Provides information on the use of concession cards for travelling on Victorian public transport, including senior and other concession cards. Shows images of the various cards allowed including students, seniors, and other concessions and free travel passes. Issued 2024.Yields information about the concession cards in use 2023/2024Pamphlet - 3 fold DL on recycled paper.public transport, tramways, myki, fares, tickets, concession fares

The 11 workmen are standing at the Sunbury railway crossing facing towards the south. It was in Station Street. In the distance the Sunbury Asylum hill is on the LHS. The men are from the Diggers Rest railway gang. Standing in the immediate front is Jim Brain and front left is Malic Cahill, seated is the ganger, Clary Grimmet, 3rd from right is Phil O'Conner, son of Frank and 5th from left is Mick Frouly. It wasn't until 2023 that the level rail crossing at Sunbury was removed by redirecting Station Street under it as part of the Victorian Government's program to remove level rail crossings in built-up areas.A black and white non-digital photograph with a cream border of 11 men standing at a closed country rail crossing. The photograph has been pasted onto a piece of brown light cardboard. In formation about the people in the photograph is on a separate sheet of paper.sunbury rail crossing, station street, railway gangers, railways, jim brain, malic cahill, clary grimmet, frank o'connor, mick frouly

These captivating pieces are part of a series called "FOOD / FLESH / FAME," a collaborative effort between Melbourne-based Thai artists Bundit Puangthong and Vipoo Srivilasa. Drawing from Buddhist teachings, the series explores the three elements of attachment: Food (consumption), Flesh (sex), and Fame (power). Although these elements are known to cause suffering, they remain persistently alluring, a paradox that the artists intend to explore further in the future. In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FOOD" depicts a durian, the king of fruits, painted by Bundit Puangthong. He notes, "Despite its pungent aroma, many people still love to eat it."Donated the by the artists

In creating these pieces, Vipoo Srivilasa initiated the process by sculpting three figures with bare surfaces. Bundit Puangthong then added his artistic touch by painting each sculpture. The artists' conceptual visions harmonized perfectly, especially considering their shared commitment to Buddhist principles, which frequently inspire their respective artistic practices. After Bundit completed his painting, Vipoo enlivened the pieces by adding eyes to the figures. He also embellished the works with pom-poms, lending them a softness that makes them appear both approachable and innocent, despite the weightiness of their themes. Each sculpture embodies a specific teaching from Buddhism: "FLESH" features a golden umbrella, serving as a metaphor for sex.