Showing 8066 items
matching the university of melbourne
-
RMIT GSBL Justice Smith Collection
Journal series, Res judicatae : the magazine of the Law Students' Society of Victoria [became Melbourne University Law Review], 1940
... of Victoria [became Melbourne University Law Review]... book Melbourne University law review: Vol. 1 part 1 (1957) [p... are bound in same book Melbourne University law review: Vol. 1 part ...Previous owners: T. H. Smith, T. W. Smith, Victorian Law FoundationNo. of volumes: 20 Volume range: Res Judicatae: Vol. 1 (1935-38) - Vol. 7 (1955-57) NB: Vol. 4&5 are bound in same book Melbourne University law review: Vol. 1 part 1 (1957) [p. i-xii only], Vol. 1 parts 3 & 4, Vol. 2 parts 1-4, Vol. 3 parts 1-4, Vol. 4 parts 2-3 (1964) Missing volumes: Vols. 1 parts 1&2, 4 part 1 ISBN: 00258938law -- australia -- periodicals, law reviews -- australia -- victoria -
Melbourne Tram Museum
Postcard, Traveller's Notes, Four photos of Melbourne trams, 1995
... . Features Z 73, Princes Bridge, Route 3 Melbourne University W6 957...Melbourne Tram Museum 8 Wallen Road Hawthorn melbourne ...Postcard - full colour, Divided back type of four Melbourne trams by Travellers Notes Australia. Photo by Neil J Leed 1995. Has details on rear and publisher logo on the front and has the details of Melbourne and its trams and publisher details on rear. Features Z 73, Princes Bridge, Route 3 Melbourne University W6 957, Flinders St, City circle Z3 217, Victoria Parade, Brunswick St, route 30, in an all-over advertising scheme for Qantas. SW6, 852, Princes Bridge, Route 5, University.trams, tramways, princes bridge, victoria parade, flinders st, university, route 3, route 30, route 5, city circle, tram 73, tram 957, tram 217, tram 852 -
Robin Boyd Foundation
Letter, The Royal Australian Institute of Architects, 31.03.1949
... with work of the Melbourne University School of Architecture... of the Melbourne University School of Architecture. It contains the opening ...The letter is in response to Robin Boyd's request for help with work of the Melbourne University School of Architecture. It contains the opening address of Thomas Rowe, President of the Institute of Architects and information on the Institute of Architects NSW (not in Boyd's papers) and on the history of the establishment of The Royal Australian Institute of Architects. It also lists further information of office records at RAIA in Sydney, that Boyd can access on a visit. Mention is made that NSW has not got far with its Small Homes Service.Signed by Secretary of RAIA -
Tatura Irrigation & Wartime Camps Museum
Photograph, 2001
... , and attended Melbourne University. Entered Air Force in Air Training.... Joined staff of State Savings Bank, and attended Melbourne ...Jack Sharpley lived in Erica Av. Tatura. His father was a P.M.G. Linesman c.1939. Jack attended Tatura Convent & Shepparton High School. Joined staff of State Savings Bank, and attended Melbourne University. Entered Air Force in Air Training Corps 1941. Trained in Canada as a Flight Observer. Posted to a Sunderland Flying Boat Squadron in England. Killed 04.02.1943 in a flying accident off the coast of Wales. A brillian pupil and an outstanding athlete.Photograph of Jack Sharpley who lived in Erica Av. Tatura. His father was on the P.M.G. line staff at Tatura c.1939-41. Jack entered the RAAF through the Air Training Corps. Trained in Canada, flew in Sunderland Flying Boats. Died in crash on duty off the coast of Wales.sharpley, jack, raaf, photograph, people -
Federation University Art Collection
Ceramic, Ian Sprague, [Ceramic Panel] by Ian Sprague, c1977
... , completing a degree at the University of Melbourne in 1950. After... was in Architecture, completing a degree at the University of Melbourne ...Ian SPRAGUE (1920 - 18 April 1994) Born Geelong, Victoria Ian Broun Sprague's initial training was in Architecture, completing a degree at the University of Melbourne in 1950. After a serious car accident in England, Sprague was encouraged to take up a craft to restore the strength in his arms. He studied at the Central School of Arts and Crafts, London for three years, and spent two months at the David Leach Pottery in Devon, before returning to Australia in 1962. In 1964 Ian Sprague established the Craft Centre in Toorak Road, South Yarra, and the Mungeribar Pottery in Upper Beaconsfield, with Robin Welch, Mungeribar being an Aboriginal word meaning 'red clay'. In 1981, he moved to Mooney-Mooney, NSW (Mungeribar was gutted by bushfires shortly after he left), and to Noosa in 1992. The Mungeribar Pottery mark is an impressed 'm', and Sprague's own mark is an impressed 'IS' with the S rendered in Morse code. Ian Sprague's Mungeribar apprentices were Grattan Burley, Victor Greenaway (1969–73), Christopher Sanders (1976-78}, Trevor Hanby (1978–80). In 1981, he moved to Mooney-Mooney, NSW , and Noosa in 1992. Greenaway's mark in his Mungeribar years was an impressed capital G. Grattan Burley (for six months), The Craft Centre in South Yarra was owned and stocked entirely by Ian Sprague, and he travelled all over Australia in search of the best possible textiles, glassware, woodwork and jewellery, not just pottery. The opening exhibition showed the pottery of Robin Welch. Sprague sold the Centre in 1967, but soon started a campaign for a government funded centre, eventually established as the Meat Market Craft Centre in North Melbourne. In 1971 Sprague became president of the recently created Craft Association of Victoria. Dismayed by the quality of teaching in art schools and technical colleges, he ran many workshops around the country on the textural treatment of clay. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Contemporary ArtTexture fire clay slab and partly glazed wall panel. Ian Sprague produced his hand modeleed wall panels by cutting them from fireclay blocks, heating and scraping them, and applying bold simplified motifs. A strong solution of salted wated was poured onto the rugged clay surfaceswhich produced a warm toasted surface effect. The panels show a clear understanding of the modulation of two dimensional relief sculpture. Artists stamp on lower RH cornerceramics, ian sprague, gippsland campus, jan feder memorial ceramics collection, mungeribar, meat markery craft centre, craft centre south yarra -
Chiltern Athenaeum Trust
Domestic object - Spoon belonging to W.C.Busse
... University of Melbourne... in Melbourne then studied law at the University of Melbourne. Busse... in Melbourne then studied law at the University of Melbourne. Busse ...Wilfred Clarence Busse, born in Chiltern in 1898, His family moved to the region during the gold rush and continued to reside in the area, purchasing land adjacent the Murray River. Busse completed his secondary education at Wesley College in Melbourne then studied law at the University of Melbourne. Busse went on to become a barrister, often in the chambers of Sir Leo Finn Bernard Cussen (1859-1933) a judge of the Supreme Court of Victoria. He worked most of his life in Chiltern as a Barrister and Solicitor and gained the unofficial title of historian of Chiltern, leaving behind several manuscript histories and a scrap book. Busse was an avid fictional writer and in 1930 he published two novels. Time spent on a Victorian station in his early twenties, as well as careful documentary research, informed the writing of his historical novels of bush life. "The Blue Beyond; A Romance of the Early Days in South Eastern Australia” and "The Golden Plague: A Romance of the Early Fifties." "The Golden Plague” won the T. E. Role gold medal for the best historical novel which went on to become a best seller. Busse often drew inspiration for his novels from his younger years living Chiltern. His passion for the region lead him to write “The History of Chiltern” which was published in a serial form in the Chiltern Federal Standard from 1922-1923. Wilfred Clarence Busse was a member of Chiltern Athenaeum (where this object is now held) up until his death in 1960, he is buried in the Barnawartha Cemetery. The floral motif on this particular spoon appears to be stylised in the decorative arts and craft style favoured in Europe between 1880-1920 and less representational than examples of Australiana flora captured in silversmithing from the 1850's onwards produced in Australia. It is likely that those producing silverware at the time would be drawing on the decorative arts movement while incorporating elements of the natural beauty in the flora of their newfound environment into the silverware they produced. This spoon seems more likely to have been produced in Europe and imported to the colony. The hallmarks on the handle DON and BP indicate it may have been produced from English electroplating silver which is a more cost effective product than solid silver, most likely produced by Cooper Brothers, Don Plate Works, established in Sheffield in 1866 who distributed silverware in Europe, America and the colonies well into the 1950's.Wilfred Clarence Busse was of social significance to Chiltern, he helped to document the cultural story of the area in his published works "The Golden Plague" and "The Beyond Blue" by recounting his own upbringing in a bush lifestyle. He was a respected Barrister and was the unofficial historian of the Chiltern Athenaeum for many years. This spoon represents a window into the domestic life of this person who was well loved in the area, and it continues its relationship to Busse as well as Chiltern by being held within the very collection he helped to maintain in his life. Domestic objects tell us the story about how people lived, objects of daily use hold particular meaning in that they can tell us the story of an individual, we feel closer to their life and habits, it humanises and connects us across time. Wilfred Busse ate food and he did it from a beautiful silver floral detailed spoon.A silver tablespoon with floral embossed head and hallmarks embossed on reverse handleDON/ BP/silverware, wilfred clarence busse, busse, chiltern, chiltern athenaeum, federal standard, t. e. role, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, gold rush, murray river, “the history of chiltern”, silversmithing, spoon, decorative arts, floral, flora, australiana, australian flora, arts and craft movement, australian silver, cussen -
Melbourne Tram Museum
Poster, Yarra Trams, "Melbourne Tram Network" and "Routes from this stop", Apr. 2011
... in Swanston St to Melbourne University and the major stops in the City... in Swanston St to Melbourne University and the major stops in the City ...Full colour poster printed on a vinyl plasticized based sheet, titled "Melbourne Tram Network" - showing a diagrammatic layout of Melbourne tram routes, Myki ticket notes and where tickets can be obtained, information numbers (PTV, phone applications) and information on Tram Tracker, twitter and other contact systems on the left side and on the right side titled "Routes from this stop" showing all the routes that ran in Swanston St to Melbourne University and the major stops in the City and St Kilda Road. Map shown as effective April 2011. Has the document information on the right hand side of the poster.trams, tramways, yarra trams, ptv, maps, tramtracker, myki, swanston st, st kilda rd -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''MELBOURNE'S GARDENS''
... in 1946 by the Melbourne University Press for the Maud Gibson... by the Melbourne University Press for the Maud Gibson Trust. Printed by A.E ...Book. ALEC H CHISHOLM COLLECTION. 158 page hardcover book about Melbourne's Gardens edited by Crosbie Morrison, M Sc. Commemorates the centenary of the Botanical Gardens founded in 1846 at the initiation of Charles Joseph Latrobe, Supt of the Port Philip Settlement. Illustrated with many B & W photographs. Published in 1946 by the Melbourne University Press for the Maud Gibson Trust. Printed by A.E Keating & Co., Melbourne. Catalogue sticker ''2178 MOR'' on spine. Handwritten in ink on the title page ''To my friend and colleague Alec Chisholm with the warm regards of Crosbie Morrison March 28, 1947.''Crosbie Morrisonbooks, collections, history, alec h chisholm collection, botanical gardens, crosbie morrison, flora -
Ballarat Clarendon College
Badge
... of the college. Fist class Honourman Arts and Laws at Melbourne... of the college. Fist class Honourman Arts and Laws at Melbourne ...Epaulet or hat badge for The Kings Royal Rifle Corps. Donated with other medals belonging to John Garbutt. Connection unknown. John Garbutt was Principal of Ballarat College for thirty-three years - 1877-1909. He was educated at Geelong National Grammar School and in 1860 was the first dux of the college. Fist class Honourman Arts and Laws at Melbourne University 1866; Two years a master at Geelong College; seven years master and three years senior master at Scotch College, Melbourne. Silver maltese cross hat badge with crest of The Kings Royal Rifle Corp on circle at centre of crossFace: THE KINGS ROYAL RIFLE CORPS ballarat-college, principal-john-garbutt, badge, the-kings-royal-rifle-corps -
Federation University Historical Collection
Booklet - Photograph - black and white, Lieutenant James Charles Roberts, 1900
... melbourne university... matriculated and graduated from Melbourne University in Civil... Melbourne University in Civil Engineering. He had recently re ...James Roberts was born at Rushworth, Victoria, in 1872. He matriculated and graduated from Melbourne University in Civil Engineering. He had recently re-entered university to study medicine. While in university he was a lieutenant of the University Corps of Officer and then obtained a commission in the Victorian Mounted Rifles. At the outbreak of war, Roberts immediately volunteered for service in South Africa. He was in the first contingent - mounted infantry unit. He was mentioned in dispatches. Lieutenant Roberts was killed at Rensburg on 12 February 1900.Digital portrait from "In Memory of the Gallant Officers and Men of Victoria in Transvaal War, 1899-1900".james roberts, rushworth, melbourne university, civil engineering, medicine, university corps of officers, victorian mounted rifles, south africa, rensburg, first contingent, mounted infantry unit -
Tatura Irrigation & Wartime Camps Museum
Book, Jubilee Exhibition of Australian Art, 1951 and 1985
... . Interned in Camp 2 until 1942, released to Melbourne University.... Interned in Camp 2 until 1942, released to Melbourne University ...Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. in 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australian in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Soft grey cover with Australian Emblem in white printing and red printing on the cover. Also loose in the book a white card with black writing on it "Sir Hano Heysen ms A998. Tape recording NL.M888. Tape no. 27 pp 309-311 " on one side and "pp 4-7, pp 22-26, pp 50-51" on the other side. A newspaper cutting from The Herald, Thurs., Oct 17, 1985 titled "Life on the Dunera was no TV soap opera"books, jubilee exhibition of australian art, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, Primitive art, 1940
... , 1940. Interned in Camp 2 until 1942, released to Melbourne... to Melbourne University where he catalogued aboriginal artefacts ...Dr Leonhard Adam studied both Anthropology and jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England , sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Blue and white soft cover book with black printing front and back. 36 photos and numerous line drawings in the text. Written in Englishprimitive art, leonhard adam, mary clare adam murvitz -
Tatura Irrigation & Wartime Camps Museum
Book, Que es el arte primitivo ?, 1962
... , 1940. Interned in Camp 2 until 1942, released to Melbourne... until 1942, released to Melbourne University where he catalogued ...Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England , sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Light brown and black soft cover book with red and white writing.que es el arte primitivo, adam murvitz mc, camp 2, camp 2 tatura, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, Primitivna Umetnost, 1963
... in Camp 2 until 1942, released to Melbourne University where he..., 1940. Interned in Camp 2 until 1942, released to Melbourne ...Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Brown and cream hard cover book with red writing on the spine. Brown and cream dust cover with primitive art and writing on the front and spine. 40 pages of reproductionsprimitivna umetnost, adam murvitz mc, camp 2 tatura, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, Lehrbuch der Volkerkunde, 1958
... , 1940. Interned in Camp 2 until 1942, released to Melbourne... until 1942, released to Melbourne University where he catalogued ...Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England , sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Orange hard back cover with gold writing. Apricot dust cover. Written in German.lehrbuch der volkerkunde, hermann trimborn, adam murvitz, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Book, Haida und Tsimshian
... , 1940. Interned in Camp 2 until 1942, released to Melbourne... to Melbourne University where he catalogued aboriginal artefacts. haida ...Dr. Leonhard Adam studied both Anthropology and jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Green hardcover book with gold writing on the front and spine.haida und tsimshian, adam murvitz mc, camp 2 tatura, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Booklet, Primitive Art Exhibition, 1943
... , 1940. Interned in Camp 2 until 1942, released to Melbourne... 1942, released to Melbourne University where he catalogued ...Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Soft cream coloured cover with black and red writing. 8 pages of photographs.leonhard adams, mary clare adam murvitz, camp 2 tatura -
Tatura Irrigation & Wartime Camps Museum
Book, Stammesorganisation und Hauptlingstum der Wakashstamme Leonhard Adam Stammesorgainsation etc. der Wakash-Stamme Leonhard Adam Wakash-Stamme, 1918
... . Interned Camp 2 until 1942, released to Melbourne University where..., released to Melbourne University where he catalogued aboriginal ...Dr. Leonhard Adam studied both anthropology and jurisprudence as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refugee in England. In 1940 interned as a security risk in England, sent to Australia, in June 1940. Interned Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Dark green hard cover book with gold writing on the spine and front cover. Written in German.leonhard adam, anthropology, jurisprudence -
Tatura Irrigation & Wartime Camps Museum
Booklet, Exhibition of Works of Primitive Art
... , 1940. Interned in Camp 2 until 1942, released to Melbourne... 1942, released to Melbourne University where he catalogued ...Dr. Leonhard Adam studied both Anthropology and Jurisdiction as a young man. Dr. Leonhard Adam's daughter, Mary Clare Adam Murvitz, presented this collection of her Father's printed archival material to Tatura Museum on 17.2.2006. In 1934 he fled from Germany seeking refuge in England. In 1940 he was interned as a security risk in England, sent to Australia in June, 1940. Interned in Camp 2 until 1942, released to Melbourne University where he catalogued aboriginal artefacts.Grey soft cover booklet with black writing on the front.books, leonhard adam -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Test tube holder used by Dr Michael Kloss
... at Melbourne University. ... at Melbourne University. 'Nickel' Metal test tube holding instrument ...This instrument was part of a collection of instruments used by Dr Michael Kloss, who was an obstetrician. Dr Kloss used this item in his own practice, before donating the item to the College. Dr Kloss is the son-in-law of Dr Fritz Duras (1896-1965), a doctor who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany, and Dr Duras came to Australia to take up a post as director of physical education at Melbourne University. Metal test tube holding instrument. Instrument resembles a pair of scissors, but with bowed prongs to allow for the grasping of a test tube between the prongs. The tip of each prong is also ridged for grip. The word 'Nickel' is engraved on the inner aspect of one of the prongs.'Nickel' -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Tissue forceps used by Dr Michael Kloss
... at Melbourne University.... at Melbourne University. Obstetrics 'Kloss' Set of tissue forceps. Made ...This instrument was part of a collection of instruments used by Dr Michael Kloss, who was an obstetrician. Dr Kloss used this item in his own practice, before donating the item to the College. Dr Kloss is the son-in-law of Dr Fritz Duras (1896-1965), a doctor who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany, and Dr Duras came to Australia to take up a post as director of physical education at Melbourne University.Set of tissue forceps. Made of metal, the forceps resemble long tweezers, with a grip section and a small set of teeth at the end of each arm of the forceps. The proximal end of the forceps is engraved with the word 'Kloss'.'Kloss'obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Cervical suture needle used by Dr Fritz Duras and Dr Michael Kloss
... to take up a post as director of physical education at Melbourne... to take up a post as director of physical education at Melbourne ...This instrument was used by Dr Fritz Duras (1896-1965), who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany, and came to Australia to take up a post as director of physical education at Melbourne University. This instrument was part of a collection of instruments given to his son-in-law, Dr Michael Kloss, who was an obstetrician. Dr Kloss subsequently had it engraved and used it in his own practice, before donating the item to the College. Metal instrument used for cervical sutures. Instrument consists of a handle and shaft. The end of the shaft is curved so as the tip of the instrument is almost perpendicular to the handle. The end of the shaft is in the shape of a loop to allow for sutures to be passed through it. The handle of the instrument is engraved with the word 'KLOSS'.'KLOSS'obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Uterine catheter used by Dr Fritz Duras and Dr Michael Kloss
... to take up a post as director of physical education at Melbourne... to take up a post as director of physical education at Melbourne ...This instrument was used by Dr Fritz Duras (1896-1965), who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany, and came to Australia to take up a post as director of physical education at Melbourne University. This instrument was part of a collection of instruments given to his son-in-law, Dr Michael Kloss, who was an obstetrician. Dr Kloss subsequently donated the collection to the College, after using many of the instruments in his own practice. Metal uterine catheter. Thin, small, curved instrument in the shape of a narrow tube. There is a lip at one end of the tube, which curves as it reaches a rounded tip at the other end. There are holes in either side of the tube just below the tip. A circular fitting is attached to one side of the instrument for grip, a little below the lip.obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Uterine catheter used by Dr Fritz Duras and Dr Michael Kloss
... to take up a post as director of physical education at Melbourne... to take up a post as director of physical education at Melbourne ...This instrument was used by Dr Fritz Duras (1896-1965), who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany, and came to Australia to take up a post as director of physical education at Melbourne University. This instrument was part of a collection of instruments given to his son-in-law, Dr Michael Kloss, who was an obstetrician. Dr Kloss subsequently had it engraved and used it in his own practice, before donating the item to the College. Metal uterine catheter. Catheter is in a vague 's' shape, with a rounded tip at one end and a hole in the catheter just above the tip. There is a small oval shaped attachment at the proximal end of the device for grip. One side of the instrument is engraved with the word 'Kloss'. Internal wire section may be missing from this catheter.'Kloss'obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Cervical suture needle used by Dr Fritz Duras and Dr Michael Kloss, Maw
... to take up a post as director of physical education at Melbourne... to take up a post as director of physical education at Melbourne ...This instrument was used by Dr Fritz Duras (1896-1965), who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany, and came to Australia to take up a post as director of physical education at Melbourne University. This instrument was part of a collection of instruments given to his son-in-law, Dr Michael Kloss, who was an obstetrician. Dr Kloss subsequently had it engraved and used it in his own practice, before donating the item to the College. Metal instrument used for cervical sutures. Instrument consists of a handle and shaft. The end of the shaft is curved so as the tip of the instrument is almost perpendicular to the handle. The end of the shaft is in the shape of a loop to allow for sutures to be passed through it. The handle of the instrument is engraved with the word 'KLOSS', and the words 'MAW/LONDON'.'KLOSS' 'MAW/LONDON'obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Uterine gauze packing forceps used by Dr Fritz Duras and Dr Michael Kloss
... to take up a post as director of physical education at Melbourne... to take up a post as director of physical education at Melbourne ...This instrument was used by Dr Fritz Duras (1896-1965), who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany, and came to Australia to take up a post as director of physical education at Melbourne University. This instrument was part of a collection of instruments given to his son-in-law, Dr Michael Kloss, who was an obstetrician. Dr Kloss subsequently had it engraved and used it in his own practice, before donating the item to the College. Steel packing forceps. The forceps resemble a pair of scissors in style, with a curved end section. The prongs at each end of the forceps have been flatted and are ridged for grip. The number '314' is engraved on both sides of the inner aspect of the forceps. The letter 'E' is engraved on one side of the inner aspect of the forceps. The word 'Kloss' is engraved on one of the arms of the forceps. 'Kloss' '314'obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Uterine catheter used by Dr Fritz Duras and Dr Michael Kloss
... to take up a post as director of physical education at Melbourne... to take up a post as director of physical education at Melbourne ...This instrument was used by Dr Fritz Duras (1896-1965), who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany, and came to Australia to take up a post as director of physical education at Melbourne University. This instrument was part of a collection of instruments given to his son-in-law, Dr Michael Kloss, who was an obstetrician. Dr Kloss subsequently had it engraved and used it in his own practice, before donating the item to the College. Metal uterine catheter. Thin, curved instrument with two oval shaped fittings attached to the sides of the instrument at the proximal end for grip. There is a seam roughly halfway down the instrument indicating that the halves of the instrument can be separated. One side of the instrument is engraved with the word 'Kloss'.'Kloss'obstetrics -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Needle holder used by Dr Fritz Duras and Dr Michael Kloss
... to take up a post as director of physical education at Melbourne... to take up a post as director of physical education at Melbourne ...This instrument was used by Dr Fritz Duras (1896-1965), who moved to Australia from Germany in 1937. As his father was Jewish, Duras was forced to leave Germany, and came to Australia to take up a post as director of physical education at Melbourne University. This instrument was part of a collection of instruments given to his son-in-law, Dr Michael Kloss, who was an obstetrician. Dr Kloss subsequently had it engraved and used it in his own practice, before donating the item to the College.Metal needle holder. The needle holder's overall shape is that of a teardrop, with a rounded handle section narrowing to serrated grip points at one end. The needle holder appears to be made of a plated metal. There is a clasp at one end for locking the needle holder into place. A rounded tab on the inner aspect of the instrument is engraved with the number '50'. The word 'Kloss' is engraved on one side of the instrument, towards the points.'50' 'Kloss'obstetrics -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2007
... and Nicholas Evans (University of Melbourne) Song brings language...?Keeffe (nee Bickerdike) (University of Melbourne) In examining ...1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture -
Sunshine and District Historical Society Incorporated
Honour Board - PAST PRESIDENTS of the SUNSHINE and DISTRICT FRIENDLY SOCIETIES DISPENSARY
... of History (University of Melbourne), and on an article written by Mr... of History (University of Melbourne), and on an article written by Mr ...Friendly Societies originated in the industrial areas of the United Kingdom. The first society in Victoria was formed in 1839 and by 1913 more than half of the Victorian population was insured by Friendly Societies in some fashion. The societies were financed by Members' subscriptions and offered health benefits and other welfare services, before these services were provided by the government. Doctors were paid by the societies to treat members free of charge, and Dispensaries were established to provide members with subsidised quality medicines. The Sunshine and District Friendly Societies Dispensary was established on the 1st of March 1930 with a membership of 896, and it was located in Sun Crescent Sunshine. The membership grew to 1052 within 4.5 years, and the number of prescriptions dispensed in the 6 months prior to November 30,1935 totalled 10,535. The Dispenser was Mr. C. H. Semmens. Most Friendly Societies operated democratically with office bearers changed regularly to prevent power cliques. The Sunshine Dispensary appears to have operated in the same way as the societies that owned it. The Advocate of 10 July 1936 reports that the seven newly elected office bearers or delagates were from the Friendly Societies; A.N.A., M.U.I.O.O.F., P.A.F.S., and G.U.O.O.F. The names of all the seven people can be found on the Honour Board, indicating that they each have served at least one term as President of the Sunshine Dispensary. The health professions and the Labour Governments of the 1940's wanted to see the involvement of Friendly Societies in health care broken. The Commonwealth Free Medicine Plan appears to have been drawing customers away from Friendly Societies Dispensaries in general. The Sunshine Dispensary placed several advertisements in the Sunshine Advocate during late 1950 urging members to remain loyal to it. By the 1980's the increase in entrepreneurial clinics and the availability of take away medicine helped to vastly diminish the involvement of Friendly Societies in health care provision. The 1936 Sunshine Advocate refers to the Sunshine and District United Friendly Societies Dispensary, with the same office bearers as the Presidents on the Honour Board but on which the 'United' is missing from the name of the Dispensary. The 1950 advertisements were placed by Sunshine U.F.S. Dispensary of 23 Sun Crescent. It is thought that all three names refer to the same business, but the writer stands to be corrected. The above is a compilation of information sourced from Sunshine Advocates published in January and July 1936, and in September, October and November 1950. It also draws on an article written by Elizabeth Willis and published online by the the Department of History (University of Melbourne), and on an article written by Mr. Bill Kelly of the Australian Friendly Societies Pharmacies Association, and also on an article by Museum Victoria Australia. Corrections to what has been written are welcome from interested readers.The Honour Board provides a historical record of the Presidents that served 61 terms on the Board of the Sunshine and District Friendly Societies Dispensary. It also provides a reminder that when a government does not adequately look after the welfare needs of its citizens, the people can band together to find ways of helping each other. The Sunshine Dispensary no longer exists, and a more recently established Community Pharmacy which operated in Hampshire Road could not compete against the discount pharmacies that have taken over. These new pharmacies sell a wide range of profitable product lines, as well as dispensing traditional prescription medications.Brown stained wood particle board with picture frame type edging. The board has six straight sides however it is not typical hexagon shaped. The top is composed of three straight short edges to give an almost rounded edge to an otherwise oblong shaped bottom section. On the board in gold coloured lettering are the names of 'brothers' and 'sisters' who served a total of 61 terms as PRESIDENTS of the SUNSHINE AND DISTRICT FRIENDLY SOCIETIES DISPENSARY, which was established on the 1st of March 1930. Eight of the men served more than one term with BRO. I. MILLER serving four terms, and BRO. F. RICHER serving three. The three women SISTER. I. REWELL, SISTER. C. JOHNSON, and SISTER. M.S. ARMSTRONG served one term each. There is no indication of when each person served, but it is believed that the term length was around six months and that the list is in chronological order. This conclusion results from seeing that BRO. W. ROONEY is the 11th listed President, and that the Sunshine Advocate of 10 July 1936 states that he was elected as the new President.sunshine and district friendly societies dispensary, honour board, 1st march 1930, 1/3/1930, sunshine u.f.s. dispensary, semmens, rooney, miller, richer, armstrong, rewell, johnson