Construction of Entrance and Switch Back Railway, Luna Park, St Kilda, October 1912; onion dome on one side, not the other; two early motor vehicles with spoke wheels; construction crew on top level; sign 'Contractors The G.A. Lawsha Contruction Co. London, Engineer T.h. Eslick'black and white photograph, mounted, poor conditionLuna Park 5/1/0/12 Switch back Railway [trikethrough text 'afterwards called Big Dipper']; [stamp] George Wall & Co, Photo Experts, 131 Chapel St., Balaclava (near Melbourne) Photoas copied, resuscitated and enlarged.

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in a light coloured suit, holding a hat and gloves. He is standing on a path within a park, with trees in the middle distance.Printed on back - Veloxfrank wright, cornet, conductor, ballarat, st hilda's band, parkland

Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Photograph of SEC Geelong, No 16 at the Eastern Park terminus on 6/3/1954. Tram showing destination of "Garden St" Keith Kings No. I(x)(8) Scanning: i - image file, p - presentation file, b - back of photograph. 1929.1 - same photograph from the Wal Jack album, see Reg Item 5003, added 12/8/2013.Stamp in top left hand corner and handwritten number with "K.S. Kings No. I(x)(8) Copyright reserved". In blue ink "Geelong / No. 16 / "Pengelley" car as converted for "one-man" operation / Eastern Park terminus 6/3/54". 1929.1 - Stamp in top left hand corner and handwritten number with "K.S. Kings No. I(x)(viii) Copyright reserved". In blue ink "Geelong / No. 16 at Eastern Park terminus Royal visit day. / Note: Flags on roof."trams, tramways, geelong, eastern park, tram 16

In the 1950s there was a move to bring some light industries into Sunbury. The large building in Barkly Street, which was used to make gloves and other items of clothing was taken over by the Yakka Company and boys shorts were made there. In the 1960s the Yakka Company moved to new and larger premises in Broadmeadows resulting of the closure of the Sunbury factory. A car park which services the business owners and employees from O'Shanassy Street now occupies the site.The Yakka Factory was one of the early manufacturing ventures to be started in Sunbury.A non-digital scanned copy of a coloured photograph of a large shed-like building with two utility trucks parked in the street in front of the building. There are some tall shrubs on either side of the building and a tall electric light pole on the RHS of the picture.He photograph has a narrow cream border.yakka factory, barkly street, manufacturing

Official Opening of Como Park, Wednesday 24th October 1934 1 - Handwritten note in red pencil "Official Opening of Como Park". 2 - Memorandum from Dist Traffic Superintendent SS Manager, DJ Davidson to Mr Davis at Hawthorn concerning opening of Como Park and tram requirements.Comments written in black pencil on both documents: "Copy to Haw & Hanna St Insps"trams, tramways, instructions, events, como park, special trams

It's encouraging to see my city using poetry in such a public way. The park itself is a humble one, which suits these little poems perfectly. If you're ever in town come and take a seat for a while. The poem 'Little Bridge' by Nathan Curnow was commissioned as part of a placemaking project in Little Bridge Street Pocket Park, Ballarat in 2018. The Park was redesigned to include more passive surveillance, and improved amenity to increase community safety in the area. The poem is engraved onto seating to provide a rest and point of interest space in the small park. Six seats featuring an engraved poemPut it all down and take a seat/ Pull out a snack from your shopping/ Listen to the trumpeter busking a tune/ With every visit this park is growing/ Killing time takes real devotion/ Stare at the flags and masts of your town/ And the buses come rolling down Bakery Hill/ It may be cold but we lean to the sun/ If you feel like a square of the Eureka flag/That’s hopelessly lost and tattered/ Remember you’re as precious as a corner-piece/ We search for you first to get started/ There is something big on Little Bridge/ Not a beanstalk that leads to a giant/ But another day in the life of Ballarat/ All of this gold at the surface poetry, little bridge street, ballarat

Morton Park is the home of the Blackburn Cricket Club. Located on Central Rd in Blackburn near the railway station Morton Park has two ovals and the scene of many a victory and celebration.

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. Paley Park, 3 E 53rd Street New York. Early example of a NYC “Pocket Park”. (Architects: Zion Breen Richardson landscape architects.)Made in Australia / 23 / JUL 69M2slide, robin boyd

This is the second volume of the history of the Shire of Heytesbury, written by Jack Fletcher. It covers the years 1921 to 1988. Hard cover book with dust cover, Photograph of bulldozer and ball and chain in Simpson Heytesbury Historical Park on front cover. Second book of 2 written by author of History of Heytebury District. First book is The Infiltrators, 1840-1920. See 44, 45. Both books SIGNIFICANT in the local history of the area and the events and people that formed this history. 648 pages. Index to surnames of people referred to in this history. Some black and white photographs. With reference to Cobden, Simpson, Simpson, Port Campbell, Industry, Health, Education, Sport, Churches. A hardcover tan leather book with gold lettering on the cover. Dustcover with photograph of Heytesbury Project Historical Park, Simpson. Contents and Index pages, black and white photographs, map of Heytesbury shire inside front cover. 648 pages.heytesbury shire - history, local government

Parks of Bendigo (handwritten story re the various - Untitled). This is a 17 page handwritten summary of the various park areas of Bendigo with reminiscences and history . By unknown author (Lucy Hill??), no date. Missing two pages, #1 and #13. Mentions: Rosalind Park, Botanical Gardens, and a number of open spaces and municipal reserves.bendigo, parks and gardens, rosalind park, rosalind park, botanical gardens

'Lake Park Chronicle' Vol 1 No 1 March 1993. Excerpts from 'Our monthly letter' relating to Adult Deaf and Dumb Society Flower Farm and Home, Lake Park, Blackburn 1909 - 1912 and other sources. Prepared by Dorothy Meagher in conjunction with Parks and Recreation Services, City of Nunawading.'Lake Park Chronicle' Vol 1 No 1 March 1993. Excerpts from 'Our monthly letter' relating to Adult Deaf and Dumb Society Flower Farm and Home, Lake Park, Blackburn 1909 - 1912 and other sources.adult deaf and dumb society, blackburn lake sanctuary, meagher, dorothy, lake park chronicle, city of nunawading. parks and recreation services

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

Photograph of the pavilion at Murrumbeena Park in 2009, with the main oval in the foregroundmurrumbeena, murrumbeena cricket club, cricket, cricket clubs, parks and reserves, grandstands

Colour photograph of bushland, Hohnes Reserve, Eltham Lower Parkeltham lower park, hohnes reserve, parks, bushland, hohnes road, eltham

Two colour photographs of bracket fungus, Kinglake National Parkfungus, kinglake national park

Colour photograph of Our Lady's viewed from the car parkmain road, eltham, churches, shops, catholic church, our ladys church

Colour photograph of Eltham Town Park near Main Roadmain road, eltham, twon park

Used by the Mobile Traffic Section for patrol and warning motorists at incidents etc.Holden courtesy van in a park with skyscraper in background. Circa 1961police vehicles; wireless patrol; motor transport branch; motor transport section; holden courtesy van

Wombolano Park - City of Ringwood Proposed Master Plan - 1973

No information about the event or a date. It may be the opening of Jubilee Park.Catalogue card reads, "Opening - Mr. & Mrs. Beaumont".

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. From Glen Eira’s Heritage Management Plan by Andrew Ward (1996) Vol 2 p78: "Beauville Avenue is unusual in that it is terminated in a cul-de-sac (see Section 3.9.2) whilst the design of the estate may well be unique for its time in that the houses back onto 6 tennis courts for public use. St. Patrick's Church, which adjoins the estate is a comparatively recent structure whilst the school has one building erected in 1930 and prior to the release of the Beauville lots." It also notes that St.Patrick's Church and School now run the tennis courts.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a tennis club house and a park on the Beauville Estate. murrumbeena, houses, 1930's, a.v. jennings, av jennings, jennings, beauville estate, jennings albert victor, parks and reserves, sports and recreations establishments, clubhouses, tennis clubs, beauville tennis courts, st patrick's tennis club, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, dalny road

Loose copies of plans for the development of the University of Ballarat Technology Park.

postcard - photograph of Burnley Park at Tram Terminus - black and whiteSemco seriespostcard, photograph, various themes

colour photograph of National Bank, adjacent to Rosiland Park entranceEstelle Hewston

Fountain at Canterbury Park, Sailors Gully Road, Eaglehawk (Bendigo).slide, bendigo, canterbury park, fountain, canterbury park, eaglehawk, bendigo

Dahlias, Canterbury Park, Sailors Gully Road, Eaglehawk (Bendigo).slide, bendigo, canterbury park, canterbury park, eaglehawk, bendigo