Showing 1677 items matching "canvas"
-
Bendigo Historical Society Inc.
Document - Gair's Melbourne Canvas Goods Catalogue, October 1933
Joseph Henry Abbott founded the business in 1853 with a store that supplied everyday essential items to those seeking their fortune on the goldfields. The timing and choice of store ensured that he would become a prominent part of the Bendigo business scene. Abbott's next venture was to establish the New Times Boot Market & Factory in Pall Mall, Sandhurst. In 1867, his wife took over running the shop which was located next to the Bendigo Arcade near Williamson Street. In 1876, the leather business of T Baulderstone was purchased, and operations were further expanded later by the acquisition of the Edinburgh Tannery at Sheepwash Creek, and The Edinburgh Leather & Grindery warehouse in Bull Street, Sandhurst. In 1889, Joseph Abbott passed all interests in the business to his son, who shared the same name, in partnership with an adopted son, Richard Hartley Smith Abbott. The business continued trading under the name J H Abbott & Co.Price List from Gair's Melbourne Canvas Goods Manufacturers 36 Pages: All types of canvas bags and buckets; saddle bags; tents and flys; grass catchers; umbrellas; dust covers; blinds, curtains and awnings; wagon and lorry covers; tennis nets; capenters' aprons; hoses; hammocks; swings; chairs; quoits; sleeping bags; pennants; flags; etc.history, bendigo, abbott collection, gair's melbourne canvas manufacturers -
Tennis Australia
Sepia, Digital print, Circa 1900, Circa 2001
An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features an informal group portrait of men, women, teenage girls and a boy. Many of the girls hold tennis racquets. A neo-classical sculpture of a maiden features behind the subjects. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis -
Tennis Australia
Sepia, Digital print, Circa 1900, Circa 2001
An e.21st century digital print on canvas, of an original e.20th century sepia photographic print. Image features a group portrait of men, women, and children. Some of the subjects hold tennis racquets, whilst one lady holds a croquet mallet. Behind the subjects is a wooden pavillion. Materials: Canvas/Cotton, Ink, Wood, Metal, Paper, Paint, Linentennis -
Flagstaff Hill Maritime Museum and Village
Planisphere, Early 20th Century
The word Planisphere (Latin planisphaerium) was originally used in the second century by Claudius Ptolemy to describe the representation of a spherical Earth by a map drawn in the plane. This usage continued into the Renaissance: for example Gerardus Mercator described his 1569 world map as a Planisphere. The word describes the representation of the star-filled celestial sphere on the plane. The first star chart to have the name "Planisphere" was made in 1624 by Jacob Bartsch. Bartsch was the son-in-law of Johannes Kepler, discoverer of Kepler's laws of planetary motion. A significant item of celestial mapping used by marine navigators This particular item was made and used in the first quarter to half of the 20th centuryPlanisphere of northern hemisphere, with canvas bag. Planisphere consists of a circular star chart attached at its centre to an opaque circular overlay that has a clear elliptical window or hole so that only a portion of the sky map will be visible in the window or hole area at any given time. The chart and overlay are mounted so that they are free to rotate about a common pivot point at their centres. The star chart contains the brightest stars, constellations and (possibly) deep-sky objects visible from a particular latitude on Earth. The night sky that one sees from the Earth depends on whether the observer is in the northern or southern hemispheres and the latitude. A Planisphere window is designed for a particular latitude and will be accurate enough for a certain band either side of that. Planisphere makers will usually offer them in a number of versions for different latitudes. Planispheres only show the stars visible from the observer's latitude; stars below the horizon are not included. A complete twenty-four-hour time cycle is marked on the rim of the overlay. A full twelve months of calendar dates are marked on the rim of the starchart. The window is marked to show the direction of the eastern and western horizons. The disc and overlay are adjusted so that the observer's local time of day on the overlay corresponds to that day's date on the star chart disc. The portion of the star chart visible in the window then represents (with a distortion because it is a flat surface representing a spherical volume) the distribution of stars in the sky at that moment for the Planispheres designed location. Users hold the Planisphere above their head with the eastern and western horizons correctly aligned to match the chart to actual star positions. "Made in Germany for GEORGE PHILIP & SONS Ltd. Geographical and Educational Depot, 32 Fleet Street, London" Canvas bag has "Capt. H (Howard) Tyler from Captain H. F. Woolf" "Tyler 22 ? St East Brighton" also "13 Halls St Flinders"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, planisphere, star map, marine navigation, maps, george philip & sons -
Nhill Aviation Heritage Centre
Memorabilia - Astro compass carry case
Matching carry box for Astro Compass 99.1Wooden box painted blue grey, hinged lid with brass latches. Mounting brackets inside to stow Astro Compass. Canvas shoulder strap (broken)Delicate Instrument To Be Handled With Great Care, Astro Compass Mk.II carry box, storage box, box, astro compass -
Bendigo Military Museum
Equipment - AMMUNITION POUCH
Items in collection of K W Peatling. Refer to Cat No.5140.2. Box 173 for his service details.Ammunition basic pouch. Khaki webbing and canvas, metal buckles and straps for closure and attachment to webbing belt, stamped black lettering and numbers on inside closure."8456.66.026.1864. J. T. O. 1968" Inside4 top closure.basic pouch, webbing, equipment -
Bendigo Military Museum
Equipment - MEDICAL BAG, C.WW2
This medical bag is possibly a Japanese Imperial Army WW2 era.Medical bag, canvas, Kahki colour, adjustable carry strap, rusted fittings, back strap with fittings, front of flap has a Red Cross emblem.Top flap left side, “7904”, front flap, “16”, front of bag, “16” left corner.equipment, medical bags -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1931-1932
Back Row: 1. ?, 2. Jack Watson, 3. Pop McKay, 4. Jim Scott, 5. William Bowtell, 6. Charlie Johnson, 7. ?, 8. Peter Young, 9. Charlie D'Alton. Front Row: 1. Pat McKay ?, 2. Fred Johnson, 3. Butts Waldron (driver), 4. Tommy Carr, 5. Bill McKeon, 6. Dudley Whelan.Photo shows road gang in front of Time Keeper's Hut, at back of school. Fifteen men - some standing, others kneeling in front of canvas tents.people, road gang -
National Vietnam Veterans Museum (NVVM)
Equipment - Equipment, Army, Canteen attached to belt, 1965
Authentic water canteen held in canvas bag attached to webbing belt. Brass buckle. Khaki fabric & plastic canteen which is removable from the holderFor water only. Do not apply canteen to open flame or burner plates.canteen -
National Vietnam Veterans Museum (NVVM)
Equipment - Canteen cover
Green canvas holder which is fleece lined. Two press studs in metal. Green webbing on back with two metal clasps used to attach to belt.Printed "Cover Water Canteen"canteen -
National Vietnam Veterans Museum (NVVM)
Painting, 2005
Gold frame with linen mounting coloured oil on canvas, depicting four Huey helicopters in Vietnam, two landing and two on the ground in a valley with surrounding hillspainting, oil, hueys, 9 squadron raaf, raymond charles watts -
National Vietnam Veterans Museum (NVVM)
Equipment - Utility pouch
Standard issue utility pouch used by military during the conflict in Vietnam.Small well-used canvas pouch, rectangular with gusset sides and flap at top. Attachments are made of metal and brass. Press stud to close top flap.pouch, army issue, utility pouch, military equipment, vietnam -
Tatura Irrigation & Wartime Camps Museum
Tin Hat, 1940's
Issued by the Army during WW2 and used by Ron Rose during his service in 8th Field Ambulance Co.Dome shaped heavy metal hat with shock absorbing insert of spring wire and rubber. Elastic chin band. Wire frame covered with light canvas.ww2, ron rose, 8th field ambulance co. -
Tatura Irrigation & Wartime Camps Museum
Deck Chair, 1940's
Made and used by internees at camp 3.Wooden folding frame with 3 adjustments and 2 armrests. Red, yellow, orange, black and green stripped canvas attached to top and front forming seat.camp 3 chairs, internee wood work, deck chair -
Tatura Irrigation & Wartime Camps Museum
sea bag, 1940s
Sent from Germany to survivor of "Kormoran" POW in Camp13 & GraytownCircular burgundy canvas bag. Two straps attached to side of bag, metal eyelets around top, threaded with leather lace. Small flap on toptatura, personal, effects, travel, goods -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1945
Black Jet Bead Dress or Hat Ornament. Kite Shaped. Circle Round Base. Fringe of three strands. Beads sewn onto canvas shape.stawell clothing material -
Queenscliffe Maritime Museum
Equipment - Marine rescue
An emergency position-indicating radio beacon (EPIRB) is a type of emergency locator beacon, a portable, battery-powered radio transmitter used in emergencies to locate airplanes, vessels, and persons in distress and in need of immediate rescue.Since the inception of Cospas-Sarsat in 1982, distress radio beacons have assisted in the rescue of over 28,000 people in more than 7,000 distress situations. In 2010 alone, the system provided information used to rescue 2,388 persons in 641 distress situations. Two battery operated emergency distress beacons EPIRB [Emergency Position Indicating Radio Beacon] in orange containers with attached line in yellow canvas bags.I'm going sailing, I'm coming back; B900; radio distress transmitter operating instructions; made by Don Osborne & associates, box 69 052 Aukland 8 New Zealand.iepirb, rescue, emergency beacon -
Federation University Art Collection
Painting - Artwork - Painting, 'Triumph of Gutenburg' by Maryanne Coutts, 2002, 2003
Of Maryanne Coutts' exhibition at the Ballarat Fine Art Gallery Maryanne Coutts wrote: 'The same old story' is a curious phrase. As usual I can't tell you exactly in words what the story is,simply that I hope that this body of work evokes characters and implies the actions and interactions that engender a story. For me the story if seeking itself, trying to understand what about itself is repeatable yet malleable, rememberable yet changeable. The Triumph of Gutenberg' celebrates the seemingly ordinary by manifold ways that information is transferred and transformed. It arises from a fascination with the way a thought evolves from one idea to the next, often repeating itself, but sometime making leaps and in the dark mutating. Famed for introducing movable type and the printing press to Europe in 1450, Gutenberg enabled the mass production of books. He has consequently become a symbol for the power of the dissemination of knowledge. Vehicles for repeatability, like printing, are myriad and range from specific codes, such as DNA, to more ephemeral language systems like visual and narrative. Stories are my favourite vessels of memory, of recording. It seems that a story can have certain characteristics that allow it to be recognised as a particular story, indeed, that allow it to be repeated withing different narrations, different readings. As a visual storyteller, I have been curious about how much can change while the story remains the same, Within this visual exploration of what I consider to be a consistent story, conveyed through different media, scales, shapes, and styles, I have allowed mutations, which I hope will illuminate the repetition. In some ways this work is a direct response to Poussin's 'The Triumph of Pan', whose arrangement of figures approaches a kind of formal abstraction. As I worked through the drawing, painting and print that are in this exhibition, I have looked increasingly to more recent interpreters of that tradition like Beckmann, Layered, then, withing this story are other stories, other histories. In a metaphoric sense repeatability and mutability characterize both how the work came into being and how, being something more than paper, canvas and pigment, it can travel audiences' neural pathways as both memories of sights seen, as new thoughts ans/or as old thoughts and memories now mutated. Maryanne Coutts, January 2003.Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work is presented on four linen canvases. It is a very large work showing a person working in an office. Donated under the Australian Government's Philanthropic Programme, 2005art, artwork, maryanne coutts, coutts, work, alumni, office, gutenberg -
Federation University Art Collection
Painting - Acrylic on Board, Stuart Harradine (Wudja Waran), 'Tandurrum Jukuprrpa' by Stuart Harradine (Wudja Waran)
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A stretched painting on canvas with Aboriginal motifs and colouring. If you can assist with information on this artist or artwork please make contact via the 'comments' link belowart, artwork, stuart harradine, wudja waran, aboriginal, horsham campus art collection -
Federation University Art Collection
Painting - Artwork, [Untitled]
Under the direction of lecturer Raymond Thomas five students of Koorie Studies at the Gippsland Centre for Art and Design created this work. The were Vickie Turvey, Robyn Yates, Kellie Parsons, Melissa Fenton, Deanna Mobourne.A large canvas with indigenous plants, and Aboriginal animal motifs. If you can assist with information about this artwork, or the artist, please use the comment box below. artwork, artist, gippsland campus, aboriginal, kangaroo, emu, fish, clan map, vickie turvey, robyn yates, kellie parsons, melissa fenton, deanna mobourne, koorie studies -
Trafalgar Holden Museum
Functional object - Protective gloves, 1943
Used by troops when handling hot shell casings as they eject from the artilleryAs made and sold by GMHCanvas glove, covering hands and arms up to elbow height. Double layered over fingers and thumb - cotton strap at wrist to keep glove in position.N 365- made in Australia 1943 D^D SIZE 2- 140541military, protective, gloves -
Trafalgar Holden Museum
Functional object - Gas mask, 1942
Mask used by troops to prevent inhaling noxious gasses during attacks. carried in bag over shoulder and filtted when neededAs manufactured and distributed by General Motors Holden for military and civilian use.Canvas bag divided into five sections containing a rubber mask with head straps and flexible hose off mouth piece, bag fitted with shoulder strapV11 GMH & CO 1942gas mask, military -
Falls Creek Historical Society
Equipment - Ski Equipment - Rope Tow Wheel, Nutcracker and Belt
FALLS CREEK ROPE TOWS Toni St Elmo brought back plans for a Hamilton rope tow from New Zealand. He had a rope tow built in the summer of 1950-51 and it went into operation the following winter. Skiers were charged 10/- per day to use it. Skiers held onto the rope with a locking device called a ‘nutcracker” attached to a webbing belt. This tow, known as the Nissen Tow, continued to operate until 1960. Bob Hymans installed a shorter portable rope tow for his guests at Skyline from 1954. Other tows included the Village Tow and the Nursery Tow. Eventually most of the tows were taken over by Alpine Developments. From 1960 onwards they were gradually replaced by T-bars and then later on by chairlifts. This belt is from the original rope tow used between 1951 and 1960 in the Falls Creek ski lifts. These items are significant because were part of the earliest rope tows constructed at Falls Creek.A canvas waist belt with leg hoops and metal joining and hook used to attach skier to the rope tow. The wheel is also a damaged component of the Rope Tow.falls creek, nissen alpine club, rope tows, toni st elmo -
Wodonga & District Historical Society Inc
Administrative record - Wodonga Benefit Building & Investment Society's Minute Book 1873 to 1883
Wodonga Benefit Building & Investment Society was registered as a Friendly Society on the 26th May 1873. The Society was taken over by the Bank of Victoria in 1883Large minute book with canvas cover attached with thread. Contains minutes and financial reports from 12th March 1873 until 18th August 1883Hand written notes inside. No external markingsfinancial records, building society, wodonga, friendly societies -
Bendigo Military Museum
Equipment - KIT BAG RAAF WW2, c.1939 - 1945
Item issued to Flying Officer Geoffrey Wilkin NEVILLE No 438263 RAAF. Refer Cat No 3291 for his Service History.RAAF Kit Bag, blue canvas, white rope attached through brass eyelets. Identification details stenciled on. A white circle has RAAF No 1. F/O NEVILLE 438263 53 Forest Street Bendigo Vic K36/Q.military equipment, containers -personal, kit bag raaf -
Bendigo Military Museum
Equipment - KIT BAG VIETNAM
1st Australian Field Hospital Vung Tau was part of the 1st Australian Logistics Supprt group based in Vung Tau South Vietnam. Item in the collection of Malcolm Stuart Angus No 3112710, Vietnam.Kit Bag, green colour canvas, 8 eyelets on top with flap and nylon tie cord, a section has been painted white to put details on.(illegible top line) “1 Aust FD Hosp” “Vung Tau”military equipment - kit bag, personal effects- containers, vietnam -
Wangaratta RSL Sub Branch
Accessory - Leather Pouch - Small Japanese Pouch
Small dark brown leather pouch with engravings on the back and on the front has lines engraved into the leather. Has a canvas and metal buckle with a metal hanger on the top.Markings have been engraved into the leather on the back, possibly Japanese.leather pouch, pouch, leather, japanese pouch, japanese army, wwii, world war 2 -
National Vietnam Veterans Museum (NVVM)
Equipment - SLR Magazine pouch
This SLR Magazine pouch is a standard issue item as used by Australian servicemen during the conflict in Vietnam (1962-1973).Small, rectangular, khaki-coloured canvas pouch with hook and loop attachments for carrying on webbing or belt. Has a top flap that closes with tab and metal clasp.slr, magazine pouch, pouch, ammunition, uniform, bag -
Bendigo Military Museum
Equipment - BACK PACK, SMALL, 1969
Item commonly called by soldiers, “bum pack”Small pack, webbing, canvas & inside lining waterproof. Has adjustable straps, buckles, metal, on rear metal clips for attachment to webbing belt & harness.“018465-823-7622 RP 1969--C105961” “Written: 3798215 THOMAS”military equipment - army, uniforms - accessories, metalcraft -
Ringwood RSL Sub-Branch
Equipment - Water Bottle with carry strap
Brown felt, Brown leather straps, canvas shoulder holster, Blue ennamle covering water bottle neck, Cork lid wirh metal fastening.