Colour Photo of Swedes Creek looking from roadway towards the Wimmera River 2017. (Jan)Colour photograph of a dry creek bed. Trees along and around the dry creek.Swedes Creek - Looking from roadway towards the Wimmera River.water

Colour Photo of Dunmunkle Creek looking towards Wimmera River 2017.Colour photograph of dry creek bed surrounded by vegetation. Dunmunkle Cree looking towards Wimmera River from roadway - 2017.water

Colour Photo of Dunmunkle Creek originally connected to Wimmera River at this point. Just before the Glenorchy Weir. 2017Colour photograph of what looks to be a dry creek bed. Timber on creek bank. Dunmunkle Creek originally connected to Wimmera River at this point. Just before the Glenorchy Weir (Photo taken 2017) water

The lead line or hand lead is a simple navigational instrument used as a depth finder to measure the depth of water under the ship’s keel and to take samples of the sea bed. The long line may be marked at regular intervals with tags of different coloured and textured fabric, such as rope, leather and cloth. Each tag was a code to represent a certain depth. The leadsman’s eyes and hands could distinguish the depth easily as he drew in the lead line, day or night and in poor weather conditions. A standard set of codes for the tags was used so that the depth of the sea could be easily and quickly read. The measurement used was a Fathom, which equals 1.83 metres. The codes were: - 2 fathoms = 2 strips of leather 3 fathoms = 3 strips of leather 5 fathoms = white duck fabric 7 fathoms = red bunting fabric 10 fathoms = leather with a hole 13 fathoms = blue serge fabric 15 fathoms = white duck fabric 17 fathoms = red bunting 20 fathoms = 2 knots The lead weight could be between 7 -14 pounds (3.5 – 6.5kg) and the rope would be approximately 25 fathoms (45m). The hollowed-out end of the weight would hold a stick substance such as tallow or wax, which would pick up samples from the sea bed which would show whether the vessel was close to, or far away from, the shore. The leadsman would stand at the front of the vessel and cast the lead line into the sea. When it hit bottom he would note the tag marker nearest the surface of the water and call out his finding. Then he would haul it up again and examine the kind of matter that adhered to the end of the weight, whether it be sand, mud, gravel, or the colour of it. This information would be given to the ship’s helmsman or navigator and would help indicate the proximity to the land.This handheld lead is an example of early marine navigational equipment used by sailors to travel the seas to measure the depth of the water and sample the nature of the seabed. It helps to understand the history and progress made from the very basic to the sophisticated technology of today.Lead line, sounding line or depth finder. The long length of rope has a heavy lead weight attached to the end. Coloured fabric tags are tied onto the rope at regular intervals, representing different depths. The concave base of weight holds sticky substances such as tallow or beeswax, providing an adhesive surface to collect samples of sea bed like sand, shells or pebbles. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, lead line, depth finder, hand lead, sounding lin, leadsmane, navigation instrument, leadline, hand lead line

Items in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details. .1) .2) Dated 5.9.19, appears to be McQuie's hand writing. .3) Has 3 letter signature unclear, talks about leaving for Ostend at 10.15pm. .4) Dated 8.9.19, to McQuie's Father, talks about leaving for Amsterdam, having a good time. .5) Dated 15.9.19, to Mr McQuie, talks about having a good time. .6) On the rear has a full page description of the Catacombs. .7) Dated 22.9.19, to McQuie's Father. .8) Dated 26.9.19. .9) Dated 20.9.19, to McQuie's father, talks about visiting Rome, Naples, Mt Vesuviuos and Pompei, leaving for Paris. .10) Dated 26.9.19. .11) dated 17.9.19, to Lieut F.J.Terry Paris France, from is unclear. Ten postcards different views, different tones, all dated over 2019. .1).2) Sepia tone, views over Southampton, text on rear in black. .3) Sepia tone, Bomb damage scene Dunkirk, text on rear in black. .4) Sepia tone, view of Rotterdam, text on rear in black. .5) B&W, view of Venice, text on rear in black pen, has two green stamps. .6) B&W Plan of the Catacombs of Callistus with description on rear. .7) Colour enhanced, scene over a river, text in black, two red stamps on. .8) B&W, Water garden in Versailles, text on rear in black. .9) B&W, view over Rome, text on rear in black, one red stamp on. .10) B&W, water scene Versailles, text on rear in black. .11) Sepia water fall scene, text on rear in black, one stamp in red..1) On rear, "5.7.19, Crossed this in error". .2) "5.7.19". .3) "Sept 3/19 Dunkirk". .5) "Venice 15.9.19". .6) "16.9.19". 7) On front in red "BOPPARD"postcards, photos, mcquie

Items in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details. All the cards are not complete sets sent. The writing is McQuie's. .1) At the top hand written is (2) in purple, page talks about Sept 5th, hospital & letters. .2) At the top hand written is (3) in purple, page talks about leave. .3).4) At the top hand written is (3) & (4) on respective cards, one follows the other in text, talks about being on leave and having a large collection of prints.Four Postcards undated, none addressed to or signed off. .1) Colour enhanced, Ilfracombe at sunset, text on the rear in purple, full page. .2) Sepia tone, Water Mouth, Briary, text on rear in purple, full page. .3) Colour enhanced, Ilfracombe, text on rear in black, full page. .4) Colour enhanced, Ilfracombe, text on rear in black, full page.postcards, photos, mcquie

Item issued to 20164 Granville Inverell Hamilton BULLUSS Born 12/11/1909 in Hamilton NSW . He enlisted at Tamworth into the RAAF. Service records not available to the public.RAAF Fitters Manual II.A belonging to 20164 Cpt Bulluss G. Book has black binding with black cord to bind it. Cover is a dirty cream colour with black writing. Water stain on front cover.R.A.A.F. 6201 Fitters II.A Carpenter Riggers, Flight Riggers, Course Notes, Engineering School. Issue 4 - 1942. This book is R.A.A.F Property and is NOT TO BE REPRODUCED without authority. Inside cover written in red ink is 20164 Cpt Bulluss G.raaf, manual, world war 2

Photographs taken during the heat wave in 1999 Colour photograph of Christopher Wright-Smith playing in sand at Main Beach Lakes Entrance Victoria. Second colour photograph of children enjoying the water at Main Beachwaterways, beaches, recreation

This photograph was paired with image 03733 for display Lakes Entrance 150 years 1858 to 2008 held October 2008. Lake Tyers Beach originally known as Cross's Landing.Colour photograph of Lake Tyers taken from the car park below the Water Wheel Tavern looking N.E. showing waters of lake against steep shore Lake Tyers Victoriaocean, topography

Blue enamel water bottle, covered in a two tone felt cloth of dark navy and a lighter blue. Bottle has a narrow raised neck and has a cork stopper intact. Carrier is made of leather strip around 16mm wide, light tan in colour and is adjustable in length. Carrier wraps around the bottle with a strap at the base and along the top joined by an adjoining strap that runs around the base and the sides and comes together at the bottle neck with two metal rings.water bottle, water canteen

Beni Carr Glyn Burnett (also known as B. C. G. Burnett or Beni Burnett) was born in 1889 to missionary parents in Mongolia. When he was 15 years old he began training as an architect with a firm in Shanghai. He worked in Singapore, Japan and China before moving to Australia around 1933. In 1937 he was appointed as the Commonwealth principal architect in the Northern Territory. He went on to design a series of houses for senior public servants and military personnel which became very popular as they were specifically designed for the tropics - incorporating louvres, high ceilings and good ventilation. When Darwin was bombed in February 1942, he was evacuated to Alice Springs where he continued to work as an architect. He also became a Magistrate and Coroner in Alice Springs. In later life he was well known for sketching clientele in public bars. He died in 1955. Beni Burnett was living in Sydney in 1933 when he produced these three artworks. There were several photography firms operating in Sydney at this time who specialised in photographing ships and the shipping trade (e.g. Samuel J. Hood and William James Hall) and whose photographs were used by artists to produce ship portraits. Both of these photographers took photographs of the two ships in B. C. G. Burnett's watercolours. The "Magdalene Vinnen" was photographed by Samuel J Hood in a series of photos taken in March 1933. It was a 4 masted steel barque, built in 1921 in Kiel, Germany and for almost 80 years was the largest traditional sailing ship in operation. It was used extensively as a cargo ship. It sailed into Sydney Harbour on 27th Feb 1933, loaded with almost 16,000 bales of wool destined for Falmouth, England. In March 1933 (whilst in Sydney) the German Republic flag (on orders from Adolph Hitler) was lowered and replaced with the old monarchist flag which was then to be the official flag and beside it the Nazi flag was to be flown on all ceremonial occasions. It visited Australia again in 1935 with its cargo being wheat from Port Broughton, S. A. In 1936 it was renamed "Kommodore Johnsen" and in 1945 (after WW2) the ship was awarded to the Soviet Union as war compensation and renamed "STS Sedov". The "Winterhude" (originally called "Mabel Rickmers) was a three masted Finnish barque built in 1898 by Rickers - Werft Bremerhaven for use on the East India rice trade and later the South American nitrate trade. After WW1 it came under French control as war compensation. It was also sold several times and at one stage was called "Selma Hemsoth" but in 1925 it was bought by Gustaf Erikson who restored the name "Winterhude" and the vessel became a regular transport in the Australian wheat trade. In 1944 it was sold to the German navy before being taken over by the British at the end of WW2. It was photographed in Sydney by William James Hall in 1931 on its way to Port Lincoln, South Australia to load wheat for Europe. The third ship depicted by B. C. G. Burnett is a pen and wash sketch labelled "The White Ship" and exactly matches a photograph pasted into his personal scrapbook which is in the "Library and Archives N. T.". The name of the ship is unknown and B. C. G. Burnett may have taken some artistic licence with the colouring as in the original photograph, the ship had a dark hull.This set of three small artworks is significant as examples of shipping (particularly the use of sailing ships) that were still being used as late as the 1930's in Australia. They are also important because their creator (B. C. G. Burnett) went on to become a well-known public figure in the Northern Territory in the late 1930's due to his innovative approach to designing homes for the tropical climate.A set of three artworks by B. C. G. Burnett of sailing ships in Sydney Harbour. They are all on rectangular watercolour paper with small diagonal edges at each corner. Painting 1 is a watercolour painting of a sailing ship called "Magdalene Vinnen". It shows a 4 masted barque with a blue and red steel hull in full sail heading towards the viewer. The painter's name (B. C. G. Burnett) and date (1933) are written on the bottom left-hand corner of the painting. Painting 2 is a watercolour painting of a sailing ship called "Winterhude". It shows a 3-masted barque with a blue and red steel hull in full sail heading away from the viewer. A small figure can be seen at the wheel at the rear of the ship. The painter's name (B. C. G. Burnett) and date (1933) are written on the bottom left-hand corner of the painting. Sketch 3 is an ink sketch of an unknown sailing ship moored to a dock. There are several small boats tied up near the sailing ship and a large steel freighter can be seen in the background. There is a faint wash of colour on parts of the sketch - the bottom of the ship, the masts and booms and the water at the end of the pier. The title (The White Ship) and the artist's name (B. C. G. Burnett) are written in ink in the top left corner. 1 (front) - "B. C. G. BURNETT. 1933 2 (front) - "B. C. G. BURNETT. 1933" 3 (front) - "THE WHITE SHIP / B. C. G. BURNETT"flagstaff hill maritime museum and village, warrnambool, great ocean road, sailing ships, ships, barque, magdalene vinnen, winterhude, beni carr glyn burnett, b. c. g. burnett, beni burnett, painting, watercolour painting, sketch, ink sketch, sydney harbour, architect, darwin, burnett house, photography, samuel j. hood, william james hall, sedov, kommodore johnsen, mabel rickmers

This provided good pressure for the house and septic tankColour photograph of cottage at 133 Myer Street showing stainless steele milk vat on high tank stand to collect water from town water supply Lakes Entrance Victoriabusinesses, roads and streets

Colour photograph showing flood water in Bulmer Street looking south towards the Cunninghame Arm Lakes Entrance Victoria. Also second colour photograph taken at same time plus another of a house under construction following a mini tornado in 2005floods, naturalm disasters, township

Colour photograph of water spilling over the rock wall at Cossticks Weir East Gippsland Victoria. Also a colour photograph of waterway adjacent to Cossticks Weir East Gippslandbridges, waterways, weir's, topography

1. Water bottle, kidney shaped, plastic green colour with an attached screw top lid. 2. Cup canteen stainless steel with fold out handle with identification markings stamped on. 3. Water bottle outer carry cover, green colour, shaped to fit 1. and 2. consisting of water proof material, outer, soft inner lining. Two folding flaps with press stud closure, back has webbing section sewn on with web belt and webbing attachments.1. On one side "FOR WATER ONLY, DO NOT APPLY CANTEEN TO OPEN FLAME OR BURNER PLATES". On the base "V1969 ^ 8465-71-108-8703" 2. On underside of handle, "8465-66-058-5567 1991 ^" On underside of Outer Carry Cover "HADDEN".passchendaele barracks trust, combination canteen, water bottle, cup, cover

1. Water bottle, kidney shape plastic green in colour with an attached screw top lid. 2.Cup canteen, stainless steel with a fold out handle. 3. Water bottle outer carry cover, green colour shaped as for 1. and 2. Water proof outer material, soft inner lining. Two folding flaps with press stud closure, back has webbing section sewn on with web belt and webbing attachments.1. On side, "FOR WATER ONLY DO NOT APPLY CANTEEN TO OPEN FLAME OR BURNER PLATES". On the base, "V1968^ 8465-71-108-8703" 2. "Stokes MELB 8465-50-242-7843 1968^". 3. Under webbing section, "Very faint stencilled lettering".passchendaele barracks trust, canteen, water, outer cover, equipment

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. White card backing with white torn looking inner frame. Black and white, portrait orientation, inner image is of an off white colour and is a gride of 9 images, snap shots of graffiti. Cental images are bordered by handwriting.3/30 'Lagoon' P7 Carmel Wallacefawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

1. & 2. DCPU (Disruptive Pattern Camouflage Uniform) Work dress, bush hat. colours - light to dark green through to mid to dark brown. Cotton/polyester fabric. Cotton/polyester cord chin strap with plastic lock clip. Hat with crown, fabric tape band of loops around crown, stiff brim and fabric neck protection flap. White colour cotton polyester fabric manufacturers label, inside on brim.Manufacturers information on label - black ink print. 1. "HARD YAKKA/ AUSTRALIA/ APRIL 2014/ PO NO: CC209P/ LAY NO: 8384/ ^/ NSN: 8415-66-151-8828/ SIZE: M 56CM/ NAME: PM KEYS NO:/ 75% COTTON/25% POLYESTER/ CARE INSTRUCTIONS/ HAND WASH IN COLD/ WATER WITH MILD/ DETERGENT RINSE/ WELL DO NOT WRING/ TUMBLE DRY OR DRY CLEAN/ DRIP DRY IN SHADE" 2. "HARD YAKKA/ AUSTRALIA/ AUGUST 2016/ PO NO: CC30WS/ LAY NO: 5020166/ ^/ NSN: 8415-66-151-8829/ SIZE: L 58CM/ NAME: PM KEYS NO:/ 75% COTTON/25% POLYESTER/ CARE INSTRUCTIONS/ HAND WASH IN COLD/ WATER WITH MILD/ DETERGENT RINSE/ WELL DO NOT WRING/ TUMBLE DRY OR DRY CLEAN/ DRIP DRY IN SHADE"uniform, army, work dress, headwear, dcpu

Postcards began to be produced in Victoria from 1876. Between 1900 and 1920, picture postcards in Australia became an incredibly popular phenomenon. People could cheaply and easily send messages, without the formality of a letter, and they provided a cheap form of souvenir. Eventually, every event of significance was commemorated in some way with a postcard, and this led to the development of a ‘picture on one side and a message/stamp on the other’ postcard we are familiar with today. They were also a popular form of advertising. This postcard appears to be one in a set of postcards promoting the Black Rock area.Colour postcard from a hand tinted photographic image depicting the foreshore at Half Moon Bay, Black Rock. There are people in the foreground wading in the sea, a man sitting in a small boat near the shore, several other boats around, people deeper in the water in the background, and a range of beach shacks/bathing boxes in the far background.beach, holiday, leisure, boating, bathing boxes, recreation, foreshore, seaside

Water bottle, kidney shape, plastic, green colour with attached screw on lid, on on side and base raised lettering and numbering.On one side,”For Water only, do not apply to open flame or burner plate. Under neath, “ BMW 1989 (arrow up) 8465 - 66 - 086 - 8349”containers, water, military,

Shell dressing, rectangular shape, rounded edges, khaki colour, all text in black print, consists of outer cover, inner water proof cover, gauze bandage and safety pin, text is about how to apply the bandage to wounds.shell dressing, accessory, wounds, military

Six page document plus map, dated 21st September 1940, between the Crown and Herbert Jackson Leed, for the land shown on the accompanying map 'indicated by yellow colour' Depths indicated on lease document. On map: Mining District of Bendigo, County of Bendigo, Parish of Sandhurst. No. 11081. Net Area 24 acres, 3 roods, 3 perches. Signed by Herbert Leed and ?Walsh, Warden Clerk, Bendigo. Map shows lease holding 11081 coloured yellow. Other leases: no's. 9882 11081, 11034, 11080. Streets: Fletcher Street, and Belle Vue Road. Gullies: Derwenters Mistake Bully and Pig Face Gully on lease 11081. Quarry Hill Recreation Reserve marked and some residential allotments. Water race indicated on map. On back of document: ; Deborah United Gold Mining Company No Liability of Charing Cross Bendigo is now the proprietor of the within described estate by transfer registered on 21st November 1940 and numbered 1795202.bendigo, mining, deborah united gold mine, herbert jackson leed, deborah united gold mining. major general sir winston joseph dugan

Greetings card with a photo of Swanston St looking south from Collins St. On the left side of the photo is a cable tram signal shelter with a signal man at the levers. A St Kilda tram is southbound. Image prior to the construction of Flinders St station building. The Water Tower clock is visible at Princes Bridge Station - see reference. It was moved from Elizabeth St to Princes Bridge in 1902. The card was produced Jack Cranston and published for Glencon Insurance Assessors. See item 8448 for images of the card itself.Yields information about cable trams in Swanston St and a cable tram signalmen c1905.Greetings card with a colour photograph, printed on stippled paper.tramcars, tramways, cable trams, mtoco, swanston st, signalmen

A spiral bound volume of 409 pages including colour topographic maps and illustrations of North East Victoria. The cover features a colour photo of the old flour mill at Milawa, Victoria. It also features an index map inside the front cover, a legend, road index, and locality index.non-fictionThis edition of Spatial Vision's VicMap Book North East Region was published in May 2014 and provides detailed topographic maps for the region. It was used by emergency services and various agencies, including the Country Fire Authority (CFA). It covers areas including Wodonga, Albury, Wangaratta, and beyond, including national parks and recreation areas. Text on the cover states that the volume is "Trusted by and produced in partnership with: Department of Environment, Land, Water & Planning, Country Fire Authority, State Emergency Service, Parks Victoria, Victoria Police".emergency management north east victoria, cfa wodonga

Keith Edwin Palmer V65246 enlisted in B Coy 38th Bn CMF on 17.3.1941 age 24years. Discharged rom the Army on 11.6.1945 with the rank of Sergeant. Certificate - paper, red and black print, illustrated in colour with scroll work, foliage, flags, King's Portrait. Shields of various countries and states and red seal. Damaged by water and dirt. Handwritten owner's name and signature on Certificate. Frame - timber, with gold colour stipple finish, many sections of paint missing. Glass front and cardboard backing. Sections of the certificate are adhered to the glass front.Handwritten in very faded black ink; "Sgt Keith Edwin Palmer/ 38th Battalion" "16th/ November/ 5/ E.E. Rochester" illegible signature. Certificate No. 55255.ww2, certificates, framed accessories

Beni Carr Glyn Burnett (also known as B. C. G. Burnett or Beni Burnett) was born in 1889 to missionary parents in Mongolia. When he was 15 years old he began training as an architect with a firm in Shanghai. He worked in Singapore, Japan and China before moving to Australia around 1933. In 1937 he was appointed as the Commonwealth principal architect in the Northern Territory. He went on to design a series of houses for senior public servants and military personnel which became very popular as they were specifically designed for the tropics - incorporating louvres, high ceilings and good ventilation. When Darwin was bombed in February 1942, he was evacuated to Alice Springs where he continued to work as an architect. He also became a Magistrate and Coroner in Alice Springs. In later life he was well known for sketching clientele in public bars. He died in 1955. Beni Burnett was living in Sydney in 1933 when he produced these three artworks. There were several photography firms operating in Sydney at this time who specialised in photographing ships and the shipping trade (e.g. Samuel J. Hood and William James Hall) and whose photographs were used by artists to produce ship portraits. Both of these photographers took photographs of the two ships in B. C. G. Burnett's watercolours This ship depicted by B. C. G. Burnett in his pen and wash sketch labelled "The White Ship" exactly matches a photograph pasted into his personal scrapbook which is in the "Library and Archives N. T.". The name of the ship is unknown and B. C. G. Burnett may have taken some artistic licence with the colouring as in the original photograph, the ship had a dark hull.This artwork (one of a set of three small artworks) is significant as an example of shipping (particularly the use of sailing ships) that were still being used as late as the 1930's in Australia. It is also important as its creator (B. C. G. Burnett) went on to become a well-known public figure in the Northern Territory in the late 1930's due to his innovative approach to designing homes for the tropical climate.An ink sketch of an unknown sailing ship moored to a dock. There are several small boats tied up near the sailing ship and a large steel freighter can be seen in the background. There is a faint wash of colour on parts of the sketch - the bottom of the ship, the masts and booms and the water at the end of the pier. The title (The White Ship) and the artist's name (B. C. G. Burnett) are written in ink in the top left corner. The back of the sketch is black card with faint pencil marks (overwritten in red ink) that appear to read "1842 A". A page from an album belonging to Beni Burnett displays five black and white photos including three photographs of ships. The photograph on the bottom right is an exact match for the pen and wash drawing. front - "THE WHITE SHIP / B. C. G. BURNETT" back - difficult to read "1842 A"flagstaff hill maritime museum and village, warrnambool, great ocean road, sailing ships, ships, barque, magdalene vinnen, winterhude, beni carr glyn burnett, b. c. g. burnett, beni burnett, painting, watercolour painting, sketch, ink sketch, sydney harbour, architect, darwin, burnett house, photography, samuel j. hood, william james hall