One of 15 A3 pages with copies of postcards on each page. From The Shirley Jones Collection.Copies of Postcards: Left side from top to bottom: View of Phillip Island from San Remo Jetty. The Beach at Rhyll, Phillip Island. The Isle of Wight Hotel, Cowes, Phillip Island. The Beach Road at Cowes, Phillip Island. Right side from top to bottom: The Isle of Wight Hotel, Cowes, Phillip Island. View at Rhyll, Phillip Island. Man of beach at Eastern Rocks Phillip Island, Forest Reserve Cowes, Phillip Island.Left side from top to bottom. Photograph 1 - "Phillip Island from San Remo" Photograph 2 - "The Rose Series P 3431 The Beach Rhyll Phillip Island Vic". Photograph 3 - "Isle of Wight Hotel Cowes Phillip Island". Photograph 4 - "The Rose Series P674 The Beach Road Cowes Phillip Island Victoria". Right side from top to bottom. Photograph 1 - "Photo Shop Series, Isle of Wight Hotel Cowes". Photograph 2 - "The Rose Series P3419 View at Rhyll Phillip Island Vic.". Photograph 3 - "Eastern Rocks (Smiths Point) Phillip Island" Message written on the side. Photograph 4 - "Forest Reserve Cowes".the isle of wight hotel cowes phillip island, sand remo jetty, jetty san remo, rhyll phillip island, beach road cowes, eastern rocks smiths point phillip island, forrest reserve phillip island, shirley jones collection, thelma astbury

Collection of Black & White photographs of the construction of the second Phillip Island Bridge by the Country Roads Board. Contractor John Holland & Co Pty. Ltd.Black & White photographs of the Construction of the Phillip Island 2nd Bridge in 1969 351-01: View from centre of suspension bridge. 351-02: Concreting Pier 8 351-03: Concreting Pier 8 351-04,05 & 06: Metal beams. 351-07: Driving sheet Piling. 351-08:Reinforcement in caisson (watertight structure)351-01: Country Roads Board Victoria, Aust. Negative No. 67-37 - Phillip Island Bridge Project. Shire of Bass 352-02: As above - Negative No. 67-38B 352-03: As above - Negative No. 57-38D. 352-04: Negative No. 67-223A. 352-05: Negative No. 67-223B 352-06: Negative No. 67-223D 352-07: As 352-01-03 plus Negative No. 67-312 352-08: As above - Negative No. 67-272.phillip island bridge (1969), country roads board, sasha stark

A collection of six photographs donated by John Jansson. The first Grand Prix motorbike and car races were held on a course around the roads of Phillip Island.Six black & white photographs taken on Phillip Island. 365-01: Waiting for start of 100 mile event on Phillip Island for Motor Cycle Race. 365-02: Lined up for start of the 50 mile Grand Prix Race on Phillip Island. 365-03: Start of the 50 mile event. 365-04: Approaching Cowes Pier, Phillip Island. 365-05: The Nobbies, Phillip Island. 365-06: View near The Nobbies with waves breaking over the rocks.365-01: ACUV Races P.I. Waiting for start of 100 mile 365-02: Grand Prix Races. Lined up for start of 50 mile. 365-03: Start of 50 mile event. 365-04: Approaching Cowes 365-05: The Nobbies Phillip Island. 365-06: View near The Nobbies Phillip Island.motorbike racing on phillip island, the nobbies phillip island, cowes pier phillip island, john jansson

The Album was compiled by Nancy McHaffie late 1990's, with the assistance of Edith Jeffery's, with her book "Garden of Memories" and extensive knowledge of Phillip Island. The Cemetery lies back from the road and is surrounded by Manna Gums, rare Peppermint Gums, Blackwoods and other native trees. In all 25 acres of land were set aside as Crown Land in the land settlement of 1868. There are 6.2 acres of wetlands near the cemetery entrance. 6 Photographs of the Phillip Island Cemetery with views of the graves and the Gazebo.phillip island cemetery, nancy mchaffie, edith jeffrey

A Collection of postcards showing different views around Phillip Island. 10 of a collection of 11 postcards donated by M. Trott. Photo 1. S.S. Genista coming into Newhaven pier with another boat and people at the pier. Photo 2. The Granite Quarry at Cape Woolamai. Photo 3. View of the Newhaven pier with San Remo in the distance Photo 4. Milking Time, Newhaven. Photo 5. Wool Team on road to Cowes. Photo 6. View of the Cowes Jetty and Cowes in the background taken from a Steamer. Photo 7. View of Back Beach near The Nobbies. Photo 8. Cowes Jetty and Jetty Shed with Govt Steamer "Lady Loch" in the distance. Photo 9. Cape Woolamai coastline. Photo 10. Fisherman's Hut, Cowes with Jetty and boats in the background. 1. "S. S. Genista" calling at Newhaven. Phillip Island. 2. Phillip Island Granite Quarry, Cape Woollami 3. Phillip Island. Newhaven, San Remo in distance. 4. Phillip Island - Milking Time, Newhaven. 5. Phillip Island - Wool Team on road to Cowes. 6. Phillip Island - Cowes from Steamer. 7. Phillip Island - Back Beach. 8. Phillip Island - Cowes Jetty. Govt Steamer "Lady Loch" in distance. 9. Phillip Island - Cape Woollami. Home of Mutton Bird. 10. Phillip Island - Fisherman's Hut, Cowes.cowes jetty, newhaven jetty, granite quarry cape woolamai, phillip island coastline, fisherman's hut cowes, ss genista, lady loch steamer, m trott

A collection of photographs/postcards donated by Dorothy Hurst. Her grandfather, Rev. Garthshore Stirling Home, was the vicar at the Anglican Church in Cowes - possibly in the early 1930's.235-01. Black & White photograph of Forrest Caves, Phillip Island. 235-02 & 03. Black & White photographs (identical) of two koalas up a tree. 235-04. Black & White photograph of the road to the Back Beach, Phillip Island. 235-05. Black & White photograph of a view of Cowes Pier taken through the trees on the foreshore. 235-06. Black & White photograph of Cape Woolamai Granite quarrie with people on the granite and in a boat. 235-07. Black & White photograph of waves breaking over the rock possibly near the Nobbies, Phillip Island. 235-08. Black & White photograph of The Vicarage at Cowes, Phillip Island - 1930's 235-09. Black & White photograph of a coastal scene at Phillip Island. 235-10. Black & White photograph of a coastal scene of the beach at Cowes. 235-11. Black & White photograph of waves breaking over the rocks near The Nobbies. 235-12. Black & White photograph of The Nobbies with Seal Rocks faintly in the distance. 235-13. Black & White photograph of The Nobbies with Seal Rocks in the background. 235-14. Black & White photograph of The Isle of Wight Hotel in the background. Cenotaph in foreground with a crowd of people, portable organ/piano plus music stands, people standing, children and others sitting on grass for Anzac Day or Remembrance Day. Possibly 1920s from fashions.235-01 Forrest Cave, Phillip Island 235-02 & 03 Native Bear (Koala) 235-04 The Road to the Back Beach, Cowes. 235-05 A Glimpse Thro' the Ti-Tree, Cowes. 235-06 The Quarries, Cape Wollomai, Phillip Island 235-07 The Beach near the Nobbies, Phillip Island. 235-10 The Beach at Cowes, Phillip Island. Valentine's Series M4847forrest caves, phillip island, wildlife - koalas, the nobbies phillip island, seal rocks phillip island, granite quarries, cape woolamai granite quarry, cowes cenotaph, phillip island, cowes pier phillip island, cowes beach phillip island, the isle of wight hotel cowes phillip island, cowes anglican church vicarage,phillip island, rev garthshore stirling home, dorothy hurst

Six Postcards donated by Joyce Suto of MitchamSix colour postcards. 1. The hut was probably Mr Cox's. View to Jetty in background with two yachts moored. 2. View of the Cowes Jetty with Jetty Shed in foreground and the Steamer "Lady Loch" in the distance. 3. Surf breaking over the rocks at Phillip Island Back Beach. 4. Cape Woolamai cliffs and shoreline. 5. View of Cowes Jetty taken from a Steamer 6. Wool team and horse and buggy in the background on road to Cowes1. Phillip Island - Fisherman's Hut, Cowes. 2. Phillip Island - Cowes Jetty. Govt. Steamer "Lady Loch" in distance. 3. Phillip Island. Back Beach. 4. Phillip Island - Cape Woolamai. Home of Mutton Bird. 5. Phillip Island - Cowes from Steamer. 6. Phillip Island - Wool Team on road to Cowes.coastline cape woolamai, cowes jetty, fisherman's beach hut, mr cox beach hut, steamers, steamer lady loch, cowes pier phillip island, joyce suto

A depiction of a seascape with six large rocky outcrops emerging from the ocean. The rocks are painted in horizontal layers of red, yellow and blue. The sea is indigo with highlights in white and darker areas of near black. Sky depicts a dawn or dusk view, with lower half washed in apricot and yellow with touches of red/orange. Upper half of sky is blue. In faun matt and framed under glass in wooden frame with gold edging.Front: McL 90 (lower right) (white paint) Back: (no inscriptions)

CEMA Art collection Previously located in History HouseThe print depicts a night view of a city street. In the foreground are ghosly figures completing a military march along a wide street. On the left side is a large white Remembrance Shrine with three flags hanging on individual flagpoles. In the background are numerous multi-storey buildings with a row of light streetlights in front. The work is completed in various shades of blue and mounted with brown card. Framed with a gold and black frame, the work has an exposed canvas.Front: Brass embossed plate: THE IMMORTAL SHRINE BY WILL LONGSTAFF COPYRIGHT REGISTERED Back: (No inscriptions)

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a fishing boat on slipway. The boat and ground surrounding it are predominantly black with a small amount of orange. The sky is dark blue and fades into a lighter blue on the right side of the work.Front: Norman Poole (lower right) (pencil) Back: 31

CEMA Art Collection Previously located in History HouseThe painting depicts a large stone building with two smaller buildings in the foreground. Within the foreground is a small patch of dirt and grass with a side view of a small building to the right and a front and side view of a small stone building to the left. In the background is the large building which features two chimmneys. To the left of the building is a leafless tree and pale blue sky. The work has a gold and green frame with glass.Front: "GREENMOUNT" (brown, lower left) TRAVIS WEBBER (brown, lower right) 23 (white sticker attached to glass Back: (No inscriptions)

NilScene of Portland Harbour. View includes people walking on beaches, jetties, moored boats (some with sails, some without). Upper centre of image shows a town, with a church to the right. To the left centre is a planned garden with people promenading. In foreground is empty land with a few seagulls. A train track enters the image on bottom centre. Print is predominantly in shades of blue, grey and brown. Mounted in dark cream matt, in wooden frame with glass.Front: A. Hy Fullwood (lower left, grey paint) "Portland Victoria" A. H. Fullwood 1836-1930 (printed below image) Back: (no inscriptions)

Art Collection Previously located in History HouseThe painting depicts the Portland Port from an aerial perspective. The perspective is taken from the ocean looking down across the Port and into the town of Portland. Within the foreground is the ocean beyond the Main Breakwater, the Main Breakwater and the Port. Within the Port nine large ships are docked and another is being brought into the Port by two tugboats. The background features a distant view of the town of Portland and the landscape beyond the township. The work has a white wooden frame and glass.Front: TROMPF (white paint, bottom right corner) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens.Front: 8/ 37 A Gee Back: 19

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency, 1983 and 1984.A laminated screenprint of a portrait montage in black on coloured background. The foreground consists of over one hundred small portraits which cover the majority of the work. On the left and top right sides are black outlines of various flora. At the top of the work is black text which reads "1834 Portland 1984".Front: Angela Gee '83 (lower right) (pencil) Back: 20portland, angela gee residency

The official opening of the Shire of Diamond Valley offices in Greensborough on 26/02/1972. These photographs show an exterior view of the new building and the crowd in attendance.Photographs taken by a member of SDV staff.Photographs from of a folder of 21 colour photographsOn cover of folder "Opening of S.D.V. Office"shire of diamond valley, shire of diamond valley offices 1972

The official opening of the Shire of Diamond Valley offices in Greensborough on 26/02/1972. This photograph shows an exterior view of building and seated officials, with Sir Rohan Delacombe addressing the crowd.Photographs taken by a member of SDV staff.Photographs from of a folder of 21 colour photographsOn cover of folder "Opening of S.D.V. Office"shire of diamond valley, shire of diamond valley offices 1972, sir rohan delacombe

The official opening of the Shire of Diamond Valley offices in Greensborough on 26/02/1972. This photograph shows an exterior view of building and assembled scouts taking part in the ceremony.Photographs taken by a member of SDV staff.Photographs from of a folder of 21 colour photographsOn cover of folder "Opening of S.D.V. Office"shire of diamond valley, shire of diamond valley offices 1972, scouts - greensborough

The official opening of the Shire of Diamond Valley offices in Greensborough on 26/02/1972. This photograph shows an interior view of refreshments being served.Photographs taken by a member of SDV staff.Photographs from of a folder of 21 colour photographsOn cover of folder "Opening of S.D.V. Office"shire of diamond valley, shire of diamond valley offices 1972

The official opening of the Shire of Diamond Valley offices in Greensborough on 26/02/1972. This photograph shows an interior view of groups of people enjoying refreshments. Photo 1 has(from left) Monte Vale speaking with Sir Rohan Delacombe and other unknown men; photo 2 shows Monte Vale far left; photo 3 shows Lady Delacombe in foreground.Photographs taken by a member of SDV staff.Photographs from of a folder of 21 colour photographsOn cover of folder "Opening of S.D.V. Office"shire of diamond valley, shire of diamond valley offices 1972, monte vale, sir rohan delacombe