Showing 1890 items
matching samples
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Bendigo Historical Society Inc.
Tool - Hand Made Nails 1890
These are samples of "cut nails", cut from sheets of steel and then a head flattened. The star/rose head, identifies them as Ewbank nails. These were first patented in 1869 and were cut with the grain of the steel running vertically down the nail. This made them particularly strong and they were probably the most common type used in Australia because the were particularly good for Australian hardwoods9 handmade nails with greenish colored square shape top raised in the centre. All nails are bent at the bottom and are 4.5cm - 5cm in length all showing signs of rust. Handmade Nails 18901890, handmade nails, antique tools -
Kiewa Valley Historical Society
Core Rock Samples
The core samples in the display cabinet were obtained from the various sites at which drilling into the rock surface was carried out (under the control of design and structural engineers of the SEC Kiewa Hydro Scheme - late 1940's). This function was a precursor to the decision where to locate, in this case, the McKay Creek Power Station. The information gained by structural engineers from the core samples would be used also for the placements of underground tunnels entry and exit points and the overall effective size of the generator plant. This would have included drill and blast techniques (rock characteristics play an import part of explosion control), requirements for support structures and reinforcing cement/steel forms. The use and replenishment of diamond drill bits(the strongest available, see KVHS 0280) was dependent on the "type" of rock found (harder rock required greater numbers of drill bits). Support beams for reinforced ceilings and floors was also a necessity.These rock core samples are very significant in the formulation and placement of the underground Power Stations and their maze of tunnels (in and out) for a successful implementation of the Hydro Scheme. The amount of pre-planning and engineering studies required for such a large scheme must be undertaken to ensure that a "white elephant" was not the result.There are nine columns of rock cores, each 30mm in diameter, set in a wooden display rack. A clear plastic (slide out) protective panel is installed to the front section. Within each column are block details of the depth from which that section was brought from. See KVHS for the appropriate sketch details.Depth levels (retrieved from) are shown for each section on wooden Blocks: 1st Block: "7'10" (seven feet, ten inches), 2nd Block:"9'4" (nine feet, four inches), 3rd Block: "19'3" (nineteen feet, three inches), 4th Block: "24'2" (twenty four feet, two inches), 5th Block: "25'7"( twenty five feet, seven inches) and last block: "30' (thirty feet)"alternate energy supplies, alpine feasibility studies temperature, rainfall, sec, kiewa hydro scheme, electricity -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: PHOTOGRAPH OF HANRO SAMPLE ROOM
Photograph of Hanro Sample Room: Black and white photograph glued onto card. The room has tall ceilings with three banks of studio lighting and two sets of large windows at the back of the wooden entrance door. On the right wall above the racking is two lighted display cases. To the left and right of the room the Hanro items are displayed is wood style cabinetry with draws under on the left. In the foreground is part of the reception desk. Box 116Aphotograph, building, hanro, hanro. -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: ASSAY CERTIFICATES, 1930's
Manilla Folder Held together with brass pins containing Assay Certificates from S. R. Mitchell & Co. Pty Ltd. The Majority of them are for L. C. Stuckey Esq. 199 Barker Street Castlemaine and a few of them are for Sir Herbert Gepp 422 Collins Street Melbourne. Also contains a list os samples taken from Reefs near the Devonshire Mines Castlemaine. The Dates range from 1935 to 1937.S. R. Mitchell & Co., Pty, Ltd. Metallurgists. 399 Little Colins Street, Melbourne.gold, mining, metallurgists, gold mining, castlemaine, s.r. mitchell, l.c. stuckey, sir herbert gepp -
Ballarat Tramway Museum
Sign, "CARS STOP HERE", 1960's
Piece of sheet steel, enamelled with red, white and black paint for use at tram stops. Small red band at top, white band with letters CARS STOP HERE and large red band underneath, on both sides to indicate to drivers a compulsory stop- That is all tram to stop at the location. Same sign used for same purpose in Melbourne. 44.2 in box 01-03-63 See also Reg Item 7395 for another sample.trams, tramways, ballarat, secv, tram stops, furniture -
Ballarat Tramway Museum
Functional Object - Rubber Stamp, Andrew Cook, "Ballarat Tramways Official Opening, 1st Feb. 1975", Jan. 1975
Rubber stamp and wood stamp holder for use on official opening day for trams operated by the BTPS. Rubber casting with words "Ballarat Tramway Official Re-opening 1st February 1975". Red wood stamp hold and black wood handle with black direction pin. Second one added 17/09/2009 along with SEC stamps at the same time - btm352i1. See Reg item 4776 and 6430 for sample tickets stampedtrams, tramways, btps, reopening, ballarat tourist tramway, opening, tickets -
Melbourne Tram Museum
Document - Form/s, Yarra Trams, "Tram Service Changes", Apr. 2012
Form A4 - white paper, printed with a yellow back and black stripped borders with a "!" sign, titled "Tram Service Changes". Used as a base sheet for depots to print changes to timetables, special events on and then be placed in tram stop information boards. Has Yarra Trams contact call numbers at the base. Has date of 04.12 on right hand side. Two copies held. See Reg Item 856 for a sample actually used.trams, tramways, yarra trams, timetables, melbourne, information -
Forests Commission Retired Personnel Association (FCRPA)
Basal Area Angle Gauge
Foresters usually measure the diameter of trees at Breast Height – traditionally 4 foot, 6 inches – now 1.3 m – which is termed Diameter Breast Height Over Bark (DBHOB). Basal Area is the cross section of the tree trunk at breast height, and the sum for the stand or group of trees is expressed square feet per acre (after 1973 it was expressed in square metres per hectare). Lots of skinny trees, or a few fat ones, can have the same Basal Area, but when combined with the number of stems, Basal Area is a good indicator of stand density. Two common methods are used to measure of Basal Area – fixed area plots and angle count sampling. 1. Fixed area plots require setting out a small area, commonly 50 m x 20 m, and measuring all the trees at breast height, and doing some quick sums. 2. Angle count sampling involves a simple sweep of the forest from a fixed sampling point using a relascope, dendrometer sight, angle gauge, or glass wedge prism. This wooden builders ruler has been shaped at one end to create a shallow angle (usually less than 3 degrees). Standing in one spot, a sweep is made with the wedge held to the eye, and trees are counted as either “in” or “out”. The number of trees is multiplied by conversion factor of the wedge (10 in this case) to estimate basal area. It’s very quick and effective.Basal Area Angle Gauge The two ends fold up and one end (on the right) has been reduced in width to create a shallow angle for the viewer Home made by cutting down a wooden builder's ruler Many forestry students made their own Basal Area Angle Gauges and its thought this may be oneforest measurement -
National Wool Museum
Sample, Yarn
One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long associatiob withthe Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.AMANDE/ BLEU/ CAMEL/CONCORDE/ LIEUREtextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
National Wool Museum
Sample, Yarn
One of a batch of yarn sample cards. Alexander Lau established his business in 1950 in the Nicholas Building, 37 Swanston Street, Melbourne. He designed textiles and commissionned many of his textiles to be spun andf woven in Geelong mills. He had a long associatiob withthe Returned Soldiers and Sailors Mill and with Mr Schofield, the manager. In 2000, he retired and closed the business.AMORAGE/ORIFLAMME/PARME/ROSE/SOUS-BOIStextile design fashion textile industry - history, alexander lau pty ltd, textile design, fashion, textile industry - history -
Young Christian Workers (YCW Australia) Archive and Research Centre
Sunday Sport Campaign Collection 1959 - 1961, 1959 to 1962
Between 1959 and 1962, the Melbourne YCW (Boys) participated in local campaigns to allow sports to be played on municipal ovals on a Sunday. A key battleground was in the suburb of Camberwell in 1959. This collection of material relates to the campaign and includes newspaper clippings, leaflets and internal reports and memos. It is a sample of the materials held in collection (Contact the Archive to access MO_4_24). It features materials produced by the YCW and other parties involved in the campaign. The debate around Sunday sport campaign revealed Victoria's growing suburban sporting culture, the developing concept of youth, and the YCW position on leisure as a break from work rather than 'dour' Sabbatarianism. Discoloured newspaper clippings and documents. Some with sharp cut edges and others attached to non-related articles. -
Surrey Hills Historical Society Collection
Work on paper - State Savings Bank of Victoria & Commonwealth Bank of Australia
A vertical file with the following items: 1. Bank opened in 1916, Box Hill Reporter, 21.9.1966 (3 copies), (3 pages). 2. ‘Going going gone!’, SHNN No. 4 June/July 1983 (1 page). 3. ‘Bank closures anger traders’, Anthony Dowsley, (unknown newspaper and date), (1 page). 4. ‘Commonwealth bank closes – shame, shame, shame!’ SHNN 108 Oct./Nov. 2000 (1 page). 5. ‘Which bank?- State to Commonwealth to Community!’ SHNN No. 117 April/May 2002 (1 page). 6. ’50 years in Surrey Hills’, Box Hill Reporter, 21.9.1966 (1 page). 7. ‘On the site of Surrey Theatre’, Eastern Times Gazette, 21.9.1966 (2 copies), (1 page). 8. Information on State Bank of Victoria (date and source unknown), (1 page). 9. ‘For Bank’s jubilee’, undated newspaper cutting (1 page). 10. List of first 20 depositors of Surrey Hills branch (1 page). 11. Sample withdrawal form used in 1980s (1 page) 12. Sample CBA deposit & withdrawals forms used from 1990s to present day (2 pages). 13. Sample State Bank Victoria Term deposit maturity advice 1991 (1 page). 14. 2 sample State Bank Victoria deposit books and coin bag from 1990s (3 items). 15. ‘Commonwealth Bank Closes – shame, shame, shame!’, SHNN, No. 108, October/November, 2000 (1 page). 16. ‘A good news bank story!’ SHNN No. 116, February/March, 2002 (1 page). 17. ‘Which Bank ? – State to Commonwealth to Community!’ SHNN No. 117, April/May, 2002 (1 page). 18. ‘Community Bank share offer opens’, SHHN No. 118, June/July 2002 (1 page). 19. ‘Community Bank opening soon!’, SHNN No. 120, October/November, 2002 (1 page). 20. ‘The Bank is back in town!’, SHNN No. 123, April/May, 2003 (1 page). state savings bank of victoria, commonwealth bank of australia, banks -
Federation University Historical Collection
Book, Claus Gronn, Erindringer fra Sö og Land (Memories from Sea and Land), 1906
From the age of 23, Claus Gronn kept a diary/account book to record his daily events and expenditures. In his old age, he used his diary to compile a book, all written in Danish, for his family detailing his many adventurers as a sailor and a gold-digger and his visits to his home-town of Mels as an old man. Eleven copies were printed, one for each of his surviving children. The book was later translated and published by Claus' grand-daughter, Cora McDougall, in the book "Gold, Gold! Diary of Claus Gronn, A Dane on the Diggings". Claus Grönn (1832-1909) was born in Mels, Oksbol Sogn, Schleswig (then still a part of Denmark), the son of blacksmith Claus Mathiesen Gronn. He married Mary Ann Priestley Horsfall at Newstead, Victoria, in 1856. Claus was sent to sea at the age of 14, returning two years later when he took part in the first Schleswig war between Prussia and Denmark as a cadet in the Danish Marine Service. He spent the next four years at sea sailing to Iceland, Russia, Spain and British Guinea. Adopting an anglicised name, Charles Edward Sinclair (which he used until his marriage in 1856 when he resumed his own names), Claus' last voyage was destined for Australia. On June 10, 1854, on board the Koh-i-noor, Claus arrived in Sandridge (now known as Port Melbourne), Victoria. Deciding to try his luck in the goldfields Claus Gronn hoped to earn enough money to be able to return to Denmark with a certain wealth. He purchased some basic tools, he walked 100 km to the Mount Alexander goldfields, trying his luck at Campbell's Creek. He went into partneship with another Dane, Peter Hansen. On 30 September 1909 Claus Gronn died aged 77, at his farm "Leavoldston" located north of Oakleigh, and is buried in the Burwood Cemetery.Green hard covered book. Plate 1 is a signed image of Claus Gronn. Another plate depicts Claus Smed, and Dr Preshaw's tent in Castlemaine. With the book is some cutting, including 'Cuttings from various journals about Claus Gronn and HIs Memoirs by Jens Lyng, as well as hair samples from Margaret Billyeald, Gladstone Procter's second wife. There is also a family tree, and a copy of the details on the Horsfall family from the family bible. non-fictionFrom the age of 23, Claus Gronn kept a diary/account book to record his daily events and expenditures. In his old age, he used his diary to compile a book, all written in Danish, for his family detailing his many adventurers as a sailor and a gold-digger and his visits to his home-town of Mels as an old man. Eleven copies were printed, one for each of his surviving children. The book was later translated and published by Claus' grand-daughter, Cora McDougall, in the book "Gold, Gold! Diary of Claus Gronn, A Dane on the Diggings". Claus Grönn (1832-1909) was born in Mels, Oksbol Sogn, Schleswig (then still a part of Denmark), the son of blacksmith Claus Mathiesen Gronn. He married Mary Ann Priestley Horsfall at Newstead, Victoria, in 1856. Claus was sent to sea at the age of 14, returning two years later when he took part in the first Schleswig war between Prussia and Denmark as a cadet in the Danish Marine Service. He spent the next four years at sea sailing to Iceland, Russia, Spain and British Guinea. Adopting an anglicised name, Charles Edward Sinclair (which he used until his marriage in 1856 when he resumed his own names), Claus' last voyage was destined for Australia. On June 10, 1854, on board the Koh-i-noor, Claus arrived in Sandridge (now known as Port Melbourne), Victoria. Deciding to try his luck in the goldfields Claus Gronn hoped to earn enough money to be able to return to Denmark with a certain wealth. He purchased some basic tools, he walked 100 km to the Mount Alexander goldfields, trying his luck at Campbell's Creek. He went into partneship with another Dane, Peter Hansen. On 30 September 1909 Claus Gronn died aged 77, at his farm "Leavoldston" located north of Oakleigh, and is buried in the Burwood Cemetery.claus grönn 1832-1909, leavoldston, claus gronn, peter hansen, campbell's creek, peter skjellerup, mary ann horsfal, sandon, dr preshaw, claus smed, ship, immigraion, family history, danish, biography -
Federation University Historical Collection
Book, Cyaniding for Gold, 1939, 1939
500 of these books were printed, and many were used in the field, making good copies very rare. A simple but detailed account of the process written especially for the working miner and the small syndicate, the Quintessential Australian gold Mining book.Orange, hard, cloth covered b270 page book with brown dust jacket. Chapters include sampling sand and slime dumps; treating sand; aeration; treatment of slime; smelting; solution testing; cyanide solution; air- slaked lime; cyanding in Queensland; copper troubles; treatment of concentrates; amalgamations; assaying; floatation; chemistry; testing for minerals. Includes photographic reproductions of a cyanide plant for sand; aeration tower; mixer tank; Eleanora cyaniding plant; mining, gold, cyanide, cyaniding, leaching, smelting, slimes -
Federation University Historical Collection
Book, Henry Louis et al, Handbook of Gold Milling, 1902, 1902
Henry Louis, M.A. was an Associate of the Royal School of miens, Fellow of the Geological Society; Fellow of the Institute of Chemistry of Great Britain; Member of the Institution of Mining Engineers; Member of the American Institute of Mining Engineers and Professor of Mining in the Durham College of Science. Green hardcovered book of 599 pages including index and illustrations. Contents include: Mode of occurance of gold; physical and chemical properties of gold; physical and chemical properties of mercury; Primitive Methods or ore-breaking; The stamp; Hoisting gear; Water Supply; Ore-Feeders; Crushing Machinery; amalgamation; concentration; Spitzkasten; Amalgam; Milling; Cam Curve; sampling and assaying; horse-power developed by fall of water; value of gold according to its fineness; conversionInside front cover in pencil "Rhys Brook" -
Ballarat Tramway Museum
Functional Object - Trolley Wire Sample, Metal Manufacturers - Kembla Wire and Rod of Port Kembla NSW, Nov. 1996
Sample taken from overhead (North wire, St Aidans Dve) of new 107mm^2 trolley wire. Has been cut at either ends and has been bent at one end through about 90 degrees also slightly curved. Shining new copper colour. Has minor nicks. See original worksheet for sketch. Images added 3-12-2016 See Kembla Wire & Rod letter of 23/9/1996.ballarat, overhead, trolley wire, kembla wire & rod -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Official Occasions Tie, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8129.1 - Yellow woollen tie printed with an Australian floral design inspired by the work of artist Margaret Preston. Half of the tie is unprinted and cream in colour. On the reverse of the tie is a label with the manufacturers name. 8129.2 - Yellow woollen tie printed with an Australian floral design inspired by the work of artist Margaret Preston. Half of the tie is unprinted and cream in colour. On the reverse of the tie is a label with the manufacturers name. 8129.3 - Sample fabric showing the printing layer of tie, uncut.8129.1 - Tag on reverse - WOVEN & MANUFACTURED IN AUSTRALIA BY "Tee - Dee" EXCLUSIVELY FOR THE AUSTRALIAN WOOL CORPORATION 8129.2 - Tag on reverse - WOVEN & MANUFACTURED IN AUSTRALIA BY "Tee - Dee" EXCLUSIVELY FOR THE AUSTRALIAN WOOL CORPORATION 8129.3 - Stapled Label - "PURE WOOL PRINTED TIE"1992 barcelona olympics, sport, athletes, fashion, design, uniform -
Melbourne Tram Museum
Ephemera - Ticket/s, Set of six prepaid MMTB for Hospital Travel, 1970's
Set of six prepaid MMTB for Hospital Travel, tickets for use on MMTB services, Has the condition of use on the rear. All printed on red card and all available for Adult use. 1 x No. for 1 section ticket 2 x No. for 2 sections 1 x No. for 3 sections 1 x No. for 5 sections 1 x No. for 9 sections See Reg Items 1 and 2 and 1232, 1668 for other samples and other records.trams, tramways, mmtb, buses, tickets, hospital -
Melbourne Tram Museum
Sign, Yarra Trams, Metlink, Tram Stop Sign, c2005
Tram Stop Sign - folded anodized aluminium, overlain both sides with a reflectorised backing plastic material which has been bonded to the to sign, printed with tram stop information, with Metlink and Yarra Tram logos. Has three holes in the small angled side, enabling it to be fixed to a structure at the tram stop or a pole. Tram stop - model or a sample sign for a tram stop sign in Collins at the corner of William St for Route 109, stops 47 and 441trams, tramways, tram stops, metlink, signs, route 109, collins st -
Melbourne Tram Museum
Sign, Yarra Trams, Metlink, Tram Stop Sign, c2005
Tram Stop Sign - folded anodized aluminium, overlain both sides with a reflectorised backing plastic material which has been bonded to the to sign, printed with tram stop information, with Metlink and Yarra Tram logos. Has three holes in the small angled side, enabling it to be fixed to a structure at the tram stop or a pole. Tram stop - model or a sample sign for a tram stop sign for the MCG/Vodaphone Arena, route 70, stop 7C on both sides.trams, tramways, tram stops, metlink, signs, route 70, sports, mcg, vodaphone arena -
Melbourne Tram Museum
Functional object - Seat Fabric Samples, Camira Fabrics, The Age, sample orange cloth, Jul. 2017
Seat fabric sample orange cloth as used in various trams with a light/dark triangular motifs / moquette with a orange background for use on trains, buses and trams for priority seating. See Reg item 4584 for the general seat colour - green. See htd4584i4.pdf for an Article in The Age 4/3/2019, downloaded 16/5/2020. Gives the design details, designer and background. Title "No more sad streamers: the redesign of Melbourne's garish train seats".On rear in felt pen "Camira Orange Fine"trams, tramways, ptv, public transport, equipment, seats, fabric -
Melbourne Tram Museum
Ephemera - Ticket/s, The Met, Set of five scratch tickets, c1990
Set of five scratch tickets - black printing on yellow /white printed card and areas where a person could scratch out the month and day of the month areas to validate the ticket. Has the number on the base of the ticket. Gives an example of the five pack cards were sold: 2 hour adult- Concession Zone 1, No. C01088466 to 470, used during August and September. See Reg Item 4682 for a sample of how the five tickets batch was sold.trams, tramways, tickets, scratch tickets, the met -
Melbourne Tram Museum
Functional object - Trolley Wire Sample, Tramway Museum Society of Victoria (TMSV), 1998
Trolley wire sample from the overhead at the former South Melbourne depot mounted with two nails from the rear on a white painted wooden block, with the label "Tramway Trolley Wire from South Melbourne Depot 1925-1997" The label has been printed onto a manila coloured sheet and nailed to the side of the block. The wire has a width of approximately 9mm. Understood to have been made by the TMSV following closure of the depot late 1997.trams, tramways, trolley wire, south melbourne depot, closure -
Melbourne Tram Museum
Sign, Yarra Trams, Metlink, Tram stop sign, c2005
Tram Stop Sign - folded anodized aluminium, overlain both sides with a reflectorised backing plastic material which has been bonded to the to sign, printed with tram stop information, with Metlink and Yarra Tram logos. Has three holes in the small angled side, enabling it to be fixed to a structure at the tram stop or a pole. Tram stop - model or a sample sign for a tram stop sign for the MCG/Vodaphone Arena, route 70, stop 7C on both sides.trams, tramways, tram stops, metlink, signs, route 70, sports, mcg, vodaphone arena -
Melbourne Tram Museum
Pamphlet, Yarra Trams, "Your new look Yarra Trams", Nov. 2009-2010
Pamphlet - 4 fold horizontal format, full quarto, titled "Your new look Yarra Trams" following the takeover of the former operator Keolis Downer/EDI rail in late 2009, featuring the new Yarra Trams logo and the terms "think like a passenger", "moving safe haven" and "find your way" - has a sample of the Route 112 route map. Also features the new look trams and the Keolis/Downer - EDI rail logo.trams, tramways, yarra trams, kdr, logos -
Federation University Historical Collection
Letter, F.E. Ferguson, Correspondence between Robert Reid & Co. Limited and Ballarat School of Mines, 20/05/1958 and 29/05/1958
Robert Reid & Co. Ltd was a textile, clothing and footwear retailer between 1919-1966. The company was bought be Joseph Pickles and Son in 1936. The Ballarat School of Mines began in 1870, and gradually developed to become an education institution. F. E Ferguson was the registrar at the time. The letter concerns the acquirement of the fabric Actil "Fasco" No. 49, which was out of stock and instead a sample of No. 57 was sent. This was not suitable for intended purpose. Two letters between Robert Reid & Co. Limited and Ballarat School of Mines. Both have pen annotations and signatures. The Robert Reid & Co. letter enclosed a piece of fabric, Actil "Fasco" No. 57Secretary marks include "Not suitable" Signatures from Registrar F. E Ferguson at Ballarat School of Mines and J. Pickles and Son of Robert Reid & Co.robert reid, robert reid & co. limited, ballarat school of mines, ballarat, j. pickles, j. pickles and son, f. e. ferguson, registrar, fabric, actil "fasco" no. 49 -
Villa Alba Museum
Decorative object - Nursery wallpaper sample, Nursery Rhymes, c.1900–c.1920
A wallpaper sample donated to the collection by Frances Alexandra (Frankie) Derham (1894–1987). Derham was an Australian artist and educator. A lecturer in art at the Melbourne Kindergarten Training College (1928-64) , she later taught at the Associated Teacher Training Institution (1949-61). Her commitment to `child art’ developed after 1935 when she accepted an invitation from Margaret Lyttle to teach at Preshil school. Frances Derham's collection of nearly ten thousand children’s drawings and paintings was acquired by the Australian National Gallery in 1976. Her interest in art for and by children is reflected in her donation to the Villa Alba Museum of an important and rare collection of early wallpapers designed for children's rooms. Nursery rhyme wallpaper pattern. Green wallpaper square with various nursery rhyme motifs. "Mrs Rebe Rigg 10 West St New York" written on back. Originally donated by Frances Derham to Villa Alba Museum via Terry Lane..Verso: "Mrs Rebe Rigg 10 West St New York"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- children's, frances derham -
Villa Alba Museum
Decorative object - Wallpaper sample, Nursery Rhyme, c.1880–c.1900
A wallpaper sample donated to the collection by Frances Alexandra (Frankie) Derham (1894–1987). Derham was an Australian artist and educator. A lecturer in art at the Melbourne Kindergarten Training College (1928-64) , she later taught at the Associated Teacher Training Institution (1949-61). Her commitment to `child art’ developed after 1935 when she accepted an invitation from Margaret Lyttle to teach at Preshil school. Frances Derham's collection of nearly ten thousand children’s drawings and paintings was acquired by the Australian National Gallery in 1976. Her interest in art for and by children is reflected in her donation to the Villa Alba Museum of an important and rare collection of early wallpapers designed for children's rooms. Nursery wallpaper depicting children and sheep. "66490" stamped on back. Originally donated by Frances Derham. Originally donated by Frances Derham to Villa Alba Museum via Terry Lane..Verso: "66490"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- children's, frances derham -
Villa Alba Museum
Decorative object - Nursery wallpaper sample, Children at play calendar, c.1880–c.1900
A wallpaper sample donated to the collection by Frances Alexandra (Frankie) Derham (1894–1987). Derham was an Australian artist and educator. A lecturer in art at the Melbourne Kindergarten Training College (1928-64) , she later taught at the Associated Teacher Training Institution (1949-61). Her commitment to `child art’ developed after 1935 when she accepted an invitation from Margaret Lyttle to teach at Preshil school. Frances Derham's collection of nearly ten thousand children’s drawings and paintings was acquired by the Australian National Gallery in 1976. Her interest in art for and by children is reflected in her donation to the Villa Alba Museum of an important and rare collection of early wallpapers designed for children's rooms. Nursery wallpaper depicting children playing. Picture scene for each month of the year. "12225 Sanitary Paper" stamped on back. Originally donated by Frances Derham to Villa Alba Museum via Terry Lane..Verso: "12225 Sanitary Paper"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- children's, frances derham, sanitary wallpapers -
Villa Alba Museum
Decorative object - Nursery wallpaper sample, Nursery rhymes, c.1880–c.1900
A wallpaper sample donated to the collection by Frances Alexandra (Frankie) Derham (1894–1987). Derham was an Australian artist and educator. A lecturer in art at the Melbourne Kindergarten Training College (1928-64) , she later taught at the Associated Teacher Training Institution (1949-61). Her commitment to `child art’ developed after 1935 when she accepted an invitation from Margaret Lyttle to teach at Preshil school.Frances Derham's collection of nearly ten thousand children’s drawings and paintings was acquired by the Australian National Gallery in 1976. Her interest in art for and by children is reflected in her donation to the Villa Alba Museum of an important and rare collection of early wallpapers designed for children's rooms. Nursery wallpaper depicting children nursury rhyme characters with excerpts from story texts. Sanitary paper (washable). Originally donated by Frances Derham to Villa Alba Museum via Terry Lane..decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- children's, frances derham, sanitary wallpapers