Cream Lady Pelaco blouse. Size 12. Five front covered buttons with 6 rows of stitching on either side of opening. Peaked collar with tie front.Long sleeves with covered button at wrist.Pelaco Ladycostume, female

Pat Grainger (1930-2023) had a distinguished career as a graphic designer. In the 1960s she lived in Brighton and was working with her husband Les Mason in the influential Les Mason Graphic Design studio in South Melbourne. This was one of three Norma Tullo outfits she owned at the time; she believed it would have been around 1967. Pat was a founding member of Port Melbourne Historical and Preservation Society and was active in local history and environmental and social justice causes. Norma Tullo (1936-2019) was an influential Melbourne fashion designer circa 1960s-1980s, part of a new wave of younger designers creating youthful, modern and affordable styles for a young market.Black and white paisley nylon hot pants dress (.1) with collar. Front button fastening with seven fabric covered buttons; short sleeves and accompanied with short red wool scarf (.2).Label, white text on black: "TULLO".pat grainger, paisley, melbourne designers, pat mason, norma tullo, 1960s

Black and white of original portrait showing a lady sitting and leaning her elbow on the back of a chaise. She is wearing a dark dress with buttoned bodice, white collar and cuffs. A bow at her neckline.mrs williamina fernald, miss williamina dunlop linton

Item issued to Peter James Dodd, refer Cat No 2436.2P for his service details. The item commonly called a “Housewife”Sewing Kit green colour roll up style with black cord to secure, inside has one open pocket & one with a button, item contains needles, various cottons and finger protector.Inside on white sewn in label, “ “DRICLAD PTY LTD NSW 1967 D (arrow up) D, Regimental No, Name” Hand written in spaces, “217842”, “DODD P.J”accessory, sewing, housewife

This object would have been used to place on a jacket around the button area. The buttons would have been brass and on a uniform of some sort; probably one belonging to the armed forces or a bandsman or a public utility such as the fire brigade. The source of the lettering has not been traced. An item such as this could still be used today.This item has been retained as a memento of past times when dress uniforms for men were more common.Brass flat oval shape with narrow space ending with a round space in the centre. There are some dents and stains on it.V A 1043 then crossed out 1070

Button distributed to and worn by Australian Nursing Federation members. The Royal Australian Nursing Federation became the Australian Nursing Federation (ANF) in 1989, and then became the Australian Nursing and Midwifery Federation in 2013, suggesting this badge is from the 1990s or early 2000s. The logo appears to be that of the federal ANF, rather than a particular state branch.Circular white and blue plastic badge. Silver metal, plastic-coated, with safety pin fastener adhered to back. Badge printed with 'I'm Taking a Stand for Patient Care' and the ANF [Australian Nursing Federation] logo.nurses, unionism, badges, buttons, pins, trade unions, labour history, australian nursing federation, staffing, workforce, patient care

George wearing a jacket with lapels over what appears to be a wollen jumper, side whiskers beard and moustache. Sarahs dress has front buttoned bodice straight sleeves with lacy cuff upstanding collar bow and neck fastened with broach. Her grey hair smoothed back and confined in a dark crocheted snood.A sepia toned photograph of George and Sarah Grant of Metung taken in photographic studio presumably at Bairnsdale Victoria people, genealogy, fashion

World War 1 issue.World War 1 issue.Brown thin cardboard Tag, Small metal eye-let. Tag has a peferation across the middle of the tag.WW1 issue.To be attached to the top button tunic. Assigned to S.W. Ellis. Reverse of the tag : A.I.F. Unit : 2 MGC Name : Ellis S.W., Rank : Pte. Number : 640, Hospital : , Diagnosis : Effort Sysdrome. Information is duplicated on both sides of the perforation of the tag.

This shirt is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. General Purpose Uniform (GPU) shirt in Airforce colours of blue and grey in camouflage pattern. Long sleeve with 6 buttons up the front, two chest pockets with zippered verticle openings along the button seam; two button down pockets on both the left and right shoulder with velcro patches sewn to outside flap for attachment of patches. Above the chest pockets are two patches with embroidered inscriptions in white thread on navy backing. Shirt cuffs have adjustable velcro fasteners.Inscription on interior label is worn and illegible, halfway down the tag reads “PM KEYS NO.” Throughout (on shoulder seams, above left pocket and on back of collar) is the Australian Airforce badge/motif which features a circle with the words ‘Royal Australian Air Force', the Imperial Crown, and a Wedge-Tailed Eagle in flight though this detail is inferred not physically visible. Two embroidered patches above the chest pockets read “AIR FORCE” and “FARLEY.”camouflage, general purpose uniform, airforce, uniform, australian defence force

This shirt is part of a Disruptive Pattern Combat Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was used in base and field activities and was replaced in 2014 by the General Purpose Uniform as the uniform worn during general base duties and in non-warlike environments.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of previously standard issue Airforce uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating the Disruptive Pattern style of camouflage which has its roots in the 1980s and continues to be adapted into uniform design by the Defence Force.Field shirt in disruptive pattern colours of green, khaki and browns. Long sleeve with 6 buttons up the front, two chest pockets with zippered verticle openings along the button seam; two button down pockets on both the left and right shoulder with velcro patches sewn to outside flap for attachment of patches. Above the chest pockets are two patches with embroidered inscriptions in black thread on disruptive pattern backing. Shirt cuffs have adjustable velcro fasteners.Interior label has been removed. Two embroidered patches above the chest pockets read “AIR FORCE” (left of wearer) and “FARLEY” (right of wearer). Oval patch on left shoulder shows a kangaroo silhouette encircled by a black embroidered circle.camouflage, uniform, australian defence force, disruptive pattern, airforce

Clothing. Gentlemen's boating suit (Trousers), cream cotton with fine black/grey pinstripe. Cuffed trousers. 1 rear pocket. Button fly - 2 buttons. Six buttons on waistband - probably to attach braces. One button on rear pocket - all marked AM POOL BENDIGO.Rear adjustment tab with metal buckle. Note: suit jacket bears the label A.M.POOL, BENDIGO. Two pockets at front side seams. Trousers do have tapered legs.A.M.POOL BENDIGO marked on buttonscostume, male suit, trousers

Cremorne Co white dress shirt. Collarless. Long sleeves with 6.5 cm cuffs. Cuffs have buttonhole on either side of opening 1.5 cm band around neckline with button holes at centre back and on either side of front opening. Panels of marcella waffle patterned fabric attached on either side of front opening extending from neckline (33 cm X 11.5 cm) to above the waistline. Each side of front opening has three button holes.Label inside back ''Cremorne Co. Dress Wear. Coat Style.''.costume, male, dress shirt.

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A postwar fundraising button featuring a simple design using white text in a red boarder with and central blue cross. In February when the buttons were sold, The Argus reported that: ‘Each suburban municipality has formed a committee under its mayoress, to assist in the button distribution, and local committees in the country are also working for the success of the appeal. Kiosks are prohibited in the city streets, but many suburban councils have granted permission for their erection. In addition to buttons, many kinds of saleable articles will be obtainable at the kiosks.’"Women’s Hospital Appeal 1923"royal womens hospital, fundraising buttons, badges

Pair Ladies Black Boots. 9 black Bakerlite and metal buttons with matching stitched eyelet button holes. Black leather sole with nailed black leather heel, slightly worn. Decorative stitching and punching across toe with slight scratching of leather on toe. Button hole tab inner lining of black leather. Inner lining of material . Inner sole of split tan leather. Solid inner toe and heel puffs with slight wear on external toe and heel puff leather.Oval stamp on sole with "TD and ALL LEATHER". Size 2 stamped on sole instep.

1. Jacket - Khaki colour, cotton twill fabric, brown colour metal shank buttons with raised map of Australia and lettering with metal split rings. Collar; shoulder epaulettes with attached two rank insignia being Lieutenant Colonel. Four front pockets with button down flap. 2, Belt - Khaki colour cotton twill fabric, metal buckle, plastic button and fabric belt keepers. Manufacturers white cotton label, inside top right pocket.Manufacturers information, black ink print. "M.TX" uniform, army, ww2

1. Jacket - Khaki colour cotton twill fabric, brown colour, Bakelite shank buttons with raised map of Australia and lettering with metal cotter pins. Collar with two attached metal Rising Sun Badges; shoulder epaulettes with three officer's pips being "Captain" and "Australia" badge. Four front pockets with button down flap. 2. Belt - Khaki colour cotton twill fabric, metal buckle, plastic button and leather belt keepers. No Manufacturers information.uniform, army, ww2

Uniform issued to "LOCKYER" 114493.Jacket - khaki colour wool/polyester fabric. Service dress style, gold colour plastic buttons with metal shank and split ring. Buttons have raised emblem of Queens crown, crossed swords and Kangaroo. Royal Australian Army. Collar, shoulder epaulettes, four front pockets, top two with button and two metal studs on flap, lower button down flap. Green colour polyester fabric lining with white cotton manufacturers labels inside right.Manufacturers information on labels - black ink print faded to light grey/blue. "RUSS JOHNSTON/ -TAILOR- /VIC^ 1989/90/ DEN 8405-66-019-8188/ DRYCLEAN ONLY/ REPRESS USING IRON AND DAMP CLOTH/ OR MEDIUM TO HOT STEAM IRON/ CREASE UPPER HALF OF LAPELS ONLY" "REGIMENTAL NO./NAME" Handwritten, blue ink pen "LOCKYER". uniform, army, service dress, lockyer

Cattlemen wore coats when working with their cattle especially during the winter in the Kiewa Valley and when travelling on horses with cattle to, on and from the High Plains where they stayed for days during summer attending and mustering their cattle. The coats protected the cattlemen from harsh weather conditions including snow which sometimes fell in summer. This coat was owned and worn by Richard Marum who owned a farm in Tawonga south. He was the descendant of Kyran Marum, the stockman, who worked for Georgina Huggins. Brown leather full length coat with collar, lapel, long sleeves and buttoning up the front. Instead of pockets the coat has an opening about 12 cm on each side that look like pockets.cattlemen, leather coat, bogong high plains, marum family, tawonga south

Peaked khaki cap, leather band around front part of brim, held in place by a copper button each end. The badge at front is a copper Rising Sun with inscription Australian Commonwealth Military Forces.uniforms - army, costume - male headwear, peak hat

These trousers are a part of a three piece set. There is also a jacket and a defence leave ticket which are associated with this item. There are three chevrons on the sleeve of the jacket which signify three years of service. The unit patch may denote that the wearer was part of the Army Serice Corps Divisional Unit one. The associated ticket shows that the serviceman was at some point travelling in uniform on defence leave in a first class carriage from Spencer Street to either Moreland, Newmarket, North Carlton, Northcote or Westgarth.As an historic army uniform with an association to Victoria this item is of local historic and social significance. It is also in very good condition. Long woollen button-up khaki trousers. There are six metallic buttons that fasten the fly and six more around the exterior part of the waistband. There are also two pockets on either side just below the waistband. army, uniform, jacket, army service corps, asc, divisional unit one, division one

Ladies Companion, consisting of red cover case with blue lining. Cuticle knife and proder, tweezer and button hook. Impliments have hallmarked silver handles with steel ends. Inscribed "English Make Steel". flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ladies companion

This child's white broderie anglaise christening gown was worn by Robert Barnard, son of Mrs W N Barnard of Portland, when he was a young child, circa 1911.This item is representative of christening gowns in the early 1910s. Child's white broderie anglaise christening gown, hand sewn, three button closure, short sleeves, c. Circa 1911. Worn by Robert Barnard son of Mrs W N Barnard of Portland.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, robert barnard, child’s clothing c 1911, broderie anglaise, christening gown, ceremonial gown, ceremonial clothing, religious clothing

Object: Smokers cap, Navy blue velvet embroidered with white flowers with gold centres and brown leaves on top and sides, button and tassle on top in shades of gold and green, interior of brown quilted satin.costume, male, cap

Clothing. Women's white above the elbow leather gloves. Slit inside the wrist (12 cm) fastened with three X .6 cm spherical pearl buttons and button holes. Visible external seams.costume accessories, female, women's white leather gloves

Belonged to Estelle McNaughton and passed on to her daughter, the donor.A clothed baby doll with a woollen singlet, cloth nappy and safety pin, cream dress with two buttons and long sleeves. Cream semi-circle bib and button and a cream bonnet with embroidered turnback and ribbons.FairyMark "Baby Blue Eyes" Minor Made in Japantoy, baby doll