A sailing or rope block has single or multiple pulleys with one or more sheaves enclosed in an assembly between cheeks or chocks. In use, a block is fixed to the end of the line, spar or load to be lifted such as at a transport dock. A rope line is reeved through the sheaves, and through one or more matching blocks at the far end, to make up what's known as a tackle. Generally, the more sheaves in the blocks that make up a tackle, the higher its mechanical advantage. Various types of blocks are used in sailing. Some blocks are used to increase mechanical advantage and others to change the direction of a line. A ratchet block turns freely when a line is pulled in one direction but does not turn in the other direction, although the line may slip past the sheave. This kind of block makes a loaded line easier to hold by hand.This rope block is an example of rope and tackle systems used in maritime settings to lift and move cargo and machinery, often with the help of a crane. It is also used on sailing vessels as part of the rigging, help to raise and lower the ropes and sails.Block; two sheave wooden rope block with ring and becket. It features a Closed Spelter Socket (CSS). Rings are galvanised metal. There is a compliance plate attached with an inscription. It was once owned by a government body, as indicated by the 'up-arrow" symbol.Compliance plate: stamped twice "CS" [Closed Spelter] and "↑"flagstaff hill, warrnambool, shipwreck coast, flagstaff hill maritime museum, flagstaff hill maritime village, lifting equipment, stevedoring, rope block, rigging block, sailing equipment, css, closed spelter socket

The diorama of mounted specimens of seaweed was framed by Richard Foster Norton for Thomas Watson and is dated 1860. Watson was the Warrnambool District Surveyor at the time (1860). The inscription on the back of the frame links the artwork to the Pigeon Hill property, which was located on Allansford Road (corner of Staffords Road – north side of the Princes Highway-A1). In the 1860s, the property known as Pigeon Hill was owned by William Wall who was a publican who ran several hotels in Warrnambool and district. In 1860 Wall, was running a hotel in Wangoom, near Pigeon Hill. Further research is required to determine the exact location, but Pigeon Hill could also have been the name for that area and may have had other people living there. Thomas Watson was a member of the local horticultural society. Another possible creator of the artwork is Samuel Hannaford, a biologist with a particular interest in collecting marine flora. Hannaford left Warrnambool in 1857 and went to Geelong, so it is possible he collected the specimens had them framed in Geelong, and then arranged for their return to Watson. The other known seaweed collector was Henry Watts, who lived in Warrnambool in the mid-19th century. The seaweed collection in this box was possibly one of Watts' and could have been prepared for the Victorian Exhibition of 1861, Richard Foster Norton, also known as R.F Norton, was one of only a handful of picture framers in 1850s Melbourne. Norton was born on the 24th of July 1822 in Yelvertoft, Northamptonshire and prior to his arrival in Australia, Norton is listed in England as having the occupation of a painter. It appears that he established his business in Melbourne in 1854 or 1855. Between 1855 and 1865 he operated from 87, then 83, and later 80 Collins Street. In the Argus newspaper, Norton advertised his business as a Print seller, Carver, Gilder and Picture Frame manufacturer, supplying the growing demand for artworks and decorative furnishings in the colony during the Gold Rush. Norton also had a Geelong branch in Market Square, where this work was produced. This framed work is highly significant. Previous research has found that only six frames are in existence that can be attributed to be made Norton, dating from the late 1850’s to the mid 1860’s. Moreover, Thomas Watson the owner of the artwork, is one of the government surveyors of the region during the mid-19th century.Diorama in deep wooden frame, behind glass. Seaweed specimens have been mounted within the frame. The back of the frame has handwritten inscriptions including the framer's label (portions missing). The diorama was framed by Richard Fraser Norton. Printed label; "RICHARD FOS --- Picture Framer and -- MANUF -- CARVER, GILDER, ---- PAINTINGS CLEANED, LINED AND --- GLASSES RESILVERED, FRAMES --- Architectual Decorations created to any design in Paper Mache, Carlton Pierre, or Composition, Country Orders promptly attended to, The Order Suppl ---, BRANCH ESTABLISHMENT, MARKET SQUARE, GEELONG" flagstaff hill, warrnambool, maritime museum, richard foster norton, r.f norton, picture framers, melbourne, geelong, artwork and decorative furnishings, gold rush, seaweed, botanical specimens, 1860, pigeon hill, district surveyor, thomas watson, william wall, wangoom, samuel hannaford, henry watts, victorian exhibition, 1861, yelvertoft, northamptonshire, market square

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "Sand Pit Fortuna." It shows a mining sand pit and the Fortuna mine in the background. The painting is signed on the bottom right-hand side. The painting is under glass in a dark brown wooden frame. On the back: Penrose Norman William 14 Barkly Terrace east Bendigo. Price: - guineas. Title: Sand Pit Fortuna. For: drawing, watercolour and graphic art exhibition. Victorian Artista Society 430 Albert Street, East Melbourne bendigo, mining, norman penrose, artist, teacher, fortuna

Copper ladle with wooden handle. Ladle diameter 20cm. Handle 38 cm. atttached to copper handle of 16cm. Stored in family shed of donor, Andrew Levy, for many years. Originally used in Cohn's factory for softdrinking manufacturing.business, cohn brothers, copper ladle

A violet-blue cap that has a symbol of an anchor on top of texts: "Sydney thorough and ready - Vung Tau Ferry". The cap is on a brown wooden board with texts: "Vung Tau Ferry Cap worn by L/Stoker Dale Harris"Cap, 'Vung Tau Ferry' HMAS Sydney c1970 A work cap of the type worn by crew of HMAS Sydney during her fast troop transport role during the Vietnam war which earned her the name 'Vung Tau Ferry'. Donated by Dale W Harris HMAS Sydney (1968-1970)cap, vung tau ferry, hmas sydney

Wooden ironing boards for use by Tailors L7.1 Sleeve board in shape of a sleeve, 67 cm long L7.2 Trouser board, 70 cm long, rounded at end. L7.3 107 cm long, sider on one end

Photograph of the edge of a lake/swamp with several large trees standing in shallow water. The water appears deeper in the background. Part of a wooden gateway can be seen on the left hand edge of the photo. Written on the edge is 'Lake Morris Minyip'place, landscape view, lake, lake morris, minyip

The Schimmelpenninck factory stood in Wageningen until it finally closed in 2000. The Schimmelpenninck brand started in 1924 when two brothers and an uncle merged their cigar factories into one company. It was called after Rutger Jan Schimmelpenninck, raadspensionaris (kind of a prime minister) of the Batavian Republic in 1805-1806. The tobacco industry has a long history in this town; in the 17th century one fifth of all arable land around the town was used for tobacco. Originally used in pipes and as snuff, the popularity of cigars in the 19th century led to a large expansion of the Dutch tobacco industry. The Schimmelpenninck factory was at its largest just before World war II, 700 employees produced 32 million cigars. Wageningen was heavily damaged during operation Market Garden in 1944, the whole population was evacuated and most of the machines of the Schimmelpenninck factory were stolen or destroyed. After the war, consumption of cigars was much reduced and the firm slowly merged with others. Eventually they became part of Rothmans.This box and the brand name Schimmelpenninck represent several periods of Dutch history between the time of the Republic and the post WWII years. Cigar smoking was very popular in the Netherlands pre-war but less so in the second half of the 20th century partly due to a growing awareness of tobacco's carciogenic properties.Large flat wooden box designed to hold 78 cigars. The lid is attached with brass hinges and two brass clasps enable it to be closed. A large red label with silver script and illustrations is attached to both the outside and the inside of the lid.Schimmelpenninck. Hollands Finest Cigars

Material banner made up of red, blue and yellow stripes attcehd to a wooden pole with brass clips. Maroon, blue and yellow plinth at top of pole with brass knob. A large number 2 in white material in the middle of the banner.banner, 2 field ambulance

A predominantely red carpet. Custom made with woven inscription Royal Australian Engineers 1959 Wilson R B 1968 - 2411848. Ubique Viet 66' 67' with fringes top and bottom. 5 wooden rings attached to topThis fully imported & hand woven rug was custom designed for Graeme Wilson.royal australina engineers

Shield prepared to recognise winners of a Geelong West Cycling Club road race in memory of Russell Wright.This perpetual trophy spans 3 decades on road racing with the GWCC.Wooden shield with small shield shapes in plated silver placed around the shield. These small plaques are inscribed with winners of this event. The shield also has a plated silver banner with inscriptions on it, plus the shape of a cyclist in a medallion at the bottom of the shield."Geelong West Cycling Club/Russell Wright Memorial Shield/ Donated by his Loving Wife/1967 R Dillon 68m59sec/1968 J Elsworthy 54mins 55secs/ 1969 T Ryan 70mins 3secs/ 1970 R Edwards 53mins26secs/1971 Geo O'Dwyer 82mins 17secs/1972 K Bunting 51min 50 secs/1973 W Mahoney 54min 20secs/ 1974 W Crookshanks 83min 28secs/ D Ferguson 83 mins 47 secs/ 1976 S Jennings/ 1977 R Bunting 51mins 50 secs/ 1978 - /1979 Don Wilson/1980 Rodney Baker/ 1981 David Carnegie/ 1982 -/ 1983 Neville Williams/ 1984 Tony Pickles/ 1988 Ian Hendry"geelong west cycling club; gwcc; russell wright memorial shield; 1967; r dillon; 1968; j elsworthy; 1969; t ryan; 1970; r edwards; 1971; george o'dwyer; 1972; k bunting; 1973; w mahoney; 1974; w crookshanks; d ferguson; 1976; s jennings; 1977; r bunting; 1978; 1979; don wilson; 1980; rodney baker; 1981; david carnegie; 1982; 1983; neville williams; 1984; tony pickles; 1988; ian hendry;

HAND MADE MINERS PICK METAL HEAD - LONG HAMMER HEAD ON ONE END AND PICK HEAD ON THE OTHER END WOODEN HANDLE, THE HANDLE IS SPLIT, HELD TOGETHER WITH LEATHER AND WIRE LEATHER STRIP WOUND AROUND AND NAILED ONpick, miners pick, miners tool, gold

Cocks Pioneer Power Station No 1. Cocks Pioneer Electric Gold & Tin Mine Company was formed in 1899. The company's first power station, located at the eastern end of the valley began operating with its 340 Kilowatt steam-powered generator. By 1909, from 2 500 000 cubic yards worked, reported recovery was 17 284 ounces of gold and 224 tons of tin ore. By 1909, Cocks Pioneer’s power plant had become inadequate and uneconomical. The barge was floated downstream about a mile, but lost time caused the operations to cease. Following testing, a new mine was established by diverting Reid's Creek at a cost of £25 000. Settling dams were built, one of which held 1 935 900 cubic feet. Sold earth banks, built against a wall of stringy bark saplings constructed and laced with vertical props, were built. In 1914, the company was reformed as Cock’s Pioneer Gold and Tin Mines NL, another power station was constructed at the western end of the township, near the junction of Clear and Reid's Creeks. From 6,800,000 cubic yards of material processed, the returns were 64 397 ounces of gold and 855 ton of tin. Cocks Pioneer mine then moved the barge downs stream and continued sluicing. In 1929 Cocks Pioneer Electric Gold and Tin Mining Company ceased operations due to a drop in values. Cock’s Pioneer Gold and Tin Mines NL carried on large-scale hydraulic sluicing operations until 1941. Handrwitten on right side of image: PIONEER MINE ELDORADO Handwritten on left side of image: AJ EVANS PHOTO / WANGARATTAmines, mining, gold, tin, gold mining, tin mining, sluicing, hydraulic mining, energy, power station, cocks pioneer, el dorado, eldorado

Wooden cigar box probably from the mid 20th century. The inside of the top of the box has a picture of an Eastern woman with coins and flowers. Perlas - is a small cigar taking 30 minutes to smoke. This cigar contains Manila filler.Top: GEM OF THE EAST / MANILA / FILLER Side: PERLAS (on label). 25 (burned on wood). Label along edges of top, sides and bottom - "PUROS FABRICA DE TOBACCO - FLORFINA"smoking, cigars, perlas, gem of the east

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of a raised painted wooden door at the back of Villa Alba.villa alba museum, conservation photographs, victorian architecture, external doors