Second school building on same site, which was put out for tender in April 1875. The stone building is prior to any additions. Note children playing in school yard. Published in Nillumbik Mail Edition 21, 20 Sep Harry Gilham's notes: Constructed 1875. Inspection finished 31 December 1875 - outer walls covering said to come from Quarry Park at the western end of cuyrrent Lavender Park Road, Eltham. Windows altered in the 1900s; ventilation and skylights 1920s - built to house 100 children.Sepia photograph mounted on cardNillumbik Mail publication details; Edition 21, 20 Sepdalton street, eltham, eltham state school no. 209, school group, eltham primary school

The sketch of the Pig & Whistle would be pre1968 as the gate was remodeled with two white half gates at this time and the ivy removed. The building was purchased in 1968 by the Benash family and renovated inside and out with a white, Tudor style outer facade. It was renamed Tatra Hut. The restaurant was sold again c1975 and became a Reception Centre. This information was provided by Victor Grotaers who was the resident solo-accordionist in 1968 when the new Tatra Hut opened. He recalls the opening night as being a large affair reported by Channel 9 at the time.Copy of a pencil sketch of 'The Pig & Whistle' restaurant at Mt Dandenong. The building still stands but became the Tatra Hut c1968. The sketch is signed H.R. Ham. The sketch shows the front of the restaurant with gate and stone pillars.On front of card: The Pig & Whistle, Mount Dandenongpig & whistle, tatra hut, restaurant, mt dandenong, mount dandenong, sketch, h.r.ham

In the intersection of corridors at a nursing home, three men navigate their way along. The first man has only his lower half and back showing but appears to be guiding his companions. The middle man, dressed in a jumper, shirt, pants and polished shoes walks to his outer left, possibly holding the elbow of the man in front of him. The last man, wearing a jacket, shirt, tie, pants and a pair of snazzy plaid slippers, lightly holds the edge of jumper of the man in front of him, who has turned the corner.1 B/W photograph of three men in a corridor at a nursing home26 2917 C1association for the blind, elanora home (brighton)

(From Glen Stuart). Photos taken from Centenary Bridge c1947. HMS Glory (inner East). HMS Implacable (outer East). HMS Indefatigable (outer West). Unknown freighter at Inner West. Ships still in wartime grey and used to transport personnel and equipment back to Australia after the war, before returning to England. PMHPS assume that these five photos (3354.01 - .05) were taken on the same day. See Glen Stuart's comment above. HMS Glory, Implacable and Indefatigable with attendant destroyers Tuscan and Armada arrived in Port Melbourne on 23 January 1946 and returned to England in 1947. [This series of photos 3354.01 - .05 as well as 3361 and 3362 came to PMHPS from the Moe Historical Society via the St Kilda Historical Society. Notations in pencil on the back along the left had edge indicate they came from "C W Ward photo, 355 High St, Prahran, Melbourne". Each photo bears the date 9-12-1947 in the top left corner. It is not known what this date refers to. Possibly it is when the photo was printed. Another notation on each photo says "Port Melbourne, taken in 1920". This is definitely incorrect and "NOT" has been written underneath this comment.]Black and white photo looking down Centenary Bridge towards the London Family Hotel and Swallow and Ariell. Also commercial businesses to left of bridge C W Ward photo, 355 High St, Prahran, Melbournenatural environment - beaches and foreshore, centenary bridge, built environment - commercial, london family hotel, swallow & ariell ltd, built environment - industrial, hotels

(From Glen Stuart). Photos taken from Centenary Bridge c1947. HMS Glory (inner East). HMS Implacable (outer East). HMS Indefatigable (outer West). Unknown freighter at Inner West. Ships still in wartime grey and used to transport personnel and equipment back to Australia after the war, before returning to England. PMHPS assume that these five photos (3354.01 - .05) were taken on the same day. See Glen Stuart's comment above. HMS Glory, Implacable and Indefatigable with attendant destroyers Tuscan and Armada arrived in Port Melbourne on 23 January 1946 and returned to England in 1947. [This series of photos 3354.01 - .05 as well as 3361 and 3362 came to PMHPS from the Moe Historical Society via the St Kilda Historical Society. Notations in pencil on the back along the left had edge indicate they came from "C W Ward photo, 355 High St, Prahran, Melbourne". Each photo bears the date 9-12-1947 in the top left corner. It is not known what this date refers to. Possibly it is when the photo was printed. Another notation on each photo says "Port Melbourne, taken in 1920". This is definitely incorrect and "NOT" has been written underneath this comment.]British aircraft carrier, HMS Glory (inner east) and unknown freighter (inner west) at Station Pier. Military personnel and civilians on Centenary Bridge ramp with Gatehouse in centre view. c 1946-47 C W Ward photo, 355 High St, Prahran, Melbournetransport - shipping, piers and wharves - station pier, war - world war ii, centenary bridge, hms glory

(From Glen Stuart). Photos taken from Centenary Bridge c1947. HMS Glory (inner East). HMS Implacable (outer East). HMS Indefatigable (outer West). Unknown freighter at Inner West. Ships still in wartime grey and used to transport personnel and equipment back to Australia after the war, before returning to England. PMHPS assume that these five photos (3354.01 - .05) were taken on the same day. See Glen Stuart's comment above. HMS Glory, Implacable and Indefatigable with attendant destroyers Tuscan and Armada arrived in Port Melbourne on 23 January 1946 and returned to England in 1947. [This series of photos 3354.01 - .05 as well as 3361 and 3362 came to PMHPS from the Moe Historical Society via the St Kilda Historical Society. Notations in pencil on the back along the left had edge indicate they came from "C W Ward photo, 355 High St, Prahran, Melbourne". Each photo bears the date 9-12-1947 in the top left corner. It is not known what this date refers to. Possibly it is when the photo was printed. Another notation on each photo says "Port Melbourne, taken in 1920". This is definitely incorrect and "NOT" has been written underneath this comment.]Image taken from Centenary Bridge showing HMS Glory at Station Pier (inner east), an unidentified freighter at (inner west) and another unidentified ship berthed at the west finger pier. C W Ward photo, 355 High St, Prahran, Melbournetransport - shipping, piers and wharves - station pier, war - world war ii, centenary bridge, hms glory, hms implacable, hms indefaticable

This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. A tea spoon from the wreck of the LOCH ARD. Design is flattened fiddle-back handle, thin stem or shank, flared collar, and elongated bowl. Manufacture is outer surface of brass-like copper alloy electroplated onto a base metal core of 'nickel silver'. Outline of 5 makers marks visible but contents obscured. 20% plate remaining with traces of verdigris.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, nickel silver, william page & co, birmingham, brass plating, makers marks

These saucers are part of a crockery set that belonged to George Rolfe and his family. George Rolfe (1836-1919) was a tea merchant in Melbourne who bought land at the mouth of the Hopkins River in Warrnambool in the 1880s. He had adjoining land and the properties of ‘Shipley’ and ‘Fairy Hill’ and developed ‘Lyndoch’, adding stables, jetty, boat house, windmill and reservoir, chaff and bone sheds and an extensive garden. In 1891 he married Annie Lake and it was his stepdaughter, Florence Lake who built the ‘Lyndoch’ house still standing today. ‘Lyndoch’ today is now the site of an Aged Care Facility. This item is part of the Rolfe Dinnerset as described on Victorian Collections at VC001420 and VC001422.These saucers, part of a crockery set, are kept because they belonged to George Rolfe, a prominent property owner and farmer in Warrnambool in the late 19th century and early 20th century. The items, dating from 1864, have social significance showing the type of crockery used by a more affluent family in the 19th century. These are six circular china saucers with a gold rim and ornamentation in a scallop design in gold and teal around the rim and the outer edges. The base of the saucers has a gold rim. One of the saucers has a chip on the edge and four show significant wearing of the inner gold circle. Some of the outside gold edging also shows wear. The maker’s marks and name are indented on the bottom of the saucers ‘Minton’ lyndoch, warrnambool, rolfe and co., george rolfe, history of warrnambool, florence lake

Peter Ball collection, refer Cat No 4704Army issue Great Coat khaki colour, outer lining heavy duty with green light inner lining, all gold colour buttons intact and have a crown and crossed rifles on, plastic brown buttons under collar one missing, large white label sewn in on with maker, date & personal details, white card label on LH side with coat size.On collar label in black print, “David Klein PTY LTD Victoria 1967 (arrow up) Size 7 Class 8405 - 66 - 012 - 0495”, hand written on in black, “3796117 BALL PC”.clothing, great coat, army issue

Heavy duty cardboard cylinder with one fixed and one removable end cap. There are cotton webbing straps attached for carrying the tube and for securing the removable end cap.Internally, there is a tapering inwards of the cardboard liner. Under the removable cap, is a ring shaped rubber protector. The outer layer of the cardboard tube has a cotton cloth cover which has been painted brown.The removable end cap is marked “C279 MK N2 1952 M/W”war, explosives, packaging

The helmet was captured by William J Hanna, Royal Irish Fusiliers. Hanna was wounded during the 1916 Battle of the Somme.World War One German Army steel helmet. The outer surface is painted. Two lugs/ventilation holes are visible on each side. Rivets securing the missing headband are also visible. The front of the helmet has an extended visor whilst the back and sides also project to cover the nape of the neck and ears. Inside on each side are attachment points for a chin strap.helmet, german army - ww1, military equipment, uniforms - army, headwear

MEDIUM: Oil on paper. DESCRIPTION: Blue, white and brown oil painting on paper, mounted on white board under glass, white outer frame. An abstract close up, bones are lined up vertically along the full length of the canvas against a bright blue background and a centrally placed horizontal earthy toned background, the bones almost appear attached, as to a cowboys belt. Initialed and dated on image, proper left bottom corner.them, oil, bathgate, bones

Bugles have been used for hundreds of years for communicating instructions, particularly in battles, and announcements such as calls to assemble and various other routines of the day, particularly for infantry and military units. This pure silver bugle was presented to the Warrnambool Rifle Volunteers by Lady Helpman, on behalf of the Ladies of the District of Warrnambool, on June 18th, 1861. Lady Helpman's husband, Captain Benjamin Franklin Helpman, was Warrnambool Harbour master. The gift of this silver bugle was presented to the commanding officer of the Warrnambool Volunteer Rifle Corps, Captain Bushe, who then passed it on to the Warrnambool Volunteer Band. On 11th August 2016, during a ceremony at Flagstaff Hill, the Australian Army handed over custodianship of two very significant historical items the 1885 W. Clarke Trophy and the 1861 Warrnambool Ladies Silver Bugle to Warrnambool City Council, for display at Flagstaff Hill Maritime museum, both heritage listed items are strongly connected to the city of Warrnambool and form an integral part in the history of the Warrnambool Garrison.The Silver Bugle is locally significant to the community of Warrnambool for its connection to the Warrnambool Volunteer Rifle Corps., which formed part of the original Warrnambool Garrison to protect the Warrnambool Harbour. The site of the 1888 Warrnambool Garrison and Fortifications is Victorian State Heritage-listed is significant for its intact and operational nature and is one of the best-preserved pieces of Victoria's early colonial heritage. Silver alloy Bugle, with brass mouthpiece, a long tube of metal, narrow at the mouth end and gradually flaring to a wider at the bell shape at the other end. The tube is shaped into 3 bends. The front of the bell has an elaborate design of a ribbon banner attached above an oval floral wreath enclosing an inscription. The outer rim of the bell has an impressed ancient Greek geometric border.On ribbon banner “Armed for the Right”. Within the wreath “TO THE / WARRNAMBOOL / VOLUNTEER RIFLE COMPANY / this tribute of due appreciation / is presented by / THE LADIES / of the District / Warrnambool 18th June / 1861”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, silver bugle 1861, bugle musical instrument, lieutenant benjamin helpman, doctor breton, captain bushe, bugler corrigan, drill instructor bernard, warrnambool volunteer rifle corps 1861, statistics of warrnambool volunteer rifle corps 1861, warrnambool volunteer rifle company, warrnambool rifle volunteers, warrnambool volunteer band, armed for the right, wall’s family hotel warrnambool, warrnambool garrison, volunteer corps

This Collection Of Photos shows the Shire President W.Purcell and Councilors J.P.Spiers,R.J.Dobson,M.Ryan,J.M.Feery,J.Baird,J.Mitchell, H.W.Symons,J.Lester,and staff,H.T.Hughes,Valuer and Collector, and C.T.Jones,Secretary and engineer,for the year 1906. Original Historic Photo.Photos are sepia set on grey mount within a black,wide, frame.The frame has "beading" effect on outer edge then a narrow band of sculptured gold flowers and leaves,and sculptured inner edge. The central photo of,Councilor W.Purcell, is surounded by a shaped cream border.The photos are oval, rectangular and rectangular with curved top in shape.Around the central photo a decorative design is painted. Presented by the President to the Ballarat Shire Council 1906.purcell w, councilors 1906 ballarat shire council

Bates' Salve has been used as a home remedy for the treatment of boils, skin infections, splinters, pimples and insect bites for decades, from the mid-1800s to the mid-1900s. It is a drawing application for bringing out foreign bodies and pusses from a wound. There are still many families who remember using it and others who have been using it and are down to their last ‘inch’. One comment from a reader from Queensland tells how his Dad was a sleeper cutter in the 1950s and on school holidays his brother and he used to help their Dad. When doing this task after a wet season they would be confronted with spear grass about a metre high. Sometimes the spears would enter their skin, and when the spears were wet they would screw like a corkscrew into their flesh. If they left them for too long it was impossible to dig them out with a needle. That's when the Bates Salve was put into action to draw the spearhead out. "It worked wonders. It was a marvellous invention." Many people say that they would love to be able to purchase more of it today and hope that someone will produce a ‘safe’ version of it. There are several versions of a recipe for the salve available online. It appears that the salve is named after Daisy Bates, wife of the Bates’ Salve proprietor, William Usher. William’s son Victor continued making Bates’ Salve well into the mid-1900s, with the business being carried on by Victor’s only son, Alan. There are still descendants in the family home in Norwood, Adelaide. William’s great-grandchild has stated that, despite being subject to the salve during childhood, there have been no noticeable ill effects. A small notice in the Adelaide Advertiser in 1915 made a suggestion “It is said that Bates’ Salve is the popular line with OUR BOYS in Gallipoli. They recently sent to the Adelaide Red Cross for a supply, so it would be a good line to put in soldiers’ Christmas Billies.“ Over 700 ‘Christmas Billies’ were sent from generous Warrnambool citizens to our soldiers in the trenches in Gallipoli. The average cost of filling a billy with gifts was Ten Shillings, calculated at about Fifty-four Dollars in 2021. The contents included Christmas puddings and tobacco. The huge project was coordinated by a local Committee and involved generous businesses and hundreds of kind-hearted community members, with recognition sown by naming many of those involved in an article in the Warrnambool Standard. The project’s idea was initiated by Australia’s Department of Defence and all states were involved in supporting the soldiers in this way. Mr Bates (Theopholis) of Hull, England, was the original owner of the Bates’ Salve recipe. When he died he left his business to William Usher, his son-in-law. William arrived in South Australia in 1851 after he had sold his recipe to an English firm, giving them the rights to make and sell it all over the world, except in Australia. Bates then became the registered proprietor of Bates’ Salve for the Commonwealth and still had a large market for his product. William Usher made the salve at his Norwood home, in a wood-fired copper in the garden within a three-sided enclosure. The ointment was then taken to a room in the house where it was divided, labelled and packaged. It was then sent to Faulding’s Wholesale Chemist for distribution. William and his wife May (or Mary) had three children; Jack, Victor and Ivy. When May died, William married Mary Williams (May’s maid, from Tasmania, twenty years younger than William) and had seven more children. The treatment’s packaging labels it as a POISON. It seems that its active ingredient was lead oxide (22 per cent), which is no longer considered unsafe. A member of the public mentioned that in 2016 they found some Bates’ Salve in an old family medicine chest. Its label stated that the product “contains a minimum of 25.8 per cent of red lead oxide”. That particular sample was made at 470 Wallon Road, West Molesey, Surrey, England. Some people would love to be able to use the product still and even take the risk of poisoning. Instructions for its use are included on the wrapper. Here is a transcription - "Bates' Salve. Bee Brand. POISON. This Preparation contains 22 parts per centum [lead oxide]… Made by Descendants of the Inventor and Original Proprietor. For use as a medicated plaster. Melt over a slight flame or use a heated knife to spread the salve on a piece of linen. If away from a joint it will not need tying as, when put on lukewarm, the plaster will hold itself. When the salve adheres to the skin moisten it with oil and wipe it off with a dry cloth. Manufactured by the direct descendants of the inventor and the original proprietor since 1833."This package of Bates' Salve has been used as a home remedy since the mod-1800s and even up to now in 2019 by those who consider themselves lucky to still have some at home. It was promoted as a 'cure all' treatment and kept handy for use at home and away. It represents our early industry and health management when medical treatment was often difficult to access. The product is the part of many childhood memories of those alive today.Bates’ Salve ointment; oblong stick of firm, brown waxy substance wrapped in waxed paper, with an outer printed wrapper. Text on wrapper warns that it is POISON and includes instructions for use as a medicated plaster, to be heated and spread onto linen then applied to the injury. Made by Bates & Co., Adelaide. The wrapper shows an emblem of a bee. The formula has been used since 1833.Text on wrapper includes "POISO[N]", "BATES' SALVE", "BEE BRAND", "BATES & CO., ADELAIDE". "This Preparation contains 22 parts per centum [lead oxide]" There is an emblem of a bee with wings outstretched.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bates’ salve, bates’ salve medicated plaster, bates and co adelaide, bee brand, medicated plaster, medical treatment, remedy, drawing treatment for infection, medicine cabinet, home remedy, pharmacy treatment, mid 1800s – mid 1900s remedy, topical application, treatment for boils, bites, splinters and infections, poison, preparation for treatment, ointment

This item is used in surgery to remove adenoid tissue. This item was owned by Dr Lorna Lloyd-Green.Adenoid curette (.1) with detachable snare attachment (.2). Curette has a fluted grip. The number '7' is impressed in the inside of the shaft near the grip, and near the head. Snare attachment has three teeth and the head of the attachment is on a swivel joint which rotates 270 degrees. The number '7' is impress on the inner surface of the snare, and 'SURGICAL CO' is impressed on the outer surface.'7', 'SURGICAL CO.'surgery

Four cardboard glove -shaped inserts with 'four fingers'. Two outer cardboard shapes have advertising slogan (matching). Banner emblem with word ' DENTS' World emblem on upright hand - words either side 'Hand in glove with the world 'You will enjoy wearing these gloves by DENTS the world's leading glove makers for 200 years Easy care with longer wear'See abovecommerce, advertising, costume accessories, glove accessories

Fundraising badge produced to celebrate the 1919 peace. Many badges were produced at this time for popular causes. Such badges were sold in trams, buses, at railways stations and at rallies to raise money for the stated cause. This badge was produced to raise money for those affect by the war in the Geelong and District region. Badges were a popular fundraising option because of their affordable nature making them available to much of the public, while their design made them popular for collecting well into the future. Badge, circular. Pin back with celluloid cover. Printed in cream, gold and blue. The outer edge is in gold with blue lettering; the inner circle has a white dove holding an olive branch in its beak with lettering in blue below. Attached to the badge through the pin is a small cloth badge in red, white and blue depicting the Union Jack, with lettering across the central bar.GEELONG & DISTRICT / CELEBRATIONS 1919 / PEACE KING & COUNTRY1919, wwi, geelong and district, fundraising

A brutalist style ciborium in the modern manner, crown of thorns decoration to lower outer rim of cup with squared knop to stem decorated with the instruments of Christ's passion. Four sides of the stem are decorated with enamelled wheat and the base is set with four cameos the panels between decorated with vine leaf and grapes. The lid to the ciborium is decorated with engraved stars surmounted with and enamelled cross, centred with IHS.Presented by Mrs W.F.Holmes & Family in Loving Memory of her Devoted Husband and their Loving Father. 17-3-64.

Badly damaged grey fabric covered hardcover Victorian reader Fourth Book which has a home made outer vinyl red, pink floral and square patterned dust jacket style cover. There are ink and pencil markings throughout. The cover is coming away from the spine. There are black and white illustrations. Lance Sebire is written in ink on the front cover.183p.non-fictionThis is a first edition of The Victorian Readers Fourth Book published by the Education Department of Victoria. school reader, textbooks, schools, victorian education department

Small red leather-bound book with title in gilt lettering on front cover. Small tears to upper front & back covers, some whitish spotting and three regular looking indentations to front cover. Partial hinge joint break at rear cover. Several birthdays recorded throughout. Wear, staining, & mildew to outer perimeters of most pages. Fair - good condition.fictionChildren's birthday book with front coloured book plate & black & white line illustrations & verse throughout. Alternate pages allow for recording birthdays.sugden, birthday book, children

A Trove search records a fatal mining accident that occurred in Eaglehawk on 27th January 1895 concerning 23 year old William Schofield who was the support of a widowed mother and it can be assumed this is the son of the Mrs. Schofield mentioned in the letter. 28 Jan 1895 - FATAL MINING ACCIDENT. - Trove (nla.gov.au) The Age Newspaper p.6The item is a condolence letter behind glass in a timber frame. The letter is addressed to Mrs. Schofield from members of the Young Men's Bible Class at the Eaglehawk Wesleyan Sabbath School. The letter is handwritten in a copperplate style and surrounded by a black and white floral watercolour painting by the artist C.G. Darvatt. The frame consists of a gold painted inner timber frame with a decorative outer wooden frame.

The Public Transport Union was formed in 1993 from the various Australian Public Transport Unions, see reference. It was renamed as the Rail Transport and Bus Union in 1998 to reflect the impact of privatisation. Demonstrates a badge issued to members of the PTUBadge - Public Transport Union. The badge is made on a brass backing with the words "Public Transport Union" on the outer edge of the badge with a black enamel background. In centre of badge are images of the modes of transport the union covers - trams, rail, and buses on a yellow background within a map of Australia. On the rear is a spring pin clip and the name of the manufacturer - AA Products Sydney (name may be incorrect) tramways, trams, badges, personnel, unions, employees, ptu, rtbu

The Public Transport Union was formed in 1993 from the various Australian Public Transport Unions, see reference. It was renamed as the Rail Transport and Bus Union in 1998 to reflect the impact of privatisation. See 4201 and 7089 for the earlier badge of the same layout. Demonstrates a badge issued to members of the RTBUBadge - Rail Transport and Bus Union. The badge is made on a brass backing with the words "Rail Transport and Bus Union" on the outer edge of the badge with a black enamel background. In centre of badge are images of the modes of transport the union covers - trams, rail, and buses on a yellow background within a map of Australia. On the rear is a spring pin clip and the name of the manufacturer - Pratick Sydney and a telephone number. tramways, trams, badges, personnel, unions, employees, ptu, rtbu

The borders of the main components of Kew and Kew East have not always conformed to current boundaries. In the past this photograph has been labelled as East Kew, whereas for most of the twentieth century the site has been within Kew's borders. The purpose of the photograph is unrecorded yet it has value in that it shows those businesses who occupied this site in Kew during the early 1960s.This small photograph is significant as it shows the location of and building used by WD Vaughan, former Mayor of Kew who was a successful newspaper proprietor in Melbourne.Small polaroid colour positive of High Street in Kew, probably in the 1960s. From left we can see the brick viaduct covering the tracks of what was once the Outer Circle Railway. Behind this brick wall, Dunnings Timber Yard was situated. At the end of the walls of the viaduct there is an entrance to a walkway [now the Anniversary Trail], which once provided access to Windsor Avenue, and also to the East Kew Station (now demolished and part of the Outer Circle Railway Reserve). On the other side of this walkway is a cream brick building (demolished) occupied at this time by WD Vaughan Pty Ltd, printer and publisher of the Kew Advertiser (newspaper). Stretching behind the brick facade is an extensive building that must have housed the printing works. Beside Vaughan's, there is a large building (demolished) housing at that time an estate agent named AJ Kennedy. This area is now separated by kerbing.High St East Kew / Corner of Harp Rd. / Looking South

William John Lamb (1878-1958) was born in Ballarat, the second oldest of eight children. His father was born in Scotland and had later migrated to Australia. William Lamb lived in Bright Street, Kew, with his daughter. This was possibly his family home. He died in 1958 aged 80. The Outer Circle Railway on which he worked as station master at East Kew connected the Oakleigh and Fairfield Park Stations. The East Kew Station was on the northern end of Harp Road, Kew, near the junction of High Street and Harp Road.outer circle railway, east kew railway station, station masters - outer circle railway

A plastic device to enable a sighted person to communicate with a person who is Deaf-Blind in either standard Braille or Moon. The centre radius of the disc has the ordinary alphabet printed in black. Moving outwards from the centre, are the corresponding letters embossed in Braille, then on the outer edge are the corresponding letters in Moon. The user moved the indicator arm around the disc until the desired letter and corresponding symbol was positioned under the cut-out in the centre of the arm. The deaf-blind person could then touch the disc to determine the letters being communicated. Numbers and punctuation are not included.White plastic disc with black indicator armbraille equipment, assistive devices

Belonged to Mrs Emma Winifred Hornabrook [nee Sargood]. Winnie Sargood was one of the middle children of the large Sargood family, and grew up at Rippon Lea.[Sterling silver] cylindrical lidded transparent glass crystal hair tidy. RL 0791.1: Cylindrical container has a flat circular base. The glass is decorated with cut and faceted design comprised of two diagonal parallel lines forming diamonds in which are octagonal shapes. RL 0791.2: Silver convex lid with a circular hole in the centre. The surface is smooth except for engraved lettering in calligraphic style around central opening.Engraved onto top of metal lid: Winnie/ Hair Tidy; hallmarks: ..D/WD in a shield, anchor, lion, D. •Stamped into metal on outer rim of lid: [Hallmarks] [makers mark]/[anchor]/ [Lion]/I •Stamped into metal on inner rim of lid: [Hallmarks]/0/C/0/sargood, emma winifred, rippon lea, hornabrook, emma winifred [nee sargood]

Part of the Cooper Collection. See Cat No. 7868 for details of "Keith Cooper's" service (No. 3798359).Metal and enamel lapel pin. The centre features a Rising Sun over an anchor. Below is a set of wings surrounding the word 'Australia'. Encircling the centre feature are the words 'Korea and S.E. Asian Forces Association'. Around the outer edge is a gold coloured laurel wreath topped with a Queen's Crown. A detachable Queens Crown with '75' embossed is attached to top of badge. Pin and clasp on back.Inscribed on badge 'Korea and S.E. Asian Forces Association - Australia'cooper collection, keith cooper, korea, badge