Framed paper certificate with gold seal confirming the proclamation of the Shire of Whittlesea to be the City of Whittlesea, 29 March, 1988. Signed by the Governor of Victoria and the Minister for Local Governmentletter, illuminated addresses

CH15/0052award, glass

Orginally at Mernda Primary School Plenty Road Mernda, lost, recovered from an antique shop in Geelong in 2016, purchased by Councilhonor board

Wooden board with gold letteringHonor Roll 1914 The Great War 1918; Former Scholars of the Thomastown Methodist Sunday School

Born: St Petersurg, Russia 1828; Arrived: Melbourne, Victoria, Australia 1854; Lived and worked: Switzerland 1845-1848, Germany 1851-1854, Australia 1854-1865, New Zealand 1865-1866, England 1870-1902; Died: London, Middlesex, England 1902VictorianLedger Gift, 1988Watercolour depicting a walled city at the foothills of the Madeira mountains. Gold brushed timber frame with off white window mountRecto: Signed "N.Chevalier." in grey watercolour in l.r.c of composition; Not dated; Not titledwatercolour, streetscape, buildings, animals, mountains, roads, river, structures, castle

Inscribed on original mountcard, l.l., gold letterpress, "N.J. CAIRE".sandhurst, shamrock hotel, flour mill, albumen, bendigo, sandhurst, jewish synagogue, city town hall, photograph

Inscribed on original mountcard, l.l., gold letterpress, "N.J. CAIRE". Not dated.albumen, photograph, bendigo, sandhurst, regional victoria, goldfields, township, city

Inscribed on original mountcard, l.l., gold letterpress, "N.J. CAIRE".bendigo, sandhurst, carriage, hotel, city, photograph, work on paper

Inscribed on original mountcard, l.l., gold letterpress, "N.J. CAIRE"bendigo, sandhurst, city, photograph, work on paper

'A condensed history of St Kilda and the report of the festivities, reprinted from the "St Kilda Advertiser" of the 6th Dec., 1890, together with a list of the subscribers to the cost of the children's fete, and the Treasurer's audit balance-sheet; also, a list of mayors and councillors of the city from 1857 to 1890'. (p8) Also contains advertisements by local businesses.Cream coloured booklet, 26p, printed in black with gold printing on the cover. Stitched binding. Contains advertisements from local businesses. Handwritten list of mayors and councillors in 1902-3, 1903-4, and 1904-5 on p21.city of st kilda, borough of st kilda, st kilda council, 19th century, 1890

The 'Council' to which the card is addressed is presumed to be St Kilda Council. The Board of Public Health operated from 1890 to 1920 and consisted of a Chairman, the Medical Inspector and seven representatives elected by the councils of municipal districts. Cream coloured card printed in goldStamped '6688' The Board of Public Health SENDS GREETINGS FOR THE NEW YEAR To the Council As the Local Health Authority, With all Good Wishes for Successful Co-operation in the Protection of the Public Health during 1909board of public health, 20th century, city of st kilda

Booklet contains photographs of: THH the Duke and Duchess of Cornwall and York; Earl of Hopetoun, Governor General, and Countess; Commonwealth Ministry; The Royal Party at Government House Melbourne; TRH the Duke and Duchess Landing at St Kilda Pier; The Mayor of Melbourne Welcoming His Royal Highness at the entrance to the City; Procession Passing down Bourke Street; Presentation of War Medals to Victorian Soldiers; The Duke of York and his Staff; St Kilda and Prahran Arch; City Arch; Procession passing Princes Bridge; Opening Ceremony at First Federal Parliament; Citizens' Arch; Queen Victoria Arch; Royal Yacht Ophir; Warships Gromoboi (Russian) and Brooklyn (USA); German Arch; Chinese Arch; State School Fete at Exhibition Building; The University Commencement; Group of Fijian Constabulary; Laying Foundation Stone, Soldiers' Memorial Ballarat; Visit to South Star Gold Mine, Ballarat; Illuminations at Princes Bridge and Flinders Street Station; Illuminations at Parliament House and Treasury; Illuminations at Town Hall and City ArchGold coloured paper cover embossed and tied with gold thread. Contains 16 pages of cream coloured paper printed in black, some with blue decorative margins.Handwritten inscription on title page: 'For the Boy from Grandfather in memory of a very happy time we spent together May 1901'duke and duchess of cornwall and york, royal visits, 1901, opening of parliament, federation arch, st kilda and prahran arch, city arch, german arch, chinese arch

Edward O’Donnell's service as a St. Kilda Councillor included six terms as mayor. The dinner, held by the City of St Kilda at the George hotel on 10 October 1928, celebrated his 40 years of service. The program includes a record of his service, the menu, toasts, and autographs of people who attended. He served for another four years, and left after being defeated in the council elections in 1932.Booklet with a white folded card cover, discoloured with age, printed in blue with gold decoration. Inside, a white page folded in half, printed in blue, is fastened to the cover with a blue ribbon.Autographs written in pencil appear on the final page and inside back cover.edward o'donnell, st kilda council, george hotel

Dinner hosted by the Mayor of St Kilda, Councillor Burnett Gray J.P., to meet Colonel the Honorable Harold Cohen C.M.G. D.S.D. M.L.C., held at St Kilda Town Hall on 26 March 1934. Colonel (later Brigadier) Cohen was a Member of the Legislative Council from 1 June 1929 until 1 February 1935, representing the Melbourne South province. He sat in the Legislative Assembly as Member for Caulfield from 1 March 1935 until 1 April 1943.White folded card, discoloured with age, with embossing on front and gold edging, and a folded white paper insert, both printed in blue and bound together with a tied blue ribbon. City logo printed in blue on front. Photo of St Kilda Town Hall on the back.st kilda mayoral function, harold cohen

Program for a supper to celebrate Councillor Burnett Gray's 30 years service with St Kilda Council, held at St Kilda Town Hall on 21 August 1944. It contains the toasts and menu. Burnett Gray served on St Kilda City Council from 1914 to 1915 and from 1920 to 1948 and was Mayor from 1922 to 1923 and from 1926 to 1927. He was the first returned soldier to serve as mayor of any Victorian city.Cream coloured textured card, enclosing a glossy sheet of paper, folded and fastened with an orange ribbon and printed in gold and green. Inserted into the back of the card is a gold coloured piece of paper on which the initials R G in gothic font, with a patterned border, are printed in red.st kilda mayoral function, burnett gray, st kilda council

Invitation to a special meeting of St Kilda Council on 11 March 1957 at St Kilda City Hall to commemorate the 100th anniversary of the first Council meeting.Cream coloured card printed in gold on one side. Embossed with City of St Kilda logo.city of st kilda, city of st kilda - 100 year celebrations

Invitation to the official opening of refuse destructor units and asphalt mixing plants at Inkerman Street, St Kilda, on 18 March 1953. The destructor units replaced a garbage incinerator that had been operating at the site for thirty years and had become obsolete. They were expected to serve St. Kilda's requirements for the next 80-100 years. In 1994, as a result of the local government amalgamation process combining the former Cities of Port Melbourne, South Melbourne and St Kilda, the new City of Port Phillip owned three municipal depots. The St Kilda municipal depot site became surplus to requirements and, in 1996, the City of Port Phillip resolved to use the site for a community housing project under the City of Port Phillip Housing Program. White card printed in black, with gold jagged edges. Shows St Kilda logo.monohearth, st kilda municipal depot

Used by the Malvern city council until 1969 to drive a rock crushing plant. While large horizontal steam engines predominated in major factories, small vertical steam engines like this were the workhorses of industries that had modest power requirements. This reliable little engine, made by leading UK manufacturer Tangye Bros of Birmingham Steam engines had the advantage that any fuel could be used to fire their boilers, but they were less convenient and efficient than internal combustion engines, required operators with higher skill levels, and had lower power to weight ratios. Tangye Limited was founded in 1857 in Birmingham by businessman Richard Tangye (1833-1906) and his mechanic brothers James and Joseph; brothers Edward and George joined them later. Richard was born near Redruth in Cornwall and educated at the Friends School at Sidcot, Somerset, where he became a pupil-teacher. From there he moved to Birmingham to work as a clerk for an engineering firm. In 1856 he started a hardware factor and commission agent business in Birmingham whose customers were mainly Cornish mine-owners in the Redruth district. From 1858 Tangyes concentrated on the manufacture of machinery and secured the sole right to manufacture Weston's differential pulley block (object 2003/45/1). They established their Cornwall Works in the Birmingham suburb of Smethwick in 1864 and soon developed a huge range of products. It was stated that 'there are perhaps no other works in the kingdom so largely employed upon so great a variety of specialities as the Cornwall Works of Messrs Tangye Bros.' The Tangyes attracted creative people to work for them. They wrote: 'We are in a position to offer unusual facilities to Inventors for carrying out their patents.' Info about Tangye Bros of Birmingham from Powerhouse Museum https://ma.as/207954 Donated by Malvern City Council in 1969 Of Interest : The Vertical and Horizontal Tangye engines on display are of the design that won a Gold Medallion at the Paris Industrial Exhibition of 1878.Historic - Industrial Steam Engine Equipmentsingle cylinder vertical Steam Engine made of Cast Iron, (Painted)Tangye Birmingham Builder's number 2462tangye, vertical steam engine, steam engine, puffing billy, stone crushing, george and george, malvern

The banner depicts the original Unit motto and colour patch - white over red diamond - of the 24th Battalion which was raised in a hurry from a surplus of recruits at Broadmeadows Camp in Victoria. The battalion was formed during the first week of May 1915 ,and sailed from Melbourne at the end of that week. On September 4, 1915 the Battalion went ashore at Gallipoli and spent the next 16 weeks sharing duty in the Lone Pine trenches with the 23rd Battalion. in March 1916 the Battalion proceeded to France. It took part in its first major offensive around Pozieres and Mouquet Farm in July and August 1917. When patrolling no-man's land the men of the 24th adopted a unique form of snow camouflage - large white nighties bought in Amiens. The Battalion left the front line for the last time on 6 October 1918 and disbanded in May 1919. Victoria's 2/24th Infantry Battalion was raised in Wangaratta in July 1940 and were deployed to the middle east. After extensive fighting at Tobruk and El Alamein bettween July and November 1942 the Unit adopted a T shaped colour patch. After formation, the 2/24th battalion was moved to Wangaratta, where it remained until its training facilities were ready in Bonegilla prior to overseas deployment to the middle east. Because of its time in Wangaratta, it became colloquially known as "Wangaratta's Own" and later received the Freedom of the City.Two clear perspex sheets containing green banner with white over red diamond shape, gold coloured writing and fringe below with metal plaque.24th Aust Inf Bn. (AIF) 1939-45 I HOLD FAST Plaque - No 1 Banner Presented to The Wangaratta Club by the 24th Aust Inf Bn (AIF) 1939-45 on 15-9-84 banner, 24th australian infantry battalion, white over red diamond, unit colour patch

The 2/24th Australian Infantry Battalion Association was uniquely granted the Freedom of the City by the Rural City of Wangaratta in 1990 - to our knowledge the only/first Battalion Association in Australia to be granted this honour. Council acknowledges its appreciation of the contribution made by this Unit to community peace and national democracy and congratulates “Wangaratta’s Own” 2/24 Australian Infantry Battalion Association on its Fiftieth Anniversary since formation.The 2/24th Australian Infantry Battalion Association was uniquely granted the Freedom of the City by the Rural City of Wangaratta in 1990 - to our knowledge the only/first Battalion Association in Australia to be granted this honour. Council acknowledges its appreciation of the contribution made by this Unit to community peace and national democracy and congratulates “Wangaratta’s Own” 2/24 Australian Infantry Battalion Association on its Fiftieth Anniversary since formation.Brown timber and gold gilt edged frame containing document with three signatures and red seal. A plaque is attached to glass on lower edge below document.Plaque reads - On 18 November 1994 the City of Wangaratta the Shires of Wangaratta, Oxley and part of the Shires of Benalla, Yarrawonga and Beechworth were amalgamated to create what is now the Rural City of Wangaratta. On 9 November 1996 the Commissioners and Citizens Proudly conferred "Freedom of Entry to the Rural City of Wangaratta" on the 2/24th Infantry Battalion Association.freedom of the city of wangaratta, 2/24th australian infantry battalion association

Gift from the Government to the children of Victoria on the occasion of the 1954 Royal Visit This medal was issued for schools to commemorate the visit of the Queen visited to Victoria from 24 February to 9 March 1954. The first reigning monarch to tour Australia, she arrived in Sydney with her husband the Duke of Edinburgh on 3 February 1954 and departed the country from Fremantle on 1 April. In 1954 Queen Elizabeth II became the first reigning monarch to tour Australia. She arrived in Sydney with her husband the Duke of Edinburgh on 3 February 1954 and departed the country from Fremantle on 1 April. The visit was tremendously popular. The Queen was the first royal to tour Australia in twenty years. She graciously endured a grueling schedule visiting approximately 70 country towns, all capital cities except Darwin.Round Gold coloured medallion attached to rectangular barBar - Presented to the Children by the Government of Victoria Medallion - ER Royal Visit 1954 Victoriamedallion, royal visit, 1954, australia

The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers

Ruth was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. the artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Ruth is in a seated position with a loosely draped dress.Ruthruth

Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah

Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty