www.myprimitivemethodists.org.ukWhite china with gold trim and green transfer prints and text. Teapot, registration number 13.1, has a serpent like spout. Teapot lid, registration number 13.2. Saucer, registration number 13.3. Plate, registration number 13.4.Teapot front: 'Primitive Methodist Jubliee Chapel Tunstall'; teapot back and teapot lid: 'William Clowes' 'Hugh Bourne'. primitive methodist, primitive methodist jubliee chapel tunstall

Black and white copy of original portrait of a lady standing next to a pot plant and stand. She is wearing a light coloured layered gown with dark fringe and braiding. Her hair is wound up on top of her head like a beehive.mrs eleanor tuckfield, miss eleanor louise linton

In 1995, the school uniform at Galen underwent a colour change. These two photos show what the uniform looked like before 1995 and what it has looked like since.galen catholic college, galen college, 1995, school uniform

The owner of the 'Autograph' book was Mary Alys (Gipps) Kirkland, the daughter of Richard Brook Woodthorpe Gipps (c.1872-1946). The family had migrated from Great Britain to Coorparoo, Brisbane, where most of the items in the album were created. In June 1925, The [Brisbane] Telegraph reported the wedding of Richard Gipps to Mary Alys Kirkland at Elvaston, The Righi, South Yarra. The bride, like the groom, was originally from Queensland, but at the time of her marriage lived with her parents at 21 The Righi. The album passed to their daughter Rosemary Alison (Gipps) Vaughan-Smith, and thence by donation to the collection of the Kew Historical Society. While the signatures are interesting, they are not rare. Rather it is the illustrations that dazzle with the surety of their design and execution. In the portraits, one can recognise the debt that Edwardian art and design owed to the Pre-Raphaelites whose serene and poised idealisations of women are exemplified in the drawings, albeit simplified for a new 20th century sensibility. Typical, is a very early portrait from 1906 of Mary Alys Kirkland by a 20-year-old Garnet Agnew (1886-1951). Agnew later became an illustrator for The Brisbane Courier and The Queenslander Illustrated Weekly, creating cover illustrations for these publications between 1926 and 1930. Another pen and ink portrait of Mary Alys Kirkland was created in 1910 by Augusta Frances Isabel Hobday (1884-1961). Augusta, with her brother and sister, Percy Stanhope Hobday and Gladys Hobday, were artists and teachers. Each was involved for many years in the Queensland Art Society. While the album has historic, aesthetic and social significance to Brisbane’s history, as a document, its preoccupations have a wider Australian relevance and importance. Compiled between 1905 and 1922, the 'Autograph' book has considerable aesthetic coherence, even though drawings and text are by different hands. Together, it provides a vivid depiction of social life and values in Brisbane in the period preceding the First World War. Like other autograph albums of the period, it is a compilation of pen and ink sketches, watercolours, quotations, poems, aphorisms and signatures. Most entries are from Queensland, particularly Coorparoo in Brisbane; friends and acquaintances from other Australian States also contributed items. The autograph album predictably contains numerous mementoes of the notable and the forgotten. It includes the signatures of the British contralto Dame Clara Butt (1872-1936) her husband, the baritone R. H. Kennerley Rumford (1870-1957), and that of the Australian actress and singer Nellie Stewart (1858-1931). autograph albums, manuscripts - kew historical society, rosemary vaughan-smith, vaughan-smith collection, dame clara butt, garnet andrew, augusta frances isabel hobday, coorparoo - brisbane, nellie stewart, mary alys kirkland, mary alys gipps (nee kirkland)

Like many school students across Australia, Galen Catholic College students like playing downball during lunchtime and recess. This sequence of photos shows the students focused on their game.galen catholic college, galen college, lunchtime sport, sport, downball, 2012

Wool and spinning department, R S & S mill.Wool and Spinning Department/ Called Mules - centre section - so called because they/ worked like mules all day without stop ROBERT POCKLEY/ PHOTOGRAPHER G Kidmantextile machinery textile mills - history textile mills - staff textile mills, returned soldiers and sailors mill, spinning machinery, textile machinery, textile mills - history, textile mills - staff, textile mills

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A small photo of 57 Malmsbury Street in Kew. In the 19th century the house had been the home of the grandparents of the historian Dorothy Rogers. From the 1940s it was the home of the Tabulo family who created Fairyland. After Grace Tabulos death in 1965 the contents of the house and garden were removed. This dated photo from 1967 shows the house before it was renovated."Taken 2 March 1967. Built prior 1860. This must be like it was in grandma's time. Mother and father were married in the right hand front room in 1884 by Martin Hosking"fairyland, 67 malmsbury street (kew), dorothy rogers, grace tabulo

A coffee-coloured lace bertha collar which is wide, round, flat collar designed to accent a woman's shoulders. It has a long history stretching back to Victorian fashion. It can be worn as an accessory to a dress or a top, and it is sometimes removable like a shawl.lace accessories collar bertha

The items were part of a collection relating to Frederick Campbell Moller No 2233 AIF. Refer Cat No’s 1661.3, 1680.3, 1682.5, 1663P..1).2) Two matching buttons, brass, British coat of arms with crown. .3) .4) .5) Three buttons with Centre cross with stars, crown at top. .6) Sabre pin shaped like a sword/rapier, brass, with handle and a hilt..1) On rear, “Firmin & Sons London - Smith & Wright limited Birmingham” .3) .4) “Bryon Bros London” .5) “H W MARTIN LONDON”unfirom - accessories, costume accessories - clothes, accessories, metalcraft - brassware

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black. No Matt. Wooden and gold frame with glass glazing.Front: Portland Commemorative Print (lower left) (stamp) 1/20. A Gee The Groom (Lower centre) (pencil) John Cain (signature, brown ink) Premier of Victoria (black in stamp) (lower right) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 27/37 The Wedding, 1924 A Gee Back: 17

A crucible is a vessel made of a refractory substance such as graphite or porcelain, used for melting and calcining materials at high temperatures. (http://www.thefreedictionary.com/crucible) Morgan Crucible was established in 1856. See http://ubshwiki.ballarat.edu.au/index.php/Morgan_Crucible_Co. A crucible is used to hold small amounts of chemicals during heating at high temperatures. The lid covers the bowl so nothing escapes, or to keep oxygen out of the reaction. (http://wiki.answers.com/Q/What_is_a_crucible_and_how_is_it_used_in_a_laboratory)Two used narrow high shape crucibles with small spouts made by Morgan of England. They are heat-resistant containers used to melt ores, metals, and other materials. One has green (copper origin?) glaze like material on the base and sidecrucible, assaying, morgan

This 10-spoked ship's wheel would have used to steer on a large ship due to its size.Wheel wooden and brass, from a large ship. Brass hub and trim around circumference of wheel. Column-like spokes, with usual rounded handles (10 spokes) around outside of wheel. Heavy wooden centrepiece with metal backing and shaft (broken).flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ship's wheel, 10 spoke ship's wheel, navigation, ship's steering, marine technology, ship's fitting, navigation equipment

Diggers & Mining. Diggers and Miners. As the mines developed, so did the town. The central part of the town was called the Junction. Picture shows the central part is round, like a large round-about. Markings: 45 994.5 WAL. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Object, Blotter, Meurer's Electroplating and Enamelling Works, 194 Mundy Street, Bendigo, Tel. 203. Old Teapots, Cruets, Hot Water Jugs, Bowls, Jardinières, Ornaments, etc., Re-silvered or plated to look like new.No. 537, ''Roses''.Chas Steele & Co., Melb.business, retail, meurer's electroplating and enamell

Object, Blotter, Meurer's Electroplating and Enamelling Works, 194 Mundy Street, Bendigo, Tel. 203. Old Teapots, Cruets, Hot Water Jugs, Bowls, Jardinières, Ornaments, etc.,Re-silvered or plated to look like new.No. 543 ''Moonflower''.Chas Steele & Co. Melb..business, retail, meurer's electroplating and enamell

Small off white card with a bunch of embossed purple pansies near the bottom. Above is a greenish cloud like area edged in gold with 'Thoughts' printed in gold with purple and green shading on the letters. Card & insert held together with a mauve cord.person, greeting cards, malone collection, malone collection, greeting cards

Letter from Court Freedom A.O.F. Clunes Secretary, Dated Oct 26 1876,Thos. H. Pearce regarding accounts and he would like the amount settled to give the Court a clear Card. Postal address of T Pearce on the back.societies, aof, correspondence, ancient order of foresters no 3770 collection - letter, court freedom, ennor, doney, thos pearce

Handwritten letter to Miss Parry enclosing an invitation to the Centenary Celebrations of St. Liborius Church. The writer Mrs Margaret Tobias asks Miss Parry if she knew of anyone who would like an invitation and any assistance would be greatly appreciated.church, history, st liborius church, letter to miss parry, the bendigo branch royal historical society of victoria, st liborius church, mrs margaret tobias

Elaborate Silk like Fabric Year Memorabilia with a female figure in green dress with mustard coloured hat in middle:Months of the Year listed either side. Water scene in background. Words in three languages saying "Happy New Year" in red writing.Vietnam So K.D.1196 B.T.T Neay 11-9-70 in green print ; bottom right hand sidememorabilias

The medallion was to commemorate the Australian BicentenaryThe Australian Bicentenary (1788-1988) Medallion issued by the City of Nunawading for the Australia Day family festival. Silver coloured and is inscribed with the Nunawading Coat of Arms. Black square box with cream pad as lid and black felt like base for medallion to sit in.'as above'civic mementoes, souvenirs

Tri-fold cardboard item with Japanese script flanking central image of a cloaked male figure engulfed in flames and standing on a flying four-legged mammal-like animal, possible a dog or tiger. Black background with red border and gold text.Japanese printed text.

Hat belonged to Leslie Ricketson mother.Handmade wreath like hat of varying shades of blue rayon silk, voile and nylon flowers overlapping and mounted on a stiff plastic net frame. The whole is covered in a fine velvet spotted net veiling. No makers label appears. Hand stitched.costume, female headwear, trades, millinery

This particular lamp was made for the dinner table or "parlour". This was the most effective indoor lighting before electrical lighting was introduced in the 1940's. These table lights would have still been used after this time as emergency lighting during electrical power shortages (outages). These emergency lighting lamps, including candles, were eventually replaced by battery power. The Kiewa Valley was supplied by electricity well before many other rural regions due to the State Electricity Commission constructing the Kiewa Hydro Electricity power turbines (late 1930's to mid 1950's). Petrol and diesel generators were used in other rural regions before state wide electricity was available.The significance of this kerosene lamp to the Kiewa Valley is that it provides the proof that before the Hydro electricity scheme was established in the valley, householder and commerce relied on candle/kerosene power. Although at certain times before battery and solar energy became the night time lighters the sole source of lighting was candle power and kerosene power. The supply of both however was still required by most of the population by supply from city and larger country town suppliers. This nearly fully glass made table lamp(kerosene) has a large glass bowl/basin like kerosene storage unit with a glass circular finger handle (similar to a ordinary cup). Formed single star like patterns (50mm apart) encircle the centre of the bowl. On top of the bowl sits the metal (brass) wick holder with a small wheel protruding out one side for adjusting the wick length(increasing or decreasing the strength(regulating) of the amount of light projected. Four prongs rise from the circular base light fixture holding the windproof and refractive glass "pot belly" shield. lamp table, kerosene lamp, household lighting (non electrical)

Newspaper article: Jaqui's dream comes true ... to a tea, Diamond Valley News, 5 November 1985. about Ballara tea room, history of property, claims scenes from 1932 film The Sentimental Bloke filmed in house, earlier life of now owner Jaqueline Robins in England. Newspaper advertisement: Diamond Valley News, 5 November 1985. Eltham Community Festival Concert, lists performers.main road, eltham, businesses, ballara tea rooms, jaquiline robins, the sentimental bloke, the head family, david john kerr maurice, dyasons family, maria grobner, johannes pietzcka, ray robins, kim robins, sebastian jorgensen, tony hadjon, rodger treble, john norten, eltham community arts council