This is a typical exercise book used by students throughout the 20th century. Students often had a book for each subject . This one has samples. The work is written in fountain pen and contains examples of handwriting , arithmetic, spelling and English. Jack French was from the Panmure district.This exercise book is a good example of school work from the 1930's. It provides an insight into the type of work undertaken on a daily basis by students.Dark brown and navy blue marbled pattern exercise book with cream label inset on the front cover and lightly stained pink above the label . Back cover is patterned all over.The pages contain school exercises in various subjects. Jack French Work Book.The Latrobe Exercise Book. Some of the work is dated 1931. 1930's school book,, jack french, history of warrnambool, panmure

This small piece of wood was cut from a rib of the wreck of the Enterprise in c1885 by Mr John Flett (1869 – 1944), whilst it was lying on the beach in Lady Bay, Warrnambool. Mr Flett was about 16 years old at the time and used the wood (with other pieces from the wreck) to make a picture frame. A newspaper report published in the Gippsland Gazette on Tuesday 16th July 1912 titled "An Interesting Relic" describes a picture frame being displayed in Mr. Flett's shop in Warragul which was of interest as it had been made from wood taken from the wreck of the Enterprise when it was lying on the beach at Lady Bay, Warrnambool. This was still in his possession in the 1930’s when Mr. Flett presented the small sample of wood to Mr. Henri Worland of the Warrnambool Museum and Art Gallery - along with a signed letter of ownership. A transcription of the letter is as follows - “Kalos” 12 Yendon Road Glen Huntly S.E.9 Dear Mr Warland, I am enclosing herewith a small piece of timber which, about 50 years ago, I cut from a rib of the old wreck which at that time was well known as the old “Enterprise”. I am prepared to sign a sworn statement that this is a piece of that wreck and has never been out of my possession since I cut it from the wreck. Since returning to the city I visited the museum and inspected the walking stick and small model of a boat, presented I think, by Mr Richie. I notice the different grain of the timber and would suggest that they are not Blue Gum, and the piece I am enclosing is definitely of that Tasmanian timber. Of course there may have been other imported timbers used and only the frame of the vessel made of the Blue Gum; I am not suggesting an error on the part of Mr Richie, who evidently knew the old wreck [in an?] earlier date than I did. The piece I am enclosing was incorporated in an old picture frame which I made 50 years ago, and although not used for many years has always been in my possession. With kind regards Yours faithfully J Flett (signature) P.S. I have other small pieces in a small photo frame which I may let you see some day, but not just now. Mr R. Christian will recognise the other frame when he sees it, as we were working together when it was made. J.F. There were several branches of Fletts living in Warrnambool in the mid to late 1800’s. They were all related and had emigrated from Stromness in the Orkney islands – arriving mostly in the 1850’s on different ships. John Flett’s mother was Jessie Isbister who arrived in Australia in 1852 with her family on board the Ticonderoga. Over 168 passengers died on the voyage including two of Jessie’s sisters and one of her brothers. Mrs Jessie Flett's obituary (titled "An Old Colonist") which appeared in the West Gippsland Gazette on Tuesday 8th September 1914 describes her early connections to Warnambool and the Ticonderoga. John Flett moved from Warrnambool to Birchip, Warragul and later went to Melbourne where he worked for the YMCA. During WW1, he worked at the Caulfield Military Hospital and volunteered for active service with the YMCA in France -caring for the welfare of the soldiers. After the war, he continued to work with the YMCA in a secretarial capacity. THE ENTERPRISE 1847-1850 The wooden, two-masted schooner Enterprise was built in New Zealand in 1847 and registered in Melbourne, Australia. The Enterprise carried a cargo of agricultural produce and other commodities for trade between the ports of the Colony. On September 14, 1850, the Enterprise was at anchor in Lady Bay under its Master, James Gardiner Caughtt, loaded with a cargo of wheat and potatoes. A strong south-easterly wind caused the vessel to drag on its only anchor and the rudder was lost. The gale force wind blew it sideways and it became grounded. A local aboriginal, Buckawall, braved the rough sea to take a line from the shore to the Enterprise. All five members of the crew were able to make it safely to land. The Enterprise was totally wrecked. The Enterprise wreck was in an area called Tramway Jetty in Lady Bay. Since then the area became the location of the Lady Bay Hotel and now, in 2019, it is in the grounds of the Deep Blue Apartments. In fact, with the constantly changing coastline through built-up sand, the wreck site is now apparently under the No 2 Caravan Park in Pertobe Road, perhaps 150 metres from the high tide. Its location was found by Ian McKiggan (leader of the various searches in the 1980s for the legendary Mahogany Ship). DIFFERENTIATING the New Zealand Schooner “Enterprise” from John Fawkner’s “Enterprize“ Dr. Murray Johns, Melbourne, says in his article The Mahogany Ship Story “… In fact, as I documented in 1985, the Warrnambool wreck was of an entirely different ship, also called Enterprize [with the spelling ‘Enterprise’], but built in New Zealand in 1847. Fawkner’s ship had already been sold to a Captain Sullivan in 1845 and was wrecked on the Richmond Pier in northern New South Wales early in 1847. “ - (further details are in NOTES: and FHMV documents) Mr Flett had assumed the timber was Tasmanian Gum as he thought it had come from the Enterprise which had been owned by Mr Fawkner and built in Tasmania but we now know the ship was built in New Zealand and the timber was most probably New Zealand Rimu.This piece of wood is significant for its association with the wreck of the schooner Enterprise, now on the Victorian Heritage List VHR S238, being a New Zealand built but Australian owned coastal trader. The wreck is also significant, by connection with the Enterprise, for its association with indigenous hero Buckawall who saved the lives of the five crew on board. The original owner of the wood (Mr John Flett) is significant as a member of one of Warrnambool’s pioneering families, which has contributed to the growth of the community in several ways over the years, living and working in the area.Small square piece of brown wood with a handwritten inscription on the back. The front is polished with a prominent grain and a shallow indentation along two sides. The back has the words "FLETT" and "ENTERPRISE" written in ink with a line separating them. The back is rough and has two indentations - possibly from a nail or tack. The wood sample is accompanied by a letter. Handwritten letter (two pages) of authenticity by Mr. John Flett to Mr. Worland (Manager of the Warrnambool Museum and Art Gallery). Transcribed below"FLETT" and "ENTERPRISE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, carpentry, enterprise, lady bay warrnambool, schooner enterprise, wreck of the enterprise 1850, buckawall, shipwreck relic, john flett, warrnambool museum and art gallery, flett relic, letter, flett letter, ticonderoga, henri worland

Gabo Island sits off the coast of East Gippsland in Victoria, with cliffs of granite in a relatively unique red/pink colour. Early attempts to build a lighthouse on the island were abandoned due to poor foundations, but when a ship ran aground on the nearby Tullaberga Island in 1853 and led to the death of 37 people, efforts were reignited. Construction of a new lighthouse was completed by 1858, using Gabo Island granite. The lighthouse is Australia's second tallest in Australia and continues to play an important role in guiding boats around the coast as they journey between Melbourne and Sydney. The distinct pink colour from the granite means the lighthouse continues to be a defining feature of the island. Gabo Island granite was also used to construct the Treasury Building at 117 Macquarie Street in Sydney, now the Intercontinental Hotel.Granite in the pink colour of this specimen is relatively rare. The connection to the lighthouse on Gabo Island also gives the specimen historic significance and social significance regarding the maritime history of Victoria. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A solid palm-sized mineral, coloured by flecks of pink, red, and grey. Granite is formed by the slow crystallisation of magma below the earth's surface. It is typically composed of a mix of quartz, feldspar, and other minerals, though syenitic granite like this sample has a smaller amount of quartz than typical granite. This different mineral composition leads to the more distinct pink and red colouring.First sticker: [torn]logical survey / R........ S........ / Loc Gabo Island / 1/4 Sheet / Second Sticker: 15 Third Sticker: Syenitic Graniteburke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, gabo island, gabo island lighthouse, lighthouse, granite, coast, coastal, granite specimen, victoria, coastal cliffs

Book was given to Mr Robert 'Bob' Edward Mitchell in 1938. Mr Mitchell trained as a wool classer in the 1930's and was awarded this book as the senior prize. Mr. Mitchell grew up on the Moorabinda sheep property and is on the honour roll as a past student who served in World War II from Wharparilla West State School.Large black bound book containing 12 double-sided pages, each with several wool samples mounted to a blue paper with the name of sheep breed which the wool came from. Each page also has a loose sheet of wax paper over the wool. Book can be closed and secured with a length of black material which can be tied up.

Miscellaneous colour and black and white photographs of the Nursery extended into the Random Sample Laying area in 1980 with donations from Eden Glasshouses and I.C.I. . (1) Potting palm trees. (2) Nursery seen from entrance drive. Ref No. 1981(914-24). (3,4) Potted palm 01.08.1984 (Chamaedorea elegans Parlour Palm.) (5,6) Nursery equipment "2/85."nursery, random sample laying, eden glasshouses, potting, palm trees, i.c.i., nursery equipment, chamaedorea elegans, parlour palm

The Victorian Railways continued to operate a bus service along the former Black Rock - Sandringham line, long after the tram line closed. This set of tickets represents samples of Edmondson-style tickets sold at stations for use on the bus. 1 - Middle Brighton to Cnr of Bluff Road & Royal Ave - first class - joint rail and tram tickets - No. 0128 - dated stamped 15 June 1971 (this ticket was purchased by the donor as a sample at the time) 2 - Weekly ticket - Black Rock and Elsternwick - issued at Sandrinham - No. 0809 3 - Single ticket - 4 sections - Pacific Boulevard - No. 05208 4 - Return ticket - 2 sections - day return - Pacific Boulevard - No, 00826 Demonstrates a railway ticketting system that was used on buses and railwaysSet of 4 Edmondson style railway tickets.railways, tickets, weekly tickets, buses, victorian railways, sandringham, sandringham to black rock, pacific boulevard

Sample form titled "6 monthly sixty save concession card" - to enable a holder to purchase concession tickets on The Met and off peak tickets on services provided by the State Transport Authority. See conditions on rear. Has space for a photograph. Would have been laminated.Demonstrates a concession card authorisation form.form - printed on safety paper with red stripe along lower edge. Stamped Cancelled.tickets, the met, sta, concession card, concession fares

Notebook - 54 double sided ruled page notebook, blue horizontal lines and red vertical lines - ruled for a financial notebook. Black gloss covers, sewn in single block, light orange inside covers. About 22 pages of notes or questions that a trainee tram driver would have to know to pass an examination, notes on takings on a tram on Friday 3 October?, 24 pages of notes on lathes and machining, and about 66 pages of notes on Ballarat tram timetables, drivers notes, run details and instructions including a calendar for the period March to December. Matches the calendar for 1909. Date on a page, noting a special notice issued on Friday May 14, 1909. Images - 1 of book 2 - of a page of notes on driving a tram 3 - sample instructions for driver and conductors and the colour of the destination of trams at night 4 - sample timetable.trams, tramways, notebooks, driver training, machines, timetables, esco

This book belonged to Joseph Conn who was a blacksmith at Conn's Corner in Dennington. The author of the book was H Sample, an American professor who was a horse trainer.. In 1884 he was in Warrnambool giving a demonstration of his system of horse training. It is conjectured that Joseph Conn attended the demonstration and bought the book.This book is of some some interest because of its association with a local blacksmith, Joseph Conn and an American horse trainer, Professor Sample..This is a hard covered book with gold printing on the front cover and spine and an image in gold of a horse and a dog in a horse shoe.There are 284 pages. It contains printed material and illustrations. Some pages are torn and the binding is loose. There are three hand written signatures inside a front cover. Joseph Conn ( Three times)horse training, blacksmith, warrnambool, joseph conn

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).The tiebacks complete with tassels are historically significant for being associated ensuite with DAD-035-0001, the suite of curtains. The tassels have aesthetic significance as beautiful and intricate pieces of late 19thC interior decoration.6 parts of a total of 3 pairs of curtain tiebacks. Each pair comprises a length of plain gold silk cable cord plus a second, equal length with a magnificent tassel in the middle; the two pieces would loop around the lower-middle length of each curtain, pulling it open in a graceful drape. One pair is slightly shorter than the other two. The tie backs are made of floss (soft, shiny) silk cord, composed of two thick strands twisted together into a cable cord. Three lengths have an elaborate tassel attached to the middle of each cord, to weight the tieback in an elegant loop, with the loose ends attached to hooks or pins on the window frame. Each tassel is formed on a turned wooden core, wrapped with floss silk thread; further decorated with knotted netting, applied braid, and 16 glass beads. The big end of the mould forms a large, flattened shape, from which hangs a ring of long bullion fringe. Today this looks tarnished-silver (nearly black), colour, but as shown by the card of detached lengths of bullion fringe (DAD-035-0005), the untarnished colour would have been bright gold. Part of a group of 7 curtains with associated furnishings which includes a curtain with original fittings, fringe and braid unpicked from other curtains, and these 6 curtain tie backs. The six curtain tie backs are identical, though one pair is shorter. These curtain decorations are truly luxurious; the original suite of curtains would have been very expensive, an eloquent item of conspicuous consumption of luxury goods.Attached handwritten note : "VA Th. 7/6/2012 Ric Freeman 0419875707 (Nat Trust member) & Julie Freeman 0419875706 / re soft furnishings, tassels, trimmings, braid set / Jessie, Terry (and Chris St) to view, collect". The phone numbers were tried in October 2024, and though picked up, the contacts did not want to talk about the curtain donation.interior decoration - history, curtain accessories, tassels

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Sections of a dado featuring a vertical design of roses and bows within bordered narrow panels. The colourway includes shades of pink for the roses, green for the leaves, and brown for the bows, against a solid yellow background. The white of the backing paper is used within the design to create an illusion of depth in the pattern.decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

This boot belonged to Thomas Rome and may have been either an apprentice’s model or a display item in his boot and shoe shop or both. Thomas James Rome (1873-1974) worked in John Younger’s store in Beechworth before both came to Warrnambool in 1888. Rome worked in Younger’s store in Liebig Street, Warrnambool for 17 years and then established his own boot and shoe store at 115 Liebig Street in 1907, retiring in 1962. He married Amelia Saltau and they lived at Murweh at the corner of Liebig and Princess Streets, Warrnambool. Thomas Rome is mostly remembered today for his purchase and use of an Edison phonograph machine in the late 1890s and the sound recordings he made with this machine at the Warrnambool Industrial and Art Exhibition of 1896-7. These recordings were found intact after Rome’s death and are regarded as the earliest sound recordings still surviving in Australia today. This sample boot is of great significant as an example of the bootmaker’s art in the early 20th century and as a memento of Thomas Rome, important in Warrnambool’s history as a businessman and in the history of sound recording in Australia. This is a small sample black leather boot (probably a lady’s boot). It has double ridged stitching across the instep with a soft leather upper part and stitching separating the soft leather section from the smooth leather. The right side of the boot has seven button holes and seven buttons attached with metal clips. The sole is leather with a small heel and the name of the owner stamped on the sole. ‘10’ ‘T.J.Rome’ thomas rome, history of warrnambool, antique lady's boot, leather boot vintage

Haminex C Flashgun (code 14-009) in its original box. The flash Gun uses Flash Cubes (no sample) and can be fitted to camera via together with a short cord and plug to connect to the camera shutter. It has a exposure table for distance and film speed, and a lever to turn the cube around to one of its four surfaces. The unit uses a 15 Volt No.404 battery for the flash.Hanimex C 7 Exposure Tablephotography, cameras

Yields information about the manufacture of "home made" signs to go into tramcars, though not fitted as such to the cars in the BTM fleet. May have been a proposal or a sample fitted elsewhere.Small steel plate sign with a primer paint coat on back, white paint on front and words "Headlight Changeover" painted in black capital letters on front and four small screw holes in corner and given a clear coat varnish finish. May have been a sample or something that was proposed to be fitted to trams as generally not fitted to Ballarat tramcars. On rear has scratched into paint "Headlight Changeover"trams, tramways, signs, headlights, tramcars

Blue and light brown ledger of land sales reports during 1898 to 1924. Blue water marked cover with light brown spine and corners, with red label on spine noting "12". Contains Crown Lands sales by auction documents, including purchasers' names, land section, allotment numbers and price. Ledger of Land Sales Reports 1915 sample reports of Colbinabbin, Kyabram & Rochester.land sales, auction

Econasign kits were aimed at small businesses who could use the transparent stencils for the manufacturing of “showcards, price tickets, posters, labels, etc…..by a simple operation of printing by means of transparent stencils.Intact printing kit used in a notable Kew pharmaceutical business.A kit of printing equipment for commercial small display signage. Box and contents produced by the "Econasign" Co. Ltd. 137 Victoria Street, London S.W.1. The box includes a booklet, sample blank paper signs, a brush, and a book of plastic templates. The latter indicates that the kit was distributed by an Australian Agent - J. Raeburn Miller, 8 Bank of NSW Chamber, 280 Castlereagh St., SydneyTyped label on interior: "Donated by the descendants of Charles Gilbert Wood (1891-1948) Pharmacist of 235 High Street, Kew, Vic, / and / Donald Charles Wood (1920-1948) Pharmacist of 283 Doncaster Road, North Balwyn, Vic."econasign, pharmacy printing equipment, charles gilbert wood, donald charles wood

Series of six black and white photographs of plastic coated rail being sprayed and laid in Swan St Richmond during the late 1950's. Includes photos of a sample rail, application and the location between the treated and untreated rail. See also Reg item 4517 On the photographic box with the photos was a date "11/59" - See MMTB Board minute of 22/1/1959 for a mention of this.trams, tramways, track laying, track materials, trackwork, swan st, rails

Photo Album, heavy blue printed card covers, cord bound, containing some 40 grey sheets. Includes many commercial, Museum and some bus postcards of the San Francisco cable trams, generally on both sides of the sheets, with some Melbourne, Dunedin and Wellington cable cars. Each photo or postcard secured by a clear photo corner. Sample pages only scanned.trams, tramways, cable trams, san francisco, melbourne, dunedin tramways, wellington, tram 1

Sample of the first ticket issue in the Neighbourhood system priced at $2.50, has the conditions of use on the rear. See reference for background. The outer neighbourhood was punched by the ticket clerk at the station. Could be used on trams in the inner neighbourhood. The Neighbourhood system commenced on 13/11/1983 and this ticket has that commencement date.Demonstrates an early neighbourhood ticket used in Melbourne.ticket - two colours printed on white paper No. 30091tickets, the met, neighbourhood tickets

This brand of starch was first manufactured in 1914, during the First World War, and continued to cover the other wars and military conflicts that followed. It was a time when Australian made was important due to the limited supplies coming from England and Europe. This was a period when the demand for "home grown" produce was at its peak. This was in a time when by necessity not by the "Buy Australian" campaign (of later years) which was the major factor for the demand of goods. It was in a time when starch was used in formal clothing to put a "crisp" or fresh new appearance for clothes. The important social more of "clothes make the person" was in vogue. This is a sample box provided by the manufacturer as an advertising and promotional method of prospective customers becoming aware of the product. This type of promotional avenue brought results and ensured that this type of advertising and inducement by manufacturers would be ingrained as a lasting avenue through to the 2nd Millennium This box which once contained starch powder is very significant to a rural semi isolated region because it clearly demonstrates that the social mores of the city were also entrenched into the rural population. The fashion of the day, even in remote areas, especially rural, were still a requirement to be maintained on certain special occasions. Cleanliness and stiff "upper lip" persona were just as important in the rural sector as in city and Government circles. Institutions such as hospitals, Government Offices and the legal personnel were bound by the fashion of the starch appearance (no dirt sticks to a personage with the "starch" look). Appearances, especially the first ones, were the judgmental image that remained in the uppermost regions of the viewer.This box with white writing and a "formally clad" man on a navy blue background held Australian grown maize based starch powder(1 LB gross). The package is made from 200 gsm thick cardboard. As production was made during the two World Wars 1914 to 1945 the promotion was heavily focused on Australian made and Australian grown maize.The front(has "Sample" on top) the rest inscriptions are the same on each cover both and back, "DANDY" below this a figure outlined in white on a navy blue background "hat and tails" outfit. Next to the sketch in smaller lettering" STRONGER THAN OTHER STARCHES. LESS REQUIRED". Below the figure "GLOSS" and below this in larger print "STARCH". Below this and in smaller print "CONTENTS. NETT WEIGHT 14 1/2 ozs" Below this and in smaller print "MANUFACTURED BY MAIZE PRODUCTS PTY LTD FOOTSCRAY VICTORIA" On one side of the box and in large white print on royal blue background"PURITY, STRENGTH AND UNIFORMITY." On the other side are the manufacturers directions. On the left side "FOR RAW STARCH" Underneath and in smaller print,"Dissolve in warm water a quantity to give the required thickness. Add bluing if required Stir before each using. On the right side "FOR BOILING STARCH" underneath this in small print"Mix well in small quantity of cold water to creamy consistency. Add boiling water, and stir constantly while cooking. Allow to cool, and add blueing if required. Underneath these two sets of instructions is "Make your consistency thinner than if using another kind of Starch"household starch, household cleaning, domestic laundering.

ticketDemonstrates a variety of weekly tickets used by the Provincial Tramways.Tramways weekly tickets - 1/6d to 3/- STATE ELECTRICITY COMMISSION OF VICTORIA - Provincial Tramways. On the face, the ticket has space to nip the month, the week number in the month, the transfers and the day. Some of the tickets are individually numbered, others marked with a date stamp. The tickets are printed on various colored lemon, beige or orange colored card, with printing in either black or red ink. On the reverse of the ticket is the wording STATE ELECTRICITY COMMISSION OF VICTORIA - Provincial Tramways, along with the details and conditions of use.Row 1, tickets 2 and 3 have the words Sample only hand written in ink. Ticket 4 has "12 trips 3d section - September 15th 1949" written on the stub edge and Ceased 1.7.51 written on the ticket. Ticket No. 5 has the date 18-3-49 on the stub end. Row 2, Ticket 1 has the words "This section 15.9.49 - 30.6.50. Row 2, tickets 2 and 4, have Sample only written in ink. Row 2, ticket 3 has the wording "12 trips 5d section - Sept 15th 1949 along the stub edge, and "Ceased 1/7/51 on the ticket. There is a hand-written sign with these tickets that reads "BALLARAT?"tickets, tramways, esco

Considering the historical importance of Fortuna Villa, a small group of interested Unit members formed the Army Survey Regiment Historical Fund. The aim of the committee was to manage historical issues and raise funds to improve or preserve the Unit History or historical items. These minutes are a small sample record of the activities of the Unit Historical Fund. 6 x A4 pages of Minutes, photocopies, stapled in top left hand corner.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Black and white photograph of Ballarat trams 35 and 34 standing alongside each other at the Grey St loop on the Sebastopol line with John Fitzsimmons holding some of the last tram mail from Sebastopol to Ballarat on 18/9/1971. Photo by Keith Kings. See item 2942 for a sample of the mail.Yields information about the Last Tram Mail to be carried in Ballarat.Black and white photograph with photographers notes on rear.See image 2trams, closure, last tram mail, tmsv, post office, last tram

Wooden block of wood with five semi-circular recessions graduated in size. Also four elongated wooden rods with round handle at top and a round shaped bottom approximately matching the holes in the block. Further wooden rod with elongated neck widening at the top with hole in top and a small pointed wooden rod with a round top. A total of 8 pieces in the set. Used for decorating leather. See sample in NA2849handcrafts, leatherworking, trades

Sample of trolley wire taken from overhead (South wire) ear 12C, which has worn flat under ear, with metal flow to side,- good grooves and short length past ear and worn to one side at the other end. See Reg item 514 for wire size details. See sketch on original worksheet for cross sections and colours. Images added 3-12-2016ballarat, overhead, fittings, trolley wire

Twelve page book printed on heavy light brown paper, stapled with an oversize folded card cover titled "The Perfect System of Fare Collection and Control - The Automaticket Bell Punch System". Describes the Automaticket system, has samples of traffic tickets pasted in the book, diagrams, drawings, gives details of the components and method of operation. Published by the Bell Punch Company of London early to mid 1930's. On top right hand corner in pencil "Mr Turner 17-11-36" and bottom of cover "Bell Punch (A/Sia) Limited" and on bottom of page 1 "Bell Punch (A/Sia) Limited / 340 Collins Street / F2218 Melbourne".trams, tramways, tickets, ticket machines, buses

Two original handwritten letters from the E.I. Horsman Company, New York to H.B. Smith and Son, West Chesterfiled, Massachusetts; dated Feb 1st 1888 and March 10, 1888. Content of first letteris an order for a sample lot of tennis poles, with the second letter being a follow-up inquiry about the order. Under UV glass. Materials: Ink, Wood, Metal, Cardboard, Glasstennis

Block of 200 tickets - blue ink on off white paper, Zones 1+2+3 single journey, $4.00 Adult, issued by the The Met with their logo at the top of the ticket. The ticket number is in black ink. The tickets have been stapled onto a heavy cardboard back with a single metal staple. See Reg Item 1677 for a $2 Concession block. See Item 6715 for other samples.trams, tramways, the met, tickets