PhotographPlayground and Bathing at South Beach Port Fairy Published by Walker and Palmer 6361south beach, playground, bathing

Black and White printed pamphlet with yellow coloured pictures inside."Return to Gallipoli RSL-RSA Gallipoli Pilgrimage 1965 Anzac Beach 1915"pamphlets

The letter was written by Allen Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. In this letter, Allan talks about his 18th birthday, a trip to Stockholm and the ship he was on.Letter addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in three parts. Part 0155 Envelope Part 0155.1-2 Letter Pages. The letter pages are tissue-like air mail paper. The letter begins "My Dear Mum, Well I am now eighteen..." and concludes with "P.S Fancy Norm (indecipherable) shall write him." In the top right hand corner is "M/I Ariston, At Sea" and id dated 5/7/46. In the top left hand corner of both pages is the SkyMail logo.Front of envelope: MRS. S. QUINN / "SAN LORENZO"/ 63 OCEAN BEACH / MANLY N.S.W / AUSTRALIA handwritten in black ink. in the top right hand corner are three Swedish stamps, with two stamped postmarks: GOTEBORG 1 / 30. 4 / 46 / *.allan-quinn, letter, handwriting, stockholm, birthday

The letter was written by Allen Quinn to his mother. Allen started working as a seafarer when he was 16 years old, and frequently wrote to his mother during his travels. He also created an extensive photograph collection, which corresponds with the letters.The letter is part of an ongoing correspondence between Allan and his mother. In this letter, Allan talks about attending a carnival while in South America.Letter addressed to Mrs S. Quinn, "Sanlorenzo", 63 Ocean Beach, Manly, N.S.W, Australia, in three parts. Part 0156 Envelope Part 0155.1-2 Letter Pages. The envelope and letter pages are tissue-like air mail paper. The letter begins "My Dear Mum, This trip I enjoyed myself..." and concludes with "Your ever loving son, Allan..."In the top right hand corner of the first page is "M.I Ariston, At Sea" and is dated 19/3/47.Front of envelope: BY AIR M[AIL] handwritten in black ink in the top right hand corner, CORREO AEREO printed, MRS S QUINN / SAN LORENZO / 63 OCEAN BEACH / MANLY NSW / AUSTRALIA / AUSTRALIA handwritten in black ink. There are three international stamps, all valued at 10 cents.allan-quinn, letter, handwriting, south-america

There are three paper notes printed by WW2 Japanese Govt. 1. Face value is one pound. Printing in green ink. It depicts some palm trees and a beach. The letters OA OA are printed in Red. 2. Face value is one shilling. Printing in blue ink. It depicts Palm Trees and a beach. The letters OC OC are printed in red ink. 3. Face value is 1/2 shilling, purple ink. Depicts Palm trees and a beach.ww2, invasion money, japan

Framed water colour painting of a beach scene titled "Late Afternoon" Painted by J. Lungren Coulter. Gold wood frame with cream card window mount. The image features blue sky, wide beach, water, trees and cliffs. People at the water's edge and birds in the sky.

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Titan Bridge, Warrnambool – The name Titan Bridge is likely to be a reference to the huge Titan crane that was used in the construction of the Breakwater in the late 19th century. Shelly Beach is a popular swimming area with the added attraction of rock pools to investigate and rock formations to climb. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.The image of the Titan Bridge rock formation with figures on it suggests that the location was a popular place to visit. It captures a time when the rock formation was publically accessible. The choice of subject for this postcard indicates the popularity of Warrnambool's natural environment as a tourist attraction at a time when ships called coastal traders brought passengers and cargo to the Port of Warrnambool from ports along Victoria's southwest coast. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image shows two figures, one seated and one standing, beside the sea on a rough rock beside a rock formation resembling a bridge. There is no correspondence written on the card. The back has inscriptions and outlines for a postage stamp. Jordan Series, printed in Great Britain.Front, in red: “TITAN BRIDGE / SHELLY BEACH, NEAR WARRNAMBOOL” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, shelly beach, titan bridge, titan, rock formation

This photograph is of “The Crags” an area on the coast half way between Port Fairy and Yambuk. The name is an abbreviation of McKechnies Craigs/Crags owners of property in the vicinity. it is close to ancient aboriginal campsites but these are not accessible to the public. Because of the nature of the geology in this area this photograph shows a seascape that it is not possible to see now.Hand coloured photograph used as postcardThe Crags Port Fairyseascape, sea, beach, the crags, mckechnie’s crags or craigs

this photograph is of Cape Conran in Far East Gippsland. It appears to be a copy of a commercial postcard available to tourists or East Gippsland residents to send to friends or relatives.Cameras in the early 20th century were not a common family possession and a postcard was a common souvenir and way of sending a short message.Postcards form a vital part of social and historical records for researchers. A black / photograph of trees and a beach with rocks and the ocean in the background. It appears to be a copy of a postcard and has been hand trimmed.cape-conran

Possibly Scotch College students as they had a camp near here in Cowes east.Sepia photograph of three small boats with 3 people in each, sailing off beach. Taken from the pier.Public School Boys Regatta 1926photographs, cowes beach, sailing races, scotch college boys

4 coloured photos of Forrest Caves beach and view from dunes looking south west across Island.photographs, forrest caves phillip island

One of a collection of photos donated by Daryl JohnsBlack & White Photograph of Woolamai Bight. Water and land masses. Swamp water broke through the channel to the beach.phillip island, woolamai bight, daryl johns

One of 23 photographs from The Jessie Smith Collection.Black & White photograph of the Band Rotunda at Cowes Beach with six cars parked in front. Trees & sea in background.phillip island, phillip island band rotunda, cowes foreshore, jessie smith collection, stan mcfee

Donated by Stan McFee from the Keith McIlwraith Collection.Black & White Postcard of George Cox's house on left and Jetty Shed behind tree on right. Beach in foreground."The Rose Series, P. 673" "Near the pier, Cowes, Phillip Island, Victoria".cowes jetty, george cox's hut, phillip island, stan mcfee, keith mcilwraith collection

Donated by Stan McFee from the Keith McIlwraith CollectionSepia photograph of four young women talking on steep hill at Back Beach. Three other figures in background.group of women at back beach phillip island, phillip island, stan mcfee, keith mcilwraith collection

One of a collection of photographs purchased by the Society from Jack Day of Mornington.Sepia postcard of the Cowes Pier, Cowes beach in the foreground. Two boats moored at the pier. Shed at the end of the pier."Pier - Cowes"cowes pier, cowes beach, cowes jetty, phillip island, jack day collection

One of a collection of 6 photographs donated by Mary KarneyBlack & White photograph of two groups of men each with long fishing lines on the beach. Little dog in the foreground.fishermen on cowes beach, fishing on phillip island beach, fishermen, mary karney

Part of a collection of Rose & Valentine series Post Cards. Copied by John JanssonView on Cape Woolamai of Mutton Birders' Camps and their boats anchored in the bay. Figures on beach and sitting around their tents.Mutton bird eggers camps Cape Woolamailocal history, photography, photographs, postcards, black & white photograph, phillip island, mutton bird eggers camp, cape woolamai

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a Map of Phillip Island. The first to show Fort Dumaresq, track to beach and beginning of road to South coast. local history, photography, photographs, exploration, maritime, documents, maps, phillip island, john jenner, bryant west

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandColour tinted photograph of coastal scene at McHaffie's Reef. Figure of a man on the beach centre foreground,promontory in the background.Scene McCaffey's Reef Cowes - as is on the front of the postcardlocal history, photography, mchaffies reef cowes, colour tinted photograph, coast line, mchaffies reef westernport, john jenner, bryant west

This photograph is part of series of four, the only colour photographs taken by Allan Quinn while docked in Rio De Janeiro on-board the M/S Fenris. The photographs are mentioned in one of Allan Quinn's leters to his mother (Object 0150).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.Colour photograph of Copacabana Beach in Rio De Janeiro. The photograph has been mounted on a 7.4x9.8 white card.Date on verso: 25-12-48allan-quinn, colour-photograph, fenris, rio-de-janeiro, copacabana

This book was published to commemorate the fifth decade of the National Trust in Victoria, 1997-2006. It outlines the successes and failures in preserving the state's heritage properties. Written by Mary Ryllis Clark and Victoria Hammond.37 page book. Colour illustrations. Cover depicts Bells Beach and the interior and exterior views of city buildings.national trust of victoria, heritage, mary ryllis clark, victoria hammond

Black & white photo of the Nun's Beach looking toward Whaler's Bluff & lighthouse. Photo mounted on grey cardFront: Pencil - APR Competition Open class - Senior September " Tide rim and Shadow" 2c Kodak Series iii Panasonic Film Kodal. Colour Filter O.O.Kroker "Kia Ora P.B. Horsham Vic (No 2)

Con Kroker Private CollectionBlack & white photograph of 7 young women in bathing costumes, sitting on chairs on a dias on Henty Beach, Portland

Con Kroker Private CollectionBlack & white photos of several fishing boats and dinghies moored near Fishermans' Breakwater. Henty Beach in background.