In a black frame is a coloured photograph of a Navy Helicopter being re-armed on HMAS Melbourne. Bottom left side under the photograph reads Voyages to Vietnam Collection. Bottom right hand side under the photograph reads Copyright Grant Jesserphotograph, hmas melbourne, voyages to vietnam collection, cerberus collection

The Decanter set was originally given to Dr John Paull by Dr Geoffrey Kaye and were later donated to the College by Paull . The decanter label, coaster and tray were crafted by Geoffrey Kaye and includes his initials inscribed into each piece. "LEY" Pewter refers to the pewter containing a large percentage of lead which in this case there is 80% tin and 20% lead.Glass decanter of cylindrical form with glass stopper and a pewter label which hangs over the decanter. The decanter sits on a ley pewter coaster which has three ball feet. Six crystal, sherry glasses sit on a ley pewter tray which has three ornamental feet. [Decanter] (03) / 500ml , [decanter label] SHERRY / G.K. 1972, [under decanter coaster] G.K. 1972. / "LEY" PEWTER, [under tray] G.K. 1972 / "LEY" PEWTERdr geoffrey kaye, dr john paull, ley pewter

Linocut print on paper. Printer's Proof.'P/P' in bottom left under printed section, 'MARKS OF A PRINTMAKER (BODY PARTS I) centred under printed area, signed along bottom right edge. linocut, line, cultural reference, pattern, hands, making

PrintTitled and edition 'Roading 14/25 305' lower left under printed image. Signed 'Kees Hos '61' lower right corner under printed image.

PrintTitled and edition 'Roading 3/25' lower left corner under printed image. Signed 'Kees Hos '60' lower right corner under printed image.

PrintTitled and edition '8/25 Karina' lower left corner under printed image. Signed and dated 'Kees Hos '61' lower right under printed image.

PrintTitled and edition 'Four Seasons 49/50' lower left under printed image. Signed and dated 'Kees Hos '62' lower right under printed image.

LithographTitled and signed 'Port piers - J Senbergs. '80.' lower right under printed image. Edition 17/20, lower right corner under printed image.

LithographTitled and signed 'Port Panorama - J. Senbergs. '80.' lower right under printed image. Edition 19/20, lower right corner under printed image.

2 small Commemorative badges.1 circular badge depicting Two Servicemen under Australian Flag. 1 badge Laurel leaves surrounding Two Servicemen under Australian Flag and inscribed 1919.

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 94 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - stables, lookout and neighbouring cottages.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 256 Dec 1972 STABLES [under top left photo] / Neg 248 Dec 1972 LOOKOUT [under top right photo] / Neg 254 Dec 1972 / COTTAGES WILLOW STREET [under bottom left photo] / Neg 259 Dec 1972 STABLES [under bottom right photo] / 94 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, guilfoyle, adam anderson, ripponlea, victorian, sir frederick sargood, architects, bricks, polychrome bricks, taylor and fitts, stables, lookouts, cottages, outbuildings, rippon lea

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Sands & McDougalls directory of Victoria : 1970 gives address as 141 Kooyong Road, Caulfield North. "Caulfield's Building Heritage" p67 includes that this mansion was originally called Fairhaven, built for George Hope, a dairy farmer. He changed the name to Tudor Court in 1915 when he moved his dairy to Cranbourne.Page 116 of Photograph Album with three photographs (one portrait and two landscape) of different views of Tudor Court in its garden. Handwritten: "Tudor Court" Kooyong Road [top right] / Neg 252 Dec 1972 [under top left photo] / Neg 251 Dec 1972 [under top right photo] / Neg 253 Dec 1972 [under bottom left photo] / 116 [bottom right]trevor hart, caulfield north, kooyong road, mansion, verandah, tudor court, george hope, terracotta tiles, terracotta roof, arched windows, port cochere, square bay window, timber balustrade, columned balcony, receptions, fairhaven, arcare caulfield aged care, 1910's, spire, ridge capping, conical roof, verandahs, victorian architectural style, tudor style, queen anne style, lead lights windows, shingle roofs

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards

Orbost has been subject to major floods throughout its history, such as those which left the town isolated in 1934, 1952, 1971 and 1978. It is recorded that the Snowy River broke its banks and flooded the flats 104 times between 1884 and 1978. Extensive flooding in Eastern Victoria during June 1978, caused widespread damage to roads, road closures and hazards to traffic, particularly over the Queen's Birthday holiday weekend.This is a pictorial record of a significant event in Orbost's history.A very faded black / white photograph of flood water under the railway viaduct at watt's Gulch.orbost-flood-1934 railway-viaduct-orbost

An original watercolour painting surrounded by a white backing under glass in a plain brown timber frame'Present site of Hudsons Hotel'. Edward Heffernan 86 Corner of Inglis and Stead St. 1914

``Newspaper clipping from "The Post" 21-1-97", P2, Cable rates under review A proposal being considered by Maroondah and other Victorian councils to charge telecommunication and power companies rates on their overhead cables was met with a low-key response by Telstra last week. Optus Vision would be affected too.`

Newspaper Clipping from the "Mail", 3-12-1996. P7. "Fire Sale" under fire.Former Ringwood Mayor Neil MacDonald has blasted Maroondah commissioners for holding a "fire sale" of assets just four months before council elections. Mr Macdonald said the proposed sale of 17 parcels of vacant land throughout the city was outrageous.

This badge was apparently made after WW2 and used on surplus Slouch hats being sold to the public. Item in the collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service details.Badge cast gold colour with map of Australia centre with "Australia" under, two lugs on rear.badges, hats

Black and white Photograph of Gerry. Beaton 2/5 Batallionin wooden frame under glassGerry Beatongerry beaton photograph 2/5 batallion

Black and white photograph of Ethel Beaton and 3 other AWAS in wooden frame under glassphotograph etlel beaton awas

Black and white photograph of Keith Williams sitting and another (unknown) in wooden frame under glassphotograph keith williams

MEDIUM: Gouache on paper DESCRIPTION: Red, black and blue Image under glass, black frameSigned, titled and dated on backing boardbell, northcote, sky, meatworks, gouache

Young courier carrying parcel in front of the Siddeley Street Mission.Small monochrome photograph of boy holding satchel/bag under his arm and smiling at camerasiddeley street, courier, boy, central institute, newspaper

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the Hull Frame of the Ketch "Alacrity" under construction by W. H. Crole and Sons at Newhaven.local history, photography, photographs, maritime technology, ship building, ketch "alacrity", black & white photograph, shipping, sailing vessels, w. h. crole, john jenner, bryant west, w h crole and sons

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a Koala climbing on a tree stump - caption under this photograph - "No good, I'll try another".local history, photography, koala, native wildlife, black & white photograph, koalas, wildlife - koala, john jenner, bryant west

Displayed in History House ( in window recess)Pen and ink portrait of Edwards Henty with text. Framed under glass in wooden frame, no mount.edward henty, drawing, portrait

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland