Black and white photograph of the Princes Highway at Jemmys Point, showing post and rail fence beside road, Bullock Island, the houses of Carpenter town on the southern shore of Cunninghame Arm and Entrance. Lakes Entrance VictoriaLakes Entrance- Gippsland Lakes'coast, fences, roads and streets

Also one other postcard same donated by M & V Carpenter in spares box.Black and white postcard of the Princes Highway Jemmys Point, showing Bullock Island between North Arm and Cunninghame Arm, distant view of the entrance from Bass Strait to the Gippsland Lakes. Post and rail fence along roadside. Lakes Entrance VictoriaPrinces Highway and a view of the Entrance vegetation, roads and streets

William Stephen McShane (1897-1918) held a commission in the 67th Cadets, Golden Square, before joining the 6th Australian Battalion. He was wounded in 1916 and was then killed in Action in France 9/8/1918. Prior to the war he had been employed by Mr Sweeney as a carpenter and joiner. Fred Fielding (1895-1918) was a member of the 28th Australian Infantry when he was killed in Action 8/8/1918. His family lived in Breen Street, Bendigo.Bendigo Advertiser ''The way we were'' from 2002. Home-grown heroes: a tribute to missing heroes of the South Bendigo Football Club Lieut. W. McShane (top) and Private F. Fielding (bottom). An extract from the South Bendigo Football Club souvenir programe premiers 1920.newspaper, bendigo advertiser, the way we were

Great Hall at Montsalvat built 1938-52, designed by Justus Jorgensen Covered under National Estate, National Trust of Australia (Victoria) State Significance, Victorian Heritage and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p129 At first glance, Montsalvat, the artists’ community at Hillcrest Avenue, Eltham, could belong to another time and place. The French provincial Gothic-style buildings blend picturesquely with the introduced and native trees and farm animals on the five hectare property. But Montsalvat belongs very much to today’s Eltham, having inspired much of its creative activity and style. The use of mud-brick and recycled building materials, for which Eltham is so well-known, was largely popularised by Montsalvat. Montsalvat – unique in Victoria and probably in Australia – is registered by the National Trust and National Estate.1 Montsalvat, named after the castle of the Knights of the Holy Grail, has attracted artists and intellectuals since it was founded in 1934. For years at weekends, artists, lawyers, philosophers, politicians and others, who shared a love for what Montsalvat stood for, gathered for a meal and stimulating discussion. The focus for this gathering of talent was Justus Jörgensen, an eccentric man with vision and charisma. It was Jörgensen’s foresight that saw the creation of Montsalvat, which in 1975 was formed into a trust to benefit the Victorian people. The property was then valued at about three million dollars. It is now visited by thousands of people annually. Born in 1894 and brought up a Catholic, Jörgensen had trained as an architect. He later studied painting at the National Gallery School under artist, Frederick McCubbin, then joined the studio of artist Max Meldrum. In 1924, Jörgensen married medical student Lillian Smith, and with artist friends they travelled to Europe to study the great masters. In London Jörgensen exhibited in several major galleries. One of his still life paintings was included in the book The Art of Still Life by Herbert Furst, which featured 100 of the greatest ever still life paintings.2 In 1929, Jörgensen returned to Melbourne where Lil, now qualified, worked as an anaesthetist at St Vincent’s Hospital. They bought a small house in Brighton and Jörgensen rented a large building in Queen Street for his studio until the Royal Automobile Club of Victoria bought it in 1955. While designing and overseeing the building of a studio for his friend the famous cartoonist Percy Leason, in Lavender Park Road, Jörgensen decided to buy land for a country retreat in Eltham. So the building of Montsalvat began. Jörgensen gathered around a dozen of his friends and students from his Queen Street studio. They set to work, first at weekends then some decided to live permanently on the site. Jörgensen had seen mud-brick buildings in Spain and recognised that Eltham’s clay soil was ideal for mud-bricks and although labour intensive, it was a very cheap way of building. Jörgensen’s students and friends worked under his direction with the help of local tradesmen, including carpenter, Len Jarrold and later stone mason, Horrie Judd. In return Jörgensen would give the students a painting lesson or two. It was the Great Depression when many were out of work. Jörgensen also inspired people to give generously of money and materials. With their help Jörgensen found second-hand materials for building. Friends donated slate for roofing, discarded firebricks were used for flooring and windows and doors and a cast-iron circular staircase came from a wrecker. The students’ day started at 7am with building and domestic chores, shared equally between the sexes. The first building was used by his friends at weekends and then became a home for his wife Lil. It consisted of three rooms and an attic under a high-pitched roof. Jörgensen then built a similar structure with the same high-pitched roof as a more permanent home for his students. The two buildings were joined together with a tower and a studio for Jörgensen. While excavating for the studio a reef of yellow mud-stone was found and then used in construction. The next building was the Great Hall, to be used for dining, exhibitions and meetings and completed in 1958, after a halt during the war. Whelan the Wrecker donated the stone-framed windows from the building that housed the Victorian Insurance Co. in Collins Street, which had been demolished in the 1930s. The swimming pool was donated and cubicles were built for the students with their initials marked in tiles on each doorstep.1 One of Jörgensen’s great abilities was to recognise how to use material which harmonised. He would comb through wreckers’ yards for what he needed. Regarding his buildings as sculptural pieces, his first consideration was for the aesthetic quality of a building and only then for its functionality.2 At Montsalvat, Jörgensen found he was able to put his ideas into practice without compromise and those who worked with him had to conform to his ideas. With the Jörgensens, the colony’s original nucleus consisted of the Skipper family – Mervyn and wife Lena, daughters Helen and Sonia and son Matcham,who was to become an eminent jeweller and sculptor represented in National Gallery collections throughout Australia and in European museums.3 Other members were Arthur Munday, Lesley Sinclair, Helen Lempriere, Ian Robertson, John Smith, George Chalmers, John Busst and Sue Van der Kellan; also Jörgensen’s three sons – Max, Sebastian and Sigmund – and Saskia, Sonia Skipper and Arthur Munday’s daughter. Montsalvat went through some hard times when local gossips spread rumours of sexual shenanigans at Montsalvat. However Montsalvat also had many local supporters – especially amongst the local tradespeople. The colony was certainly unconventional – with Jörgensen’s wife Lil (and son Max) and life-time partner Helen Skipper, (mother of Sebastian and Sigmund) living at Montsalvat. Sonia Skipper says in her biography that the group were ‘very conscious of their responsibilities to each other and a desire to make their relationships work’.4 By World War Two many buildings around the Great Hall were completed. Jörgensen was a pacifist, as were most of his students. Some of the Montsalvat community enlisted while others engaged in essential services like dairy farming and market gardening for the war effort. It was then that Jörgensen constructed farm buildings. After the war many well-known personalities such as Clifton Pugh, landscape gardener Gordon Ford, and builder Alistair Knox, were drawn to Montsalvat. They learnt that building was not a ‘sacred cow’ only for professionals, but that anyone who was willing to get their hands dirty could do it. The post-war shortage of materials also encouraged builders to follow Montsalvat’s lead in reusing materials. When Jörgensen died in 1975, his influence did not – thanks largely to the vigilance of his son, Sigmund, who became its administrator. The weekend dinners have gone, but in 2008 about 14 artists still work at Montsalvat – some living there – including a couple who have been there since its early days. Under Sigmund’s direction Montsalvat further expanded its activities which included festivals, art exhibitions, concerts and weddings. Sigmund completed the Chapel, then the Long Gallery next to the pool, After the barn burnt down, he replaced it in 1999 (the builder was Hamish Knox, Alistair’s son) with a new gallery and entrance and added a restaurant. Sigmund has been careful that any new building blends in with the character of Montsalvat. In 2006 Montsalvat was restructured for its continued financial viability and with the help of Arts Victoria a new executive officer was appointed. A representative board from the wider community was established, which includes members from the former Montsalvat Trust including Sigmund Jörgensen – who is now the heritage and arts adviser to the new company Montsalvat Ltd.5 Today, visiting Montsalvat one still sees artists, students and visitors enjoying the unique and beautiful surroundings.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, great hall, montsalvat

This note book comes from the Warrnambool business of Swintons Pty Ltd. It contains the names of the firm’s collectors, (called ‘outside collectors’) and the names of those in the Warrnambool district from whom they had collected cash in 1923, 1924 and 1925. It is presumed that the cash was owing to the Swinton business for goods supplied. The notebook also includes some details on employee sick leave in the 1940s and 50s. William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool district, erecting many buildings, including the Wangoom Presbyterian Church. In 1865 he opened a store in Timor Street, Warrnambool selling groceries, china and glassware and hardware. By 1888 the business was known as William Swinton and Sons. Branch stored were opened in Cudgee, Wangoom, Nullawarre, West Warrnambool and South Warrnambool. After William Swinton died his son Robert became the first managing director of Swintons Pty Ltd. In 1934 the business split, with George Swinton and Sons selling furnishings, clothing and glassware and Swintons Pty Ltd selling seeds, produce and hardware. Today the Swinton family still operates a furniture and bedding store in Timor Street. This note book is of interest because it gives details of some business dealings of Swintons Pty Ltd in the 1920s. It will be useful to researchers. The current Swinton business in Timor Street is the oldest family business in Warrnambool and, with the name Swinton associated with businesses in Timor Street for 152 years, it is amongst the oldest family businesses in Australia. This is a note book with a black cover with red binding. The cover which is creased and partly torn has a label affixed with handwriting in black ink. The label is torn and the writing is faded. The pages are white with printed blue lines. The entries are handwritten in black and red ink and red lines have been ruled on some pages. Some entries have been made at the back of the note book at a later date.‘Cash Book From Outside Collectors, 8 May 1923’ swinton family, warrnambool, history of warrnambool, ledger

These documents come from the Warrnambool business of Swintons Pty Ltd. They are 1947 life insurance documents related to the insuring of Swinton employees, payable following retirement or death. William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool area, erecting many buildings, including the Wangoom Presbyterian Church. In 1865 he opened a store in Timor Street, Warrnambool, selling groceries, glassware, china and hardware. By 1888 the business was known as William Swinton and Sons. Branch stores were opened in Cudgee, Nullawarre, Wangoom, West Warrnambool and South Warrnambool. Following William Swinton’s death his son Robert became the first managing director of Swintons Pty Ltd. In 1934 the business split with George Swinton and Sons selling furnishings, clothing and glassware and Swintons Pty Ltd selling seeds, produce and hardware. Today the Swinton family still operates a furniture and bedding store in Timor Street. These documents are of interest as they contain information on the insurance policies taken out by Swintons Pty Ltd on behalf of their employees. The current Swinton business in Timor Street is the oldest family business in Warrnambool and, with the name Swinton associated with businesses in Timor Street for 152 years, it is amongst the oldest family business in Australia. .1 This is a document in four parts concerning the insurance for employees of Swintons Pty Ltd. in 1947. The pages are copies and have both printed and typed material .2 This is a policy document, a sheet of paper folded in two to make four pages of printed and typed material. It is a copy. The first page has a red seal.swinton family warrnambool, history of warrnambool

These cash carriers were used in the Warrnambool business of Swintons Pty Ltd. They were manufactured by Lamson of U.S.A. William Lamson of Massachusetts, U.S.A. first patented cash carriers in 1882 and originally the cash balls were carried from counter to cashier via a wire and pulley system. These Swinton cash carriers were carried via pneumatic tubes. William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool area, erecting many buildings, including the Wangoom Presbyterian Church. In 1865 he opened a store in Timor Street, Warrnambool, selling groceries, hardware, glassware and china. By 1888 the business was known as William Swinton and Sons. Branch stores were opened in Cudgee, Nullawarre, Wangoom, West Warrnambool and South Warrnambool. After William Swinton’s death his son Robert became the first managing director of Swintons Pty Ltd. In 1934 the business split, with George Swinton and Sons selling furnishings, clothing and glassware and Swintons Pty Ltd selling seeds, produce and hardware. Today the Swinton family still operates a furniture and bedding store in Timor Street. These cash carriers are of great interest firstly as a memento of business practices in the past and secondly because they were used in the Warrnambool business of Swintons Pty Ltd. The current Swinton business in Timor Street Warrnambool is the oldest family business in Warrnambool and, with the name Swinton associated with Timor Street businesses for 152 years, it is amongst the oldest family businesses in Australia. These are two cash carriers. They are brass cylinders made with a large opening at the top with an inner lining which can close over the opening. The cylinder has two wooden holders at each end attached to the brass with three metal screws at each end. The brass is somewhat rusted and the wooden ends are worn. These cash carriers were sent from the cash counter in a shop or business to the cashier via pneumatic tubes. ‘Lamson Patent’ ‘RCM/Lamson’ swinton family, warrnambool, history of warrnambool

James Garland Colliver lived and worked in Linton between 1863 and 1875, when he moved to Donald. He was actively involved in Linton's business and community life. (See Colliver family file at LDHS.) This photograph may show two adjacent business premises on the east side of Sussex Street, north of Clyde Street: Edwin Ball or Ball Brothers, blacksmiths, and J.G. Colliver, "Machinist". The Ball and Colliver families were related and are understood to have worked collaboratively. A plan of Sussex Street drawn up in 1871 (in LDHS collection -Reg. no. 2013-25) shows an allotment on the east side owned by 'Colliver' next to a slightly larger allotment owned by 'Ball'.Original small, sepia photograph showing premises of "J G Colliver - Machinist" with workmen in front."J G Collivers shop about 100 years ago".j. g. colliver, wheelwright, carpenter, coachbuilder, workers

This building was the home of the Carpenter family for about 80 years, converted to a restaurant known as 'Skippers', relocated as a private residence in 2003, whole lot demolished to make way for the Lakes Entertainment Centre.|This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph number is 01447.1|Also one 12 x 16 framed photograph used in room display.Colour photograph of a weatherboard building on Esplanade. The building has an iron roof, picket fence at front. Carpenters Holiday Centre sign to east of building. Motor vehicle parked on street. Lakes Entrance VictoriaCarpenters Holiday Centre houses, room display, local history

Timber panels salvaged from the foyer of Forestry House 601 Bourke Street in late1980s. The material for the plaques was assembled in carpenters shop in FCV districts throughout the State. Timber was kiln dried by M. Feiglin & Sons at Nunawading and erected by Peter Danby Pty. Ltd. Two highly decorative panels thought to be carved by Robert Prenzel in about 1908. Closely linked to FCV Forestry House in MelbourneTimber Display PanelTwo highly carved panels thought to carved by Robert Prenzel in about 1908forests commission victoria (fcv)

The Baptist Chapel was first opened in March 1868 in Lerderderg Street, Bacchus Marsh, next to State School No. 28. The plans were prepared by James G. Pippett and the building was constructed by bricklayer J.F.Taylor and carpenter W. Nelson. When fire threatened its destruction in 1871, the townspeople assisted in saving the building by tearing off the roof and removing windows and flooring. Subsequently it was found that a solid silver Communion Service was missing as well as the contents of the Poor Box. The Chapel was renovated and used until 1898 when the building was moved to Main Street, next to the Post Office. Two rooms were added at the front when the building was rebuilt. It was demolished in 1985.Small sepia unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album, which contains photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll. The photograph is of a substantial brick building with a shingle roof. The gable above the front entrance and the side of the building under the guttering are ornamented with rows of bricks laid horizontally. A round window sits in the centre of the gable. The central door and the front and side sash windows are topped by semi-circular brick arches. The ornamentation is continued with contrasting bricks down the corners of the building. An ornamental iron fence runs along the front of the building. A large fir tree stands in the grounds. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE churches bacchus marsh, baptist chapel bacchus marsh

This is a cash book from the business of William Swinton and Sons. The entries list stock, financial assets, deeds and insurance policies from 1902 to 1911. William and Ann Swinton migrated to Australia in 1854 and for a decade William Swinton worked as a builder and carpenter in the Warrnambool area, erecting many buildings, including the Wangoom Presbyterian Church. In 1865 he opened a store in Timor Street, Warrnambool, selling groceries, china, glassware and hardware. By 1888 the business was known as William Swinton and Sons. Branch stores were opened in Cudgee, Nullawarre, Wangoom, South Warrnambool and West Warrnambool. After William died his son Robert became the first managing director in 1913 of Swintons Pty Ltd. In 1934 the business split, with George Swinton and Sons selling furnishings, clothing and glassware and Swintons Pty Ltd selling seeds, hardware and produce. Today the Swinton family still operates a furniture and bedding shop in Timor Street. This cash book is of considerable interest as a business document of William Swinton and Sons. The entries for the early 20th century give details of business stock and finances and will be very useful to researchers. The current Swinton business in Timor Street Warrnambool is the oldest family business in Warrnambool and, with the Swinton name associated with businesses in Timor Street for 152 years, it is one of the oldest family businesses in Australia.This is a hard cover book of 96 pages with a dark green cover and red leather trimmings on the spine and cover corners. There is gold lettering on the spine. The insides of the cover have a green and brown mottled patterning and the page edges have a multi-coloured mottled patterning. The pages have printed ruled red lines. The entries are handwritten in black ink. There are five loose sheets. ‘Cash Book’ swinton family warrnambool, history of warrnambool

Photograph of R Farley Carpenter and Undertaker, late 1890's. Building was at south-east corner of Livingstone and Neil streets Beaufort. Black and White photograph of Farley's Building with 2 people outsidebeaufort business, beaufort

William Todd is understood to have been born about 1855 at Linton's Diggings to parents William (Snr) and Sarah, née Thompson. William Todd married Elizabeth (Lizzie) Bennett in 1882. After the death of his father-in-law William Garnsworthy Bennett in 1903, members of the Todd family took over the butcher's shop on the corner of Sussex and Clyde Streets in Linton, but it is not known if William Todd had a direct interest in the shop, as his occupation in electoral rolls form 1903 onwards is stated as "carpenter". He was Secretary of the Linton Horticultural Society for many years, bandmaster of the Linton Brass Band, and was an active member of the Linton Church of England congregation. William and Elizabeth Todd celebrated their Golden Wedding anniversary in 1932. They had nine children. Enlarged black and white copy of original photograph, which shows the head and shoulders of a man with a moustache and beard, who is wearing a formal suit. The photograph appears to have been cropped from a photograph of the Todd family taken c.1906.On reverse: "Mr Wm Todd. / (Mrs Surman's father)".william todd

Lakes Sports and Community Club on Esplanade shows single story building with modern facade, child playground beside lawns in foreground Lakes Entrance Victoria. Built on site of Carpenters Camp Park residence which was relocated to Hunters Lane in 2003Colour photograph of Lakes Sports and Community Club on Esplanade shows single story building with modern facade, child playground beside lawns in foreground Lakes Entrance Victoriabusinesses, roads and streets

George Hathersich made wood moulding planes at 30 Shade Hill Street, Manchester, England, from 1797 to 1851. After his death, his wife, Elizabeth, carried on making planes. Moulding planes are used to create decorative edges on timber for doors, tables, cabinets and elaborate cabinetry.The maker, Hathersich, was a very early plane maker from Manchester, England. Hathersich's early 19th-century hand-operated planes are rare examples of crafted woodworking tools. Similar tools are still made today and used by specialists in cabinet and woodcraft trades.Plane; hand-operated mounding plane, round type. A narrow rectangular plane with a wooden wedge and an iron blade inserted in the bed. The wooden surface is stained and varnished. It has inscriptions. Made by George Hathersich of Manchester, UK. Also marked C S Schofield. "Hathersich" "C S Schofield"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wood work, builder, carpenter, wood worker, woodworking, plane, moulding plane, tool, woodworking tool, george hathersich, shudehill, manchester, england, c s schofield

Black and white photograph of old Scarborough Hotel and partt of wharf showing the trolly on the wharf at Metung Victoria. Also a black and white photograph showing boat at end of Metung wharf and crane looking towards Shaving Point roads and streets, waterways