There are other family photos related to the Jacobs family in the collection. Win married Rev Stephen Edwin Yarnold at the the Presbyterian manse, North Essendon in July 1946. Photo shows 16 girls and boys standing and sitting in the long grass on the grounds outside the building. In the background women and children are at the entrance doorway of the church. The ladies are wearing hats and gloves. A tree/bush is under the window of the brick building to the right hand side of the photo.2 Fife Boys Dark seated / first left / But one / Kinder at Wyclif / (Win Jacob) / Kinder Tchurches, children, norfolk road, surrey hills, females, pre-schools, structures and establishments, fife family, miss win jacobs, mrs win yarnold, miss winifred atwood jacobs, mrs winifred attwood yarnold, mrs winifred attwood yarnold, rev stephen edwin yarnold, wyclif congregational church

Although the inscription of .1 states this building was transported to Maryborough it's clear that the building remained in Clunes at least until the knitting mill was relocated from Fraser Street, (now known as Collins Place) to the corner of Bailey and Camp Streets, perhaps this building was extraneous its new location and was then moved to Maryborough at some date after 1918..1 SEPIA PHOTOGRAPH OF THE MOVE OF THE SALVATION ARMY HALL TO COLLINS PLACE WITH A CROWD OF PEOPLE IN FRONT OF THE BUILDING AND A LARGE "TRACTOR" IN THE DOORWAY .2 SEPIA PHOTOGRAPH OF THE MOVE OF THE SALVATION ARMY HALL TO COLLINS PLACE WITH SEVERAL PEOPLE IN FRONT OF THE BUILDING AND A TRACTOR MOVING INTO POSITION .1 on reverse; At Clunes part of mill ready for transport to Maryborough (Plate is similar not negative of this)local history, churches - salvation army, salvation army hall

Also larger black and white copyBlack and white postcard of Baang Yarnda the converted dredge Wombat moored at jetty of Broomes Federal Guest house, photo features rustic timber jetty tourist launch and other boats, two persons standing in doorway of Baang Yarnda. Lakes Entrance VictoriaLakes Entrance Gippsland Lakesboats and boating, guesthouses

Picture of late 19th century double storey mansion with central arcaded entry way with two symmetrical wings with arched portico to the side. Classical romanesque style. Part of Donald McDonald collection of images.J F McMullen. Backed, unmounted copy of black and white photo, good condition.Inverleith, Acland St, E side, residence of J F McMullen banker,photograph 1872, flats now stand on Acland St frontage'

Black and white photograph, mounted on brown board. Group of sixty four men in six rows, with one young man standing, straddled over a post, above the rest of the group. One Aborigine? On the RH side of picture. They are a work group of blue collar workers. All have hats or caps of various kinds. Standing in front of an iron wall with a doorway and one window. Eight have pipes, most are mature men but there are some young boys (apprentices?). Inscriptions: in image - sign of RH side of doorway 'no admittance except on business'. On back - stamp 'WH Robinson, Photographer, Bendigo. Handwritten 'cannot identify', '?foundry staff?'.WH Robinsonperson, group, male group of workers

R.H. Hornby & Sons, jewellers, and V. Greenhill's Grocery Store were located at 43 1/2 and 45 High Street (formerly Bulleen Road) respectively, in the block of shops between Brougham Street and Walpole Street. The grocery first appears at this location in 1893 but only in 1902 is the jeweller's shop located next door. (Sands & McDougall Directories). The Greenhill family were significant pioneers of Kew in the nineteenth century and their members participated in many civic, community and sporting organisations.Original sepia, real photo postcard of two shops in High Street, Kew, circa 1902. The businesses were R. Hornby, jewellers and opticians, and V.G. Greenhill, grocer. The proprietor of the jeweller's shop stands in his doorway while a member of staff of Greenhill's is standing on the road with a horse and cart owned by the business. The signage on the grocery shop identifies the kind of business offered - Choice fruits & confectionery / Dairy Produce a specialty. On the windows from left to right are advertisements for Fry's Chocolate, Fry's Pure Cocoa, and Cadbury's Cocoa and Cadbury's Chocolate. Above the doorway is a pane of etched glass reading GREENHILL 45.Unmarked postcard layout on reversev greenhill, grocery stores -- kew (vic.), jewellers -- kew (vic), high street -- kew (vic.), businesses -- kew (vic), hornby family, greenhill family

This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups

Graham Masters is a potter based at Sweenies Creek, just outside Bendigo, Victoria who specialises in a patented technique of low relief stoneware depicting Australian animals and landscapes. He obtained a Diploma of Art and Design in Ceramics from the Bendigo Institute of Technology in 1973, then operated a pottery for a year in Bendigo, before becoming an employee, then a partner at Maldon Pottery, Victoria with Neville Wilson and Thomas Metcalf. He left Maldon to set up his own pottery at Sweenies Creek in 1984. (1.) (Judith Pearce). Built in 1869, the (former) Strathfieldsaye Shire Hall is one of The City of Bendigo's earliest surviving public buildings. Designed by George Steane and built by George Pallett in 1869 the Strathfieldsaye Shire Hall has aesthetic significance as a purpose built Shire Hall designed in the Free Classical manner. It is also of importance as an early example of the novel system of cavity wall construction. The building is largely intact and unaltered. Other important elements include the arched portico of the main entrance with brick arched features on either side; the brick quoining and dressings to the round arch windows; the three gabled roof; and the matching chimneys that reinforce the symmetrical design. The Hall has social significance as a temporary schooling facility in the 1870s and as a flood refuge in 1889. The Strathfieldsaye Shire Hall is a brick building designed in the Free Classical manner. This style was favoured by the Public Works Department for a number of public buildings including Shire Halls and courthouses. The form includes a central taller volume flanked by matching smaller gables. In the case of the Shire Hall these would be occupied by the Shire Secretary and Shire Engineer whilst the larger volume was the council chamber. The portico at the front is designed with a flat arch in the centre and matching smaller arches each side. The face red brick is unadorned apart from a plain string course at the roof springing point, brick quoining and dressings to the round arch windows. There are matching chimneys that are located to reinforce the symmetrical design and the original roof is believed to have been slate but is now corrugated iron. Large wheel thrown ceramic platter with a shallow well, broad flaring ledge and raised on a high foot rim. Rim decorated with slab rolled gum trees protruding on centre left and right sides of plater. which reflect the low relief image of trees and the Strathfieldsaye Shire Hall on the surface of the plate. Glazed with golden brown and cream. Front centre top; 'Shire of Strathfieldsaye'. Front lower centre '1866 - 1991 - 125 Years'. Signed 'G Master / 1991' on rim centre right. Reverse; signed 'G Master' / 1991. Bendigo Pottery stamp.shire of strathfieldsaye, bendigo pottery

Lake Bolac residents George Murray and his wife Frances, circa 1930. They were the parents of Cliff, Faith, Leila and Leo Murray. They are pictured standing in the doorway of the Lake Bolac Post Office.lake bolac, post office, murray

Donated by Lorna Inglis, grt. grt. granddaughter (Auckland NZ). Sent to Mrs Paul Buckland (cousin to Mrs Inglis) 36 Church Street, Cowes. Given to Morris, 76 Castle Street, Heigelberg.Black & White photograph attached to Card with Season's Greetings. Mr & Mrs Grayden sitting each side of doorway of dwelling. Mr Grayden leaning on old wooden table and Mrs Grayden has low wooden table with four big pots on top, beside her."With Best Wishes For A Happy Christmas and a Bright New Year" Gold embossing on front of card.mr & mrs grayden, phillip island, lorna inglis, mrs pearl buckland

One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period.Visual record of the club area of Mission to Seafarers, 717 Flinders Street, Melbourne in the 1950s (before Queen Elizabeth's corporation) ready for the dances.Black and white gloss postcard depicts the central club space. Taken facing stage with flowers on stage, a drum kit and a piano. Curtained backdrop with sixteen chairs in front of the proscenium. Shows dance floorboards and fan-shaped window above doorway on far left wall.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right and is indicated by the word 'KODAK' on four sides.club, stage, mission to seafarers, seamen's mission, mission to seamen, main hall, dancing, events, curtains, royal portraits, king george vi, drums, piano, chairs, music, band

Black and white photo: shop 'Victoria House' S.F. Bastard, Draper and Silk Merchant. Shows three large double shop windows with goods in doorways and windows. Slab lined drain at front with wooden bridge across. On Back RHSV Bendigo Branch. View PointBatchelderplace, streetscape, victoria house

Colour photograph of brick building at Redesdale. Brickwork is painted white, red iron roof. Written on rear of photo ' Grocery (l), Butchers (R). Building has three windows and two doorways on the front. Photo taken during a BHS tour, possibly 1990's.buildings, commercial, redesdale

Colour image: National Bank building on LH side of image, M.L.C. Building on RH side. National Bank building is 3 storey, two columns on either side of central doorways on two bottom levels. M.L.C.building, two storey, six columns on second storey.bendigo, buildings, national bank, manchester unity, bendigo, pall mall, national bank, manchester unity building

Donated by the granddaughter of William DalglishFaded black and white photo of the William Dalglish shop at the corner of Station and Ingles Streets. Signage shows "North Sandridge Tea and Coffee Mart" and also Kitchenware, Ironmongery and Tinware. The photo taken in 1874 shows several people at the doorway of the shop and two horsedrawn wagons.built environment - commercial, business and traders - general store, william daglish

Photograph appeared in the Lakes Post Newspaper page 19, 4 May 1994. plus second photoBlack and white photograph of St Columbs Anglican Church, at the dedication of a new doorway and recently renovated and extended Hall. Present in photograph are Rev Ron Chidgey, Lay Reader Mrs Denise Rich, and Right Rev Colin Sheumack, Bishop of Gippsland. Swan Reach Victoriareligion, buildings

Yields information about Ballarat 's 29 dressed as a floral tram at the time of its launch/Negative and Digital image of the Wal Jack Ballarat Negative file of No. 29 decorated as the floral tram for 1939 with the girls in the paper dresses just visible in the doorway, in Wendouree Parade. Has the Lake in the background. Possibly dated the same as Reg Item 5189 - 4-3-1939. trams, tramways, floral tram, decorated trams, depot, tram 29

Yields information about the damage to an SEC tramcar following an accident with a vehicle. Also gives information about the way the trams appeared.Black and White photograph, of Ballarat No. 26 after being involved in an accident with damage to the doorway entry, including the dislocation of the door itself. Tram has an "Everybody's Swinging to Briquettes" dash panel ad. Photographed at the SEC depot. Photo late 1950's or early 1960.tramways, trams, accidents, collision, depot, colour schemes, tram 26

Colour photograph. White painted, single fronted hotel, small pediment on top with '1884' printed. Name of hotel, Railway Station Hotel, in brown paint on front façade, brown and white striped awnings over doorways and windows in front. Appears to be early 70's ?bendigo, hotel, railway station hotel

Negative and Digital images of the Wal Jack Geelong Negative file of Geelong No. 3 at the junction between Aberdeen St and Pakington St. The tram has the destination of West. The conductress is standing in the doorway. In the background is the store of "Wm F Orr Decorator" Photo mid 1940's. trams, tramways, geelong, aberdeen st, pakington st, west, tram 3

Photograph, Dudley House, View Street. Bendigo, brick building. Double story. Five arches at front, where there are three persons standing and talking. At front is a white picket fence and open rails near gate.bendigo, buildings, dudley house

Bendigo Historical Society Newsletters (Marunari) Jan/Feb 1978 - December 1974. Stored in A4 Lever Arch Folder. Compiled by Terry Davidson - member and Committee member. Part of complete set of Society newsletters.BHS Committeesclubs and associations, history, newsletters

Bendigo Historical Society Newsletters (Marunari) Jan/Feb 1985 - December 1992. Stored in A4 Lever Arch Folder. Compiled by Terry Davidson - member and Committee member. Part of complete set of Society newsletters.BHS Committeesclubs and associations, history, newsletters

Slide. Bendigo Street Views & Fortuna. Front gate consisting of two brick pillars,wrought-iron arch,with Army Survey Regiment Icon on top,two w/iron gates & Sign to the right of the gates.slide, bendigo, bendigo street views & fortuna., bendigo street views & fortuna.

Railway Station staff were an important part of the social structure of both the railway and wider communities in the 1920s. Here Michael Taffe (1) is pictured with other staff members in front of the arches at the Ballarat West Railway Station.On back of mounting board, Mick Taffe, Middle, Head Porter.

Gordon Institute of TAFE opened in 1887 as the Gordon Memorial Technical School. Photograph shows the area of the building in Fenwick Street near Little Malop Street corner, Geelong. The doorway is the Davidson Restaurant entrance.Large group outside entrance to Gordon Memorial Technical School, Geelong

A. E. Miller Grocer and Stawell West Post Office Longfield Street Stawell opposite Historical Centre complex. Millers ran the shop from 1908. Men Standing in doorway and picket fence in foreground.stawell business

Bell was presented to the Melbourne Legacy Club by the departing president E.R.F. Serman in 1929. It was used during Comradeship Committee meetings.E.R.F. Serman was the Melbourne Legacy Club president in 1928-1929. Comradeship Committee meetings were very important to the Legatees.18 Pounder Shell casing that has been polished and had a small brass hook welded to the base. The casing has been split and bears the signs of being hit with a hammer. There is an inscription engraved on the front. The shell is hung from a brass arch which has been mounted to a wooden base. Two small brass hooks on the base act as a mount for the mallet. The brass arch and hooks are attached to the wooden base via flat head screws from the underside. The mallet is constructed of a brass rod with a felt head.Presented to the Melbourne Legacy Club by E.F. SERMAN PRES.1928-9comradeship, committee, legatee event