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Bendigo Historical Society Inc.
Book - HARRIS COLLECTION: FARMER'S GUIDE; A TREATISE ON THE DISEASES OF HORSES AND BLACK CATTLE
Book, dark blue faded cover, black tape on spine ( could be later addition to secure book.) 'The Farmer's Guide; a treatise on the diseased of horses and black cattle. With a selection of proved prescriptions and instruction for the management of breeding mares and cows' Published by Blackie & Son, Queen Street, Glasgow, MDCCCXXXIX (1839) Written inside front cover handwritten in pen ' Alex MacDonald, Alex Macdonald, Grieve Culbo' On next page handwritten in pen 'Alex MacDonald, Grieve Coulmony, Pariah of a Ardcheck (?) 1837' Medicine for horses, fenugreek seeds, medicine for horses' Book found in material with Harris Collection, Axedale, although no indication of Harris ownership of book.James Webb, veterinary surgeon.axedale, history, harris family farming -
Bendigo Historical Society Inc.
Photograph - LONG GULLY HISTORY GROUP COLLECTION: DAVEY FROS FAMILY GROCER
... Group - Davey Bros Family Grocer Two very dark copies ...Two very dark copies of the front of The Noted Warehouse Davey Bros Family Grocer. Building has a decorative area above the verandah with The Noted Warehouse Davey Bros. Family Grocer painted above the verandah. Written on the back: Prior to 1966? Davey Bros Family Grocer Eaglehawk Road Long Gully.bendigo, history, long gully history group, the long gully history group - davey bros family grocer -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Staffordshire ceramic figurine of Queen Victoria, with baby, c. 1840
This is believed to be a figurine of Queen Victoria. Staffordshire pottery began to be produced in the 1840s, at the beginning of the reign of Queen Victoria, and the Queen and her family were popular subjects for depiction in pottery.Painted ceramic figurine of a woman holding a baby. The woman is wearing a dark blue dress with gold lapels and a white frilled collar, and a decorative gold pattern at the hem. The woman is also wearing a white bonnet with gold bow at the top and a red flower at the front, white gloves, and yellow slippers. The woman has short, dark coloured hair visible beneath the bonnet, and rosy cheeks. She is seated on a stool and cushion, and is holding a baby on her knee. The baby is dressed in a long white gown, with a hood. Sticker beneath the base of the statue carries the handwritten number '44'. -
Dutch Australian Heritage Centre Victoria
Breadbin (broodtrommel), mid-20th century
A common item in the kitchen. Breadbins held a staple food item for breakfast/lunch. The need to have a enough bread to feed the family for a number of days.White enamelled metal bin with hinged lid. Handle on top of the lid. Basic lock with a twist key. The lid has a dark blue lining on the edge. The lid also features a series of 19 ventilation holes along its back No inscriptions -
Geoffrey Kaye Museum of Anaesthetic History
Carving, Heke Collier, Mauri Ora, May - July 2016
Professor Alan Merry commissioned the work from New Zealand artist Heke Collier as a gift to the College at his retirement from Council. This artwork was carved by Heke Collier in May-July 2016. It is made from native New Zealand Rimu timber. Heke named this carving Mauri Ora which translates to vitality, well-being or the healing life-force. Tihei Mauri Ora (breath of life) is a well-known Māori saying that was uttered by the first human being. Māori believe that all people and all things have mauri. This carving symbolises the many shapes and forms of mauri with reference to the Māori creation story, and the spiritual and natural worlds. Māori refer to the heavens as Ranginui the sky-father and according to the Māori creation story, Ranginui was pressed against Papatūānuku the earth mother. Their children did not like living in the cramped, dark space between them. One of their sons Tāne separated Ranginui and Papatūānuku to allow light and life into the world. The central male figure carved into Mauri Ora (above) is Tāne. To his right (far right) is his mother Papatūānuku and to his left (far left) is his father Ranginui. Papatūānuku gives birth to all things including human kind and provides the physical and spiritual basis for life. The takarangi (spiral) design in the carving (to the left of Tāne) symbolises the life cycle. Whenua, the word for land also means placenta - organ that nourishes the baby in the womb. Women are associated with the land (whenua) because the land gives birth to people and so do women. In tribal history women have had influence over land and men. Papatūānuku is depicted in the carving to the right of Tāne. Ranginui played a pivotal role in the birth of the sun, moon, planets, stars and constellations – collectively called Te Whānau Mārama (the family of light). Human life and knowledge were said to originate in the realm of Ranginui. Tāne ascended the heavens to retrieve three baskets of knowledge: te kete-tuatea (basket of light), te kete-tuauri (basket of darkness) and te kete-aronui (basket of pursuit). Ranginui is depicted in the carving to the left of Tāne. Tāne had many different roles, and he was given different names to reflect these roles. He is called Tāne-mahuta as god of the forest, Tāne-te-wānanga as the bringer of knowledge, and Tāne-te-waiora as the bringer of life, prosperity, and welfare. His teachings and knowledge are relevant in contemporary times, and the cell-phone carved into his left hand represents this. Tuatara feature in the Māori creation story and some tribes view Tuatara as kaitiaki (guardians) of knowledge. Given that they have lived for more than 220million years. There are birds or manu surrounding Tāne in the carving, who represent Tane’s voice or the voice of the forest. The flax or harakeke depicted in the carving represent the family unit and reinforce the importance of kinship ties. There are plants, ferns, and birds carved into Mauri Ora play an integral role in the life-cycle which represent rongoa Māori or Māori medicine. Traditional Māori carving in Rimu, a native New Zealand wood, with paua insets.merry, alan, anzca council, collier, heke, kaiwhakairo, master carver, rimu -
National Vietnam Veterans Museum (NVVM)
Clothing
This item was purchased in Vietnam by serviceman Roger Budd as a gift. It contributes to an understanding of the experience of family and friends of those who served in the war in Vietnam.Patterned mauve silk dressing gown lined with white silk. Has embroidered patterns and dark blue rickrack on cuffs, pocket and front openings. silk dressing gown, vietnam, souvenir, gown, vietnamese, silk, budd, roger budd -
Clunes Museum
Memorabilia - LABELS, The Frame Shop
Eberhard & Co. Aerated Waters & Cordial Factory was a family owned business in ClunesBottle labels set in a brown frame with gold trim. Five labels of Eberhard Cordial Factory, Cloves, Green Ginger, Orange cordial, Raspberry, Peppermint. Each label is shaped like a shield in varying colours. Trademark "Crown" on all but Raspberry label. Dark Green mat board.eberhard, labels, compound cordial -
Tatura Irrigation & Wartime Camps Museum
Tin, Chocolate, 1939-1945
Else-Lore and her mother Else Oertel were German internees in Camp 3A from 1940-1945. The German Red Cross sent items to the internees in the camps and this tin of chocolate was one of the items given to the Oertel family. Else-Lore Hukins donated the item, which she describes as a 'treasured item'.Round metal tin with plastic-wrapped cake of chocolate inside. Chocolate has Hildebrand inscribed in centre with picture possibly of two knights on horseback. Tin has cream/tan lid with dark brown base. Lid has picture of German eagle in brown, with a cream swastika on its chest, standing on a red cross.(On lid): Deutsches rotes kreuz (German Red Cross)/ Schokolade (chocolate)/ Hildebrand - Berlintatura, ww2, camp 3, internment, internee camps, items, german red cross, else-lore hukins, oertel family, else oertel -
Tatura Irrigation & Wartime Camps Museum
Book - Irrigation and Closer Settlement in the Shepparton District 1836 - 1906, Colin Swinburne Martin
Green hardvocer with very dark cream wrap around cover, with black and read writing , front fly leaf has description of contents. Stamped inside is Churchlands Teachers college library, Pearson St, Churchlands, Western Australia 6018. Same stamp is also on back page of book. There are brown marks inside the cover that indicate it was taped down at some stage in it's lifenon-fictionirrigation and closer settlement around shepparton district, mcallister, colin swinburne martin -
Tatura Irrigation & Wartime Camps Museum
Drawing - Sketch, Tatura Camp 1
Herman Bernhard SCHMIDT was a foundry owner in Queensland. He was interned and sent to Gaythorne internment camp for 6 months and then sent to Tatura Camp 1 until 1946 when he was released.Black and white sketch Camp 1 Tatura showing boundary of camp and location of huts. Framed in a dark coloured wood and under glass. Has a light plum coloured mount.label on back "Donated by the Gunther Schmidt Family Trust" (son of Herman Bernhard Schmidt - Tatura WW2) March 2023herman bernhard schmidt, queensland foundry owner, camp 1 tatura, gunther schmidt trust, gaythorne camp queensland -
Tatura Irrigation & Wartime Camps Museum
Drawing, Foundry Drawing
Herman Bernhard SCHMIDT was a foundry owner in Queensland. He was interned and sent to Gaythorne internment camp for 6 months and then sent to Tatura Camp 1 until 1946 when he was released.Coloured drawing on fawn paper of a foundry. Framed in a dark coloured wood and under glass. In German across the top is Technisches - Zeichnen (Technical Drawing) Orthographische Projektion (orthographic projection) Blatt 14 (sheet 14). Across the bottom is gezeichnet (drawn by) B Schmidt November 1943. Gepruft (checked).label on back "Donated by the Gunther Schmidt Family Trust" (son of Herman Bernhard Schmidt - Tatura WW2) March 2023herman bernhard schmidt, queensland foundry owner, camp 1 tatura, gunther schmidt trust, gaythorne camp queensland -
Tatura Irrigation & Wartime Camps Museum
Booklet, Index to Heart of the Valley Toolamba 1840-1983
Index by Lorraine Waldron to the book Heart of the Valley Toolamba 1840 to 1983Booklet A4 softcover light blue with dark blue spine black typeface heart of the vallely, toolamba, stewart morvell, bill morvell, lorraine waldron, shepparton family history group 2008 -
Tatura Irrigation & Wartime Camps Museum
Clothing - Scarf, 1940's
Made and used by internees at Camp 3Woven burgundy, yellow, green, light blue and darker blue woollen scarf, with tassels at each endscarf, hoefer family, camp 3, tatura, ww2 camp 3, handcrafts, weaving, clothes -
Tatura Irrigation & Wartime Camps Museum
Album, Photos My Boy
Nothing known but would have been used for photographs of Servicemen in WW2 by their families. Never been used.Brown cardboard, striped light and dark cord threaded through 2 holes at end.photos my boy, ww2 servicemen -
Tatura Irrigation & Wartime Camps Museum
Photograph
Singapore group - Jewish refugees from Vienna, Austria, fled the Nazi occupation in 1938. Settled in Straits Settlements Singapore and Malaya (then British Territory) but arrested in 1939 when WW2 broke out between Germany and Britain. C:\Camp3\Singaporegroup02.JPG. 1940 sent on "Queen Mary" ocean liner converted to troopship to Sydney then by train to Albury, Seymour, Rushworth to nearby constructed Camp 3D compound. a. this photo was taken in the gardens of Raffles Hotel, in Singapore prior to WW2, when the refugee families enjoyed life in safety. b. Ludwig and Olga Meilich, two of the above, photos donated by their nephew Walter Smiley in 1990.Top half. Approximately 6 rows of people of all ages, about 80 in all. A shed on left side of photo, about 4 trees behind and 2 palm fronds top right hand corner. Bottom half is a lady on left, man (dark shirt, white buttons and jacket) on right.singapore refugee, ludwig meilich, olga meilich, queen mary ocean liner -
Tatura Irrigation & Wartime Camps Museum
Book, Taming the Wilderness, 1985
Irrigation - History of John Herbert Davies and familySoft cover. Dark blue. Pale blue printing, brown toned picture of excavation. One family's contribution to irrigation in AustraliaWith Best Wishes, AE Lawrencetaming the wilderness, irrigation, davies family history, books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, Genealogical Research Dictionary, 1985, 1985
Used in exchange of research data.Dark red, soft glossy cover, white lettering front, back and spine. 680 pages, plus advertisements. Ink-written notes.J Forstergenealogical research, family history research -
Tatura Irrigation & Wartime Camps Museum
Book, Taming the Wilderness, 1985
Irrigation history of John Herbet Davies and familySoft cardboard cover, dark blue, pale blue printing. Brown toned picture of excavatin. One families contribution to irrigation in Australia. Pages 94.books, history, local -
Tatura Irrigation & Wartime Camps Museum
Book, Merrigum Frank, 1990
The photo essay was made by Lillian Pitts around 1915. In a string bound album with the pictures hand pasted and lettered. Photographs n the book are part of the biggest family album in AustraliaHard cover white, blue, purple, blue lines, gold, dark blue writing. Photo of boy on front and back coversstephenson f, pitts ll 1872-1947, mcgillivray e, nickson m, pitts family, tatura, merrigum, books, children -
Wangaratta RSL Sub Branch
Assorted cards and photographs
From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. These postcards, photographs and clippings were sent to William's family and loved ones during the years he was on active service. See also 207 and 220. Assorted cards and photographs nested within a larger card. 1. Bi-fold Christmas card with blue flowers and horseshoe 2. Black and white photograph of a man wearing a suit and hat in a green / grey cardboard oval window mount 3. Sepia photograph of a man in a suit in a dark grey oval window mount 4. Small rectangular card with round edges and handwritten message from Mrs William West 5. Plastic and paper card with yellow cover and rose detail, pink ribbon binding 6. Small black and white landscape photograph of Ypres with "magpie cigarette" branding on back 7. Small slip of paper with inscription: "Pohoto" 8. Small rectangular card with white string binding and oval black and white photograph of a horse and carriage and printed detail of a kangaroo and wattle. Inscription reads: "Greeting from Wattle Land"album, photo album, newspaper clippings, postcard, wwi, christmas wishes, photograph, moustache, sepia, ypres, wattle land, australia, magpie cigarettes -
Tatura Irrigation & Wartime Camps Museum
Accessory - Hand Bag, 1940's
Used by internee at Camp 3Dark brown coloured, crochet cotton evening bag with decorative pattern, worked holes at the top. Has dark brown cotton material lining, and what appears to be dried lavender insidehandbag, hoefer family, camp 3, tatura, ww2, costume, accessory, female, handcrafts, crochet -
Robin Boyd Foundation
Furniture - Chair, Grant Featherston, Prototype Relaxation Chair
These two chairs are Grant Featherston prototypes of the 1947 Relaxation Chairs. These chairs came from the Boyd family's Camberwell home (666 Riversdale Road, Camberwell, formerly 158 Riversdale Road) and were originally upholstered with webbing. The fixings were modified in the final product Relaxation chairs. Robin Boyd designed the Ivanhoe home of Grant and Mary Featherston (1967).Dark orange with black fine check woven wool. Nine self-covered buttons. Laminated timber legs and arms (no frame). Three visible timber pegs/bolts connect arms to the body.walsh st furnishings, robin boyd, grant featherston, ohm2022, ohm2022_33 -
Ruyton Girls' School
Photograph - Studio Portrait, [Henry Henty], c.1890
Henry Henty (b.1833-d.1912) was a successful businessman, and briefly a MLA for the seat of Grenville, Victoria in 1866. He was one of three sons of James Henty, and nephew of Edward Henty who is considered to be the first permanent European colonist to take up residence in Victoria. Henry Henty and his wife Marion Ann Henty (nee McKellar) had ‘Tarring’, Kew built for their family in 1872. The Henty family resided at ‘Tarring’ until the death of Marion Henty in 1919. ‘Tarring’ was then sold to Ruyton Girls’ School, and the School moved to the site, (now 12 Selbourne Rd, Kew) in 1920. ‘Tarring’ was renamed ‘Henty House’ in honour of its original owners. Half-length, sepia-toned studio portrait of Mr Henry Henty (b.1833-d.1912). Mr Henty wears a dark suit and tie. His body is one quarter turned to his left, while he looks straight towards the camera. The background behind him is plain and dark. Photograph is mounted on cream card.henry henty, tarring, marion henty, selbourne road, kew (vic), ruyton girls' school, businessman, politician, 1890s -
Hume City Civic Collection
Photograph, 1990s
The double storey Federation style house was built in 1911 for Dr. William Cooke Faulkner who was the local doctor until his death in 1922. It was then bought by the local state school headmaster, John James Rogers, for over 6,500 pounds. In the early 1940s a grazier, Eric George Whiteside, bought the property. Bill Landeryou, MLC lived in the house until the late 1980s. He had purchased it from the Campbell family.A coloured photograph of 'Arcloney' a Federation style house with a red terracotta gable roof and cream rendered walls. The wooden frames around the windows have been painted dark green and cream. There is a glassed conservatory to the rear of the building.arcloney, faulkner, william cooke, dr., rogers, john james, whiteside, eric george, landeryou, bill mlc, george evans collection -
Hume City Civic Collection
Photograph
The Eadie family were early settlers and entrepreneurs in Sunbury. The family properties in the town included Ben Eadie and Dunblane.A black and white photograph of a young man sitting on a bamboo and wicker chair. He has a moustache and is wearing a dark suit with a white shirt and bow tie and a spray of flowers in his lapel.eadie, peter (jnr), ben eadie, dunblane, george evans collection -
Chiltern Athenaeum Trust
Accessory - Locket
This locket is from the museum's collection of objects relating to Wilfred Clarence Busse. Busse was born in Chiltern in 1898, completed his secondary education as Wesley College in the early twentieth century, and went on to study law at the University of Melbourne. As a lawyer, he spent time in the room of Supreme Court Judge Bernard Cussen (1859-1933). Judge Cussen was popular, known for being just and precise and for completing through statutory consolidation in his spare time. As well as working as a lawyer, Busse wrote historical fiction inspired by his life in Chiltern, these included The Blue Beyond; A Romance of the Early Days in South Eastern Australia" and "The Golden Plague: A Romance of the Early Fifties," which won the T.E.Role gold medal for the best historical novel in 1930 and went on to become a best seller. He was a member of the Chiltern Athenaeum until his death in 1960. The placing of hair in lockets was a common 19th and early 20th century, with Queen Victoria wearing a locket containing a piece of Albert’s hair after his death in 1861. Wearing a loved one’s hair or giving a lock of your hair to someone for wearing, could be a gesture of love and friendship, or of mourning. The tangibility and personal nature of hair made it a common keepsake, especially in cases of high mortality or where family members were separated by oceans without the possibility of air travel. The intention and origin of this locket is currently unknown, but it is likely it was a keepsake of love or mourning, either way, a emotional object. This object artistically significant as an example of late 19th/early 20th century jewellery, and social and spiritual sigifiicance as locket containing a piece of hair, which, regardless of exact intention, imbues it with a strong emotional aura. A small dark metal locket with a decorative leaf pattern on the exterior. The locket contains a small amount of reddish hair, supposedly from a loved one or family member of the original owner, and a degraded image that may have ocne represented a person. busse, w.c. busse, wilfred clarence busse, chiltern, chiltern athenaeum, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, locket, hair locket, hair jewellery, jewellery -
Clunes Museum
Badge
FROM ESTATE ROGERS FAMILY OF BATH STREET, CLUNESLIGHT BLUE /WHITE WITH DARK BLUE PRINTING & DESIGNSOUVENIR OF INSTALLATION OF ELECTRICITY CLUNES FEB. 1938local history, numismatic, badges, electricity -
Clunes Museum
Badge
COMMEMORATING BACK TO CLUNES NOVEMBER 1923, FROMESTATE ROGERS FAMILY,BATH STREET,CLUNESDARK BLUE SURROUND,SEPIA/BROWN DESIGN OF WINDLASS & PAILBACK TO CLUNES NOV.17 TO 24 1923 ALONG EDGE: A.W.PATRICK RAE ST. N.FITZROY.VIClocal history, numismatic, badges, numismatic, badges, events and celebrations, back to clunes -
Clunes Museum
Booklet - BOOK, HERALD PRINT, THE WEEKLY TIMES BOOK OF PATTERNS. NO. 2, CIRCA 1940
THE WEEKLY TIMES WAS THE FIRST NEWSPAPER IN VICTORIA TO ALLOT A CORNER OF ITS WOMEN'S PAGE TO "A WORK BASKET" AS THE POLICY OF THE PAPER DEMANDS THAT EACH SECTION SHOULD BE IN CHARGE OF AN EXPER, A PAGE WAS AFTERWARDS DEVOTED TO NEEDLEWORK COMPETIONS, WITH MONAY PRIZES FOR DESIGNS I CROCHET, KNITTING AND EMBROIDERY, DISCLOSED THE FACT THAT WOMEN ONLY NEEDED ENCOURAGEMENT TO PRODUCE GOOD WORK THE KNOWLEDGE THAT DESIGNES MUST BE ORIGINAL STIMULATED INTEREST. PROMPT PAYMENT AND THE SAFE RETURN OF PATTERSN, RESULITED IN A PERMANENT SUPPLY OF NEW IDEAS FROM MANY DIFFERENT PARTS OF AUSTRLAIA. A BOOK OF "WOOLIES" AFFORDS LITTLE SCOPE FOR "DESIGN", SUCH AS IS REPRESENTED IN OTHER BRANCHES OF NEEDLECRAFT. IN DESCRIBING A PATTER AS 'DESIGNED', IT PLACES THE GARMENT AS ORIGINAL, NOT MERLEY WORKED BY THE SENDER. THEIS BOOK HAS BEEN COMPLIED BECAUSE THE EVER RECURRING DEMAND FOR FAVOURITE PATTERS COULD NOT OTHERWISE BE MET BEGINNERS, WHO MAY FIND FIFFICULTY IN COPYING A PATTER, CAN HAVE ANY ENQUIRY ON THE SUBJECT ANSWERED IN THE WEEKLY TIMES. REMEMBER THAT I AM ALWAYS PLEASED TO ANSWER ENQUIRIES AND TO LEND EXAMPLES OF STITCHES. PLEASE ADDRESS YOUR LETTERS TO 'A MOTHER'. THE WEEKLY TIMES, MELBOURNEDARK BLUE BACKGROUND OF TREES AND SUNRISE IN THE SKY, SOFT COVER, IMAGE OF MAN AND LADY STANDING, WOMAN IN PROFILE IN A CIRCLE AND IMAGE OF WHITE KNITTED BONNET WITHIN A DIAMOND SHAPE. THE WEEKLY TIMES BOOK OF PATTERNS. NO. 2PRINTED ON FRONT COVER: THE WEEKLY TIMES BOOK OF PATTERNS. NO. 2 IN KNITTING AND IN CROCHET PRICE NINEPENCE PRINTED ON BACK COVER THE WEEKLY TEIMS STILL RETAINS ITS HOLD AS THE MOST POPULAR FAMILY PAPER SPECIAL FEATURES FOR WOMEN ORIGINAL CROCHET AND KNITTING DESIGNS CHEAP PETTERS FOR HOME DRES MAKERS GOO COOKERY RECIPTS LATEST FASHIONS AND SOCIAL NEWS, STORIES, PUZZLES AND WEE-END READING EVERY THURSDAY PRICE 4dlocal history, book, reference, trembath, perry -
Clunes Museum
Administrative record - ORDER BOOKS, 1926 - 1932
ORDER FORM IN ORDER BOOK REQUESTING THE LOCAL TRADESMAN SUPPLY THE NEEDY FAMILY WITH GROCERIES, KEROSENE AND CANDLES, ALSO MEAT. BUTTER, SUGAR, FLOUR, JAM, POTATOES, CRISPIES, RICE, TEA COCOA, BLANKETS, CLOTHING, PASS TO BALLARAT, (PROBABLY TRAIN TICKET) SEEM TO BE REGULAR SUPPLIES. BLANKETS AND TRAIN TICKET NOT AS REGULAR REQUESTS.NO. 1 DARK BLUE PATTERNED ORDER BOOK. CLUNES LADIES BENEVOLENT SOCIETY TO CLUNES BUSINESS HOUSES TO SUPPLY NEEDY FAMILIES WITH GROCERIES, CANDLES, KEROSENE AND MEAT. NO.2 GREY MOTTLED COVER - DETAILS AS ABOVE 1926. NO.3 PLAIN CREAM COVER - AS ABOVE 1932local history, commerce, documents, societies, ladies benevolent society