Provides information on the General Electric B series controllers, including BA, BA-2, B3, B4, B8, B13, B16, B19, B23, B24 controllers. Lists the various parts, with some illustrations. Has sheets giving the drum development or connections as the controller is moved through the various notices. The B23 type controller was used on Melbourne Maximum Traction bogie trams.Yields information about early General Electric controllersDocument 32 pages printed on quarto paper within a cardboard folder, with pages 3 & 4 missing - parts catalogue No. 4724A of Oct. 1910.tramways, technical information, tramcars, electrical equipment, tram controllers, general electric

Students listed: Claire Barnett, Brendan Cooper, Jaye Cranny, Aaron Haywood, Annie Kallinikos, Brinjen Russell, Elaine Tracey, Stuart Walsh, Yasmin Williams. Pages feature student works, contacts and artist statements.Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2016. 40pp + 4pp cover saddle-stitched book, full colour throughout.federation university, visual arts, arts academy, camp street campus, claire barnett, brendan cooper, jaye cranny, aaron haywood, annie kallinikos, brinjen russell, elaine tracey, stuart walsh, yasmin williams.

3 copies of photograph- 2 sepia, 1 black and white. (See also newspaper cutting with image- re0107, catalogued also under VC 3005))Typed below black and white photograph, "Building old Ringwood baths in Ringwood Street, 1934".

Ponsonby Carew Smyth, A.R.C.A. London, was Victorian Art Inspector of Technical Schools. "Ponsonby May Carew-Smyth (1860-1939), educationist, was born on 7 August 1860 at Cork, Ireland, son of Emmanuel Uniacke Smyth, gentleman, and his wife Catherine Giles, née Carew. Carew-Smyth's initial art training and teaching was at the Belfast Government School of Art and Design. In 1885 he entered the National Art Training School at South Kensington, London, where he remained as student and teacher for five years. He also taught at Rugby School, studied at the Royal School of Wood Carving and the Guild School of Handicrafts, London, and was sent by the Department of Science and Art to study art, art education and museum procedures in Paris. Testimonials to his career in England affirm his ability and dedication as an educationist and his integrity as a man. On 23 December 1890 Carew-Smyth married Marie Reynolds of Brixton; they migrated to Australia next January. In September Carew-Smyth applied from Melbourne for the position of master of the school of art and design, established under the auspices of the Ballarat Fine Art Gallery. Opening in November, the school offered day classes and a broad curriculum, and under Carew-Smyth's guidance, established a sound reputation. In November 1899 he was appointed inspector of drawing in the Department of Education. Carew-Smyth saw drawing as a crucial link between primary and technical education, insisting on it as a 'mental process quite as much as a manual'; he believed strongly in the utilitarian value of drawing to the artisan class and of art as 'craftmanship'. By his emphasis on teacher-training, by his role in the Teachers' Training College, and by his constant travels, writing and lecturing, he upgraded both the standard and importance of drawing early in the century. His meticulous mind formulated the Austral Drawing Books which provided the basis of instruction in the subject in Victoria until 1927. Although he gave his occupation as 'artist', Carew-Smyth was primarily an educationist. He was actively involved in the early years of Prahran and Swinburne Technical colleges, and especially the Working Men's College which held his interest even after his retirement. In 1906 he was appointed chairman of the Victorian State Schools' Equipment and Decoration Society, and he was important in the organization of the state schools' exhibition that year. He designed the commemorative wall plaques installed in state schools after World War I, and the art teachers' certificate. He was prominent in bringing about the 1922 Jubilee Exhibition, and the 1926 showing of work of overseas schools, and especially the 1934 Melbourne centenary 'Early Victorian Art' exhibition. In the 1930s he wrote wide-ranging, informative and sometimes humorous articles for the Argus on various aspects of the decorative arts. In mid-1936 he was acting director of the National Gallery of Victoria. To students his single-mindedness sometimes suggested sternness, but Carew-Smyth was always held in the highest regard both professionally and personally. His colleagues recalled a man of kindness, unstinting devotion to work, and humour; he was considered quite a raconteur. Survived by his wife, a son and a daughter, he died in his home at South Yarra on 9 October 1939, and was cremated." (Margot Lethlean, 'Carew-Smyth, Ponsonby May (1860–1939)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/carew-smyth-ponsonby-may-5501/text9359, accessed 4 June 2013.)Image of the face and shoulders of a bearded man - Ponsonby Carew Smyth. The image was originally published from the State Schools Exhibition Catalogue, 1906. (Cat. No. 401)carew smyth, inspector, technical schools, art.

White envelope, on the back ''Castlemaine people, Kevin Shuttleworth and Brian Baker with a question mark. The envelope contained 8 photos, catalogue number 11518.343 to 11518.350business, retail, gas and fuel

Postal tube in which certificate catalogue number 6194 was sent from the Freemasons Homes of Victoria to S. A. Bush Esq.251 View Street Bendigo.

Document. The Owen Williams Collection. Catalogue for firm of Sharrat & Newth, makers of Window-lead machingery and glaziers' diamonds. 43/45 Percival St. London.bendigo, industry, owen williams & co. w. d. mason pty ltd.

A box decorated in wrapping paper containing newspaper cuttings of historical significance for Bendigo. Sources are 'The Bendigo Advertiser,' 'Walkabout' and auction catalogues. Dated 1947-1972.Bendigo Historical 1bendigo, history, bendigo & district, lydia chancellor, collection, bendigo, history, kelly reunion, bendigo and district, inglewood, bendigo historical society, lyric theatre, ravenswood district, bendigo pottery, bendigo art gallery, art, art work, the mayor speaks, railways historical museum, eaglehawk lock up

Part of the till collection from NA4003Book with grey cover 'The Royal Catalogue of Ladies Fashions' Summer 1930'. Cover features an archway with a lantern hanging-also a design on one side of cover.books, catalogues

Black and white photograph of D Hamilton (Mayor), copied from one of the individual photos on the group photo of Rutherglen Pioneers which is catalogued on record no. 2325.hamilton, mayor, rutherglen pioneers

Murray Comrie Collection.Monochrome photograph of a group of children assembled in rows for a school photograph. Accompanied by two sets of handwritten notes (catalogued separately as a Research Notes) with children's names. Names of children combined from both set of notes are believed to be: Left to Right Back/4th row: Mary Allen, Sadie Taylor, Betty Radnell (Clara), Annie Atkin, Nell Alexander, Mavis Comrie, Annie Grey, Dulcie Goltz, Kath Duggan, Hazel Davis, Alice Duggan. 3rd row: Ethel Ramm, Olive Jenkins, Mary Bool, Nell Reilly (or Rielly), Edna Jenkins, Lil Andrews, Betty Radnell, Winnie Duggan, Len Ramm, Bert Stevens, Keith Castleman. 2nd row: Ken McKenzie, Maurice Chambers, Andy Graham (Cec Williams), Fred Bool, Len Chambers, Les Caldwell, Wally Harwood, Joe Falder, Bert Caldwell, Geo Banks. Front/1st row: Phil Andrews, J. Jones, B. Stevens, Gilbert Ramm, Jim Duggan, Maurice Power, N.Carroll, Keith Chambers.tarnagulla, school, education, children, andrews, alexander, allen, atkin, banks, bool, caldwell, carroll, castleman, chambers, comrie, davis, duggan, falder, golz, goltz, graham, grey, harwood, jenkins, jones, mckenzie, power, rielly, reilly, radnell, stevens, ramm, taylor

Murray Comrie Collection.Monochrome photograph of a group of children assembled in rows for a school photograph. Accompanied by two sets of handwritten notes (catalogued separately as a Research Notes) with children's names. Names of children combined from both set of notes are believed to be: Left to Right Back/4th row: Maurice Chambers, Alf Gedling, Bill Riordan, Les Williams, Wally Harwood, Len Smith, Les Caldwell, (at rear, Headmaster/teacher W.Carroll), Angus Comrie, Keith Comrie, Ken McKenzie, Bert Caldwell, Maurice Power. 3rd row: George Banks, Bruce Calder, J. Austin, Les Hutchins, Bill Gedling, Gilbert Ramm, Sydney Goltz, Murray Comrie, Tom Comrie, Bill Whimpey, Jim Duggan, Reuben Ampfer. 2nd row: Theo Riordan, N. Carroll, Andy Heraud, K.Calder, Keith Chambers, Harry James, Ron Heraud, Mal Ampfer, Stan McNamee, Bert Stevens (or Stephens). Front/1st row: _______ Calder, Rob Banks, L. Carroll, George Riordan, Bill Stevens (or Stephens), Len McKenna, A. Whimpey.tarnagulla, school, education, children, ampfer, banks, calder, caldwell, carroll, chambers, comrie, duggan, gedling, harwood, heraud, james, mckenna, mcnamee, riordan, smith, stephens, stevens, whimpey, williams

Murray Comrie Collection.Monochrome photograph of a group of children assembled in rows for a school photograph. Accompanied by two sets of handwritten notes (catalogued separately as a Research Notes) with children's names. Names of children combined from both set of notes are believed to be: Left to Right Back/4th row: Alice Duggan, Eva Newton, Mary Darling (or M. Emerson), Iris Heraud, Vida Cottle, Phyllis Cottle, Sadie Taylor (or M. Radnell), May Lamprell, Mavis Comrie, Nell Alexander, Madge Whimpey, Kath Duggan. 3rd row: Headmaster/teacher A. "Boss" Alison, Dulcie Goltz, Annie Grey, Enid Stobie, Ettie Jenkins, Lil Comrie, Mary Riordan, Clara Radnell, Ena Bock, Edith Gedling, Rose Heraud. 2nd row: Olive Jenkins, Winnie Duggan, Pearl Lamprell, Betty Radnell, Edna Jenkins, Dora Goltz, Murray Comrie, Ron Heraud, Theo Riordan, Syd Goltz, Tom Comrie, B. Radnell, Stan Whimpey, Andy Heraud. Front/1st row: Bill Gedling, Jim Duggan, Frank (or Stan) McNamee, Andy Graham, Angus Comrie, Jack Grey, Bill Graham, Alan Alexander, Roy Alexander, Bill Riordan. tarnagulla, school, education, children, alexander, alison, bock, comrie, cottle, duggan, darling, emerson, gedling, goltz, grey, heraud, jenkins, lamprell, graham, mcnamee, newton, radnell, riordan, stobie, taylor, whimpey

Light Brown Paper advertising catalogue from JH Abbott & Co. Four pages. General Advertising for Boots and Shoes. Prinited by Bolton Bros. Bendigo

Five rectangular metal boxes with hinged lids for tobacco, print and graphics 'City Lights'...' in blue and gold. (A note on the catalogue worksheet states - 2 only)Marked on lid: City Lights Fine Cut Tobacco, and other.

Francis Powell (1861-) and Francis Hanmer (1858-1925) founded Powell and Hanmer Ltd in the Summer of 1885 for the manufacturer of bike and carriage lamps. Their first advertisements began to appear in November of 1885. Early models of the automobile, motorbike and bicycles used carbide lamps as headlamps. Acetylene gas, derived from carbide, enabled early automobiles to drive safely at night. Thick concave mirrors combined with magnifying lenses projected the acetylene flame light. These type of lights were used until reliable batteries and dynamos became available, and manufacturers switched to electric lights.Acetylene bicycle light carbide. Green and red side lens. 200 cm High. Inscription Powell & Hanmer Birmingham. Previous Catalogue Number 112.lighting, accessories, bicycle light

Used by the employees of National Parks. The maps show the topography and contours in 3D when used with the stereoscope KVHS 0743. This enables the photographed area to be compared to previous photos and enables the planning of construction of eg. new roads etc. Digital information is now available.These photographs give the topography and contours of vast local areas eg. Mt Feathertop and Tawonga township.when used with a stereoscope. Black and white large aerial photos of the Bogong High Plains area. 14 to 20 of them all on thick paper and the same size as the brown wooden box which holds them. The box hasn't got a lid at the top.Identified and catalogued by National Parksmaps showing topography, national parks, stereoscope

Black and white photograph of Coach and Horses Hotel in Maroondah Highway, west of New Street, now adjacent to Eastlink Freeway, on northern side. There are two duplicate photos. Certainly the photo was taken post-1940 as the previous Coach & Horses Hotel, on the south side, burnt down in 1940. The telephone pole indicates that era, with limited lines. The style of the building was Art Deco that generally existed in the 1920s-1930s but did continued in Australia in the 1940s. The building has the appearance of being newly-built. Was H4, in the old cataloguing system.

Assume it is miners cottage. Unknown boy sitting on porch. Sign on hut not legibleNo inscription on photograph or catalogue card.