The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous, but ill-fated charge at the Nek on 7 August 1915, it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Lieutenant Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. Returning to Australia after the war, the 8th Light Horse AIF was disbanded in 1921, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces.Rare professional photograph of a light horse squadron prior to their departure for overseas in 1914.Black and white photograph of 6 ranks of soldiers arranged in tiers being " C " Squadron 8th Light Horse, shortly before departure to the Middle East. Photograph is mounted on card.Soldiers are wearing bandoliers and peaked caps.On face of image - " 'C' Squad 8th Light Horse" and " Darge Copyright". On rear of mounting card " No.378/2nd Regx? 3rd Top"8th light horse regiment, world war one (1914-1918)

The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse.Comparatively rare collection of photographs of 8th Light Horse (AIF) on operations in Egypt and Sinai 1916-1918.Black and White photograph of column of horsemen, dismounted, in desert landscape. Two figures reclining at left foreground. Part of a collection of photographs of 8th Light Horse (AIF) on operations in Egypt and Sinai 1916-1918."Resting in Wadi Ghuzzie outside Beershaba (slopes of Tel el Saba top right)"beersheba, light horse, wwi, world war one, egypt, wadi ghuzie

The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse.Comparatively rare collection of photographs of 8th Light Horse (AIF) on operations in Egypt and Palestine 1916-1918.Black and White photograph of bivouac beside river. Several soldiers of the 8th Light Horse Regiment AIF, two horses, pontoon bridge, and washing drying on line beside bivouac."Crossing the River Jordan"8th, light horse, wwi, world war one, aif, middle east, jordan

The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse.Part of a rare collection of photographs of 8th Light Horse Regiment AIF during WWI (1914-18).Black and White photograph of group of soldiers of the 8th Light Horse Regiment AIF erecting Bell tents at Broadmeadows Army Camp. Row of pine trees in background: Large light pole in foreground. Photo is glued to plastic card.[Br]oadmeadows. The 8th LH moving to the old lines of the 4th8th light horse regiment aif, broadmeadows, 8th, light horse, wwi, world war one

Sydney Herbert Hazeldene (1893-1966) was born in Bath, England and arrived in Australia in 1906. HE walked for 10 days from Melbourne to Bamawm, where he found work on a dairy farm. After 3 years he walked to Eaglehawk where he found work as a wheeler in a mine. He served in WW1 at Gallipoli, where he was wounded. After his return to Bendigo he married Mary Eales and they began a successful bus service. Unfortunately their two buses were destroyed by fire so they purchased a truck and began a removalist/carrier business serving locally and interstate. When the work became too heavy for Sydney he bought land and set up a dairy farm. They also moved into breeding chickens and soon this business overtook the dairying with the last cows sold in 1942. This was the beginning of Hazeldene's Poultry.Softcover book white front with black printed title. Memoir of 58 pages recounting author's husband's (Sydney Herbert Hazeldene) life. Inscribed on front cover 'For my dear son Dick with all my love Mother 26/11/1981'Mary Hazeldenebooks, biography

An Poster, Information Board on 5 RAR 1st Tour 1966 to 1967. Below a black and white photograph reads: 5 RAR Operation Canberra 6th to 10th October 1966. Lance Corporal Shoebridge and Lance Corporal Brian supporting Private Riik and Private Birties securing weapons. Resulting from a booby trap explosion, 7 members of C Company 8 platoon were wounded when ascending the Nui Thi Vai mountain on the 8th Oct 1966. Overcoming difficult terrain, C Company prepared a landing zone (LZ) on the slopes for evacuation of the wounded - (Medevac). Under a coloured photograph of sodliers reads; 5 RAR - Bush Bashing 1966. Members of C Company 9 platoon after days of bush bashing - a soldier's term used to describe days of navigating dense terrain and vegetation while being always at the ready for enemy contact. Under a coloured photograph of APC reads: 5 RAR - Operation Hayman 8th to 12 November. Armoured Personnel carriers supporting 5 RAR during staging/forming mode prior to being air-lifted on to the summit of Nui Nua on Long Son Island. The Battalion's objective was to capture or eliminate the Chau Duc District VC Company that had been restricting movements of the local regional force. Thirteen Viet Cong survived and surrended days later to mainland police. Under a coloured photograph of soldiers walking on a log over water reads: 5 RAR - Hat Bands. The Viet Cong occasionally wore the same or similiar headgear as the Australian forces in an attempt to create confusion when contact was made. In the short term this was remedied by threading a coloured ribbon around the Australian bush hat. The ribbon served as an identification marker so as to quickly identify an Australian soldier from the enemy. Colours were regularly changed.5 rar, c coy, operation canberra, operation hayman, pte riik, l/cpl shoebridge, l/cpl brian

Augustus Bostock was the 9th child of Robert & Rachael Bostock of Vaucluse Epping Forest, Van Diemen’s Land. He was only 4 years old when his mother died. He was inspired by his father to seek his fortune in the Western District of Victoria. He arrived around 1850. He married Margaret Aitkin in July 1865. Augustus owned several properties in the district and leased others. He sat on the court of Warrnambool, Mortlake or Hexham as required. He resided at Marramook in Hawkesdale and later moved to Vaucluse in Hopetoun Road Warrnambool, where he died in 1920 at the age of 87. He was involved in many aspects of life in the Western District, racing, cricket, and social activities to name a few. The Yambuk Cheese and Butter factory operated until around 1917 when it failed financially and was wound up by liquidators. It was operated for a short period by Murrays of NZ but they too succumbed to the poor financial situation. This is one of a number of documents which relate to the Bostock family who were one of the most important pioneering families of the Western District. They owned and leased various properties around Warrnambool and were involved in many aspects of social and business life. The document itself is indicative of its time and provides an insight into the details and terms of such documents at the time.Small white sheet with purple printing. Items filled in with black pen. Serrated edge on one side. Transfer form printed on the reverse in purple. Stamped seal in bottom right hand corner.Signed by Augustus Bostock, G Ritchie. Stamped no 27 in top left corner.warrnambool, augustus bostock, yambuk cheese and butter factory, shareholders yambuk cheese factory 1893,

The British War Medal 1914-20 was iInstituted by King George V in 1919 to mark the end of World War I and record the service given. The qualification period was later extended to cover post-war mine clearance and service in Russia during 1919 and 1920. The British War Medal was awarded for service in a theatre of war between 5 August 1914 and 11 November 1918. Those eligible included members of women's organisations; persons on the staffs of military hospitals and members of recognised organisations who handled sick and wounded; and members of other duly recognised or other authorised organisations as specified in medal regulations. The qualification period was later extended to cover post-war mine clearance and service in Russia during 1919 and 1920. Lieut E. S. Holgate was mentioned in despatches for Gallantry in the Field 24/25 April 1918. He was killed in action at Villers-Bretonneux, 27 April, 1918. The British War Medal completes a trio of medals awarded to Lieut. E. S. Holgate, including the 1914-15 Star and the Victory Medal. The Holgate medals were the first war medals held by BCC archives. They have historical and social significance for the College.The British War Medal is round and made of cupro-nickel. It features the effigy of George V on the obverse. The reverse has an image of St George on horseback trampling underfoot the eagle shield of the Central Powers, and a skull and cross-bones, the emblems of death. Above this is the risen sun of victory. The British War Medal has a wide central watered stripe of orange, flanked by two narrow white stripes, which are in turn flanked by two black pin-stripes, further flanked by two outer stripes of purple. The colours have no particular significance. Impressed around edge are the recipient's details. Inscribed around outer edge of obverse: 'GEORGEIVS V BRITT. OMN:REX ET IND:IMP:' Impressed around edge of medal: 'LIEUT.E.S.HOLGATE. A.I.F.' Inscribed on the reverse '1914 1918'medal, 1918, world war 1, british war medal, w w 1, holgate, a i f, australian imperial force, holgate e s, holgate medal

The letter is mostly about the training for and the raid which was carried out by a large group made up from the 37th and 38th Battalions AIF on the 27th February 1917. The raid which only lasted some 35 minutes was very successful and was known as the “Armentieres Raid”. Suggett was part of the raid. Robert John Suggett No 378 enlisted in A Coy 38th Batt on 24.2.1916 age 35 years 4 months. Embarked for England 20.6.1916, embarked for France 22.11.1916, hospital with Mumps 25.11.1916, return to unit 3.12.1916, promoted to Sgt 26.1.1917, Transfer to 3rd Div HQ 13.4.1917 to become part of Gas instruction and later Gas NCO, reverts to rank of Cpl 6.5.1917, WIA accidentally 24.9.1917 bombs wounds to right hand and knee, promoted Sgt 4.11.1917, hospital 9.2.1919 with Arthritis and then Tuberculosis, returns to Australia 6.5.1919 on Hospital ship classed incapacitated, discharged from the AIF 21.6.1920.Four page letter from Robert Suggett to his wife. Cream coloured paper with faint lines. Left edge of pages decorated with eight coloured flags on a flagpole. Letter is written in pencil and dated 1/3/17.documents-letters, military history, 38th

Collection of personal effects that belonged to Private SIdney Spencer Plum, 3431 1st Pioneer Battalion. SIdney was born on 3/1/1894 at Dockers Plains via Wangaratta. He attended both North Wangaratta and Dockers Plains schools. He was a Blacksmith aged 21 years when he enlisted on 12/6/1915 and embarked on 11/10/1915 on board HMAT Nestor. He was wounded three times and was discharged from the AIF on 16/3/1919. Items include oval photo of Sidney Plum in the centre surrounded by four post cards, one embroidered post card of a dove with an envelope in it's beak with the Union Jack and French flag, a Greetings From The Front" booklet, "The Armour of Light" bible, "A Form of Prayer for open air services" book, Soldier's Pay Book, a "To my dear Mother" card, a black leather pouch, a rising sun badge, round gold medallion. A framed montage of personal items belonging to Private Sydney Spencer PLUM compiled by his family to honour his memory and service. In addition to general military issue the remaining items were most likely purchased whilst on leave in France and England during the first world war. Postcards particularly embroidered postcards were sent home to loved ones and friends.Framed Collection of personal effects - Private Sidney Spencer Plum, 1st Pioneer Battalion. Includes oval photo of Sidney Plum in the centre surrounded by four post cards, one embroidered post card of a dove with an envelope in it's beak with the Union Jack and French flag, a Greetings From The Front" booklet, "The Armour of Light" bible, "A Form of Prayer for open air services" book, Soldier's Pay Book, a "To my dear Mother" card, a black leather pouch, a risen sun badge, round gold coloured medalion. Frame has a donation plaque.Front: Pte Sidney Spencer Plum, 1st Pioneer Battalion. Donated by Max & Hilary (Plum) Ryan and Sylvia Reed (Plum) of Wangarattaa Back: Wangaratta Picture Framers 9 Oct 2003. Also has messages from front postcards; Dear Mother, Just a few lines to let you know that I am alright hoping that you and all the rest is well too. We have had three fogs over here and it is very cold at night. I was picked in Cairo and they had some Turkey Officers an a German spy in gaol there. I wrote to Aunt Nelline. I got two letters from Alf. Maude Saxby hasnt wrote to me since I was up there on final leave. I get the letters quicker. I got Alf photos all right. I will be having Christmas in London. Well I think this is all this. I remain you son Sid. Tell Alf to send me over the Age so I can see how the war is going. I suppose Dad and the rest is busy harvesting now. Glad to hear that you got the photos all right. I think this is all this time from Sid same address as before. Dear Mother, Just a few lines to let you know that I am keeping well hoping that you and every body is the same. We have some great fogs over here, it rained all one night. We had a very good Christmas we got a billy issued to us and it had every thing in it. The Captain of our company gave me a Christmas pudding. All the same I wished I were back in Australia again. I think this is all this time. Yours truely son Sid, 25/12/15plum, sidney, world war 1, postcards, embroidered postcard, soldier's pay book, leather pouch, bible, prayer book, sydney

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her Mother took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin.Lithographic print in black and white depicting Gate # 1 at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate 1, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph

Alexander Henry White, born 9 May 1882 was educated at Greenville College Ballarat. He enlisted in the Victorian Mounted rifles in 1899 and continued to serve in the Light Horse followinh Federation. Following the outbreak of World War One he applied for a commission in the AIF 19 November 1914 and was appointed as Commanding Officer 8th Light Horse regiment. He was 32 yers of age, married with one child. He sailed with the regiment to Egypt in December 1914, and in May 1915 landed at Gallipoli. Lieutenant Colonel received a shrapnel wound to the scalp 27June, was treated at the Casualty Clearing Station, and returned to duty 4 July. In the Charge at the Nek, 7 August, White chose to lead the first wave of the 8th Light Horse. He was killed in action and his body never identified. His name is recorded on Lone Pine Memorial, Gallipoli Peninsula. He was posthumously mentioned in dispatches for his leadership in commanding the 8th Light Horse. Framed case containing portrait of Lieutenant Colonel Alexander Henry White, together with his medals (replica) and colour patches of 8th Light Horse.On plaque under portrait 'Lt Col Alexander White / Commanding Officer 8 Light Horse Regiment' and under medals 'Lt. Col. Alexander White borne 9 May 1882 / K.I.A. 7 August 1915 at the NEK Gallipoli'gallipoli, white, wwi, 8lh, ballarat

Horses were transported to Egypt in stalls below deck on troop ships. The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse. Black and white photograph glued to fluted plastic board showing horses in stalls on board ship, probably A16 carrying the 8th Light Horse to Egypt.world war one, wwi, aif, egypt, a16, ship, 8th, light horse, horse

The brass wall clock retains its key. It was provided by the Department of Shipping and Transport in about 1900 and is original to the lightstation. It was mounted in the watchroom, a small extension at the front of the lighthouse (later radar station), where lightkeepers completed many of their reports and recorded radio schedules, weather observations, distress calls and other data. Good, reliable clocks were also essential for maintaining a strict roster of hours for winding the clockwork mechanism that kept the lens active. The name of the clock’s manufacturer has not been determined. More specifically it was used for logging radio schedules that were made at five minutes to midday, everyday, and for recording the times of weather observations, distress and any other calls that came in. AMSA notes that ‘Lightkeepers who used this clock were said to have polished and wound it every week while it was in use until the 1990s when its otherwise impeccable time keeping mechanisms finally became inaccurate’.The brass clock at Wilsons Promontory illustrates the importance of timekeeping in a nineteenth century lighthouse. Despite its slightly chipped face, the timepiece has first level contributory significance for its historic association with the watch room and confirmed provenance. The significance of this clock also lies with its complete provenance..1. Brass clock with a circular white face and black roman numerals. Three brackets at back to attach to wall. Face of clock is covered by a hinged glass cover with a fastener. .2. key. Roman numerals on face of main clock. "1-12" On inner dial "10-20-30-40-50-60"

An address delivered by Legatee Brian Armstrong (according to handwritten note on Envelope L.6) at the graveside of Sir John Monash in Brighton Cemetery on 24th October 1937, six years after Monash' death. In it he mentions how he, Armstrong, was one of "the great Company of junior officers and men who carried his orders into effect." and quotes from the message sent by Monash to all the men of the Australian Army Corps before a battle on 8 August 1918 when "for the first time on the western front we fought as an Australian army, with the green grass beneath our feet and a retreating enemy in sight." Legatee John Henry Brian Armstrong was President of Melbourne Legacy in 1937, and rose from Private to Lieutenant in the AAMC 22nd Btn. He was wounded at Dernancourt 25.4.1918 and Herleville, becoming a P.O.W. 18.8.1918. He was discharged as medically unfit 2.8.1919 and became a solicitor, serving as a Legatee for 54 years. Although Melbourne Legacy is not referred to specifically, it is clear that Monash' service to his country lives on in the work of Legatees in caring for others.Typed and hand written quarto paper, black on white, bound with green cord.Numerous annotations in black pen, and pencil.john monash, speech, obituary

Black and white photocopy of a typed letter written by Company Sergeant Major (later Captain) George Eric Milne on the second last night at Lone Pine, Gallipoli. The letter to his parents show that he was scheduled to be in the second last party to leave the area during the evacuation. The other papers with this letter show that Legatee Don S (probably Simonson) had attended a planting of a Lone Pine seedling at Scotch College and the Head had read the letter out as part of the service. George Milne had attended school at Scotch College and is commemorated with his name on the wall of the Memorial Hall. From NAA his record shows that he had left Australia as part of the 24th Battalion (on the same ship as Legacy founder Stan Savige), he served at Gallipoli. Later with the 46th Battalion he was wounded in action and died in France on 5 April 1918, and is buried at Gezaincourt Communal Cemetery. Full text of the letter is transcribed and attached.A first hand account of the evacuation of Lone Pine from someone in the same battalion as Stan Savige.Black and white A4 photocopy x 5 pages of a typed letter written by GE Milne and associated research.gallipoli, world war one, george milne, evacuation

These men were either born, worked or enlisted at Wangaratta prior to serving their country in the First World War. There names also appear on the South Wangaratta School and District Honour Board (27) Private William John LAW 1221 - 19 years - Born Murchison in Victoria. Occupation Carpenter Next of Kin - Father John Wilson LAW of Wangaratta Joined 2-3-1916 Enlisted at Wangaratta Unit 37th Battalion. Embarked Melbourne 3-6-1916 HMAT Persic A34 Discharged 21-9-1919. Private Joseph Henry LAW 986 - 21 years Born Euroa in Victoria Occupation Labourer Next of Kin - Mother Mrs Robert (Esther) LAW of Yatte Yattah - 18 NSW Joined 29-3-1915 Enlisted at Wangaratta Unit 24th Battalion. Embarked Melbourne 10-5-1915 HMAT Euripidies A14 Killed in Action 29-7-1916 France. Private Norman William FOSTER 7785 -18 1/2 years - Born Wangaratta in Victoria Occupation Labourer Next of Kin - Sister Mrs William (Florence) McLean of Wangaratta Joined 15-7-1915 Enlisted at Melbourne Unit 54th Battalion Killed in Action 1-9-1918 France Private James Archibald McCORMICK 3195 - 19 years Born Wangaratta Occupation Engineer Next of Kin Father Samuel McCormick Enlisted Melbourne 27-7-1915 Embarked 26/11/1915 Unit 24th Battalion Killed in Action 5-8-1916 France Private Roland Caractacus HUGHES 3134(3131) - 20 years 5 months Born Wangaratta Occupation Blacksmith Next of Kin Father Roland W Hughes Joined 21-10-1915 Enlisted at Seymour 7th REIN 24th Battalion Embarked 26-11-1915 Wounded - GSW Leg and thigh RTA Discharged 11-10-1917 Private James Kelly O'CALLAGHAN 1250 - 22 years Born Mansfield Occupation Labourer Next of Kin Father John O'Callaghan Swanpool via Benalla Joined 6-3-1916 Enlisted at Wangaratta 37th/59th Battalions Embarked 3-6-1916 Wounded GSW Face and arm. RTA 30-1-1918 Discharged 2-7-1918 Private Samuel William DAVISON 6793 - 22 years 5 months Born Benalla Occupation Baker - Employer A Watson of Wangaratta Next of Kin Mother Mrs Ellen Tutty of South Wangaratta Enlisted Melbourne 3-1-1917 21/24th Battalions Embarked 11-5-1917 Wounded 9-8-1918 GSW Arm RTA 16-4-1920 (with wife) Discharged 26-7-1920 Private William Leslie HUNTER (Depot) 18 years 2 months Born Yan Yean Occupation Farmer/Labourer Next of Kin Father William James Hunter of Wangaratta Joined 18-2-1916 Enlisted Wangaratta 3-4-1916 Discharged at Seymour on 26-5-1916 Medically Unfit due to DiabetesThe school was completed in May 1875 and commenced operating as South Wangaratta State School No 1580, on the 15th June 1875 with 47 children in attendance. By the end of that year the number had grown to 72. The pupil recorded as number 98, in the school register of 1876, was Stephen Hart from the Three Mile Creek. He first attended the school at the age of 17 years and within two years he was a member of the infamous Kelly Gang. During World War I, 22 former pupils volunteered for active service and four gave their lives. Brown timber frame and mount containing eight photographs of soldiers.Photos of the following Soldiers: Pte J H Law, Pte J McCormick, Pte N Foster, Pte R Hughes, Pte W J Law, Pte J O'Callaghan, Pte S Davison, Pte W Hunterlaw, mccormick, foster, hughes, o'callaghan, davison, hunter

Arthur William Knight Tuck (1871-1942) took over from Veterinary Surgeon Desmond in Warrnambool in 1897 and was a prominent vet in Warrnambool for a great number of years.These labels are of great interest as they show the variety of medicines used by veterinary surgeons in the early 20th century- Wound Powder, The Electuary Poison for sore throats, Liquid Blister, Colic Draught, Liquid Soap for dogs, Stimulating Embrocation for sprains, bruises etc. .1,.2,.3 Yellow and orange rectangular labels with black text and a decorative border paper. All are slightly damaged. .4 Ochre coloured rectangular label with black text and a decorative border. It is damaged. .5 White rectangular label with red text and a decorative border. It has horizontal lines on which to write. It is discoloured. .6 White rectangular label with dark blue text and a plain border. .7, White rectangular label with dark blue text and decorative border top and bottom.It is damaged. .8 White rectangular label with black text and plain border. .9 White rectangular label with red text and plain border. . . .1,.2,.3 The ELECTUARY POISON FOR SORE THROATS, INFLUENZA, COUGHS, COLDS &C Directions- Two teaspoonfuls to be placed on the back of the tongue with a flat smooth piece of wood, three or four times a day A.W. Knight -Tuck , V,S., G.M. V.C., Market Buildings, Warrnambool Phone 119. .4 Wound Powder For Drying Up and Healing Open Wounds and Foul Running Sores DIRECTIONS Dust a little of the Powder on twice a day. KEEP IN A DRY PLACE. A.W. KNIGHT-TUCK, V.S.,G.M.V.C. Veterinary Surgeon MARKET BUILDINGS, WARRNAMBOOL Telephone 119 .5 To...... FROM A.W. KNIGHT - TUCK.V.S.,G.M.V.C. Veterinary Surgeon, Telephone 119 MARKET BUILDINGS,WARRNAMBOOL Modern Print Warrnambool .6 Liquid Blister FOR VETERINARY USE. POISON DIRECTIONS (Detailed in fine print) A.W. KNIGHT-TUCK ( as above for profession and location ) .7 . LIQUID SOAP FOR WASHING DOGS etc. (as above for profession and location) .8 STIMULATING Embrocation FOR Sprains, Bruises, Sore Throat, Strangles, Rheumatism, &c .DIRECTIONS ( detailed in fine print) A. W KNIGHT - TUCK (as above for profession and location) .9 Colic Draught FOR Colic or Gripes DIRECTIONS FOR USE ( detailed in fine print) A.W KNIGHT -TUCK (as above for profession and location) a.w. knight -tuck

.1) William Edgar Stanbury No 997 enlisted on 26.2.1916 age 21 years in C Coy 38th Bn AIF, embarked for England 20.6.1916, hospital at sea with Measles, embarked for France 22.11.1916, WIA GSW to hand 8.6.1917, rejoin unit 5.8.1917, awarded “MM” 4.10.1917, made L/Cpl 8.11.1917, WIA 2nd occasion 31.8 1918 wounds to leg & chest, embark for Australia 25.1.1919, discharged from the AIF 30.4.1919. “MM” Military Medal East of Ypres. Being held up by 2 enemy machine gunners and on his own initiative worked forward sniping the gunners enabling others to advance and capture the garrison of 2 Officers and 20 OR’s. Throughout the day exhibited great coolness and disregard of self and by his skilful sniping enabled his Platoon to advance against other enemy strongpoints. .2) Stanbury seated, Leslie W Clark standing (Possibly 2087 Leslie William Clark) .3) Stanbury right Photos B & W, soldiers in uniform, studio background. .1) Edgar Stanbury standing, L/Cpl stripe on arm, “MM” ribbon on jacket. .2) Leslie Clark standing, Edgar Stanbury sitting. .3) Unknown on the left, Edgar Stanbury on the right, “MM” ribbon on jacket.photographs, 38th bn, “mm”, c coy

During an xray demonstration on 23 July 1896 "Seven patients of the doctors who were present were treated. In each case the patient was suffering from the effects of an old wound or some other injury to other a hand or foot. One patient, a boy had a finger broken some years earlier and when xray plate of the injury was developed it indicated plainly the fracture on one of the joints of the third finger. In another case a woman had a foot had a foot X-rayed and the photograph revealed the seat of an earlier imjury to it. Likewise an injury to the bones of a hand of an elderly man was revealed by an x-ray photograph. Every X-ray photograph that evening showed the importance of this new development in electrical science and the doctors present agreed the "the results of the experiments on their patients, by showing the exact seat of the injury and its present condittion, would materially assist them iin supporting cures." (Warren Perry, The Ballarat School of Mines and Industries Ballarat, p 146.)Pioneer xray of a handx-ray, hand, pioneer xray, xray demonstration, bones