Worn by Donor 1970sBlack Silk Slacks 1970s. 4cm Pleated Front waistband. Elastic back waistband. 16cm Zip Closing, six pleats across front. Material has an effect of lines randomly sewn to look like the material is crushed.MEOS Fashionscostume, female

Piece of multi types of needlework mounted on cardboard. Green tapestry background including leaves. Inter woven into this are beads. predominantly white. Main feature is multi coloured flowers heavily raised in carpet like stitch. (Berlin Work)handcrafts, embroidery

Cricket trophy consisting of three pieces of metal mounted on an oval piece of wood. The piece of metal at the top is in the shape of a shield, in the centre is a decorative piece featuring a cricketer poised to bat, at the bottom is a piece shaped like a ribbon banner.On top piece: "Won by Rutherglen C. C. 1929-1930 | STGSIL" At bottom right of centre piece: "STGSIL" On the ribbon at the bottom: "W. Sullivan Shield | STGSIL" On the back is a sticker with: "The Lewbury Trophy Shield" [note: STGSIL = Sterling Silver]lewbury trophy, w sullivan shield, cricket, rutherglen cricket club, sporting trophys, sports

Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.Profile head and shoulders portrait of probably a male internee dressed as a woman. Wearing a straw hat with netting around it. Rimless glasses. A green scarf around the neck that looks like plaid or tartan and a pink/burgundy coloured coat.Tatura Summermodel 1941 on mat board above the painting "The Happy Groom" Kurwin 42 on mat board under the painting Tatura 42 on bottom left hand side of paintinginternee, groom

The rifle range, the standard Figure 11 target shows an unkempt male combatant charging towards the viewer, eyes in shadow, bayonet fixed, looking much like the dehumanized, savage enemy that recruits have been encouraged to imagine.

Message Streamer used to communicate with the ground before radios. Message reads: “Have burst tyre, cannot land Give V sign if search finished. If not, stand on your hands. Richy Bair S/L” Item belonged to Maxwell Lennox Matheson No 418447 RAAF. Refer Cat No 1959 for his service history..1) Banner 6 fabric panels, 2 red, 2 beige, 2 brown centre connecting panel - hessian like fabric. .2) Folded note paper. Message written in pen on bottom left hand corner..1) “HGR10 1918” (stamped in centre panel)communications, signals, message

hanimount light brown 35mm slides - December 1963 taken by Les Fordham of W5 774 (Route 16, City) in bound in St Kilda Road nearing the City. Tram has adverts for Like Courage beer and others.trams, tramways, st kilda rd, route 16, w5 class, tram 774

Ballarat & Queens Old Grammarians' Association oval silver coloured badge with blue enamelling on the outside rim with light blue, crimson and yellow crest in middle at bottom of badge, with mitre above. On back a safety pin like catch.BALLARAT& QUEENS OLD GRAMMARIANS ASSOCIATION

Negative Photograph of John SHIRLOW and John HUDSPETH, both drawing, sitting on the bank of a creek/water way, behind the men high up on the bank, a brick building and looks like a timber shed. On computer check SHIRLOW was a artist.Bartlett Bros. Bendigo.photograph, portrait, john shirlow. john hudspeth.

This recipe book was produced by the Mt Beauty Kindergarten Management Committee to commemorate the Kinder's 40th birthday in 1992.The Mt Beauty Kindergarten was established by the SECV during the construction of the Kiewa Hydro Electric Scheme. Spirax loose leaf recipe book with black spirax spine. Yellow cardboard cover with plastic overlay. It includes diagrams/drawings and each of the 8 sections is divided by coloured cardboard. It has 140 pages including the covers. A5 sizeOn the inside front cover "To Dear Nana & Grandad / with lots of love / for Christmas 1992 / Heather. / Hope you like my Kinder / Cookbook. I have a / drawing of me in it.mt beauty kindergarten, recipes, cooking

Green Certificate with a white panel containing a coloured VACC logo and future car symbol, framed in a black frame with a gold section on the inside of the frame. Black text reads:2007 DESIGN THE CAR OF 2020 VACC would like to thank Wangaratta High School for participating in the Target 2020 future Car Competition 2007 Secondary Model Category.

Taken to mark the wedding of Patrick James Burns and Ivy Lillian Ellen Bolton at Holy Trinity Surrey Hills in 1940. Ivy's sister Beryl Torey is at right and Beryl's daughters were flower girls. Patrick's brothers Eddie and Emet are at either end and his cousin Win Ramage is on the left. Patrick and Ivy's home was at 244 Union Road, Surrey Hills. Ivy was born in 1908 in Seymour, the daughter of Samuel Henry Bolton and Elizabeth Beatrice Maher. She died in 2004 in Mansfield and is buried at Fawkner Cemetery. Patrick was a mechanic. He was born in 1906 at Longwood and died in 1964 at Surrey Hills.A black and white photograph of a wedding group showing bride and groom, two bridesmaids, two flower girls and 3 other men. The men are dressed in dark suits and have a buttonhole flower in their lapel, the bride dressed in a floor length dress of lace with a long train supported on her head by a headband, the bridesmaids are wearing floor length dresses, with short sleeves and a hat styled like a small beret, and the flowergirls are also wearing floor length dresses and short sleeves, and also hats styled like the berets. All the females are carrying bouquets.(mr) patrick burns, (mrs) ivy burns, (miss) ivy bolton, (mrs) beryl torey, (mr) eddie burns, (mr) emet burns, (ms) win ramage, union road, surrey hills, holy trinity church, churches

Part of "Woolcock Gallery Collection" exhibition 1989 CEMADrawings of cuttings and flower details of two plant species with yellow flowers and green foliage. Five drawings including one flower detail (yellow and pencil), one cutting of tall yellow (Daisy-like) flower with a red-brown stem and long green leaves along stem and at base, one cutting with many flowers (no petals, button-like) on thin green stems with green flower details. The work is on white paper mounted on apricot (first layer) and pale grey (second layer) cardboard. It is framed under glass in a gold and grey-green frame.Front: CEW/85 (vertical next to stem) Podolepis jaceoides (Showy Podolepis) Cotula coronopifolia (Water Buttons) (lower left) CEWoolcock (lower right) Back: 22 (upper left)woolcock, cema, botanical

By referring to Cat No 7237.2 this will bring up all items associated with Thompsons.This is a photocopy of an original of Arms Manufacturing machine. The machine is large. It appears to have 4 cone shafts that are adjustable. In the center is a shaft that looks like a cannon barrel. The whole assembly is on a heavy steel bed. The machine is inside a large iron shed.cannon manufacture, arms, print

This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment. Good condition and good interpretation capacity.Steel curved scissors used for grasping nasal polyps for removal. The handle is used with a spring like action controlled by pieces of steel in between. At the join the handles cross have a hinge and then cross back again and become scissors - flat and blunt.medical instrument. hospital instrument. doctor. nurse. tawonga. nasal. polyp.

Jade figure of a seated lion-like mythical creature baring teeth sitting upon a wooden table with a stone under one foot. Similar to 310.1 but a darker shade of green, stone is sitting under opposite foot, and is slightly larger."PMA 0206/2" " ¥ 180.00" on base: PMA 0206/3"

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions)

sourced from local resident of Kiewa Valley Mr David Barton. As theses shoes are from Turkey and from the period of the early 1900s they may have been bought back from that country as a souvenir after WWI. Members of the Barton family went to WWI . Manufacture of slippers circa 1920s and represents early Turkish style .These slippers are considered rare due to the intricate workmanship in leather. They have historical and good Provence significance due to being donated by a local man who possibly bought them back from WWI . Two brown slippers, left and right foot. Leather soles and gold patterned (circle and fish like) embroidered uppers. A long, 13cm leather strip upward curled, extension fastened at tip of sole. Back of heel extended to a pointPatterned front toe,side arch and heel. Markings may represent water ,four fish and fish traps

Biscuit dough was put into the forcer/case/cylinder and the wooden pin pressed down to force dough out as a shaped biscuit. This would have been used in use in an Orbost home in the mid 20th century.This item is representative of kitchen utensils in common use in working class kitchens in 20th century prior to the common availability of packaged biscuits.Biscuit paste forcer made up of a metal barrel with a ring for hanging at top and a wooden plunger with a knob handle on top. This is shaped like a rolling pin. Biscuit mix is forced through the end of the tube to create fancy-looking biscuits.domestic kitchen food-technology biscuit- forcer baking appliances

Piece of decorative timber from a washstand/dressing table. Each end is rounded and the top edge has a pointed piece like the end of a leaf offset from the centre. It has been varnished brown. The other piece is a sliver of wood.furniture, domestic, dressing table/washstand, furniture pieces m ballhause

8424.1 - Pickaxe-long wooden handle growing thicker towards ends; thickest end holds pickaxe head- one side long and pointed, the other flattened, like a chisel. head has, however, become detached from the handle.

The use of chloroform as an anaesthetic for humans was first demonstrated by Edinburgh surgeon James Young Simpson in 1847. It was used as an anaesthetic in the 19th and early 20th centuries.Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Amber glass bottle [197.1] with long neck and matching stopper [197.2]. The text "Lamprecht's" and "36587" stamped into the glass. Bottle is round with a fluted, vase like top and a small spout. Stopper is topped by a circular knob and tapers towards a point."Lamprecht's" "36587"anaesthesia

Worn by patients at Sunbury Asylum.Straight jacket made from unbleached canvas. Sleeves stitched into pocket-like patches on sides. Front closed with four pairs of ties and brass screw fittings. Waist has broad band with two pairs of ties and brass fittings.Front left breast, handwritten "Canvas Locked jacket" inside right back neckline "S.T.C. M-6A"costume, sunbury asylum, george evans collection

Used by Whitehorse Historical Society. Origin unknownSmall child size mannequin on wooden stand. The model is without arms and torso size. It is covered in black cotton and black linen like material above the waist. The model is on a fixed stand with carved wooden pieces at arm holes and at the neck.model making, mannequins/dummies

Print (reproduction) of a woman in fifteenth century costume swinging a baseball-like bat and throwing a white ball into the air. Title text states: 'JEU DE PALME/XIV E/SIECLE'. Materials: Paper, Ink, Cardboard, Wood, Metaltennis

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.Novelty View Card, part of a series, representing different locations in the United Kingdom. The front of the card opens to reveal ten postcards, joined concertina-like. The postcard was purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."22.5.1928"postcards, george and edith weir, isle of wight, weir collection, postcards - isle of wight

Used for pinning onto clothing or other accessories. Advertisement on TravelCard is printed on one side. Two copies held.One of the marketing methods for the TravelCard, the main ticketing system for public transport in Victoria during the 1980s.White, round plastic badge with "I Like TravelCard" printed in front. Two black, directionally opposite arrows flank the top and bottom of the text. In the back the text "BLADON MARKETING" is inscribed below the safety pin. 2 copies held.BLADON MARKETINGtravelcard, the met, metropolitian transit authority, badge, public transport, tickets