Coral Watkins is a Springvale elder. The photograph appears in the C&N article entitled "Springvale's bridge over troubeld waters". The article relates to race relations.Colour photograph of Coral Watkins and Nhem Dy standing outside Springvale Uniting Church."Coral Watkins with Nhem Dy outside church on 29/1/84 C&N 14/11/84 p.11"watkins, coral, dy, nhem, springvale uniting church

Rose series postcard c1920 of St. Patrick’s Catholic Church Side view of church with wooden sanctuary at back of building. Later the sanctuary was built onto this side of the Church in 1927.Post card of St Patrick's Church Stawell and a photographic enlargement. Both photos are black & white, showing a side view of the church with a wooden sanctuary at the back of the building. Pine trees can be seen front and back of the church.The rose series P. 4873 St Patrick's Church Stawell, Vic. on the back POST Card A Real Photograph Produced in Australiastawell

Colour lithographSigned 'Arthur Boyd' in lower right corner under printed image. Edition C/P, lower left corner of print.

Wood engravingSigned and dated bottom right beneath printed image, "Jones 85" Edition and title in lower left corner "A/P Gibsland"

This book and a number of others like it were owned by the mother and aunts of the donor, Mrs Dorothy Boyle. They were prolific producers of hand knitted and hand made items of clothing and also knitted and sewed for the armed forces during the Second World War. This book was produced by Patons and Baldwins and contains patterns for women's clothes made in angora wool.Patons / KNITTING BOOK NO. R7 / Specially Requested Designs in / PATONS FUZZY WUZZY and / BERYL ANGORAS / P&B / WOOLS / 1'4d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for womens garments.No. 480 / Patons / KNITTING / BOOK / No. 480 / PATONS / FUZZY WUZZY / ANGORA / LUCELLE FINE PLY / P&B / WOOLS / 1'6knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history

How parcels were sent by Rail.Rectangle cardboard box ' The Leviathan' - Melbourne high class tailors and outfitters.Mrs P. Kemp 2331161 (Brewery family) Mr W.H. Whitney Box Hill 2d Victorian parcel Railway Stampthe leviathan tailors, whitney - mr w.h., kemp mrs p 2331161 (brewer family), victoria railways

Photo of Ballarat tram 32 at Lydiard and Sturt St. City terminus, showing destination "Grey St. Sebastl" Commonwealth Bank building in background. Tram stop alongside front of tram, has been recently painted. Also fitted with an enamel sign and "End of Section" sign. Advertisements for "Twin Lakes" and 50/50 dancing at the Civic Hall are on the front panel of the tram. Tram has tiger stripes but not the white dash under the lights. Behind No. 32 is a bogie tram. Kodak cardboard mount slide, taken by Peter Moses December 1963.On back of slide in blue ink "1963 Dec. Ballarat tram, Main St." and bottom right hand corner "P. Moses"tramways, trams, grey st, city, tram stops, sturt st., tram 32

Photo of Ballarat SEC Wendouree Parade tram depot front with tram No. 38 on "0" road. Kodak cardboard mount slide, taken by Peter Moses December 1963.On back of slide in blue ink "1963 Dec. Tram Depot Ballarat Vic." and bottom right hand corner "P. Moses".tramways, trams, sec depot, depot, wendouree parade, tram 38

Photo of Ballarat SEC Wendouree Parade tram depot front with tram No. 14 on No. 1 road, with destination of "Victoria St." and "Trotting Showgrounds Friday Night" auxiliary board on the front of the tram. Note the tram fitted with the white stripe under the dash canopy lights and the use of the large and small numbers of the tram. Kodak cardboard mount slide, taken by Peter Moses January 1966.On back of slide in blue ink "Jan. 1966 / Tram Depot Ballarat No. 14" and bottom right hand corner "P. Moses".tramways, trams, sec depot, tram numbering, depot, wendouree parade, tram 14

Photo of the interior of Ballarat SEC Wendouree Parade tram depot with tram No. 13 on No. 1 road, No. 39 on 2 road and two other bogie trams on No. 3 road. Note the trams fitted with the white stripe under the dash canopy lights and the use of the large and small numbers of the tram. Kodak cardboard mount slide, taken by Peter Moses January 1966.On back of both slides in blue ink "Jan. 1966 / Tram Depot Ballarat" and bottom right hand corner "P. Moses".tramways, trams, sec depot, tram numbering, depot, tram 13, tram 39

Photo of Ballarat SEC Scrubber tram on the back of "0" road at the SEC Wendouree Parade depot with a depot worker hanging onto one of the grab rails, with a bogie tram in the front of it. Kodak cardboard mount slide, taken by Peter Moses January 1966.On back of slide in blue ink "Jan. 1966, Scrubber Car Ballarat Depot" and bottom right hand corner "P. Moses".tramways, trams, sec depot, scrubber tram, depot, tram scrubber

Bushfire perimeter rather than bushfire area is the main control problem for firefighters on the ground. A conundrum rapidly compounded by spot fires. A small 5 ha fire can be nearly 1 km around the perimeter. That's a long way to build a control line by hand in rough bush. Dry firefighting techniques by hand were mostly confined to “knocking down” or “beating out” the flames, as well as "digging out". Digging or raking a “mineral earth” trail down to bare dirt proved most effective in forest fuels which, unlike grass, tend to retain heat and smoulder. Early tools were whatever happened to be close at hand. They were simple and primitive and included shovels, slashers, axes, hoes, beaters and rakes. A cut branch to beat the flames was often the only thing available. Farming and logging tools, developed over centuries of manual labour, and readily available at local hardware stores came into use, but little thought was given to size, weight, and balance. This canvas hose beater was based on a century-old design which used lengths of canvas fire hose rivetted together and lashed with wire to a broom handle. The hose was be soaked in water to improve its effectiveness. If the flames were more than a metre or so the user was generally not able to get close enough to extinguish the fire It's recommend that users lift no more than above knee height to conserve energy and let the beater to the work. For years foresters experimented with combination tools. In about 1952 fire beaters and other implements were being replaced with Rakuts and later RakehoesEarly firefighting toolBushfire beater - Canvas with wooden handleR P PWD (Public Works Department) The handle has painted markings which indicate which FCV District it belonged to.bushfire, forests commission victoria (fcv)

Thirty six page knitting pattern book featuring black and white text and images. The colour cover shows a woman wearing a green, red, purple, yellow and white patterned knitted top.front: [printed] Patons / KNITTING BOOK / NO. 262 / P&B / WOOLS / "DUNKELD" - See page 5 / FAIR ISLES / 1'-fashion, design, knitwear, home made, wool, pattern book, patons

Pattern book produced by Patons and Baldwins.Knitting book, 16pp. Front cover is printed in black and white with a photo of a man and a woman wearing knitted cardigans. Contains knitting patterns for men's and women's garments.No. / 416 / Patons KNITTING BOOK / No. / 416 / PATONS / DOUBLE QUICK / KNITTING / ALL PURE WOOL / P&B / WOOLS / 1'3d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting, design, style, fashion, wool

Print Council of Australia Members' Print Commission, 1977.Screenprint and embossed print. Screenprinted image is in upper 1/2 of print. Two rectangular prints in gold and mauve in abstract pattern. Overlaying these is a royal blue dotted print, framing top and sides of gold and mauve print. Over centres of gold and mauve prints are rectangles of royal blue dots, giving appearance of Benday dots, or mesh screen. The density of this mesh fades gradually from top to bottom. The bottom edge of the screenprints are undulating, meeting the upper edge of the embossing that occupies remaining lower area of the print. The embossing is the same pattern as in the mauve and gold screenprint above. Mounted in pale cream matt. In black painted wodden frame, with glass.Front: A. P. VIII/X (lower left) Ewins 77 (lower right) (pencil) Back: 1978 (upper left, pencil)

Note signed by? B H ?heilland dated 1/7/09 mentioning Exchange n drawn by I H McColl in name of M P Kelly and script 200 shares in the Great Columbian Mining Co., 100 preference shares in The Commercial Bank of Australia Limited & Blank transfer for Bank Script signed by M P Kelly. He held the above as security for an advance of £109-9-7.business, stockbroker, kelly & allsop, kelly and allsop collection - letter to mr m p kelly, j h mccoll, great columbian mining co., the commercial bank of australia limited

Sergeant Keith McDowell gave a cone he collected from Gallipoli to his aunt to try and grow. One seed was planted in the Warrnambool Botanic Gardens and another at the Shrine of Remembrance in Melbourne. These pine trees have symbolic importance as a representation of Australian soldiers' "tenacity and fortitude". They are an important link to the remembrance of those men and women from Ballarat who saw action in World War 1.3 pages (pp.44-46). p.44 in black print on white paper, a photograph of the planting of one of the pines in 1934 at the Australian War Memorial, Canberra. p.45 is a coloured picture of the pine in Canberra. p46 has a history of the seeds brought from Gallipoli by Smith and Mcdowell on the right-hand side of the page and a photograph of the Pines being labelled. There is a column about these trees down the left-hand side of the page.None john garner, doctor, john garner collection, ballarat botanical gardens, friends of the ballarat botanical gardens, the lone pine, gallipoli, anzacs, sergeant keith mcdowell, lance corporal benjamin smith, aleppo pine, turkish pine, pinus halepensis, pinus brutia, gardens, ballarat

Art Review, Walter Withers Exhibition (opened May 14, 1891) at his studio, 463 Collins Street West, Melbourne, The Australasian Critic, July 1,. 1891 See also other reviews Art and Artists. (1891, May 22). Table Talk (Melbourne, Vic. : 1885 - 1939), p. 4. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article147284837 ART NOTES., (1891, May 15). The Argus (Melbourne, Vic. : 1848 - 1957), p. 6. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article8643932Journal inscribed: "Mrs Withers 463 Collins St. West Melbourne"463 collins street west, art exhibition, art review, john withers collection, melbourne, walter withers studio, walter herbert withers, artist

A one page typed letter from Judith W Hurly to the President of the Caulfield Historical Society dated 09/06/1999, providing details of her father, T W White’s life. The letter accompanied the programme for the Welcome Home Reception held for the Bisley King’s Prizewinner, P A Pavey on 02/10/1948, which Judith W Hurly donated to the Society. The file also includes the donated programme. The programme includes a list of people to speak at the reception, an original black and white photograph (115mm x 175mm) of P A Pavey and a menu. The back of the program is heavily autographed.white t w, hurly judith w, pavey p a, caulfield historical society, bisley king’s prizewinner, balaclava, hurly judith w, caulfield, caulfield city rifle club, cohen g, mooney d

Front Row L to R: A. Cross (MAS), C. McLeod (MAS), D. Hadj (MAS), P. Thomas (MAS), G. Cooper (MAS), B. Wallace (LDVAS), R. Ferguson (MAS), A. Kemp (EGAS), P. Brown (EGAS), L. Burton (MAS). Back Row: C. Mackinnon (MAS), C. Wilton (MAS), G. MacCreadie (LVDAS), A. McMaster (MAS), A. Pipkorn (CVDAS), R. Stanistreet (MAS), J. Wood (B&DAS)./ N. Smith (MAS), D. Matthews (MAS), V. Barger (MAS), D. Hyndman (MAS), D. Sell (MAS).Colour photograph of ambulance station officer traineesambulance officers training centre, station officer

Herman Wehner, had learned his trade as a blacksmith and coach builder in Germany before coming to Australia in about 1884. After working for some time in Melbourne and at Wallan he came to Orbost in 1889 and bought John William Borland‟s wheelwright and blacksmithing business in Nicholson Street. At the time there were two blacksmithing and wheelwright businesses in Orbost, the other one, also in Nicholson Street, was owned by Mr John Russell. (ref, John Phillips Newsletter July 2015) Robert Pullar Cameron was a Shire Councillor for many years. He married Penuel Hossack and had a family of James, Flora, Penuel and Alex. The Wehner family is/ was a prominent family in Orbost from the late 19th century. Herman Wehner founded Wehner's Blacksmith's at Orbost in 1889. Oswald Wehner began working in 1910 with his father. In 1947 Ossie's son Tom started blacksmithing, retiring in 1991 and closing the business, The building remains in Nicholson Street. This item is an example of book-keeping in the early 20th century. It is a useful research tool.A white paper account with blue print, red lines. At top left is a blue illustration of a horse. The account is from H. Wehner, General Blacksmith and Wheelwright to R. P. Cameron.wehner-blacksmith account book-keeping cameron-r.p.

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A colour photograph of the view of the surrounding hills from Nichol's Lookout which is on the Marysville-Wood's Point road near Marysville in Victoria.POST CARD The "Rose" Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoria. The country we're going is very rough/ different to this and rises between/ 2500 to 4500 feetnicol's lookout, lookout, marysville, victoria, p. 2324, rose series postcard, postcard, souvenir, marysville-wood's point road

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of the Taggerty River in Marysville in Victoria.POST CARD The "Rose " Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoriataggerty river, marysville, victoria, p. 2338, rose series postcard, postcard, souvenir

This book was awarded to May Adelaide Anstis in 1898 for first prize in English. May entered Clarendon Ladies' College in 1891. On the original register father's name is listed as William and the residence as Neil St, Ballarat.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936.Bound in green cloth with color illustrations on front cover and spine. Floral end papers, gilt edges, foxing on pages throughout, black and white illustrations throughout. 176 p.Book plate inside front cover: Clarendon Ladies' College,/ BALLARAT./ First Prize./ English-Class I/ Awarded to/ May Adelaide Anstis/ MRS. KENNEDY,/ Principal./ December, 1898. Book plate on fly leaf: Clarendon Presbyterian/ Ladies' College/ Ballarat/ college crest/ Presented by:/ Miss Kimberly/ Date: 30/11/61. "Clarendon Presbyterian Ladies' College" stamped on fly leaf and title page.may-adelaide-anstis, book-prize, 1898, clarendon-ladies'-college, william.

This book was awarded to May Adelaide Anstis in 1895 for first prize in Bible. May entered Clarendon Ladies' College in 1891. On the original register father's name is listed as William and the residence as Neil St, Ballarat.Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936. Bound in brown cloth with gilt and black illustrations on front cover and spine. Floral end papers, gilt edges, black and white illustrations throughout, foxing on pages. 214 p.Book plate inside front cover: Clarendon Ladies' College,/ BALLARAT./ First PRIZE./ Bible-Class II./ AWARDED TO/ May Adelaide Anstis/ R. Kennedy,/ PRINCIPAL./ December, 1895. "Clarendon Presbyterian ladies' college" stamped on fly leaf and title page. Book plate on fly leaf: Clarendon Presyterian/ Ladies' College/ Ballarat/ college crest/ Presented by:/ Miss Kimberly/ Date: 30/11/61may-adelaide-anstis, book-prize, 1895, clarendon-ladies'-college, william.