ILLUSTRATED LONDON NEWS CONTAINS PHOTOS AND ACCOUNTS STRAND LONDON OF QUEEN ELIZABETH FROM BIRTH, WEDDING TO CORONATION CEREMONY. IT WAS FOUND UNDER THE HOUSE WHERE LAURA HUDSON USED TO LIVE.DARK BLUE COVER WITH GOLD PRINTING - THE ILLUSTRATED LONDON NEWS CORONATION 1953TO AUNTY LAURA HUDSON WITH CHRISTMAS GREETINGS 1953local history, book, reference, coronation 1953, hudson laura

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Origin of the Stoddart statues and the unveiling ceremony in 1884,p.1. Brief notes on each statue and cleaning method used,p.2. Other features of the Gardens and biographies of notable contributors.Ballarat Art Gallery founded at the same time (1884) and special area for statues was omitted as a result of Stoddart's gift.12 white A4 pages printed on one side, photocopy of typed notes. Copy of pp.1&2. Author, J.A. Chisolm and top left hand corner of page 1, 354/5/1, JAC:djw 1983john garner collection, garner, dr, talking notes, friends of the ballarat botanical gardens, fbbg, ballarat botanical gardens, ballarat, gardens

Black and white photograph of five members of Metung Regatta Committee Graham Abbott, Tiger Lake President, front Una Langmaid, Ambulance Vic Rob Tainton,Metung Comm Care Alan LancasterCFA, Clem Diggle,Bruthen Lions Rob Cronin,Metung Primary School Sue Cantrill, Ted Smith Jack Shaw Committee who distrbuted funds to five local Community Groups at ceremony beside the Marina Metung Victoriacelebrations, boats and boating, sports

Certificate of acceptance, colour. Royal Antediluvian Order of Buffaloes Grand Lodge of England. Golden City Lodge No. 62. This is to certify that Brother Basil William Bates Miller has been initiated into the masteries of BUFFALOISM with all the ancient rite and ceremonies. As witness our hands and seal this18th day of April 1950. Signed N H Wintle W.P. Geo B English C.M. Sec R B Dickins K 711.organization, church, buffaloes grand lodge no 62

Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu