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National Wool Museum
Clothing - 1984 Los Angeles Olympics Men's Opening Ceremony Shirt, c. 1984
On the 1984 Los Angeles Olympic Uniforms donator Doug wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. When the forthcoming Los Angeles Olympic Games was announced, the Product Marketing Group seized upon the chance to show the world that we could make top fashion garments and display them on our elite athletes on the world stage. A concept was launched using a contemporary top designer, Adel Weiss, with the most exclusive fabrics and knits available, and all with a lot of hype. This launch failed dismally for the following reasons- - The designer did a wonderful job presenting an excellent fashion range on perfect skinny models. The AOC however wanted a uniform which had an obvious Australian appearance when fitted to elite, and frequently muscular, athletes. - The fabrics chosen did not reflect the performance required by travelling athletes, there was no recognition of the need for ‘easy care.’ - There was no recognition given to the problem of measuring, manufacturing and distribution of a range of articles when the selected athlete could be domiciled anywhere in Australia. - There was no appreciation of such historical facts as Fletcher Jones, who had been unofficial suppliers dating back to the 1954 Olympics in Melbourne, and the Fletcher Jones board member, who was also an AWC board member, and was not in favour of the change. The project passed from Product Marketing to Public Relations, a big spending off-shoot of the AWC Chairman David Asimus, and due to the day to day operations of the project was passed to me and PR took care of the financial matters. The first task was to meet with the AOC and find out exactly their requirements. This lead to the production of a design and manufacturing brief, cointaining exact time lines for each event required to ensure an appropriate uniform on every athlete chosen to represent his/her country on the date given for the Opening Ceremony in Los Angeles. Working backwards the timeline becomes- 1. Noted the exact date of the Opening Ceremony. 2. Estimated the date for distributing completed garments to each athlete. 3. Estimated the time span available for measuring each athlete and commence making each component of the ensemble to the individual measurements of each athlete. 4. Decided the date for making the final choice of uniform design concept. 5. Decided the date for distribution of the design brief to selected designers. These five steps were spread out over a two year period. The Commonwealth Games occur midway between each Olympic Games, work on the Olympic uniform commences the week after the Commonwealth Games closing ceremony and MUST be ready by the prescribed day two years hence. The project also had to remain cognisant of trade politics existing within the span of the task, as well as the temperament of designers in general. It is no overstatement to say that in the past every designer in Australia believed they could, and should, be chosen to design the Australian Uniform. The final choice of designer almost always faced criticism from the fashion press and any designer who had been overlooked. However, with the contenders receiving an exacting brief the numbers of serious contenders greatly reduced. The Los Angeles Olympic Uniforms. A further reason for the AWC bid failure to design the LA uniform was that the AOC had already chosen Prue Acton to design it. This was based on her proven performance during previous games as she had a talent for creating good taste Australiana. Her design concepts also considered the effect when they were viewed on a single athlete as well as the impact when viewed on a 400 strong team coming on to the arena. A blazer trouser/skirt uniform in bright gold was chosen for the formal uniform. It was my task to select a pure wool faille fabric from Foster Valley weaving mill and have sufficient woven and ready within the prescribed timeline. The trouser/skirt fabric selected was a 60/40 wool polyester plain weave fabric from Macquarie Worsted. This fabric had a small effect thread of linen that was most attractive when dyed to match some eucalyptus bark Prue had brought back from central Australia. For the Opening Ceremony uniform, Prue designed a series of native fauna, a kookaburra for the men’s shirt and a pleated skirt with a rural scene of kangaroos, hills and plants. This presented an insurmountable printing challenge to the local printing industry as it had an unacceptably large repeat size and the number required (50) was also commercially unacceptable. The solution was a DIY mock up at RMIT and the employment of four student designers. The fabric selected for this garment was a light weight 19 micron, pure wool with a very high twist yarn in alternating S and Z twist, warp and weft. This fabric proved to be the solution to a very difficult problem, finding a wool product which is universally acceptable when worn next to the sin by young athletes competing in the heat of a Los Angeles summer. Modifications to this fabric were developed to exploit its success when facing the same problem in future games. Garment Making- The most exacting garment in the ensemble is the tailored blazer, plus the related trouser/skirt. Unfortunately tailoring athletes that come in various shapes and sizes such as; - Weight lifters develop an enormous chest, arms and neck size. A shirt made to a neck size of 52 would produce a shirt with cuffs extending well beyond the wearer’s hands. - Basketball players are up to 7 feet tall and garments relying ona chest measurement grading would produce a shirt with cuffs extending only to elbow length. - Swimmers develop enormous shoulders and slim hips, cyclists by contrast develop thighs I liken to tree trunks and a uniform featuring tight trousers must be avoided at all cost. Suffice to say many ensembles require specialist ‘one off’ treatment for many athletes. Meanwhile there is a comfortable in between group who can accept regular sizes so you can cater for these by having back up stock with plenty of built in contingencies. Athletes may be domiciled anywhere in Australia, this creates a fundamental problem of taking their measurements. The Fletcher Jones organisation was key to answering this problem due to their presence in every capital city, as well as many provincial towns around Australia. Each athlete on being selected for the Olympic Team was simultaneously requested to visit their nearest Fletcher Jones shop. The standardised measurement data collected was shared with the other manufacturers, e.g. Pelaco Shirts, Holeproof Socks and Knitwear, Maddison Belts, and even Hush Puppy Shoes. As the time for the Games approached the AOC made arrangements for combining meeting of all. Selected available athletes at the Australian Institute of Sport, Canberra, where, among other things, they were fitted and supplied with their uniform. The method evolved as follows.Men’s cream coloured button up, collared shirt. Images of a kookaburra have been printed onto the shirt, a single kookaburra on the left breast and a pair of kookaburras on the reverse of the shirt. The kookaburras are printed in a brown tone to complement the cream colour of the fabric.On tag - FMaustralian wool corporation, 1984 los angeles olympics, olympic uniforms, men's uniforms, sport, athletes -
National Wool Museum
Clothing - Overcoat, Dominex, c.1970
This overcoat was designed and tailored by Dominex, a company that sold clothing in high end department stores such as Myer and David Jones in the 1940s through to the 2000s. As pictured in the accompanying advertising, Dominex looked to produce clothes for women to “casually, confidently wear … the exquisite styling and superb tailoring of… Dominex Coats”. This sentiment was carried by the company for more than 60 years. Amanda Morgan, a director of the Dominex fashion label in an interview from 2003 said “Not everybody wants sass, or sex, or high fashion for that matter. Au contraire. Our customers will be stylish, sophisticated and womanly, but we don’t do shoestring straps or asymmetrical lines." Dominex was a label specialising in exceptional quality "traditional" dressing for corporate wear. Their clothes looked to provide women with a return to the tried and true values of elegant, unpretentious, classic dressing. "Our look is European-influenced," Morgan explained further. "Inspired by Armani, Valentino, Chanel and Escada. Suits have been specially dyed in France to ensure the perfect shade of ice blue, lemon, grey, or slate. Fabrics are natural, silk and linen. Shapes are stylish, with an almost 1930s feel; classic pants, silk shirts, structured overcoats with elegant-length” Returning to this overcoat, it has a label on the inside which reads “Pure Wool Material by Godfrey Hirst of Geelong”. Nowadays Godfrey Hirst produce flooring products and are the largest manufacturer and exporter of residential and commercial carpets in Australasia. They have expanded into hard flooring and left their fashion days behind. This overcoat serves as a useful example of a different time for the company; before they made the change to concentrating exclusively on flooring, when they produced fabrics to be tailored for the height of Australian fashion. This overcoat was purchased and worn by Joan Waller, aunty of the donor, Kim Rosenow. Kim said her aunty was from Ballarat but frequently shopped in Melbourne to keep up with the latest trends. Her aunty Joan fitted the target demographic of Dominex well, as she needed to look sophisticated and elegant at social events and work. Kim donated the overcoat to the National Wool Museum in 2021. Green singled breasted overcoat with a narrow overlap and one column of buttons for fastening. The overcoat features notched lapels of a medium width and two large buttons of a green & dark green marble. The overcoat has two semi-visible jetted pockets at the hips. Internally, the overcoat features a black silk lining for comfort. It also features a stitched patch on the left side of the opening which reads “Pure Wool Material by Godfrey Hirst of Geelong”. At the collar, another patch reads “Dominex REGD”. At the cuffs, the overcoat finishes in a type of gauntlet cuff which stretches back over 200mm. The decorative finish utilises no buttons and has thick piping to accentuate this design feature. The overcoat finishes with a simple invisible hem at the bottom.Wording, gold. Patch stitched at collar: “DomineX / REGD.” Wording, black. Patch stitched at left off opening: “PURE WOOL MATERIAL BY / Godfrey Hirst / OF GEELONG”dominex, fashion, women's corporate wear, godfrey hirst, overcoat, wool clothing -
Brighton Historical Society
Dress, c1930s
This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this 1930s dress in 1983 to wear to her sister's Registry Office wedding in William Street, Melbourne. It was the first vintage clothing item she ever purchased and was the starting point of a lifelong love of collecting, preserving and promoting historical clothing. She subsequently wore the dress to a great number of events and considered it an important piece in her wardrobe. c1930s black cotton filet net dress with white cotton embroidered flowers. The dress fastens centre front with three hook and eyes, eleven black silk covered buttons and finished with black acetate ribbon band pussy bow at the neck , is slim fitting and finishes at approximately knee length. The head of the sleeve is gathered with a small shoulder band and finishes above the elbow with a black silk band. filet net, 1930s, di reidie, vintage clothing -
Brighton Historical Society
Headwear - Hat, Beret, circa 1956
This beret was worn by Marlene Austin, nee Trenberth in 1956 as part of the uniform of an official driver for the Melbourne Olympic Games. Marlene, who was living with her parents in Brighton at the time, took leave from her job as a stenographer to work as a driver at the Olympics. She drove officials and dignitaries from a variety of nations (including Thailand, Italy, Cuba and Sweden) to and from events, collecting a number of souvenirs, including a Venezuelan pennant and a pair of earrings gifted by the Thai delegation. Marlene's family have lived in Brighton since 1941, when her parents moved into a house at 15 Moffat Street. The house remained in the family for more than 75 years, before it was sold in 2018.Green wool beret featuring an oval-shaped white patch embroidered with the five Olympic rings. Grey lining.Label in lining, cream with yellow text: "COMMONWEALTH GOVERNMENT CLOTHING FACTORY / MELBOURNE" Stamped on top of this text in black: "7⅛"marlene pearl austin, marlene pearl trenberth, 1950s, 1956 olympic games, olympic games, beret -
Brighton Historical Society
Earrings, circa 1956
These earrings were given to Marlene Austin, nee Trenberth by members of the Thai Olympic delegation when she drove them around Melbourne during the 1956 Olympic Games. Marlene, who was living with her parents in Brighton at the time, took leave from her job as a stenographer to work as an official driver at the Olympics. She drove officials and dignitaries from a variety of nations (including Thailand, Italy, Cuba and Sweden) to and from events, collecting a number of souvenirs. Marlene's family have lived in Brighton since 1941, when her parents moved into a house at 15 Moffat Street. The house remained in the family for more than 75 years, before it was sold in 2018.Six-sided bell-shaped silver screw-back earrings for non-pierced ears. Each of the six sides features a vine pattern with black inlays. Each earring has a hollow interior containing a small metal bead dangling on a chain, causing the earrings to jingle when the wearer moves.marlene pearl austin, marlene pearl trenberth, 1950s, 1956 olympic games, olympic games, earrings, jewellery -
Brighton Historical Society
Flag, Pennant, circa 1956
This Venezuelan 1956 Olympic pennant was souvenired by Marlene Austin, nee Trenberth in 1956 when she was working as an official driver for the Melbourne Olympic Games. Marlene, who was living with her parents in Brighton at the time, took leave from her job as a stenographer to work as a driver at the Olympics. She drove officials and dignitaries from a variety of nations (including Thailand, Italy, Cuba and Sweden) to and from events, collecting a number of souvenirs. Marlene's family have lived in Brighton since 1941, when her parents moved into a house at 15 Moffat Street. The house remained in the family for more than 75 years, before it was sold in 2018.White triangular pennant with a blue border. The pennant features the image of the Olympic rings, with the central ring replaced by the image of the Olympic flame burning in a cauldron atop a Grecian pillar. Inside each of the four remaining rings are images of athletes competing in sporting events: a hurdler, a shooter, two boxers and a cyclist.Above the Olympic flame, the word "MELBOURNE" is printed in black. To the right of the image, printed in yellow, red and blue, is the text "VENEZUELA A LOS / XVI / JUEGOS OLIMPICOS" At the far right is the year "1956" in yellow text on a black background.marlene pearl austin, marlene pearl trenberth, 1950s, 1956 olympic games, olympic games, pennant, venezuela -
Brighton Historical Society
Bag, Bookmaker's bag, circa 1960s-1990s
Bags such as this one were used by bookmakers to collect and securely hold punters' bets at racing events. This bag belonged to Charlie Cox, a second-generation Australian bookmaker. His father, George Gordon Cox, ran bookmaking operations primarily during the 1920s and 1930s. After serving in the Air Force during the Second World War, Charlie entered the business during the 1940s, initially fielding at greyhound, trots and gallop meetings. In the early 1960s he moved to Melbourne, where he got his first big financial break when he was offered an interstate license to operate on the rails at all city tracks. He was a leading Melbourne bookmaker on the interstate rails racing circuit from the 1960s to the 1990s, from which period this bag originated.White painted leather bag with metal fastening mechanism. A short painted leather handle is joined to the bag by metal fastening clips.Painted on one side of the bag in black letters: "C.C. COX / INTERSTATE RAILS".bookmakers, horse racing, charlie cox, c. c. cox, interstate rails -
Brighton Historical Society
Bag, Bookmaker's bag, circa 1960s-1990s
Bags such as this one were used by bookmakers to collect and securely hold punters' bets at racing events. This bag belonged to Charlie Cox, a second-generation Australian bookmaker. His father, George Gordon Cox, ran bookmaking operations primarily during the 1920s and 1930s. After serving in the Air Force during the Second World War, Charlie entered the business during the 1940s, initially fielding at greyhound, trots and gallop meetings. In the early 1960s he moved to Melbourne, where he got his first big financial break when he was offered an interstate license to operate on the rails at all city tracks. He was a leading Melbourne bookmaker on the interstate rails racing circuit from the 1960s to the 1990s, from which period this bag originated.White painted leather bag with metal fastening mechanism. A short painted leather handle is joined to the bag by metal fastening clips. A long painted leather strap is joined to the bag by metal fastening clips.Painted on one side of the bag in black letters: "C.C. COX / INTERSTATE RAILS". "C.C. COX" is also painted in black at either end of the shoulder strap.bookmakers, horse racing, charlie cox, c. c. cox, interstate rails -
National Wool Museum
Photograph, R.S.S. "A" Team - Winners of Grand Aggregate, Geelong Girls' Interhouse Sports, 1943
Photograph depicts the R.S.S. "A" Team - Winners of Grand Aggregate, Geelong Girls' Interhouse Sports, 1943. Those photographed are: Dot Beckley, Ruth Ramsden, Jean Clarke, Violet Jones (Vice Capt), Jean Jones, Ina Osborne, Flo Louttit, Keith Turner (Coach), Ede Ramsden, (Captain), Pat Height (Mascot). Between the 1920’s and 1950’s the YWCA, Blue Triangle and local committee of representatives organised an Inter House Athletics Day for Girls in Geelong and Melbourne. Local Geelong business, such as the surrounding woollen mills, business firms and church clubs would form teams of seven women to compete in a variety of sports such as bowls, basketball, hockey, cricket and soccer. Events such as these were organised to encourage women to participate in competitive sports and network with other women in the workforce.Photograph depicts the R.S.S. "A" Team - Winners of Grand Aggregate, Geelong Girls' Interhouse Sports, 1943.Top edge - R.S.S. "A" Team - Winners of Grand Aggregate, Geelong Girls' Interhouse Sports, 1943. Bottom edge - Back row - Dot Beckley, Ruth Ramsden, Jean Clarke, Violet Jones (Vice Capt), Jean Jones, Ina Osborne / Sitting - Flo Louttit, Keith Turner (Coach), Ede Ramsden, (Captain), Pat Height (Mascot)textile mills - sporting teams textile mills, returned soldiers and sailors mill, sport, textile mills - sporting teams, textile mills -
National Wool Museum
Photograph, Federal Woollen Mills, Interhouse Sports, A Grade 1942, 1942
Between the 1920’s and 1950’s the YWCA, Blue Triangle and local committee of representatives organised an Inter House Athletics Day for Girls in Geelong and Melbourne. Local Geelong business, such as the surrounding woollen mills, business firms and church clubs would form teams of seven women to compete in a variety of sports such as bowls, basketball, hockey, cricket and soccer. Events such as these were organised to encourage women to participate in competitive sports and network with other women in the workforce.Framed photographFederal Woollen Mills, Interhouse Sports, A Grade 1942 The Lockwood Studios/ Geelongwoollen mills - history woollen mills textile mills - staff sporting teams, classweave industries pty ltd federal woollen mills ltd, sport, woollen mills - history, woollen mills, textile mills - staff, sporting teams -
National Wool Museum
Photograph
Between the 1920’s and 1950’s the YWCA, Blue Triangle and local committee of representatives organised an Inter House Athletics Day for Girls in Geelong and Melbourne. Local Geelong business, such as the surrounding woollen mills, business firms and church clubs would form teams of seven women to compete in a variety of sports such as bowls, basketball, hockey, cricket and soccer. Events such as these were organised to encourage women to participate in competitive sports and network with other women in the workforce.Four black and white photographs of the Collins Bros. and Holeproof Basket Ball Team. Two photos are of teams, two of play.sporting teams, collins bros mill pty ltd, sport -
National Wool Museum
Poster
Poster promoting the 150th Royal Melbourne Show, 1998The ROYAL MELBOURNE SHOW 17-27 THE BIGGEST EVENT IN THE EVENT STATE 1848..1998wool marketing, royal agricultural society of victoria -
National Wool Museum
Poster
Poster promoting the 150th Royal Melbourne Show, 1998The ROYAL MELBOURNE SHOW 17-27 THE BIGGEST EVENT IN THE EVENT STATE 1848..1998wool marketing, royal agricultural society of victoria -
National Wool Museum
Booklet, IX World Corriedale Conference, Melbourne, Australia 18th-24th July 1990: Program of events
IX World Corriedale Conference, Melbourne, Australia, 18th-24th July 1990: Program of events.corriedale sheep sheep breeding, australian corriedale association, pettitt, mr r. w., corriedale sheep, sheep breeding -
National Wool Museum
Photograph, Geelong Girls Inter House Sports, 1950: Diggers Team, 1950
Photograph of the Diggers team who participated in the Geelong Girls Interhouse Sports, 1950. The Diggers team was possibly drawn from those who worked at the RSS Mill. Members of the team are J. Gellately, V. Hobbs, N. Trigg, H. Trigg (Captain), L. Gration, M. Bromley (Vice-Captain), L. Hobbs, B. Harriott, G. Harriott (coach). Between the 1920’s and 1950’s the YWCA, Blue Triangle and local committee of representatives organised an Inter House Athletics Day for Girls in Geelong and Melbourne. Local Geelong business, such as the surrounding woollen mills, business firms and church clubs would form teams of seven women to compete in a variety of sports such as bowls, basketball, hockey, cricket and soccer. Events such as these were organised to encourage women to participate in competitive sports and network with other women in the workforce.GEELONG GIRLS INTER HOUSE SPORTS, 1950 / DIGGERS TEAM / J. Gellately V. Hobbs N. Trigg H. Trigg (Captain) L. Gration M. Bromley (Vice-Captain) / L. Hobbs B. Harriott G. Harriott (Coach)textile mills - sporting teams, sport -
National Wool Museum
Booklet, Sheep to suit
"Sheep to suit" -The Melbourne College of Textiles, 1984. The story of the Melbourne College of Textile's World Record of 1hr, 32 minutes, 33.52 sec on June 24, 1982, recorded by the Guinness Book of RecordsBooklet describing the 'Sheep to Suit' event for the Guiness Book of World Records.textile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, carding, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
National Wool Museum
Booklet, Sheep to suit
"Sheep to suit" -The Melbourne College of Textiles, 1984. The story of the Melbourne College of Textile's World Record of 1hr, 32 minutes, 33.52 sec on June 24, 1982, recorded by the Guinness Book of RecordsBooklet describing the 'Sheep to Suit' event for the Guiness Book of World Records.This record was broken in 1987 by "The Melbourne College of Textiles" for the Japanese programme "These Wonderful People" Time 1 hour 27 Minutes 59.32 secs. Time difference = 6 Minutes 04.13 secstextile production fashion shearing weaving sewing textile mills textile mills, melbourne college of textiles australian wool corporation sunbeam corporation limited, carding, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing, textile mills -
National Wool Museum
Jumper
Grey jumper, which formed part of the uniform for the 1987 Melbourne College of Textiles "Sheep to Suit" team and which was worn by John Hawthorne who took part in the event.Worn by participant in the 'Sheep to suit' event. Worn by participant in the 'Sheep to suit' event.Textiles/TAFE [Japanese characters]textile production fashion shearing weaving sewing, melbourne college of textiles, carding, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
National Wool Museum
Pants
Black track pants, which formed part of the uniform for the 1987 Melbourne College of Textiles "Sheep to Suit" team and which were worn by John Hawthorne who took part in the event.Worn by participant in the 'Sheep to suit' event.textile production fashion shearing weaving sewing, melbourne college of textiles, carding, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
National Wool Museum
Shirt
Business shirt, gold with collar, long sleeves and cuffs. Part of the outfit to go with the "Sheep to Suit" record attempt, 1982.Part of the 'Sheep to Suit' event outfit.sheraton/ styled in/ Permanent Press/ KORATRON/ 65% polyester/ 35% cotton /15 1/2textile production fashion shearing weaving sewing, melbourne college of textiles, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
National Wool Museum
Tie
Neck tie, part of the outfit for the "Sheep to suit" record attempt, Melbourne School of Textiles,1982.Part of the 'Sheep to Suit' event outfit.Gary David/ highest quality/MADE IN AUSTRALIAtextile production fashion shearing weaving sewing, melbourne college of textiles, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
National Wool Museum
Trousers
Suit pants, cream, natural, wool. Part of the three piece suit which set the "Sheep to suit" record by Melbourne College of Textiles in 1982Part of the 'Sheep to Suit' event outfit.A product of the Clothing School, MELBOURNE COLLEGE OF TEXTILES/ PURE WOOLtextile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
National Wool Museum
Vest
Suit vest, cream, natural, wool and cream silk. Part of the three piece suit which set the "Sheep to suit" record by Melbourne College of Textiles in 1982.Part of the 'Sheep to Suit' event outfit.textile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
National Wool Museum
Jacket
Suit jacket, cream, natural, wool and cream silk lining. Part of the three piece suit which set the "Sheep to suit" record by Melbourne College of Textiles in 1982Part of the 'Sheep to Suit' event outfit.A product of the Clothing School, MELBOURNE COLLEGE OF TEXTILES/ PURE WOOLtextile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
St Kilda Historical Society
Photograph, City of St Kilda Centenary 1990 - images collection #2, 02/12/1990
St Kilda was declared a city on 2/12/1890 by the Governor of Victoria The Right Hon. John Adrian Louis Hope, the Earl of Hopetoun, GCMG (28/11/1889 - 12/07/1895). This event was commemorated 100 years later, on 2/12/1990, by the unveiling of a plaque by the current Governor Dr J. Davis McCaughey AC (18/02/1986 - 22/04/1992). Also in commemoration of the centenary, a conservatory in the St Kilda Botanical Gardens was opened that day by the Mayor, Cr. Melanie Eagle. Four years later, in 1994, the City of St Kilda was amalgamated with the cities of South Melbourne and Port Melbourne to form the City of Port Phillip.Colour photographst kilda, st kilda town hall, governor davis mccaughey, st kilda city centenary, 1990, john callanan, j davis mccaughey, melanie eagle -
St Kilda Historical Society
Photograph, 'Glen Huntley' Passengers Memorial Restoration 1992 - images collection, 1992
The memorial grave was dedicated on 16 April, 1899. Following the 150th anniversary of the arrival of the barque, descendants of John Craig and other "Glen Huntly" passengers restored the memorial. Descendants gathered in 1992 for the unveiling of a plaque marking the restoration.Colour photographRear of each photograph: SK Cemetery 1992 Glenhuntly Descendants. Inscription on memorial: On December 13th 1839, the emigrant ship "Glen Huntly" left Greenock, Scotland and arrived in Hobson`s Bay on 17th April 1840. Many of the passengers suffering from fever were landed at the Red Bluff St Kilda on 24th April 1849. That being the first quarantine station in Victoria. A few days later John Craig James Mathers George Armstrong succumbed to the disease and were interred at The Bluff. Owing to the encroachment of the sea their remains were exhumed and removed to the St Kilda Cemetery on 27th August 1898 by the Board of Public Health.This memorial was erected by public subscription, to mark a notable event in the early history of the colony. Inscription on plaque, unveiled in 1992: This memorial grave was restored by descendants of John Craig and of other "Glen Huntly" passengers. In April 1990 they commemorated the 150th anniversary of the arrival of the barque in Melbourne in 1840. 25th August 1991st kilda cemetery, glen huntly, john craig, james mathers, george armstrong, 1992, glen huntley -
St Kilda Historical Society
Photograph, City of St Kilda Centenary 1990 - images collection #1, 2/12/1990
St Kilda was declared a city on 2/12/1890 by the Governor of Victoria The Right Hon. John Adrian Louis Hope, the Earl of Hopetoun, GCMG (28/11/1889 - 12/07/1895). This event was commemorated 100 years later, on 2/12/1990, by the unveiling of a plaque by the current Governor Dr J. Davis McCaughey AC (18/02/1986 - 22/04/1992). Four years later, in 1994, the City of St Kilda was amalgamated with the cities of South Melbourne and Port Melbourne to form the City of Port Phillip.Black and white photographCentenary 1890-1990st kilda, st kilda town hall, governor davis mccaughey, st kilda city centenary, 1990, cr brian slattery, mayor melanie eagle, cr melanie eagle, vera horne -
St Kilda Historical Society
Photograph, St Moritz St Kilda - images collection #1, c1940s
The St. Moritz Ice Rink was a popular ice skating rink on The Esplanade, St. Kilda, Victoria. It operated between 1939–1981. As one of only two ice rinks in Melbourne in the 1940s and 1950s, it played a central role to the sport of ice hockey in Australia. Closed in 1982, it soon suffered a major fire and was then demolished, an event later seen as a major blow to the heritage of St Kilda. It was first built as the Wattle Path Palais de Danse in 1922, a very large dance hall, designed by architects Beaver & Purnell, The Wattle Path was the venue for the first all-Australian dance championship, and featured some of the best dance bands of Australia, as well as from America. Popular throughout the 1920s, it suffered due to the Great Depression, and closed in the early 1930s. From 1933-1936 the building became a film studio, Efftee Studios, for Frank W. Thring. In 1938, businessman Henry Hans "Harry" Kleiner announced that the Wattle Path would become an ice rink. He was sole proprietor until 1953, when he sold the business to J. Gordon and T. Molony, both champion skaters. Trade declined during the 1970s. The building was sold in 1980 to developers Hudson Conway and trucking magnate Lindsay Fox and was closed in early 1982. It was nominated to the Historic Buildings Preservation Council, but a majority of City of St Kilda councillors voted to oppose this action and uphold a demolition permit already issued. The building infamously suffered a fire later that year, leaving only the facades, which were demolished soon after. The site remained vacant until about 1991, when a mid-price hotel called the St Moritz was constructed. By 1993 it was simply called the Novotel St Kilda. The hotel closed in 2019 and was replaced by an apartment complex.black and white photographSt Moritz, St Kilda. Ice Skating. Caf�st moritz, st kilda, the esplanade, ice skating -
Puffing Billy Railway
Train Destination Disc
Train Destination Disc Until the 1980s Melbourne suburban trains used a system of discs by day, and illuminated market lights by night, to indicate their destination. Placed on the front of trains to advise a Signalman in the Signal Box the destination of the train. This disk was used on NK1 the Whitfield Motor when it was used by Puffing Billy Railway Info from the diagrams from the 1953 Victorian Railways General Appendix. Black + is Lilydale, Belgrave other Destination Disks were Disks Williamstown Black II Newport Workshops Red = Changed in 76 to Black + Newport-Altona shuttle Red X Werribee Red X St Albans Black X Upfield Black = Broadmeadows Originally Red X changed in 1976 to Red = Epping Black II Hurstbridge Red X Lilydale, Belgrave Black + Alamein Black X Glen Waverley Black = Dandenong Black II Frankston Red = Sandringham Red X St Kilda Originally Black II changed in 1976 to Red X Port Melbourne Red X changed in 1976 to Black X Flinders St - Spencer St Local Red II Showgrounds Red = plus extra white disk on opposite front disk bracket; if only one event, Display Large White 1 and yellow side disk with set number. If two events, second event special trains flip this disk and show large Black Disk with white numeral 2 Race Special Red = plus extra white disk on opposite front disk bracket; if only one event, Display Large White 1 and yellow side disk with set number. If two events, second event special trains flip this disk and show large Black Disk with white numeral 2 For example, Flemington Race trains and Caulfield Race trains on the same day. Flemington carries Red = and White 1 and yellow set number on the side Caulfield carries Red = and Black 2 with yellow set number disc on the side. There was one disc which was never to be used in normal traffic, that was the "Red Cross"; it was reserved for Red Cross trains only.Historic - Victorian Railways - Destination Disk - Black cross - Lilydale, Belgrave Lines This disk was used on NK1 the Whitfield Motor when it was used by Puffing Billy Railway Train Destination Disc Round tin sign painted white with a black cross on white background and a mounting bracket on the rear. Placed on the front of trains prior to the mid 1970s to advise a Signalman in the Signal Box the destination of the train. Black Cross puffing billy, destination disc, victorian railways, lilydale, belgrave lines -
Uniting Church Archives - Synod of Victoria
photograph, Undated c.1969
Scrub Hill Presbyterian/Uniting Church was in existence from 1869 to 1994. This photograph was possibly taken at a centenary event. For further information see "Scrub Hill Church: a pastoral history 1869 - 1994" by Katrine Anderson Kelly, published Ballarat Victoria c.1994.B & W waist length photograph of Mrs J S Baxon seated at a table, signing a book.Mrs J S Bacon invited to and photographed at Scrub Hill Presbyterian.scrub hill, presbyterian, mrs j s bacon