Showing 11748 items matching "frameing"
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Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Cotula coronopifolia (Water Buttons). Podolepis jaceoides (Showy Podolepis), 1985
Part of "Woolcock Gallery Collection" exhibition 1989 CEMADrawings of cuttings and flower details of two plant species with yellow flowers and green foliage. Five drawings including one flower detail (yellow and pencil), one cutting of tall yellow (Daisy-like) flower with a red-brown stem and long green leaves along stem and at base, one cutting with many flowers (no petals, button-like) on thin green stems with green flower details. The work is on white paper mounted on apricot (first layer) and pale grey (second layer) cardboard. It is framed under glass in a gold and grey-green frame.Front: CEW/85 (vertical next to stem) Podolepis jaceoides (Showy Podolepis) Cotula coronopifolia (Water Buttons) (lower left) CEWoolcock (lower right) Back: 22 (upper left)woolcock, cema, botanical -
Glenelg Shire Council Cultural Collection
Drawing, Collin Elwyn Woolcock, Epacris Impressa (Common Heath), 1972
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of a stem with leaf, flower and seed pod details. Leaves are soft and long, dark green and grow from the central stem. Flowers are bell-shaped and pink-red. From top-bottom is a pale pink flower in full bloom; a leaf top view; a stem detail with pod with whithered petal; top view of flower; side view of white flower; side view of red flower; internal view of flower (splayed open). Work is mounted in a double matt (grey on pink) and framed under glass in gold painted wooden frame.Front: CEW/72 (signature, lower right) (green pencil). Common Heath - Epacris impressa (lower left) (pencil). Common Heath - Epacris impressa (erased, lower centre) CEW (sign, pencil, erased) Back: 5 (upper left) (pen)cema, botanical, collin woolcock, woolcock collection, woolcock, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Daviesia Latifolia (Hop Bitter-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawing of stem and flower detaisl. At far left is back view detail of an orange flower with paler, yellow edges to petals. At centre is a stem detail, depicting a long stem with a large leaf and flowering stem partnered and situated at staggered intervals up the central stem. Flowers are yellow with red centres. On right are three details of a flower (t-b): top view of flower; side view of flower; and side view of emergent bud. Mounted in double matt (white on faun), framed under glass in wooden frame with gold details.Front: Daviesia latifolia (lower left) (pencil). CEW (lower left in image, signature) (maroon pencil). Back: 19 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Leptorhynchos Squamatus (Scaly Buttons), Leptorhynchos Tenuifolius (Wiry Buttons), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Two drawings of two different plants. On left is a stem with woody central stem, densly foliaged elongated leaves with dark green top and pale underside. Three long-stemmed flowers are at top of plant, with yellow petals on grey multiple sepals. At centre of image is a flower detail of this plant. Drawing at right is a plant with fine, long leves and small, button-like yellow flowers with grey multiple sepals. To the far right are two details of these flowers. Mounted in double matt (grey on peach), framed in gold wooden frame under glass.Front: Leptorhynchos squamatus (Scaly Buttons), Leptorhynchos tenuifolius (Wiry Buttons) (lower left) (pencil). CE Woolcock (lower right, signature) (pencil). Back: 18 (upper left) (pen)cema, botanical, collin woolcock -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Collin Elwyn Woolcock, Microseris Scapigera (Yam Daisy), Millotia Myosotidifolia (Broad Leaf Millotia), Gnephosis Skirrophora (Woolly Gnephosis), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Multiple views of multiple plant details. From left-right: flower detail with long petals; a whole plant view with fine roots, bulb, long leaves (grass-like), tall central stem and flower with long petals; but and flower details; (top-bottom) a plant details with root, fine leaves and many flowers (small and round); a detail of above plant. To far right (t-b) flower details and seed details. Mounted in a double matt (white on slate grey), framed under glass in silver detailed wooden frame.Front: L. Microseris sapigera. Upper R. Millotia myosotidifolia. Lower R. Gnephosis skirrophora (lower left) (pencil). Back: 27 (upper left) (pen)cema, botanical, collin woolcock -
Melbourne Legacy
Photograph, Legacy Appeal 2001, 2001
Photos of Rita Davidson, a Legacy widow selling badges on Swanston Street, Melbourne for Badge Week in September. It appears to be 2001 due to the film number. A record of fundraising for Badge Week.Colour photo x 3 of a lady selling Legacy badges.00526.1 printing on the back "legacy appeal, fundraising, badge week -
Melbourne Tram Museum
Slide, Keith Kings, 2/01/1969 12:00:00 AM
35mm Kodak white cardboard colour slide by Keith Kings of SW6 850, the class leader at Preston Workshops 2/1/1969. Has adverts for Marshall batteries, Warren Smith Motors and High Speed Gas. See Inscriptions for further notes.Keith Kings stamp and number "45-4", with details of exposure. in ink "MMTB No. SW6 850, the prototype luxury tram built by Preston Workshops / Preston WS. Note One Piece steel frame full drop saloon windows (as in SW5 cars 840-849"trams, tramways, sw6 class, preston workshops, tram 850 -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, c1940s
Black and white photograph of two unidentified male trainee anaesthetists in what looks like is the Australian Society of Anaesthetists headquarters at Mathoura Road Toorak. One man is seated with a book of diagrams in front of him and the other is standing next to him pointing at an image in the book.•Black paper label glued on bottom front of photograph, written in white ink in capitals and captioned: "He's wrong; and here's why". •Handwritten in black ink on reverse and underlined: Frame 17. •Handwritten in grey pencil on reverse: 20. [17 has been crossed out.]students, trainee anaesthetists -
Flagstaff Hill Maritime Museum and Village
Functional object - Spectacles and case, c. 1969
The history of spectacles The earliest form of spectacles are generally agreed to have been invented in Northern Italy in the thirteenth century. Over hundreds of years of innovation and refinement, they have been perfected into the stylish and functional designs you see today worn by millions of people to correct their eyesight. Here's a look at the key moments that defined the history of spectacles. Thirteenth century - Rivet spectacles The earliest form of spectacles was simply two mounted lenses riveted together at the handle ends. They had no sides and were secured to the face by clamping the nose between the rims, some of which had notches which may have been intended to improve the grip. Even then the wearer could only keep them in place by remaining relatively still and would normally support them with the hand. These spectacles contained convex lenses for the correction of presbyopic long-sightedness and were generally suited only to those few who lived beyond their forties and had the ability to read. Sixteenth century - Nose spectacles Nose spectacles were in more common use by the early sixteenth century. These often had a bow-shaped continuous bridge, almost of a modern appearance, that was sometimes flexible depending upon the material, for example leather or whalebone. The bridge was as much an area to be gripped as to rest on the nose. Spectacles were still usually held in place with the hand whilst being used temporarily for a brief period of reading or close inspection. By now the lenses could be used to correct both long and short sight. The general design changed little through the seventeenth century, though certain refinements increased the flexibility and comfort for some wearers. In some localised areas, notably in Spain, people experimented with ear loops made of string. This allowed them to walk around with their spectacles on. Eighteenth century - Temple glasses Only in the eighteenth century did the first modern eyewear, or ‘glasses’ as we would understand them, start to appear. The lenses might be glass, rock crystal or any other transparent mineral substance and were prone to smashing if the spectacles fell off, so there was an impetus to develop frames that could be worn continuously and would stay in place. London optician Edward Scarlett is credited with developing the modern style of spectacles which were kept in place with arms, known as ‘temples’. These were made of iron or steel and gripped the side of the head but did not yet hook over the ears because often the ears were concealed beneath a powdered wig, such as was fashionable at the time. As temples developed they were made with wide ring ends through which the wearer could pass a ribbon, thus tying the spectacles securely to the head. As spectacles were no longer primarily for use in sedentary activities, people began to be noticed out and about in their spectacles and might come to be identified as a ‘spectacle wearer’. By the end of the eighteenth century, people who needed correction for both distance and near could choose bifocals. Nineteenth century - Pince-nez Pince-nez were a nineteenth century innovation that literally translates as ‘pinching the nose’. They had a spring clip to retain the item in place under its own tension. Sometimes this clip was too tight and the wearer struggled to breathe. If it was too loose the pince-nez could fall off so, for safety and security, they were often connected to the wearer's clothing by a cord or a chain to avoid them being dropped or lost. Pince-nez were sometimes chosen by people who felt that large spectacles were too prominent and drew attention to a physical defect. They were also suitable for mounting lenses that could correct astigmatism. Twentieth century spectacles Spectacle wearing continued to become more widespread, key developments being the supply of spectacles to troops in the First World War, cheaper spectacles being subsidised through insurance schemes arranged by friendly societies, and the beginning of the National Health Service in 1948, when free spectacles were made available to all who might benefit from them. This normalised spectacle wearing and led to a significant increase in the scale of production. Entirely separate categories of women’s spectacles and sports eyewear both emerged in the 1930s. The latter half of the twentieth century saw spectacles become more fashionable and stylish as frames with different shapes, materials, and colours became available. Plastics frames, in particular, allowed a greater choice of colours and textured finishes. Plastic lenses were more durable and could be made lighter and thinner than glass, spurring a renewed interest in rimless designs. Designer eyewear bearing popular high-street brand names encouraged patients to regard spectacles as a desirable commodity, even as a fashion accessory, not just a disability aid. https://www.college-optometrists.org/the-british-optical-association-museum/the-history-of-spectacles These spectacles and case were used by Dr. Angus in his surgery in Warrnambool to test patients' eye sight. They were donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he would take time to further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . The organisation began in South Australia through the Presbyterian Church in that year, with its first station being in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill where he’d previously worked as Medical Assistant and purchased a share of the Nelson Street practice and Mira hospital from Dr Les Middleton one of the Middleton Brothers, the current owners of what was once Dr Tom Ryan’s practice. Dr L Middleton was House Surgeon to the Nhill Hospital 1926-1933, when he resigned. [Dr Tom Ryan’s practice had originally belonged to his older brother Dr Edward Ryan, who came to Nhill in 1885. Dr Edward saw patients at his rooms, firstly in Victoria Street and in 1886 in Nelson Street, until 1901. The Nelson Street practice also had a 2 bed ward, called Mira Private Hospital ). Dr Edward Ryan was House Surgeon at the Nhill Hospital 1884-1902 . He also had occasions where he successfully performed veterinary surgery for the local farmers too. Dr Tom Ryan then purchased the practice from his brother in 1901. Both Dr Edward and Dr Tom Ryan work as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He too was House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. Dr Tom Ryan moved from Nhill in 1926. He became a Fellow of the Royal Australasian College of Surgeons in 1927, soon after its formation, a rare accolade for a doctor outside any of the major cities. He remained a bachelor and died suddenly on 7th Dec 1955, aged 91, at his home in Ararat. Scholarships and prizes are still awarded to medical students in the honour of Dr T.F. Ryan and his father, Dr Michael Ryan, and brother, John Patrick Ryan. ] When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery states “HOURS Daily, except Tuesdays, Fridays and Saturday afternoons, 9-10am, 2-4pm, 7-8pm. Sundays by appointment”. This plate is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. Dr Edward Ryan and Dr Tom Ryan had an extensive collection of historical medical equipment and materials spanning 1884-1926 and when Dr Angus took up practice in their old premises he obtained this collection, a large part of which is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. During his time in Nhill Dr Angus was involved in the merging of the Mira Hospital and Nhill Public Hospital into one public hospital and the property titles passed on to Nhill Hospital in 1939. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. ). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (The duties of a Port Medical Officer were outlined by the Colonial Secretary on 21st June, 1839 under the terms of the Quarantine Act. Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII 1941-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. Their interests included organisations such as Red Cross, Rostrum, Warrnambool and District Historical Society (founding members), Wine and Food Society, Steering Committee for Tertiary Education in Warrnambool, Local National Trust, Good Neighbour Council, Housing Commission Advisory Board, United Services Institute, Legion of Ex-Servicemen, Olympic Pool Committee, Food for Britain Organisation, Warrnambool Hospital, Anti-Cancer Council, Boys’ Club, Charitable Council, National Fitness Council and Air Raid Precautions Group. He was also a member of the Steam Preservation Society and derived much pleasure from a steam traction engine on his farm. He had an interest in people and the community He and his wife Gladys were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Spectacles and case, from the W.R. Angus Collection and used by Dr. Angus for testing the sight of his patients. Black rimmed spectacles in tan, open ended pouch. Inscription is stamped into frame and printed in gold lettering on the case. c. 1969 Inscriptions read on spectacles;“52 (square) 18” and “RODENSTOCK > ELBA < 130“ and printed in gold lettering on the pouch “DOBBIE BROS. / OPTOMETRISTS & OPTICIANS / 173 EXHIBITION ST. MELBOURNE”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, medical treatment, spectacles and case, optical testing, optometrist examination, dobbie bros melbourne -
Bendigo Military Museum
Poster - POSTER, ANZAC DAY, Australian Government, Department of Veterans' Affairs, Office of Australian War Graves
Poster - paper, with white print, foreground full length black and white portrait photograph of an indigenous soldier. Background muted red to brown colours. Frame - top and bottom, timber slats adhered to the poster paper with top hanging string.Lettering on Poster. "Commemorating Indigenous Service in the First World War".framed accessories, poster, anzac day -
Warrnambool and District Historical Society Inc.
Egg, Painted Ostrich Egg, Early 20th century
Ostrich eggs were a novelty item found in many homes in the 19th and early 20th centuries, though in Australian homes they were more likely to be emu eggs. Some ostrich eggs may have been brought to Australia from South Africa after the Boer War or purchased by travellers to foreign lands at other times. This ostrich egg has no known provenance.This ostrich egg has been in the collection of the Warrnambool and District Historical Society for 45 years and the only known connection it has to Warrnambool is seen in the fact that the donor was Mrs Uebergang and the Uebergang name is well-known in our district as the Uebergangs were pioneering settlers in the Allansford/ Warrnambool area. This is a cream-coloured ostrich egg resting in a circular cavity in the centre of a rectangular wooden frame. The egg has a small hole on the top and has paintings of an African woman and child on one side of the egg and huts with palm trees on the other side. history of warrnambool, ostrich eggs, painted ostrich egg -
Ballarat Clarendon College
Furniture, Fire screen
The fire screen was gifted to Mr J J Watson at his retirement in 1952. The assembly hall at the Mair Street property was named in his honour. Mr J J watson was a member of the school council from its inception in 1919 when he was elected as a representative of Scots' Church. He succeeded Rev J T Riddle as secretary to council in 1920. In 1954 the assembly hall at the Mair Street property was officially named Watson Hall in his honour. In 1957 the constitution of the Council was amended to enable Mr Watson to be elected its first life member. The fire screen was returned to the school by the family after his death. In a tribute in 1952 at the time of Mr watson's retirement from secretarial position on council, Principal Kerr said, 'Mr watson's family was friendly with the Kennedy(founder) family in Ireland, so that his interest in Clarendon was almost hereditary. His breadth of vision, generosity, devotion to the advancement of the school in every way, and meticulous care of the property and ikts interests, have given him a unique place in the hostory of the school. Wood fire screen with school crest at top of front. Carved details at top corners and base of front feature scottish thistle and leaves. Solid wood frame and stand; veneer insert. Small bronze plaque fixed to top of back. Plaque: Presented to / Mr J J WATSON / in appreciation of his devoted service / as secretary of the council of / CLARENDON PRESBYTERIAN LADIES / COLLEGE / FROM 1920 - 1952.j-j-watson, clarendon-presbyterian-ladies-college, mair-street-campus, school-council, watson-hall, life-member, fire-screen, furniture, -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, Post WW1
Black / white photo of Sir Carl Herman JESS.on LHS. Life history in black / white print on white background on RHS. Both mounted on green backgorund with gold painted wooden frame, glass front, fawn cardboard backing. White sticker with black print front bottom RHS, bottom front & bottom back LHS: “73”framed, jess, passchendaele barracks trust -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW2, FRAMED, C.WW2
Black / white photo of uniformed members including head gear, of A Company, No 4 Section 3rd AASC Camp, Bendigo. Mounted with white border, gold metallic frame, without glass, cardboard backing with support & hanging hook at rear.Printed below photo: “Names of members in photo”photographs, framed, aasc, bendigo -
Bendigo Military Museum
Photograph - PHOTOGRAPH RAN, FRAMED, Pre 1964
Black / white aerial photo of HMAS Melbourne with 5 aircraft on the flight deck plus 4 units of the RAN Combat fleet at sea. Photo is mounted with a fawn border with a grey wooden frame, glass front & fawn paper backing.Printed underneath photo in black ink: “H.M.A.S Melbourne and Units of the R.A.N. Combat Fleet” “Presented to Kevin Kelly by his Navy Office friends. Canberra 22nd January 1964” Written on back in pencil : “(Fate of Voyager and Melbourne) H.M.A.S. Voyager collided with H.M.A.S. Melbourne Feb 1964 - 81 lives lost” Written on back In black texta: “(Kevin Kelly)”photographs, hmas, melbourne -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, Golarts Studios, Post WW1
Photo of Artillery Battery Gun Emplacement. Field gun supported with sand bag wall. Gun crew preparing site for action. Black & white photo mounted in black wooden frame with black border, cardboard backing, glass front. Front RHS bottom & back, LHS bottom: “No 53 stickers” Back LHS bottom: “Trust No 22”photography-photographs, frame accessories, military history, arms-ordnance, passchendaele barracks trust -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW1, FRAMED, 1915
Photograph, black & white showing 3 soldiers in uniform, 2 Corporals, 1 Sergeant, 2 have Pith helmets on. They are standing beside a large ancient monument. Photograph is inset on a fawn cardboard backing in a dark brown wood frame.“Egypt 1915”photography-photographs, eygpt -
Bendigo Military Museum
Letter - LETTER FRAMED, Post WWI
The letter is a standard one that accompanied the "Commemorative Plaque" (655.3) when it was sent out to the next of kin. Refer William Edwin Cook 399.2, 398P, 401, 875.Note from the "King" re W.E Cook, copy for display. Yellowish paper with Red seal at the top. Under in Red also is"Buckingham Palace." Under the letter is a signature of the King "George R.I." The letter is in a black frame with gold edging.documents - letters, government - british -
Frankston RSL Sub Branch
Postcard (five of six)
An embroidered postcard which was sent to an Australian family during World War I. The postcard is intricately and colourfully embroidered on silk framed with a cardboard backing. The design is of flowers, foliage and crossed French and English flags with the words "united we stand". -
Wycheproof & District Historical Society Inc.
Document - Charter, framed, 1885
Wycheproof Historical Society has the Charlton Independent newspaper report Clip of Friday, November 27,1885 of the Opening of ANA Branch Number 45, Wycheproof, in Supplementary file box,Room 1,also ANA Display folder in Upper Level Room 4,Cabinet 2B Many Australian Natives' Association subscribers' details are found in our collection of old A.N.A. books.These record books give names, occupations,locations and transfer information.The formation of the Wycheproof Branch made this historical data possible. This is an original charter dated 1885 - an old historical document. In 1993 Austalian Natives' Association(ANA)joined forces with Manchester Unity to create Australian Unity. A.N.A. Charter signed by chief President and General secretary; seal of A.N.A. 24-11-1885. Wycheproof Branch Opening Number 45 for Australian Natives' Association. Contents of 24 lines, commercially printed documentation - wooden ornate frame.On back: Donated to the Wycheproof/ Historical Society 6.8. 2008/ by Eddie Molloy.australian natives association, a.n.a., wycheproof, charter, 1885 -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Framed photograph, WW1 Funeral for a German officer, c. 1917
Framed b&w photo of 8 member armed funeral escort in position along each side of a light truck presumably carrying the coffin of a German officer. The vehicle has some camouflage foliage on it and a wreath mounted in front on the radiatorCaption: WW1 Funeral for a German officer. Photo from the Museum's Whyte collection -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, Railway Pier HMAS Australia and Brisbane, Early 20th Century
The HMAS Australia and Brisbane are documented as visiting Port Melbourne circa WW1 and WW2.HMAS Australia has been a significant link and factor in the history of the Mission. Padre Frank Oliver Chaplain from 1930-60 served on the ship in WW2. Cadets and officers also regularly visited the Mission. The pier also played a significant role in the development and life of Melbourne. Small landscape b & w photograph depicting view along a pier with railway lines and three ships ( 2 appear to be naval vessels) moored on the right hand side of the frame. A horse and cart can be seen on the pier in the middle distance. handwritten inscription on the page below the photograph.hmas australia, hmas brisbane, port melbourne pier, station pier, fan album -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Miniature of Walter Thomas Henty, n.d
Mr. E. Campbell owned item. Walter Thomas Henty, son of Stephen Henty, married Nancy Campbell, Aunt of Mr. E. Campbell.Small portrait of a man in a suit, one third portrait view. He has thick dark hair cut short at sides, full long beard and a moustache. Wearing a dark suit and white shirt. Mounted in an oval metal frame.mr e campbell -
Glenelg Shire Council Cultural Collection
Print, The Undertaker's Assistant, 1984
Artist comment: These three prints (The Groom, The Undertaker's Assistant, The Organist) are part of a series on forebears of Portland. The drawings are taken from people in a collection of photographs belonging to the Johnson Family of Portland. The "Old Lady" and "The Wedding" are part of the same series. I designed the background to each drawing to suit each character's expression.CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing male from hips to head. The man wearsr a black suit, white gloves and has a moustache. Work has pink background with leaf and plant forms in green, yellows and blues. No matt. Wooden frame with glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left) (stamp) 1/20 A Gee (lower left) The Undertaker's Assistant (centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Decorative object - Doily, n.d
Doily, round, curved edges, cream cotton, brown hand crocheted border Brown cross stitch 'frame' with cross stitch flowers in purple, yellow and orange, and lazy daisy stitch flowers in blue. Measures 21 cm in diameter. -
Geelong RSL Sub Branch
AABC Badges, Late 20th Century
The Badges are those worn by the Australian Army Band Corps. The AABC was formed on 02 August 1968. AABC Musicians arfe also required to qualify in soldering skills eg - Admin, Drivers.The badges are originals and have been framed in a wooden frame.Oblong timber framed Badges of the Australian Army Band Corps. One x Rising Sun Hat Badge One x AABC Hat Badge Two x AABC Collar Badges Two x AABC Epaulette BadgesNoneaabc -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sheet contact prints of the Silo Construction, n.d
Port of Portland Authority ArchivesFront: 186, 183 and 184. Under three of the prints in white. Back: 186 Pencilport of portland -
Kiewa Valley Historical Society
Letter Commerce, Confirmation of Payment, 02/12/1911
This document (dated 1911), is a receipt covering the compensation for the three acres of land required to establish the Tawonga School from its original site (since 1880) to a more central site (since 1911), within the township. This receipt clearly shows the era in which the community involvement and social commitment of landholders was at a higher level, in the early 20th century, than at the latter part. Matters involving community welfare in relatively isolated rural regions was of high priority to every person whether town folk or grazier/farmer or miner. The letter of acceptance of the amount of twenty one pounds for three acres was signed by John Cooper on behalf of Ada Ryder (parent at the school), did not require State Government Compulsory Acquisition process (as it may have, had it been in the latter part of the century and if it were in a city or large town. This social benevolency was part of the period (up to the late 1900's) of the rural Australian environment. This was well before international land investments changed the picture of the socio-economics of country towns.A4 letter of confirmation of payment on pre-lined paper and with a margin. Both margin and lines are coloured in light grey. The page has been folded four times and shows faintly, horizontal lines, of manufacture. The letter is framed with a glass front.This receipt for the compensation of money is hand written in ink and reads: "Tawonga Dec 2 1911, I have this Day Received from the Residents and other People interested in the new State School the Sum of (Pounds sign) 21-0-0 twentyone Pounds being value of compensation for three Acres of land on which is erected the new State School No.2282 Paid by Cash & Cheques with thanks 2/12/11 (Signed) John Cooper" Below this is affixed a Victoria 1 pence stamp duty stamp, on which is written(freehand) Paid 2/12/11 Initialed J Cfinancial letters, receipts, school acquisitons, stamp duty -
Victoria Police Museum
Photograph (Victoria Police Group Photo), Police Officers group in depot, 1920s
Black and white photograph mounted on light brown frame. 8 Police Officers in 1920s uniform pose in uniforms with helmets. Standfing in a terrace with an open brick building with windows and a set of stairs on the background. Amongst them is William Arthur Poulter.Handwritten: BILL POULTER // 3RD FROM RIGHT Handwritten: The M.C.G. Gang // Collingwood - 93 PTS V Melbourne - 43 PTS // 21.8.26 Stamp: PHOTOGRAPH TAKEN // AT YOUR OWN HOME // P. J. DWYER // Onr. Harding & Salisbury Sts. // COBURG // PHOTOGRAPHS COPIED // AND ENLARGEDpoulter, william, william arthur poulter, victoria police museum, dwyer, p. j., police officers -
Victoria Police Museum
Carte de Visite (Benjamin Gould), J.E. Bray, 18/1/1879
Black and white photograph of Benjamin Gould a sympathiser of the Kelly Gang. Photograph is in an oval frame and shows a man with a long bushy beard wearing a jacket facing right. Man is wearing a jacket buttoned up with light coloured neck tie.benjamin gould, kelly sympathiser, kelly gang, edward kelly, ned kelly