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Federation University Art Collection
Painting - Acrylic on plyboard, Duffy, Jennifer, 'Flame Leaves' by Jennifer Duffy, 2005
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a red flowerart, artwork, horsham campus, flora, jennifer duffy, horsham campus art collection, alumni -
Federation University Art Collection
Drawing - Artwork - Drawing, Johns, Joan, 'Fractured Rose' by Joan Jones, c2005
Joan JOHNS From an early age Joan Johns was interested in botanical specimens. Her are reflects this interest with a refined focus on the dynamics of colour, contrast, form and pattern. Working with an oil pastel resist technique allows for the building up of layers, chance application of inks and pastel, leading to a vibrancy of colour. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of a rose.art, artwork, joan johns, rose, flora, horsham campus art collection -
Federation University Art Collection
Painting - Artwork - Painting, Reinhard Gromm, Wattle, c1996
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A landscape painting on canvas featuring wattle trees.art, artwork, reinhard gromm, gromm, landscape, flora, horsham campus art collection -
Federation University Art Collection
Painting - Acrylic on Canvas, Driscoll, Kate, Banksia on Jacob's Track, 2005, 2005
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of a close up view of a banksia cone. art, artwork, banksia, flora, flowers, kate driscoll, horsham campus art collection -
Federation University Art Collection
Painting, Chinese, [Floral Landscape]
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two Framed artworks with a floral theme. art, artwork, flowers, flora, asian -
Federation University Art Collection
conte & paint, [Blue Flowers], c2005
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. If you can assist with information on the artist or artwork please use the comments link below. art, artwork, flora, tafe business collection, stars, moon, available -
Federation University Art Collection
Bookplate, John and Zelma Myra and Jan [Gardner] Ex Libris
Bookplate with a ring of coloured flowersbookplate, john gartner, zelda gartner, myra gartner, jan garner, flora -
Federation University Art Collection
Painting - Artwork, Untitled by Neville Bunning
Watercolour on paper featuring flowers.neville bunning, requires framing, flowers, flora -
Federation University Art Collection
Work on paper - Watercolour, Neville Bunning, 'The Garden' by Neville Bunning
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract watercolour of an gardenart, artwork, neville bunning, garden, flora, available -
Federation University Art Collection
Painting - Oil on masonite, 'Flowers' by Neville Bunning
Neville BUNNING (1902-1990) Neville Bunning taught Ceramics at the Ballarat School of Mines. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of a vase of flowers.art, artwork, neville bunning, flowers, oil painting, available, ballarat school of mines, flora, still life -
Federation University Art Collection
Painting, Isabel Huntington, 'Sunflower' by Isabel Huntington, c1956
Isabel HUNTINGTON (1905 - 04 December 1971) Isabel McCausland was educated at Ballarat and married Robert Keith Huntington in 1931, and which time Isabel was living in the Melbourne suburb of Preston. Isabel Huntington was a painter, craft officer and craft worker. She studied at Ballarat High School, Ballarat Technical Art School (a division of the School of Mines) and RMIT, and was a member of the Victorian Artists' Society and the Contemporary Art Society. In 1945 she was appointed Director of Handcrafts for the Victorian Division of the Red Cross Society. Isabel Huntington had previously held the position of Supervisor of Handcrafts at Heidelberg Military Hospital for three and a half years. She was a member or the Arts and Crafts Society. Isabel Huntington had five 'one-man" shows, three in Melbourne, one in Ballarat and one in Hamilton, Victoria. The critics of the day described Isobel Huntington's work as Post Impressionist and Expressionist. 'Her enjoyment of the use of colour and her sense of vitality is obvious in her most original conception of the relationship of art to flowers.' Ursula Hoff judged the 1965 Albury awards for watercolour, and religious paintings in oils, awarding the prize to Isabel Huntington. In the same year Isabel Huntington travelled to Europe. In Ballarat's Crouch Prize Isabel Huntington was commended three times. After returning from overseas she taught at Rosanna High School, Victoria. Isabel Huntington lived at Montmorency, Victoria, and was there at the time of her death. Her studio was located at 10 Nokes Court, Montmorency, 3094. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007 in 1971.Framed painting of a sunflower. The signature at the lower right has been oversigned in white 'Huntington 1962". A note on the back of the work suggests it was more like to have been created in 1956, and it was first purchased between 1956 and 1958. If you can share information on this artist or artwork please use the email link below.A note on the back says "Sunflower 1962 Oil/Pastel Insurance Isobel Huntington Gouache 1956 Black Box. Huntingdon (sic) Isobel. Acquired between 1956 - 1958"art, artwork, gouache, painting, sunflower, isabel huntington, handcraft, arts and crafts society, crouch prize, ursula hoff, alumni, flora, ballarat teachers' college art collection, isobel huntington, isabel mccausland -
Federation University Art Collection
Painting - Oil, et al, [The Green Vase] by David Strachan, c1948
David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
Federation University Art Collection
Painting - Artwork, "Pink Flowers" by Gwen Graham
Gwen GRAHAM Gwen Graham was a member of the Ballarat Artists Society. She was active <1963-1970>. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still life of a vase of flowers.art, artwork, gwen graham, still life, flora, hydrangea -
Federation University Art Collection
Painting - Oil Painting, [Lilacs] by A. Laurens, 1969, 1969
A framed oil painting of a green vase full of pink lilacs. We are currently seeking information on the artist A. Laurens. If you are able to assist please use the email link below.art, artists, laurens, lilacs, still life, flora, available, a. laurens -
Federation University Art Collection
Painting - Artwork, [Untitled]
If you are able to provide information on this artist or artwork please use the comment link below.artwork, artist, gippsland campus, churchill, flora -
Port Fairy Historical Society Museum and Archives
Book, Rupp, Reverend, The orchids of New South Wales, 1943
"Issued from the National Herbarium, Sydney, as a part of the Flora of New South Wales." Includes index.xv, 152 p. : front., illus. ; 23cm.non-fiction"Issued from the National Herbarium, Sydney, as a part of the Flora of New South Wales." Includes index.botany -- new south wales., orchids -- new south wales -- identification., orchids -- new south wales -- classification., orchids -- new south wales., orchids., book -
Federation University Art Collection
Painting - Artwork, [Untitled]
If you can assist with information on this artist or artwork please use the comments link below.asian, calligraphy, flowers, flora, available -
Federation University Art Collection
Print - Artwork - Printmaking, Magnolia, 2001
Framed linocut depicting a Magnolia. You you can assist with information on this artist or artwork please use the comment box below.magnolia, linocut, printmaking, flora, available -
Federation University Art Collection
Painting - Artwork - Painting, [Pink Flowers]
If you can provide information on this artist or artwork please use the link below.Painting of pink flowerspainting, flora, flowers, horsham campus art collection, multz -
Federation University Art Collection
Painting - Artwork, [Flowers]
Asian SchoolAsian School scroll featuring flowers. flora, asian, gippsland campus, churchill, asian school, flowers -
Federation University Art Collection
Painting, Chinese, [Floral Landscape]
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two Framed artworks with a floral theme. art, artwork, flowers, flora, asian -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Jessica Price, 'Garden #1, #2, #3 and #4' by Jessica Price, 10/2017
Jessica PRICE (1996- ) Born Busselton, Western Australia In 2017 Jessica Price completed a Bachelor of Arts (Fine Arts) Printmaking at the Federation University Arts Academy. A general theme in her work is nature to reveal the beauty of God in nature. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Four limited edition screenprints with fineliner printed on Somerset Satin White paper. Artist's Statement: I am a practising printmaking artist and enjoy experimenting with various forms of print including chine colle, screenprinting and monoprint. I also enjoy drawing and painting, and hope to expand my practise to incorporate all these methods to create a unique style of artwork for myself. I am constantly in awe of the delicacy and grandeur of creation. I find that bringing this concept and theme thorughout my work using a botanical like approach not only expresses a part of who I am, but connects me with the creator of the universe. My hope is that by making these works I can create a similar experience for my viewers, as well as celebrate the master craftsmanship of the creator. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.1/1jessica price, screenprint, printmaking, flora, alumni, bee, australian nature -
Federation University Art Collection
Artwork - Ceramics, Ceramic Form by Rene Sutherland, c1945
Rene SUTHERLAND ( - c1993) Geelong based studio potter from 1940s and 1950s. Rene Sutherland left a generous bequest in her will to the Geelong Art Society which was put towards building a new art studio, named the Rene Sutherland Studio in her honour. A small, hand molded ceramic floweravailable, available ceramics, ceramics, rene sutherland, flora -
Port Fairy Historical Society Museum and Archives
Magazine - Newsletter, Richard Patterson, Port Fairy Post, November 2020
An amalgam of articles pertaining to historical interests in Port Fairy14 page official newsletter of the Port Fairy Historical Society called the ‘Port Fairy Post’non-fictionAn amalgam of articles pertaining to historical interests in Port Fairynewsletter, magazine, museum library, richard joye baker, mrs dunlop, flora dunlop, alexander dunlop, gas works, sharks, hospital, porpoises, fishermen, bread, bakers -
The Mrs Aeneas Gunn Memorial Library
Book, T. Nelson and sons, Australia : a general account - history, resources, production, social conditions, 1929
Outline of geography, European exploration and settlement, economic development, social condition, flora and fauna; includes a brief general account of Aboriginal culture.Index, Ill, maps, p.272.non-fictionOutline of geography, European exploration and settlement, economic development, social condition, flora and fauna; includes a brief general account of Aboriginal culture.australia - social life and customs, australia - history -
The Mrs Aeneas Gunn Memorial Library
Book, HG Wells, The food of the gods, 1904
Published in 1904, this forgotten classic is sci-fi and dystopia at its best, written by the creator and master of the genreFollowing extensive research in the field of growth, Mr. Bensington and Professor Redwood light upon a new mysterious element, a food that causes greatly accelerated development. Initially christening their discovery The Food of the Gods, the two scientists are overwhelmed by the possible ramifications of their creation. Needing room for experiments, Mr. Besington chooses a farm that offers him the chance to test on chickens, which duly grow monstrous, six or seven times their usual size. With the farmer, Mr. Skinner, failing to contain the spread of the Food, chaos soon reigns as reports come in of local encounters with monstrous wasps, earwigs, and rats. The chickens escape, leaving carnage in their wake. The Skinners and Redwoods have both been feeding their children the compound illicitlytheir eventual offspring will constitute a new age of giants. Public opinion rapidly turns against the scientists and society rebels against the world's new flora and fauna. Daily life has changed shockingly and now politicians are involved, trying to stamp out the Food of the Gods and the giant race. Comic and at times surprisingly touching and tragic, Wells' story is a cautionary tale warning against the rampant advances of science but also of the dangers of greed, political infighting, and shameless vote-seeking. Collapse summaryIll, p.311.fictionPublished in 1904, this forgotten classic is sci-fi and dystopia at its best, written by the creator and master of the genreFollowing extensive research in the field of growth, Mr. Bensington and Professor Redwood light upon a new mysterious element, a food that causes greatly accelerated development. Initially christening their discovery The Food of the Gods, the two scientists are overwhelmed by the possible ramifications of their creation. Needing room for experiments, Mr. Besington chooses a farm that offers him the chance to test on chickens, which duly grow monstrous, six or seven times their usual size. With the farmer, Mr. Skinner, failing to contain the spread of the Food, chaos soon reigns as reports come in of local encounters with monstrous wasps, earwigs, and rats. The chickens escape, leaving carnage in their wake. The Skinners and Redwoods have both been feeding their children the compound illicitlytheir eventual offspring will constitute a new age of giants. Public opinion rapidly turns against the scientists and society rebels against the world's new flora and fauna. Daily life has changed shockingly and now politicians are involved, trying to stamp out the Food of the Gods and the giant race. Comic and at times surprisingly touching and tragic, Wells' story is a cautionary tale warning against the rampant advances of science but also of the dangers of greed, political infighting, and shameless vote-seeking. Collapse summary science fiction - england, artificial foods -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Carolus Clusius, 16th century scientific horticulturist, Wikipedia, 22/06/2009, 22/06/2009
Clusius's early work relates to some of the plants in the Ballarat Botanical Gardens today, for example, tulips. Carolus Clusius was a pioneering botanist and one of the most influential 16th century scientific horticulturists.2 pages with a photograph labelled Charles de l'Ecluse on the left of p.1 and a drawing of a Nymphaea on the lefthand side of the page. p.2 has a list of the works of Charles de l'Ecluse, bottom half of the page. Nonedoctor john garner, john garner, ballarat botanical gardens, friends of ballarat botanical gardens, 16th century, carolus clusius, charles de lecluse, l'escluse, pioneering botanist, scientific hoticulturist, tulips, alpine plants, genus clusia, european flora, john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Two Talks by Peter Butters, Yuille's Swamp and Our Botanical Gardens
Both articles give valuable brief histories of Lake Wendouree and Ballarat Botanical Gardens.These 2 articles explain how Lake Wendouree and the Ballarat Botanical Gardens came to be highly regarded for leisure time activities, for the study of flora and fauna and the parks and gardens.The 1st article, Yuille's Swamp is 31/2 pages of print with Peter Butters name added on p.4. The 2nd article, Our Botanical Gardens, is also 31/2 pages of print with Peter Butters name added on p.4.With the 1st article "Roy and then Peter Butters Talk, Guiding Group, 24/9/97" is written in blue biro, top righthand corner. Nothing is written in longhand on the 2nd article.john garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, yuille's swamp, lake wendouree, black swamp, tourism, eugene von guerard, gnarr creek, ballarat water supply, gong reservoir, view point, trams, fry's mill, .mining, english birds, acclimatization society, fish, carp, cormorants, reeds in lake wendouree, acquatic sports, steam boats, george longley, marble statues, trees, fernery, john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Farnese Gardens, Rome. Wikipedia, 16th Century Private Botanical Gardens
john garner collection, ballarat botanical gardens, gardens, ballarat, farnese gardens, flora, statue, rome -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Trees, Flowers and Gardens, Botanical Gardens, Chisholm, J.A. 1977, 1977
This summary gives detailed information of the trees, flowers and gardens in the Ballarat Botanical Gardens in 1977.Details given not only of location of flora but historical details of why the trees, flowers and gardens were planted.2 pages of grey photocopy with information typed in point form indicated by asterisks. The last line of the last point, p.1. has been cut off.None.doctor, trees, flowers, gardens, j.a.chisolm, 1977, location of flora, john garner collection, ballarat, ballarat botanical gardens