

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Dr Deanne Gilson is a proud Wadawurrung woman living on her ancestral Country of Ballarat. Her award-winning multidisciplinary art practice has spanned forty years full time creating through painting, clay (sculptural installation), fashion & textile design, photography, drawing and recently being recognised at the Koorie Heritage Trust for her work as a Blak Jewellery Designer. Celebrating her continued living culture through art and design that revives traditional marks used by Wadawurrung family, contemporary ceremonial business and including oral stories like her Creation Story. She depicts many indigenous plants, trees, birds, often painting endangered species to highlight the importance of taking care of the land and all living things. Working with the notion that time is traversed and all is connected through layers of Dja (Country), from the Cosmos, to Sky to Under Country. Alongside the issues faced by Aboriginal women stemming from the white male and female colonial gaze. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Marlene is a proud Wadawurrung artist, who currently lives in regional Victoria. Gilson’s multi-figure paintings work to overturn the colonial grasp on the past by reclaiming and re-contextualising the representation of historical events. Learning her Wathaurung history from her grandmother, Gilson began painting while recovering from an illness. The artist's meticulously rendered works display a narrative richness and theatrical quality akin to the traditional genre of history painting. Gilson, however, privileges those stories relating to her ancestral land, which covers Ballarat, Werribee, Geelong, Skipton and the Otway Ranges in Victoria. Often including her two totems, Bunjil the Eagle and Waa the Crow, Gilson’s paintings not only reconfigure historical narratives, but display her spiritual connection to Country. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Ellie Franks is a proud Gubbi Gubbi woman, living and working in Naarm. Her practice is print informed and utilises print techniques to talk to concepts of identity, belonging and connection. She focuses on the malleability of materials and leans into the fluid nature of various mediums, mistakes and chance. Ellie graduated from RMIT University in 2020 with a Bachelor of Fine Arts and is currently participating in the 2023 Koorie Heritage Trust Blak Design Program. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art

Edwina Green is a Trawlwoolway First Nations multidisciplinary artist based in Naarm (Melbourne, Australia) that works across painting, film, design, installation and sculpture to investigate narratives of perception, historical re-framing, cultural reclamation and the post- colonial paradigm and its impact on people and place. Graduating from The University of Melbourne with a Bachelor of Fine Arts, she has since been exhibited extensively across Australia and internationally. Her research influenced practice, connection to culture, and ties to reclaiming intergenerational disconnection, inform her practice and it’s aims to challenge understandings and interactions of Indigeneity through dynamic and poetic works. She has exhibited in respected galleries and festivals such as Firstdraft, Pari Ari, Incinerator Gallery, The Granville Centre, SEVENTH Gallery, TCB Gallery, Collarworks (New York), Yirramboi, Gertrude St Projection Festival, Brunswick Music Festival, and EFFA (Environmental Film Festival.) She has also worked as an art director, producer and programmer for RISING Melbourne, Samsung, Arts Centre Melbourne, Next Wave, and Darebin City Council. Matrices and images made by the artist at Wunggurrwil Dhurrung Community Centre, and editions printed at Negative Press. Edition of 4 + A/P. Printed by Trent Walter at Negative Press. public art, australian first nations art, printmaking

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 70. "Young orchard supervisor in Department of Agriculture - came from Tasmania." T.H. Kneen.Black and white photograph. Vic Lawry, Staff member, standing in front of a shed containing terracotta drainage pipes and sacks.On reverse, "Mr. Laurey (sic) "Vic" B.H.C. 1926."sheds, drainage pipes, mr. laurey (sic), green grows our garden, a.p. winzenried, orchard supervisor, vic lawry, ella chalmers (nee fry), ella fry

Black and white photograph of Lakes Football Club Reserves Team members Back: J Forrester, J Lamanna, G Gudgin, P White, S Smythe, L Somerville, P Forrester, D Armistead, P Marsden, Les Prout trainer Middle: D O'Donell runner, C Dostine, T Wykes, R Yates, S Greer, A Adams, S Campisi, D Veal, D Conduit, Front: S Cox, D Svetlik, T Brickle mascot, M McInnes, C Davis premiers 1990 taken after defeating Orbost Lakes Entrance Victoriaclubs, sports

Lightweight cardboard posterThe Grand Finale of the Ringwood Eisteddfod on Friday, Sept. 12th (1969) at 8 p.m., in the Ringwood Town Hall will launch the Ringwood Festival of Arts with Band Recital, Film Festival, Bruce Morrow Ballet, One-Act Play Festival, Victorian Junior Symphony Orchestra. Season tickets available from G. Salter, 870-7850 - Mrs. S. Smart, 870-4351 -Stoney's, Ringwood Mrs. J. Bradley, 870-8472.

The Pisagua was a four-masted barque built in 1892 at Geestemünde, Germany. In 1901, Pisagua sailed from Lizard point to Port Pirie in 79 days. On March 12th 1912 she collided with the P&O steamship Oceana in Sussex. Pisagua was towed to Dover, Kent for repairs. The Oceana sank. P&O sued the Pisagua owners but judgment using the 'steam gives way to sail' obligation/rule found the Oceana to be at fault. The Pisagua never sailed again and was converted into a whale factory....

, Alice Colquhoun, Dorothy Roberts, Irene Onley, Ethel Kilby, Polly P, Ann Geoff, Jean Huggins, Rose Smiington, Morkum, Dot Davies, Nan Fraser, Chloris P, Dorothy Cumming, Joy Higtgins, Lillian Hunt, Christine Barton, Dinah Mongta, Charmain LeMaitre, Frances Pilgrim, Myrtle Fitzclarence, Sylvan Sims, Edith Jones, Frances Pilgrim, Myrtle Fitzclarence, Sylvan Sims, Edith Jones, two unnamed. 04864.1 10 x 15 cmColour photograph of five women Ella Cole, Nen Fraser, Nell Ross, Dorothy Lindsay, Muriel Gregory members of Uniting Church Lakes Entrance. Also another colour photograph of twenty four women at a Uniting Church functionpeople

Large sepia photo of band members in uniform, with instruments. The setting is outside with gum trees and a house in the background.Phillip Island Band 1931. Back from left: F. Forrest, F. Towns, B. Edgar [P], H. De La Haye,, A. Towns. Centre: P. Double, A. Morrison, J. McLardy, Christianson's [2], R. De La Haye, B. West, A. Murray. Front: W. McLardy, R. Richardson, N. Cleeland, W. Warren [ BM ], C. Leeson, P. Forrest, H. Watchorn.band, musicians, phillip island band, photograph, de la haye family, f. forrest, peter forrest, f. towns, a. towns, p.double, a. morrison, b. edgar, j. mclardy, christianson family, b. west, a. murray, w. mclardy, r. richardson, n. cleeland, h. watchorn

Formation of a Co-operative Society to finance the construction of a playing oval at the school. Directors - Cr. R.O. Spencer, Cr. P. Vergers, Cr. B. Hubbard, Dr. P. Matthews, Mrs. W. Coombs. J.A. Gibson, Hon. Secretary. 11/7/1961.