Likely a companion piece to the End of Year Exhibition (EYE) of Visual Arts students. A compendium of eleven, A5 cards featuring the work and details of graduating students, 2017. Cards are held in a black textured binder of plastic sleeves, bound by three brass screws. federation university, visual arts, arts academy, camp street campus

Black and white photograph: framed painting of three masted sailing ship, on display at Golden Days Historical Exhibition, 1960. Name on bottom of painting 'Sobraon' See http://www.aberdeenships.com/single.asp?offset=2360&index=100160 for further information on ship's history.bendigo, history, golden days historical exhibition

Newspaper clipping from The Courier, 22/3/1973 - a letter to the Editor from D. Menzies of Malvern about the work being done by the BTPS, its involvement in the Camberwell Exhibition at the Civic Centre and the lack of support from Ballarat people compared to Bendigo.date in blue ink of "22/3/73" along bottom edge of cutting.trams, tramways, btps, museum development, letter to the editor

Has a strong association with the BTM and Neil Lardner as a conductor.Print of digital Image of conductor Neil Lardner selling a ticket to a passenger on board a tram 30/9/2008. Photo Warren Doubleday Photo was printed by the Gold Museum 2008 for a local exhibition and additional copies given to the Museum by Roger Trudgeon 2009.trams, tramways, btm, conductors

Royal Historical Society of Victoria Bendigo Branch Golden Days Historical Exhibition R.S.L. Memorial Hall Pall Mall Bendigo Programmes August 12 -17 1960. Copies 2. One Gold Coloured Paper, One Green Coloured Paper.bendigo, history, golden days historical exhibition

Digital Image of Z3 191 at the East Burwood terminus behind a sign about the Federal funding through the Federal Urban Public Transport Program, during 1993. Photo by David Kemp. Tram has the destination of City Exhibition St, Route 75.trams, tramways, route 75, east burwood, transport funding, funding, z3 class, federal grant, tram 191

Exhibition booklet - Exhibition dates 11 DECEMBER 2014 - 21 JUNE 2015.SOFT COVER BOOKLET Soft cover - cardboard, white, green and grey print on front and back, on white and green background. 27 pages, cut, plain, white, illustrated black and white and colour copy, photographs, portraits, illustrations,booklet, bendigo, ww1

Short cylindrical off-white glazed ceramic pot with lid, with ridge at base of pot and top of lid. Remnants of a white label with black text on the side, the pot containing mouldy white tablets.Impressed on the base the numeral '1' over '2'. label on the side damaged but in its entirety would have originally read ' International Exhibition Award for Chemicals & c Philadelphia 1876.medicine, tablets, international exhibition 1876

Euphonium with mouthpiece in situPatent Clear Bore contesting Model Class A Exhibition Prize Medals Awarded to J. Higham Ltd. Makers 127 Strangeways Manchester England 58524 Lyons Sole Agenteuphonium, musical instrument

Hardcover w/ Dust JacketMelbourne University Press Biographies Catalogue, Subscription card and Corrigenda. Newspaper clipping of an article by Giles Auty about an Arthur Boyd painting exhibition at Philip Bacon Galleries in Brisbane.biography, dictionary, australian biography, walsh st library

The horseshoes in this purpose-built display case were made by Thomas Alfred Chapman in 1906-1907. Chapman operated a blacksmith’s shop in Mortlake Rd, Purnim, about 15 mins drive from Warrnambool. Chapman made this horseshoe case especially for the 3rd Exhibition of Australian Manufacturers and Products, held in the Exhibition Building in Melbourne, which was organised and promoted by the Australian Natives Association (ANA). Reference is made to the horseshoe case in the Exhibition’s Souvenir Catalogue of 1907 on page 85, under the heading 'In the Machinery Section the following exhibits are also shown … 'CHAPMAN, T.A. , Woolsthorpe, via Warrnambool, Case of Horseshoes'. The Australian Natives’ Association (ANA) were a non-partisan and non-sectarian, friendly society founded in Melbourne, Australia in April 1871. It was set-up for the benefit of Australian-born white men, and membership was restricted exclusively to that group. Men of other races including the Chinese and Indigenous people were not allowed to join. The ANA had relatively progressive views on women (for the time) and attracted suffragists seeking support for their cause, and in 1894, the ANA advocated for women’s enfranchisement. Although, white women were only admitted as members from 1964. The organisation was most prominent in Victoria and sought to shape Australia’s national identity and was a training ground for businessmen, trade unionists and politicians including many of Australia’s early prime ministers such as Edmund Barton, Alfred Deakin, James Scullin and Francis Forde, and the first Australian-born governor-general, Isaac Isaacs, was a member. By 1910 it had developed into a nationwide association with real political and social influence, and members would participate in many activities. The ANA lobbied strongly for anti-Chinese legislation and were an ardent believer of colonial unification. Its mission and efforts are largely credited for the successful referendums that resulted in Federation of the six Australian colonies into a new nation, the association’s most important legacy. The ANA was also a supporter of trade protection, and were a staunch advocate of the first act of Australia's new parliament, the Immigration Restriction Act 1901 (cth) or commonly known as the White Australia Policy, which became one of the central pillars of Australian nationalism in the 20th-century. The ANA campaigned against the Australian Federal Government's new immigration policy after the Second World War (non-British immigration from southern and central Europe) in order to maintain a 'white Australia', and resisted changes when the Labor government during the 1970s fully dismantled and abandoned the White Australia Policy. The ANA merged with Manchester Unity Independent Order of Oddfellows, in 1993 to become Australian Unity Ltd. The display case of horseshoes changed hands several times, going from its maker Thomas Chapman to his mother then various other members of his family. The case was also displayed at the Lee Family’s butcher shop at 188 Liebig St Warrnambool, and in the Purnim Hotel during the Warrnambool May Races. In the late 1950s the horseshoe case went to Thomas’s son, Brian. He was a Master Farrier and completed his apprenticeship at Flemington Racecourse, and in Warrnambool he owned a blacksmith business at the Warrnambool Racecourse Grounds. Brian later operated a blacksmith’s at Flagstaff Hill, where his customers would bring their horses to be shod. Brian passed away in August 2017. The horseshoe case is significant as an example of trades in the early 20th century in Western Victoria, Australia. It is also significant as an example of horseshoes from the early 20th century. The horseshoe display case is also significant for its association with the Australian Exhibition of 1907, showcasing Australian produce and manufacturing to the world. The horseshoe display case is locally significant for its association with local families, essential businesses and community events. Display case of homemade horseshoes. Wooden case with glass front containing 16 horse shoes grouped in sets, each set with a label: Made 1906-1907 for Australian Exhibition of 1907 by Thomas Alfred Chapman of Warrnambool. The case contains (a) complete chrome set each of Trotting Shoes, Hunting Shoes and Racing Plates, and (b) one pair of Hind Polo Shoes and one pair of Front Aluminium Shoes. The wooden frame has gold lettering on each side proclaiming “Australian Natives Association, T.A. Chapman, horse shoer, Warrnambool” and is topped by a painted Australian coat of arms. Gold lettering on frame, in the order of top/bottom/ left/right “AUSTRALIAN.NATIVES.ASSOCIATION / T.A. CHAPMAN / Horse Shoer / Warrnambool”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, horseshoe display case 1906-1907, chromed set of trotting shoes 1906-1907, chrome set of hunting shoes 1906-1907, chrome set of racing plates 1906-1907, pair of hind polo shoes 1906-1907, pair of front aluminium shoes 1906-1907, australian exhibition 1907, australian natives association (ana), t.a. chapman horse shoer warrnambool, thomas alfred chapman, brian chapman, brian “snacks” chapman, blacksmith warrnambool, warrnambool may races, warrnambool racecourse, purnim hotel, lee family’s butcher shop warrnambool

The fourth Battalion appears to be made up of Castlemaine and Bendigo Residents.Four magazine photographs. .1) Kitchen of the Fourth Battalion .2) Cadet Display at the Exhibition Ground, Jubilee Week, 1887 .3) 4th Battalion in Quarter Formation. .4) A group of Fourth Battalion officers, 1898 VersO - Certificate of the Royal Geographical Society of Australasiaarmed services, fourth battalion, cadets, voluntary regiment, kitchen, exhibition grounds, militia

Black and white photograph: image shows framed items on wall, models of ships in glass cases, on display at Golden Days Historical Exhibition, 1960. Model ships and paintings belonged to 'Mr. Alfred G. Rutland of Chewton' (see inscription on back of photo 8096.14)bendigo, history, golden days historical exhibition

Invitation issued to Kay MacGregor, Vice-President, Bendigo Historical Society, to attend the exhibition opening of The Home Front, Australia during the First World War, held at The Hall, National Museum of Australia, Lawson Crescent, Acton Peninsula, Canberra, on 9th. April 2015.event, war, home front exhibition, kay macgregor, anzac, home front, national museum, canberra

Hand written press statement from A. Richardson, President, Bendigo Branch of R. H. S., Vic. Statement mentions Central Deborah Restoration, also the Eaglehawk Logs and the Victoria Hill Project. Mentioned also is an exhibition and parade of historical gowns on 7th March.mine, gold, central deborah gold mine, central deborah gold mine, central deborah restoration, eaglehawk logs, victoria hill project, exhibition and parade of historical gowns, mrs biggs, a. richardson

Mackay collection - Bronze medal Centennial International Exhibition Melbourne 1885 awarded to T H Henderson Esq with relief depiction of Queen Victoria & wreath around wording Artieus Dignis Honor Insignis. Name engraved on rim T H Henderson Esq.civic mementoes, presentations, centenial exhibition

One of thirty photos taken by Alison Kelly at the Mission Arts Centre, late 1980s, early 1990s. Some with captions. Many have copies already in collection. Group at exhibition. Person in foreground is photographer Alison Kelly; on right is donor of these pictures, Jim Hillismissions to seamen, celebrations fetes and exhibitions, social activities, mission arts centre

2 white souvenir first day covers one with with dark blue ink print and one with red ink print. 100 Centenary 1850 - 1950 First Adhesive Postage Stamps. And Australian National Philatelic Exhibition Melbourne 4-14 Oct-1950.philately, covers, first day cover, lydia chancellor collection, collection, australian national philatelic exhibition, stamps, postage stamps, entertainment, amusements, exhibition

Sandhurst Industrial Exhibition 1879 First Class Certificate awarded to Maggie Sneddon of Sandhurst for a model bed. Dated June 30th 1879. Certificate has a central image of the Corn Exchange building (TownHall) The certificate is bordered with detailed pictures of native Australian flowers.W Holmes Sandhurstindustries

Postcard depicting the opening of the first parliament of the Commonwealth of Australia in the Exhibition Building Melbourne by HRH The Prince of Wales. Printed along the top of the card is ' Citizen's presentation to the Borough Council Eaglehawk. Down the sides and across the bottom is a list of about 60 names of citizens in Eaglehawk.postcard, opening of parliamenty, opening of the first parliament, exhibition buildings, borough council eaglehawk

Peter CLARKE (1969- ) Gunditjamara (Lake Condah) Born Heywood, Victoria At two months old Peter Clarke was removed from his parents and placed in a Catholic boy's orphanage in Ballarat. The orphanage was closed and Peter was moved to a public orphanage where he discovered 'manners were not a necessity and you often had to take before you were ever given in this orphanage. ... This new orphanage was not a home for me but a prison of sadness and despair.' Disconnected from his country and lore Peter Clarke chose "my own path to land, county and water". Although his childhood memories are dark and bleak, he uses vibrant colours. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mallee Wood didgeridoo with vibrant colours. A natural wood imperfections have been used to emphasise what is recognisable as a frog. This work was purchased from the "My Art, My Life, My Colours' exhibition at the Federation University Post Office Gallery, May 2008.art, artwork, aboriginal, peter clarke, didgeridoo, stolen generation, st joseph's orphanage, sebastopol, my art, my life, my colours' exhibition, federation university post office gallery

Digital image of PCC 1041 at the Spencer St terminus, Oct. 1974. Has the Spencer St railway station and the Carlyons Hotel in the background. Tram showing Route 95, Exhibition with the front door open. Photo by Dick Jones - reference - 1041_BourkeSt-at-SpencerSt_DickJones_7410EK.32.169trams, tramways, pcc, route 95, spencer st, exhibition, tram 1041

Agfa colour blue white plastic mount, photo by Keith Caldwell of W6 986 east bound in Bourke St at Exhibition St with the Southern Cross Hotel in the background. Tram has an advert for Aspro, route 88, East Preston. 20/3/1966In ink "W5 20 iii 66"trams, tramways, w6 class, bourke st, route 88, east preston, tram 986

Norman Keith HOFMAIER (12.08.1951- ) Born Beulah, Wimmera, Victoria Norman Hofmaier was a scion of a well-known family, he completed his secondary education at Hopetoun High School and Ballarat College. Later he studied Visual Art at University of Ballarat, including painting, design and sculpture. Hofmaier’s childhood in Beulah was spent on the family property running beside the Yarriambiack Creek. Both he and his father had an intimate knowledge of the flora and fauna of the Mallee. The Wyperfeld National Park, home to the Big Desert, was a favourite place for Norman’s uncle who planted acres of native trees at the family property. Dr Di Bresciani explains: “The colours and vastness of the Mallee are represented in many works which reflect, variously, the relentless quiet and swirling energies found in the ‘dust storm might’ of the Mallee area. Most works may be described as abstract, lyrical abstract or abstract expressionist." From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. His work reflected his exploration of his inner state, sometimes flowing and placid, sometimes tempestuous. After a brief sojourn into city-life Norman returned to working in the country, until finally submitting to mental illness and permanent care in the mid 1990s. Norman Hofmaier's works are represented in major collections including that of the well- known artist Mitch Pearson ( an important influence and lifelong friend). The work 'Pastel of a Nude' was shown in a widely distributed magazine and two works owned by Mark Shannon were planned to be published as record covers in 1993. He won an award during the bicentennial recognising his skill as a Wimmera artist. From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. This work was purchased from the exhibition 'Norman Hofmaier: Mallee Mysteries' at the Lost Ones Gallery in Camp Street, Ballarat. The exhibition explored the legacy of Hofmaier’s work as well as raising money for the Ballarat Art Foundation. The Hofmaier family donated 16 works of the artist to be sold to raise funds for the foundation, to support emerging artists.Original painting in square format, featuring abstract swirls of blue, white, red, yellow and green.On back of work: 1. pools of diluted oil paint covering approximately 8 cm from each edge, 2. in right hand corner in permanent marker "N Hofmaier" 3. middle right hand side, torn exhibition label, with the words, "Belauh", "Local Art", "Prome", "Local Art", "$350", "Collect A", "oin" 4. Bottom right corner, two exhibition labels on card. Cards read: The flowing of movement before any known bodies are formed. Matter and gases bubble forming kaleidoscopic colours and shapes. Promethius 1 Oil based pigment with petrol on prepared board 1320 x 1210 mm On front of work, bottom right hand corner, in white lettering, N Hofmaier. Bottom right hand olive green frame damaged on front of work.painter, mallee, beluah, norman hofmaier, wimmera, abstract, alumni

A group of artists created an arts centre and save the Mission building but it was demolished in 1995.Colour photograph depicting the Mission to Seamen, Beach Street, Port Melbourne in 1988. In front of the building is a sign for an art exhibition: " Zeitgeist - Spirit of the Times - paintings by Phil Edwards, Robert Ewing and Anthony May, Sculptures by Andrea Griffin, August 18- September 8 1988."port melbourne, harry a. norris, brick, art deco, 1937, beach street, ww2