This auger was used in the making of components for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This auger is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This auger was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. Small auger, metal shank with threaded tip, and light coloured, oval shaped wooden handle. This auger is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, auger, hand tool, sovereign of the sea, ship model, hobby, ship model tool, tool

This is a commemorative medal issued to school teachers to commemorate the opening of the first Parliament of Australia, held in Victoria in 1901.this item was created to commemorate an historic event, the opening of the Australian federal Parliament, in May 1901.A shield shaped bronze medal. On one side are busts of the Duke and duchess of Cornwall and York. The other side depicts HM Queen Victoria and King Edward V11. There is a small length of red, white and blue ribbon threaded through the metal loop at the top.obverse : "AUST COMMONWEALTH / EST.1 JAN 1901 /63RD OF VICTORIA, R.I. below , FIRST PARLIAMENT OPENED /MAY 1901 / 1ST OF EDWARD V11; below, WA TAS NSW VIC QLD" reverse: "OPENING OF THE FIRST / FEDERAL PARLIAMENT below , T.R.H. / THE DUKE & DUCHESS OF CORNWALL / AND YORK / MELBOURNE MAY 1901medal australian-federation federal-parliament-australia

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. Being a shorter length it may have edged towels or found use as a collar however no tie or buttons have been attached at the ends.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects or create pieces of clothing.A strip of handmade crochet lace with a pointed edge. Mercerised white crochet thread has been used to crochet a lace pattern consisting of small open weave areas reflecting the pointed shape of the lace and a larger, open, zig zag and line pattern. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim, ladies collar, crocheted collar

Clothing. Camisole. Ivory coloured fine cotton with lace inserts front and back. Front opening with two button holes and one button. Sleeveless. Square neckline front and back. Small peplum. Cotton tape threaded through casing above peplum.costume, female, underwear

Myer advertising fan"Marvel Darner & Fancy Worker" cottons belonged to Ivy Kennedy, who was employed at Myer Melbourne in the 1920s. The referenced "Marvel Darner" could not be located. Three card silken lisle mercerised mending threads produced for Myer Emporium Ltd. Melbourne included. social history, myer business history

Skirt in slate grey denim, hand sewn with a heavy (linen?) thread, waistband - coarse herringbone weave webbing, white with navy stripes, waist ties white cotton, hand-stitched to form tapes. Made in three pieces and roughly pleated into waist.Waistband front marked "F2" twice in red (paint) mark on wearer's left overstrikes "F5" in black (Ink)costume, sunbury asylum, george evans collection

Long white fine cotton table cloth. Fine drawn thread work around edges. Eight wheel flower like pattern along each long edge and four on each short end. 6cm spoke stitched hem on all sides.domestic items, table setting

This brassard was worn by the military services in Somalia or East Timor. This DPCU fabric was commonly known as the hearts and bunnies design. Polyester Cotton brassard in Disruptive Pattern Camouflage Uniform (DPCU) fabric. Sewn on the main body of the brassard is a woven patch with the Australian flag. The brassard is secured to the sleeve by a slit in the top through which the shoulder strap is threaded and elastic strip around the arm. brassard, hearts and bunnies, somalia, dpcu

Polyester cotton brassard in Disruptive Pattern Camouflage Uniform (DPCU) fabric. Sewn on the main body of the brassard is a woven medic patch. The brassard is secured to the sleeve by a slit in the top through which the shoulder strap is threaded and a velcro straps wraps around the arm. brassard, medic, dpcu

People on the home front provided art work on items to represent the era of the war and to show their patriotism. This item was originally found in an opportunity shop so its 'true date and origin is unknown.White cotton Doiley with year "1914"and Union Jack Flag embroidered into it. Edged with 94 small beads that are alternatively blue, red and white, (Union Jack colours). Beads about 4 mm in diameter and are threaded though loops on the four edges of Doiley.Embroidered in Union Jack Flag and year "1914". souvenir, doiley

An example of a handstitched decorative cloth from early to mid 1900s.The item is of social significance as an example of a hand stitched project undertaken to create a decorative domestic object.Pale yellow, hand embroidered small tablecloth. Tapestry thread in fawn, cream and yellow has been used to work star shaped designs in satin stitch, stem stitch and back stitch. Feather stitch forms a border around the overall pattern.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, tablecloth, embroidered, domestic object, textile

Pink, rectangular ticket with rounded corners. White ribbon threaded through hole at top. Member's ticket for Old Lintonians' Association 48th reunion held Easter Saturday, 21st April 1962 "Mr R. Brown" handwritten in ink on name line.Text: " OLD LINTONIASNS' ASSOCIATION / 48th Re-union / Easter Saturday, 21st April, / 1962 / MEMBER'S TICKET. "old lintonians' association, events, reunions, tickets, r. brown

Weaving is a craft activity that has been a part of many day centres. In this image, a blind woman sit in front of a loom, holding the threads, her lips slightly pursed, as if in conversation. Another woman stands beside her and looks down at the work, her hand holding the weaving slightly forward as she looks at the stitches.royal victorian institute for the blind, day centres

This bat was awarded to Thomas William Southcombe in 1876 for the best batting average during the 1875-6 season at Warrnambool Cricket Club. Thomas William Southcombe was the son of Thomas and Mary Southcombe of Port Fairy. With his parents, Thomas and Mary, he arrived in Port Fairy in 1854. Thomas Senior was a carpenter who established several businesses in Port Fairy and served on the local Council for many years as a Councillor and Mayor. Thomas Junior appears to have migrated to U.S.A. and died there in 1904. The cricket bat was manufactured by the British firm of James Lillywhite, Frowd & Co. James Lillywhite was an English cricketer whose uncle had originally established the sports store and manufacturing business which lasted under various names until the 21st century. A cricketer named Lillywhite played in Warrnambool in 1874 with an All England Team under the captaincy of W.G.Grace. It is not known whether this was James Lillywhite or another member of the Liilywhite family as several of them played first class cricket.. The impression of the signature of W.H.Ponsford on the bat is an intriguing one. W.H. (Bill) Ponsford was a famous Australian cricketer who retired in the late 1930s. The Southcombe cricket bat was given by Mary Southcombe (Thomas’ sister) to the old Warrnambool Museum in 1923 and it is surmised that Bill Ponsford visited Warrnambool in 1957 (tthis appears to be the date under the signature imprint) and was shown the bat. It is then surmised that he rested a piece of paper or an album page on the bat while he signed his name and the impression of the signature has come through onto the bat. The old Museum closed in the 1960s and the bat was then passed on to the Warrnambool and District Historical Society from the Warrnambool City Council collection of items from the Museum. This bat is of considerable importance because of its provenance and its connection with the Warrnambool Cricket Club, the Southcombe family of Port Fairy, the Lillywhite manufacturers, the old Warrnambool Museum and Bill Ponsford. It is also a good example of the type of cricket bat used in Australia in the 1870s. This is a wooden cricket bat (light colour wood, presumably willow) with a handle covered in oiled thread. It has an etched inscription on one side of the bat and the names of the manufacturer and distributor on the other side. There is also a faint impression of another signature. The blade of the bat is slightly curved. ‘W.C.C. Season 1875-6 Presented to T.W. Southcombe, for Best Batting Average’ ‘James Lillywhite Frowd & Co., Manufacturers, Borough, England’ ‘Made for George Marsh, Melbourne’ ‘W.H.Ponsford, -/1/1957’ warrnambool cricket club, thomas william southcombe, w.h.ponsford, warrnambool’s old museum

Personal account of Gordon Smith's life when living in Mt Beauty and Bogong townships while working for the SECV on the Kiewa Hydro Electric Scheme.Gordon gives an account of both working and living during the 1950s and early 1960s in a remote part of Victoria - the Kiewa Valley and in 2 small construction towns. He gives a lot of detail eg. the weather, his work, the people, the activities, his family and leisure time.Plastic threaded spine holding 282 pages with black and white photos. Front Cover includes 2 small black and white photos either side of the title at the top and below the title a larger colored photo of Rocky Valley Dam. Author's name is underneath. "Dick Puttyfoot" on cover page.kiewa hydro electric scheme, state electricity commission of victoria., gordon smith

Item souvenired by VX76842 George Lunn 2/9 Fld Coy, refer Cat No 5581 for his service history.Trench art ashtray made from artillery shell base approx 85mm dia, a buddha type figure is attached via screw thread, the base has 6 Japanese figures, there are 2 numbers "7" & "F", item has been chrome plated.trench art, japanese, souvenirs, lunn

Textiles. Semicircular beaded purse. Blue beads and tassel at bottom of purse. Top section has mauve beads with coloured beaded flowers. Letters in brown beads ''TREU ,,,, TMER''. The top opening is edged with pearl beads with gold cord threaded around the opening.textiles, domestic, semicircular beaded purse.

Folded cream cardboard with irregular edging and wording in black print on front cover and inside back cover. Red and white rolled thread/ribbon tied through two punched holes on left margin. Inside contains a black and white panorama of a seaside bay. 1941 Greetings from 2/24 Aust Inf Bn/AIF ABROAD Inside card - Wishing you a Very Merry Christmas and Joy in the New Year/Xmas 1941/New Year 1942

The donor was a collector of evening bags. Her collection has been acquired by the Society. She was a friend of Barbara Rogalski, who donated them to the Society after Jenny's death.Evening Bag with front of bag covered with needlework in gold & silver thread. Coloured embroidery on the tail of a Peacock. Three butterflies on sides and two flowers in corners. The bag is made of black velvet with cotton lining. An embroidered hand strap on the back. Closed by press stud.Made in India.costume accessories, female

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This example of evening wear from 1980 is one of two pieces in the collection owned and worn by Kaye Cole.This dress was bought for and worn by Cr Kaye Cole, Mayor of Kew 1979/80, to a Mayoral Dinner on Friday 25 July 1980. An accompanying seating plan lists the attendees including the Governor of Victoria, the Victorian Premier, State and Federal parliamentary representatives and distinguished guests from neighbouring municipalities. The evening dress was donated to the Society by Kaye Cole on the occasion of an interview on 6 August 2018 relating to the period on which she served on Kew Council as a representative of North Ward (1973-6) and Prospect Ward (1978-85) and her achievements as mayor.Brown acetate evening gown, and floor-length evening coat retailed by Bianca, Sydney, and manufactured under licence to Henry Chavan, Lyon & Paris. The sheer fabric of the coat is decorated by the use of pile weave, forming a floral pattern of velvet outlined in gold thread.mayors of kew (vic), cr. kaye cole, international fashion - france - henry chavin, women's clothing, evening wear, fashion retailers - bianca - sydney, evening dresses, evening ensembles

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.Black hostess apron embroidered with sprays of leaves using orange and yellow silk thread. The apron is bordered by commercial guipure lace. The apron is backed by the same black fabric. While the leaves are embroidered on the upper layer only, the pocket is embroidered on/through both layers.clothing - women's, aprons, protective wear, fashion design, fashion -- 1950s

A guidon is the regimental banner or flag carried by a regiment of light cavalry or light horse. The 8th light Horse (Indi) Regiment was presented with the guidon circa 1927. The actual date is not certain. The guidon carries the battle honours accorded to the regiment for service in the South African War (1899-1902), World War One (!914-1918) and World War Two (1939-1945). The guidon passed into the custody of the 8th/13th Victorian Mounted Rifles Regiment when it was raised on 1 May 1948. At Federation, the Victorian Mounted Rifles companies in North East Victoria were reorganised into the 8th Light Horse Regiment. In 1912 the regiment was renumbered 16th Light Horse. The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded. In 1948, the 8th Light Horse was linked with 13th and 20th Regiments to form the 8/13 Victorian Mounted Rifles in the Citizen Military Forces. Guidon of the 8th Light Horse Regiment. Maroon corded cotton double thickness fabric with gold metal thread fringe, gold embroidered regimental number in Roman numerals, regimental badge and battle honours; colour patch below badge. Braided corded with tassels.Battle honours: "South Africa 1899-1902, Sari Bair, Maghdaba-Rafah, Jerusalem, Megiddo, Damascus, Defence of ANZAC, Rumani, Gaza-Beersheba, Jordan (Es Salt), Sharon, South West Pacific 1943-1944"guidon, 8th light horse, battle honours

Cream silk princess line wedding dress with scalloped neck edge, ruched front bodice panel and ruched and gathered panels on skirt. Three-quarter length sleeves with slashed sleeve details. Centre back opening fastened with silk thread covered buttons.wedding dress, 1870s