Illustrated book with dust jacket. Book has a marron cover with title, author and publisher's name embossed in gold on the spine. Front and spine of dust jacket has a black and white photograph: sick sisters on Lemnos. Title and authors name in black and red print on front and spinenon-fictionThis book investigates the contradictions, paradoxes and anomalies which have arisen for those assigned the role of army nurse. Financial discrimination saw the female captain in charge of an operating theatre in Vietnam being paid less than a male corporal working with her. Guns have replaced brooches as part of the nurses' uniform, as "total war" increasingly makes a mockery of the distinction between combatants and non-combatants.military nursing-australia, australian army nursing service, nurses, nursing

Illustrated book with white front and back covers and red spine. The front cover has a red, black and white photograph of a nurse: Matron Adelaide (Maud) Kellett. Title and author's name are printed in red below this photo. Abbreviated title and author's name printed in white on the spine. Back cover has abbreviated title printed in red and a summary of the book printed in black.non-fictionScarlet Poppies analyses the impact the military paradigm had upon the challenges faced by the 2,468 civilian trained nurses who joine the Australian Army Nursing Service (AANS). The complex relationship between the male dominated military model and the female dominated Nightingale system of nursing training by the First World War nurses is examined in detail.world war 1914-1918, military nursing-australia, nurses, australia army-nurses

Each bar is for a son in the services.Silver metal and blue enamel. Enamelled ring with "AIF" in centre, topped with crown, enamelled banner underneath. 3 bars slung underneath banner. AIF or RAN exclusive award given to nearest female relative of male who enlisted in WWI and served overseas. In enamelled ring: "Issued by Dept of Defence/To women of Australia" On banner: "For duty done"numismatics-badges-commemmorative, metalcraft, female relative

Four species of quoll occur in Australia: the northern, spotted-tailed, eastern and western quolls. Once, most parts of Australia were inhabited by at least one of the species.Captain Cook collected quolls along the east coast in 1770, and recorded "quoll" as their local Aboriginal name. Quolls were often seen by early settlers, who called them "native cat", "native polecat" and "spotted marten", names based on familiar European animals. Since 1770, all four species have declined dramatically in numbers. This is mainly because of habitat loss or change across Australia, and introduced predators such as foxes and cats. Quolls are carnivorous marsupials with a pointed snout, a long tail and brown to black fur distinctively spotted with white. They are lively, attractive animals, with bright eyes, a moist pink nose and many sharp teeth. Like most Australian mammals, quolls are mainly active at night. Typically, they spend the day in one of their many dens, although spotted-tailed quolls and northern quolls sometimes forage and bask in the sunshine. Their large home ranges can extend for several kilometres in each direction from a smaller core range, and the range of a male quoll often overlaps those of several females. An interesting feature of their behaviour is the use of shared latrine (toilet) sites in open spaces such as rock ledges, for marking their territory and other social functions. Male quolls travel widely during the breeding season, with mating occurring during winter. All four species have a gestation period of 21 days. Because they are marsupial mammals, their young are born tiny and undeveloped and must work their way to the pouch, where they attach themselves to a teat to feed. Only the spotted-tailed quoll has a true pouch. In the other species, the young are protected by shallow folds of skin around the teats. As the pups grow, they dangle from the mother's belly; later, she carries them on her back. Quolls reach sexual maturity at one year. They have a naturally short life span, with smaller quolls living an average of only two years, and the larger spotted-tailed quoll about four to five years. The northern quoll is particularly short-lived. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Average sized quoll with brown fur with white spots on body but absence on the long tail which is furry unlike the smooth body fur. The quoll has a small had with a pointed snout lined with sharp teeth, and thin membraned ears that are slightly covered in fur. The forelegs of the quoll are slightly smaller than the hindlegs, with all four legs featuring sharp clawed paws.On mounting board: BMM5984/ On Catalogue Tag (attached to left hindleg): Native Cat./ Catalogue. Page 50./ burke museum, taxidermy, taxidermy mount, fauna, animal, animalia, reynell eveleigh johns, quoll, native cat, dasyurus

Framed black and white photograph of two females and one male singer on stage entertaining the troopsentertainment

This glass slide captures the driveway into Mayday Hills Mental Asylum formally known as the Beechworth Lunatic Asylum circa 1900. The slide depicts the driveway lined with an elevated landscape featuring tall trees, shrubbery of different varieties and well shaped bushes. The Mayday Hills Mental Asylum was constructed between 1864 and 1867 to the designs by the Public Works Department (PWD). The decommissioned Asylum was one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. The Asylum was predominately inhabited by long-stay patients but there were active out-patients. The Asylum was one of the first asylums to focus on treatment and rehabilitation instead of institutional confinement. At the Asylum, active work was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation. The Asylum closed in 1995 and was sold to La Trobe University before being closed and sold again in 2011 to a private owner.This glass slide captures social and historical significance as it represents a one small part of a much larger and pivotal location within Beechworth history. This lantern slide stands testament to a special place in Beechworth’s history and its significance continues to be remembered today.Thin translucent sheet of glass with a square image printed on the front and framed. It is held together by metals strips to secure the edges of the slide.NOW SCENE / ASYLUM AVENUE/ R.P.B. HALL/ BEECHWORTH.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, mayday hills

Illustrated book. Multicolour front cover with title and authors name, as well as illustration (black and white photo) of a 'receiving" window, where fathers or other visitors could view a newborn. Nurse and man standing on one side and nurse holding a baby on the other. Title, authors name and publishers mark in white print on gold coloured spine. The back cover has a cream background with a summary of the book printed on it. There are also three photos of the hospitals three homes: St David's Church Hall, Mint Place and Lonsdale St.non-fictionA history of the Queen Victoria hospital. In 1896 eleven female doctors led by Constance Stone opened the Victoria hospital for women and children. After three different city locations, it ceased to exist as a separate entity in 1987, when amalgamation saw it form part of the Monash Medical Centre in Clayton.queen victoria hospital (melbourne), queen victoria memorial hospital (melbourne), queen victoria medical centre(melbourne), monash medical centre, hospitals-victoria -history

The photograph shows VR tram 40 just arrived at Brighton Beach terminus. Both trolley poles are still raised and the destination still shows Brighton Beach, awaiting the crew to make the changes. Some saloon windows are open with a male passenger boarding and a female passenger in long coat approaching the tram. In the mid ground to the left a large passenger shelter can be seen. Yields information about VR 40 and Brighton Beach terminusBlack and white photograph with note on the rear.In ink on the rear "139Y VR Electric Tram No.40 at Brighton Beach Jan 1924. Photo by A G Renwick 503""vr trams, brighton beach terminus, saloon windows, tram 40, trolley poles

Methodist Tennis Club Premiers C. Grade S.D.T.A. 1931 photograph presented to Mr. H. Oliver. Back row Mrs. Bert Newton, Mrs. Belle Homes, Miss M. Newton, Miss A. Pope. Front Row H. Oliver, I. Newton, D. Lindsay, K. McMullen.Black & white photo of group of 4 females (standing) and 4 males (seated) with 2 tennis racquets and 2 tennis balls.Presented to Mr. H. Oliver From The Methodist Tennis Club. Premiers C. Grade S.D.T.A. 1931 stamp on back of card, W.J. Chapman Photo Artist Stawellstawell sport

Coloured photograph of workmen creating ABC playground Gold Reef Mall (Looking West) c 1978. Kaye Baxendale female near State Bank. Barry Neville, male seated on bench seat near brick plant box.Large coloured photo of workmen digging up an area in the Mall. Two people are walking towards the digging works and a young man is sitting on a bench seat near a large plant bed. Workmen are around the construction site with people in the background. Also in the folder is a smaller coloured print of the same photograph. stawell streetscape