Very large landscape oil painting with decorative gold frame. Presented to WHS Prefects July 1991 by L.G. Barr

Possible VietnamBrush, oil bottle, pull through small, heavy gauge pull through and 10 inches 4 x 2

Yields information about the appearance of two trams at the tram depot in 1966,Photo of the interior of trams 33 and 14 on the depot fan Jan. 1966. No. 33 as a Castrol oil roof top advertisement.On back of slide in blue ink "Jan 1966 Tram Depot Ballarat No. 33"tramways, trams, depot, advertisements, tram 33, tram 14

Ordered in 1938 to replace the aging ships on the Dutch East Indies route, her keel was laid in 1939 at De Schelde shipyard in Vlissingen, Netherlands, for Rotterdamsche Lloyd (now Nedlloyd). Interrupted by World War II and two bombing raids, the ship was finally launched in July 1946, as Willem Ruys. The ship was named after the grandson of the founder of the Rotterdamsche Lloyd who was taken hostage and shot during the war.B SmythA framed oil painting of the Dutch vessel Willem Ruys which was later refitted to become the Lloyd Triestino 'Achille Lauro'.Willen Ruysmv willem ruys, ms achille lauro, migrant ships

Paul Borg is a local artist who lives and works in the area. In 2014 he was short listed for the Rick Amor drawing prize at Art Gallery of Ballarat.Dimensional artwork, oil and mixed media, with view of thistles growing in suburbia. Collage has real thistles incorporated into the foreground.

Clear glass liquid paraffin oil bottle with black bakelite screw-on top and label. 3/4 full of liquid.On label: "Liquid Paraffin. Specially prepared for Internal use. Non inflammable. The most modern method of treating CONSTIPATION an d has been found most valuable in chronic cases, the action on the bowels being that of a lubricant. DOSE: from one teaspoonful to 2 tablespoonfuls. To avoid loss of food vitamins, do not use other than at bedtime, except on the advice of a physician. BB 1932 CHEMICALLY PURE. PITT & PARTNERS SYDNEY."bottles, containers, medicine bottles

Painted by former internee in Loveday camp, thought to be Ludwig Winter, and given to Mrs. Gillies. Winter, was interned from Persia, and on his release, obtained a position as Electrical Engineer at the Kyabram Cannery.Oil painting in plain cream chamfered timber frame. Man in foreground with hut, high peimeter fencing and guard tower.Niltatura, loveday internment camp, ludwig winter, illustrations, oil

Seven other colour photographs very similar, before and after the bore was decommissioned and plugged 1996.Colour photograph of the sign at the Bunga Oil Bore site, on old Lake Tyers Road, near Lakes Entrance, Victoria.historic site, oil and gas industry

Presented to the Society by the artist Oil on canvasarthur bird, artwork, david armfield, eltham, pitt street, wattle grove

Black and White Photograph of a painting of Falls of Clyde Inscription on the reverse side reads "taken from a painting in the office of Associayrd Oil Co in San Francisco. She is shown here as I have described her even showing the smokestack from the pump room with the black A on a white stack. She is shown here passing Point Bonita northern entrance to the Golden Gate. from a negative loaned to me by the San Francisco Maritime Museum.". SH 096 Ships F - H.On the back of the photograph "taken from a painting in the office of Associayrd Oil Co in San Francisco. She is shown here as I have described her even showing the smoke stack from the pump room with the black A on a white stack. She is shown here passing Point Bonita northern entrance to the Golden Gate. from a negative loaned to me by the San Francisco Maritime Museum."flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, falls of clyde, associayrd oil co, point bonita, golden gate, san francisco maritime museum, painting, russell & co.

Probably used at the Ballarat School of Mines. Fisher and Ludlow was a British car body manufacturing company based in Castle Bromwich, Birmingham.Two oil cans (or brass oil feeders) with flat base and long neck. (a) Miniature cylindrical body with flat base, and long narrow spout. Head of flow adjuster is missing. Made by Fisher & Ludlow, Birmingham. (b) Has a miniature plug with chain attached, and a decorative scrolled handle. Made by Whites. oil, tools, ballarat school of mines, whites, motor mechanics, fisher and ludlow

Oil painting by J.B.Perry of Golden Mile Eaglehawk. Poppett Heads. Mining sheds. Duchess Tribute. G.M.Co. Painted in grey and brown oil colours. Markings on back: Golden Mile Eaglehawk. An original in oils from an early black & white photo by John. B. Perry. DR 277. Num 21.J.B. Perryplace, building, gold mining site

Three auction catalogues of a sale at the Bendigo Municipal Quarries, Axedale on 2nd September, 1941 of Surplus Machinery, Plant, Buildings and Equipment comprising Crude Oil Engine, Diesel Engine, air Receiver, Crude Oil Tank, Stone Hoppers Buildings, etc. J. H. Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - bendigo municipal quarries - axedale, j h curnow & son, j l jamieson & co, the cambridge press

This trade mark (V inside a clover) was German. It was used by the lamp makers Veritas Efsca Works in Birmingham, and for a time by Valor Co. Ltd. which took over Veritas. Valor Co. Ltd. was established in Birmingham in 1890 and produced oil containers for the Anglo-American Oil Com. In 1901 the firm advertised themselves as Stampers And Pieces. Later it was named 'The Valor Co. and was associated with the Aston Brass Co., and advertised as makers of oil lamps and stoves. Valor became a maker of oil heaters cookers and many other products that were fueled by oil. Later it sold gas heaters and ovens. In 1936 Valor Co. Ltd. was made a Public Company and operated under the name The Velor Company Ltd. The company changed names over the years and it was still operating under Velor Fires in January 2002.Oil or kerosene lamps were the means of lighting for homes, farms and industry in the late 19th and early-to-mid 20th centuries. Lamps like these were important as Lighthouse Keepers and Assistant Keepers' equipment. They were in common use in until the lighting was powered by gas and electricity. The reflector at the back of the lamp makes it of greater significance as most lamps don't have this feature. The logo is also interesting as it originated in Germany and was used with permission by a British company and the company that brought it out for a short time. Similar lamps are still available today, usually with gas for fuel. Kerosene lamp; blue painted metal fuel can and metal rear reflector support. and a round corrugated reflector at the rear. The mid-section wick is made of brass. The glass cover or chimney is bulbous in shape. Inscriptions include a trademark "V" inside a clover. It is British-made in Birmingham by either Veritas Efsca Works or Veritas Valor.Trademark; "[clover symbol] surrounding a "V" Stamp: "BRITISH MADE" Marked on adjusting device: "English Made 1 in w" Marked on support of deflector shield - "British Made" and symbolwarrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, oil lamp, table lamp, kerosene lamp, valor co. ltd, v inside a clover, veritas, british made, lamp reflector, lighting, lamp, the valor company ltd

1 Bottle O-158, LSA, Lube Oil Semi-Fluid, Mil-L-46000A Am 1, 9150-889-3522, LEHIGH CHEM . NUODEX DIV, TENNECO CHEM INC, DSA600-68-C-0225, PD-722, 4 OUNCES, SHAKE WELL. Marking on bottle base PLAX (each letter in a circle), 5. The roll of 4x2 is marked in section with red linesd. the segments are called 4x2 for ease of description but actually measure 4x13/4 inches or 45mm x 100mm. ! pull through kit for cleaning barrel and firing mechanism of l1 a1 & l22 a2 australian vietnam issue single shot and automatic versions.

Could have contained eucalyptus oil ( Lifeguard?)Small brown glass bottle with a threaded neck.On the base- P D & CO 524bottle glass parke -davis container

Core from an early drilling (for oil, or water?)

Photo of Original Will Rees Oil Painting “The Reefs”B/W/ photo of painting "The Reefs" Showing track down Big Hill "Goats"? Spire of St Matthews 1920stawell

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern

Framed oil painting on canvas panel depicting railway station and view looking north across main street of Ringwood 1920.Bottom of frame marked "Ringwood 1920". Written on back - "Early Ringwood about 1920" and "Mrs. Olive Vass 27 James Street Ringwood 8701528".

Brown pouch possibly used to protect pay book. Items relate to Clifford Alfred Cairncross RAAF. Refer 2108.7 for his service record..1) Brown oil cloth pouch with fold down flap .2) Calico cloth roll up pouch with material ties.1) “-1942 ***AC”stamped in black ink on inner section personal effects - containers, military equipment

Post card print of an oil painting called, ' Raid on Carrier Hill, Tobruk. By Ivor Helle. Produced by the Australian War Memorial.postcard, world war two, raid on carrier hill, tobruk, world war two

An original coloured painting of a young Asian woman with a child on her back, the woman is carrying a cane basket. Painting is oil on canvaspainting, vietnamese children

Born: London, Middlesex, England 1813; Arrived: Sydney, New South Wales, Australia 1832; Died: Sydney, New South Wales 1895VictorianBennett Bequest, 1999 Oil on canvas depicting portrait of seated Henry Johnson in black suit and bowtie. Polished timber frame with gold gesso inlayRecto: Not signed, not dated, not titled painting, portrait, colonial, man, face, hands, figure

Born: Birmingham, Warwickshire, England 1807; Arrived: Melbourne, Victoria, Australia 1853; Died: Melbounre, Victoria, Australia 1884RomanticismGift of Beverley Brown, 2015Oil painting on board, depicting sparse rural landscape by a river and bridge.Gold brushed timber frame and decorative gesso inner corners. Recto: Not signed, not dated, not titledpainting, landscape, figures, boat, tree, bridge, river, animals, water

Oil on canvas board. Landscape painting of Eltham with Brougham Street bridge in the foreground. People walking down the road and cars in the backgroundLower left, red paint 'HILARY JACKMAN 80'landscape, painting, eltham, bush, bridge, brougham street, jackman

Painted by Eliza Jane Quayle, mother of Gwen Sebire. Put back where it always was in Mind De Lancey.Oil painting of cottage on wood with gold painted frame. Hand-made frame has floral pattern carved on front edge. oil paintings

Bamboo Cheeseboard with painting of St Peter Port Harbour Guernsey, from an original oil painting by local artist, Carol Guille.breadboards