A view of Lake Wendouree taken from further back on the western foreshore. The lady's costume suggests these images were taken circa early 1890s.Previously unknown image of Ballarat. The set and its subjects indicate these images were produced to promote Ballarat and were perhaps aimed at tourists.Lake Wendouree from the western or Gardens side, looking east.

Rescue of injured man in Flinders Street Melbourne, circa 1970s. The name Bill Long has been written on the back of each photograph in this series. Black and white photograph showing fire fighters and ambulance officers placing an accident victim into a 'cherry picker' machine from high building roof. Spectators look on from road.

Rescue of injured man in Flinders Street Melbourne, circa 1970s. The name Bill Long has been written on the back of each photograph in this series. Black and white photograph of 'Cherry picker' on fire truck extended to height while lowering casualty to ground.Phoenix Hotel

One of a series of postcards of Port Said, probably purchased at the end of the First World War and brought back to Australia by a member of the Christian or Washfold Families.Sepia postcard of quay at Port Said, located on the north east coast of Egypt on the Mediterranean Sea, showing statue of Lesseps, dhow and schooner. The Cairo Postcard Trust Cairo 956 / Serle 632washfold family, port said - postcards, statue of lesseps, postcards - port said, christian-washfold collection, wwi

Primary School 502 “Back to School” 1922 group of people in fancy dress. In front of Commercial Hotel and Bank of Australasia Main Street StawellB/W photo of a group of People all in fancy dress, in front of Commercial Hotelstawell education

Note on back - 'Ros Kelly Federal Minister for the Arts, Sport, the Environment, Tourism and Territories standing with some of Australia's army of aluminium can Recyclers'.Black and white photograph group of primary school students with Ros Kelly, Federal Minister, standing outside Parliament House in Canberra, with the Cash for Cans trailer. Lakes Entrance Victoriaschools, fundraising, officials

Alices hair has centre part pulled back in severe style, dress has white collar fringed bow and finished with cameo broachBlack and white photograph of Alice Grant fifth surviving child of George and Sarah Grant Victoria. Also second photo of Alice genealogy, families

Also black and white postcard taken near entry to North Arm showing vegetation die back in foreground bare banks in background 05279.1Black and white photograph showing view of North Arm Lakes Entranceboats and boating, tourism

Heidelberg Golf Club: Clubhouse renovations 1997-98 - external makeover of Bryn Teg Room with new windows and exterior stripped back to brick.Colour photograph and caption, in albumclubhouse redevelopment 1998, hgc clubhouse 1997, bryn teg room

This outfit belonged to Mary Ann Henty [nee Lawrence] (1821-81), the wife of Francis Henty (1815-89). Her husband, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.A two-piece silk taffeta chalk-striped afternoon dress worn by Mary Ann Henty, aged 49, in the period when she lived at Merino Downs near Portland. The outfit has bands of black silk and rows of fabric covered buttons on the bodice and skirt. Measurements (mm): BODICE: Girth - Neck 355.6, Chest 889, Waist 736.6, Hip 863.6, Cuff 254, Hem circumference 2032. Vertical - Front neck to hem 419.1, Front waist to hem 152.4, Back neck to hem 558.8, Back waist to hem190.5 , Sleeve length 584.2. Horizontal - Neck to sleeve head 165.1, Chest back 330.2, Underarm to underarm 406.4. SKIRT Girth - Waist 609.6, Hip 1270, Hem circumference 4064. Vertical - Front waist to hem 1117.6, Back waist to hem 1371.6.francis henty, fashion -- 1870s, women's clothing, afternoon dresses, mary ann (lawrence) henty

Alice Frances (Henty) Hindson's grey silk bodice is believed to be part of her 'going-away' outfit after her wedding to John Hindson on 15 April 1875. The bodice must have been a family favourite as it was used and amended over the years. Alice was the youngest daughter of Francis Henty and Mary Ann (Lawrence) Henty. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.The yoke is a bustier bodice, made of silk and silk organza with an insert of hand-tatted lace. The bodice is carefully boned and has a little padding in the bust line. It includes the name of the maker of the bodice as ‘Madame Jay, Brighton, 38 London Road’. The silk organza sleeves have hand shirring, trim, and frilled cuffs. The bodice is finished with a large, frilled bow at the back. Believed by the Henty family to be part of the ‘going away’ outfit worn by Alice Henty in 1875. Measurements (mm): BODICE: Girth - Neck 304.8, Chest 762, Waist 571.5, Cuff 127 Vertical - From neck to hem 381, Front waist to hem 152.4, Back neck to hem 419.1, Back waist to hem 228.6, Sleeve length 254. Horizontal - Neck to sleeve head 165.1, Cross back 457.2, Underarm to underarm 431.8.Mme Jay, Brighton Road, London [dressmaker]bodices, women's clothing, alice (henty) hindson, alice francés henty

Purchased from Baptist Community Care Shop in Station Street , Mitcham1980s Wedding dress with vee neckline, bodice coming to a point over waistline. Satin bodice with lace motives re-embroidered with pearl and sequins. Tulle yoke and sleeves with embroidered pattern lace motives and sleeve edge also re-embroidered. Satin bow on shoulders with pearl and sequins embroidering. Back of bodice to point over waistline, buttons down back - eleven self covered buttons over zip fasteners. Back waist finished with large bow at waist. Circular skirt gathered at bodice. Three panels inserted in centre front to 67cm high and 60cm wide. Attached underskirt. Train gathered to back waistline, two widths of material with embroidered lace inserts around hemline. Nine arrangements of embroidered lace flowers inserts over the train coming out of satin petal shaped pouches gathered at top to give an impression of a vase.costume, female ceremonial

The post office was situated on site at this Pall Mall location from 1887 until 1997. Early on the building housed a variety of government services included sub treasury, police, water, lands, post and telegraph and quarters for the resident postmaster. With federation in 1901 the building became the Commonwealth Postmaster - General's Department's Bendigo Post Office. In 1975 postal services were taken over by the Australian Postal Commission and in 1989 Australia Post was corporatised.Colonial era postal uniform possibly worn by the Post Master at the Bendigo Post Office. Single breasted frock coat. Scarlet jacket with contrasting royal blue collar, lapel cuffs and pocket flap. Body and skirt section lined with lighter red cotton fabric, pockets lined with cream coloured cotton fabric, sleeves lined with brown, blue and white striped cotton fabric. Five brass buttons on front, two brass buttons on the top of the centre back pleat, each button with a crown and VR. Typically of frock coats of the 19th century the coat has a two distinct sections, a top jacket and skirt. The shoulder seam is bias cut and runs at an angle down the back. The back is cut in four sections and the skirt in two sections. There are no side seams in the coat, instead there is a seam placed further back than the actual side of the wearer.Any possible text on the label on inner top of collar has disappeared.australia post, city of bendigo post office, city of greater bendigo commerce

William Balfour Ker was a Canadian-American artist. He was also a declared socialist, and his political stance was often reflected in his art. This lithograph is a compelling illustration of the race against time sometimes faced by doctors when trying to get to a patient to assist in birth before the baby is born.A black and white lithograph. At top right, a stork is flying through the air, with a baby bundled in a cloth that it is holding in its beak. To the left, a horse drawn buggy follows rapidly behind, with the driver wielding a whip and urging on a speeding white horse. The artist's signature printed at bottom right corner of image reads 'WM.BALFOUR-KER'. The lithograph has been mounted and framed in wooden frame. The outer edge of the frame is black, and the inner edge is gold. On the back of the object, a small piece of paper bearing the title of the lithograph has been attached at bottom centre. It reads 'A HURRY CALL, THE DOCTOR v THE STORK'. A second tag attached to the back of the work reads 'From FF', suggesting the donor of this object was Frank Forster. An old display label is attached to the bottom left of the back of the work. A wire and two hooks have been attached to the back of the frame for hanging.obstetric delivery

"ST. PETER'S DAYLESFORD. General Communion and Breakfast. On Sunday November 9, a general Communion of the men; of the parish will be held in St Peter's Church, Daylesford. A communion breakfast will subsequently take place." Melbourne Advocate, 30 October 1930. "General Communion and Breakfast, Daylesford War Memorial Protest by Rev. Dr. Collins Rights of Catholics Ignored THE splendid Catholicity of the Daylesford parish was demonstrated on Sunday morning last when a general Communion of the men of the parish took place at the 8 o'clock Mass at St. Peter's Church. This proud and edifying demonstration of faith concluded a very successful mission in the parish, conducted by the Rev. Fr. O'Flynn, C.SS.R., and Rev. Fr. Frean, C.SS.R., Daylesford parish is fairly scattered, and from every corner of it came men to take their part in the general Communion. The missioners and the Rev. W. M. Collins. D.D., P.P.. have reason to be deeply gratified at the result of the mission. His Grace the Archbishop of Melbourne (Most Rev. Dr. Mannix) was the celebrant of the Mass. He was assisted in administering the Sacrament by Rev. Dr. Collins. At the close of the Mass the hymn, "Faith of Our Fathers." was sung. The breakfast was served in the Daylesford Town Hall, the men marching there from the church. More than 250 partook of breakfast. In the balcony were lady parishioners who wished to listen to the speeches. His Grace the Archbishop was at the head table, and with him were Rev. W. M. Collins, P.P.; Crs. Bolton and Gleeson (Shire of Glenlyon), and Courtney (Shire of Davlesford); Messrs. Cleary and Egan (Blampied). Mr. J. T. Murphy. Mr. Considine, and Mr. O'Donnell (BuIIarto). Several selections were played by the Holy Cross Convent orchestra, Daylesford, and the catering was admirably carried out by Mrs. Mann. It was a well-organised and successful function, and the general arrangements reflected the highest credit on the Rev. Dr. Collins and those associated with him. Much favourable comment was made upon the great success achieved. A WAR MEMORIAL SERVICE. Strong Protest by Rev. Dr. Collins. The Rev. Dr. Collins said it was no exaggeration for him to say that he was a proud pastor that day. He had reason to be proud of the magnificent demonstration of faith made by the Catholic men of the parish at St. Peter's Church. It was promoted by a supernatural motive, and the men were sure to get their reward. He knew that many men had attended at great sacrifice, and that numbers had to grope about in the early hours to get everything in readiness at their farms and dairies. He was deeply thankful for the fine response made by the men to his invitation, and no greater encouragement could be given to him in his work in the parish. They had made a creditable demonstration before the people of Daylesford, whose good opinion they valued and wanted to retain. Catholics were part of the community, and the community's troubles were their troubles. Generally they had a few of their own troubles, but they were not wanting in helping the community to bear its troubles. Just now they were passing through a difficult time. The surrounding shires seemed to be better off than Daylesford, but the municipal fathers at Daylesford had spent a lot of money wisely in attracting tourists to the beautiful district. The money spent, he was certain, would come back a hundredfold. They appreciated the good work done by the municipal authorities, and were prepared to do their part in shoulder-ing their civic obligations. A Frankly Protestant Memorial Service. He could not let the occasion pass without calling the attention of the Daylesford people to an injustice that was being done the Catholic body, unwittingly he believed. Hie referred to the ceremony for the unveiling of the Soldiers' Memorial. It had been decided to adopt a frankly Protestant service. Catholics could not take part in a non-Catholic service, and that was not due in any way to any recent whim or caprice. Catholics had made common sacrifices, and the war memorial should stand for the Catholic boys who had fallen as well as non-Catholic soldiers. Catholics had contributed towards the cost of the memorial, and yet a programme had been adopted on the occasion of the public unveiling that excluded Catholics from taking part. They had a right to be at the ceremony, but it was asking them too much to shed their principles in order to be present. Their forefathers did not shed their principles when there was much more at stake, and they did not intend to shed theirs. They took that stand for Faith, and were still loyal citizens of Australia. The great majority, he was certain, did not realise the difficulties of Catholics, and that the stand taken was a matter of principle. There was always a minority, however, who were ever ready to score a victory over Rome at any price. Thanks to Non-Catholics. Having made his protest, he would not be honest if he did not express his gratitude to many non-Catholics in Daylesford for their help. In the Boxing Day carnival, which was their principal effort on behalf of the schools, non-Catholics gave splendid support, which he very much appreciated. The success of the carnival was dependent to a large extent on the generous help of Protestants. He trusted that the Catholic men generally would take note of what he said, and turn over a new leaf, as so many new leaves had been turned over since the mission. Missioners and Nuns Thanked. The work of the Redemptorist Fathers had been fruitful of results in the parish, and what they had done had paved the way for the magnificent men's demonstration. He wished heartily to thank the Fathers, and his thanks were also due to the Holy Cross Convent. If the Faith were strong in Daylesford, it was largely due to the Catholic schools in the district. They should never forget the Presentation nuns, and should be prepared to help them in every possible way. He was very thankful to the Rev. Mother for her kindness in entertaining many at the convent, and also for providing the orchestra at the Communion breakfast. A Splendid Success. He was greatly delighted at the presence of his Grace the Archbishop. When he started to talk about the breakfast, many told him it would not be a success. First of all, it was intended to hold the breakfast in the schoolroom, but the response was so good that it was considered they should get the Rex Theatre. Finally, they were compelled to take the Town Hall in order to accommodate the large number who purchased tickets. The presence of his Grace gave additional lustre to the successful demonstration. He was proud of the men of the parish, and hoped God would bless them and their families. (Applause.) The first toast honoured was that of "The Pope and the King." WELCOME TO HIS GRACE Proposing the toast of "His Grace the Archbishop," Cr. J. Bolton said he wished to congratulate the Rev. Dr. Collins on the wonderful success of the two functions. All parts of the parish were represented at the general Communion in St. Peter's Church, and it was an inspiring spectacle. It showed that the Faith was deep and strong in Daylesford. A great privilege had been given to them, and they owed grateful thanks to the Rev. Dr. Collins. He wished to welcome his Grace the Archbishop, and he trusted that he would enjoy his visit to the district. The country was passing through a difficult time at present, and it required plenty of clear thinking and acting to put things right again. He hoped his Grace would touch on the situation, and give them the benefit of his thoughtful and wellreasoned views. Whatever his Grace said would be worth listening to. (Applause.) THE ARCHBISHOP CONGRATULATES PASTOR AND PEOPLE. DAYLESFORD A MODEL PARISH. His Grace the Archbishop said he need not assure them that he came to Daylesford with great pleasure. His visits to Daylesford were always pleasant, but the present visit was additionally pleasant and memorable because he had the opportunity of assisting at one of the most inspiring functions that it had ever been his good fortune to attend. He was really touched to the heart when he stood on the altar and saw the beautiful St. Peter's Church—there were few churches to compare with it in the country—filled with the men of Daylesford and of the surrounding districts. Practically all the Catholic men in the parish were present at the general Communion, and it gave him very deep satisfaction and genuine pleasure to be amongst them. As the Rev. Dr. Collins and Cr. Bolton had said, it was a proof of the depth and soundness of the Faith of the Catholic people of the parish. He wished to congratulate the Rev. Dr. Collins upon the magnificent success that had attended his efforts since he came to Daylesford. He thought the Rev. Dr. Collins had been a very happy man since he took up work in the parish. He came to Daylesford more or less broken in health, and his best friends were doubtful whether his health would stand the strain of parochial duty. However, he had never looked back. He doubted if Dr. Collins would care to leave Daylesford, unless he were appointed Prefect of Propaganda, Rome, or some very high distinction was conferred on him. At all events, things had gone on well with Dr. Collins since he came to Daylesford, and he could see some of the reason for it in looking at the fine gathering before him. The Rev. Dr. Collins was a very zealous and spiritual man, and his lot had been cast amongst people who had responded to his labours. ... (Melbourne Advocate, 13 November 1930) Black and white photograph taken in Daylesford Town Hall depicting numerous men standing, and sitting at tables during the St Peter's Catholic Church Communion Breakfast. Arch Bishop Daniel Mannix stands centre back.st peter's catholic church, daylesford, communion breakfast, daylesford town hall, daniel mannix, george gervasoni, gus gervasoni

Greensborough Football Club, First Eighteen, Premiers 1961, Diamond Valley League. Names supplied by Gary Partington. Back row, Left to right: Rob Wickes, not known, John Crellin, Don Bell, Ian Bryant; 2nd row from back: Jim Kill, Dick Ward, Arthur Cattach, Ern Bishop, Frank Londrigan, Trevor Partington, Graham Geer, Brian Eltham, Jack Maurer, Tom Tobin, John Ely, Ron Hall; 3rd row from back: Joh Nolan, Rob Wasley, David Wickes, Joe Murphy (Captain/Coach), Len Mullenger, Don Williams; Front row: Fred Anderson, Brian Weidlich, Peter Londrigan (mascot), Trevor Browning, Ron Reynolds. Team photograph of Greensborough Football Club. Not mounted. .greensborough football club, diamond valley league

Title and List of Band Members. "38th BATTALION, NORTHERN VICTORIAN REGIMENT BAND 1955" Back row L. to R.: J. GRIFFITHS, ........... ............, L. FRANK, E. STANLEY, K. HOCKING. Second back row: J. DORBIE, J. BOLAND, A. CARTER. Third back row: A. SWIFT (BAND MASTER), L. PHAIR, W. ALLEN, A. TRAYES. Third front row: I. DEAUROGH, R. TREVASKIS, M. McDONALD, A. BISHOP, R. SWIFT, R. MITCHELL. Second front row: N. MILLAR, N. MARCHINGO, L. ELLIS, M. LAMBERT, R. CHRISTIE. Front row: H. MEEK, A. THOMPSON, J. RIPPER, G. WILKINSON, F. GILBERT, V. GREGOR, K. JINKS - DRUM MAJOR"Photograph, black and white on paper, a group photograph of a Regimental Band on parade, standing on grass. Cloth insignia - red background with white embroidered lettering above photograph. List of band members - black ink type written on white card below photograph. Mount - double mounted, exterior dark red colour cardboard, inner cream colour cardboard. Frame - timber with brown varnish finish, glass front and cardboard backing.Cloth Insignia Lettering "NORTHERN VICTORIAN REGIMENT".passchendaele barracks trust, framed accessories, photograph, 38th battalion, regiment band

Photographs as numbered: 1) Mary NICHOLAS on Port Melbourne beach holding Elizabeth NICHOLAS in 1935. 2) Edward &^ Elizabeth NICHOLAS with friend in backyard 89 Bay Street, port Melbourne. 3) Oriana about to depart Station Pier possibly November 1964. 4) August 1948 photograph taken in back yard of 89 Bay Street. L - R Back row: Allan & Mary NICHOLAS; Henry HAWKINS (Mary's stepfather). L - R Middle row: Edward, Elizabeth & Maxwell HAWKINS, Charlotte HAWKINS. Front row - unknown. 5) Elizabeth NICHOLAS in back yard 89 Bay Street. The ELMS family, the father was a grocer & his two sons, Ron & Norman, lived at number 87.. An A4 size page with five B&W photographs relating to the Nicholas family.Each photograph identified with a number 1 - 5.built environment - domestic, mary nicholas, elizabeth nicholas, transport - shipping, oriana, allan nicholas, henry hawkins, maxwell nicholas, charlotte hawkins (bennett), elms family, david thornton, edward nicholas, piers and wharves - station pier, graham street, bay street

Country Womens Association taken at their twenty first birthday celebrations 1956 - identified are inside back row Vera Harbeck dark hair and glasses and Rita Lawson short hair, Centre Back Eva Hetherington nee McGuiness of Merrangbaur House with dark hat floral dress Inside back row from right Mrs V Paton white hat and necklace dark rimmed glasses In front of Mrs Paton Mavis Smith floral dress, In front of Mavis, Barbara Ray short hair white earrings Extreme right Miss Bertha Hansen of Venga Guesthouse, Senior woman in front Mrs Stanbury mother of Elsie Ball Victoria House Elsie Mai Bell Fashions, at Lakes Entrance VictoriaBlack and white photograph of thirty five members of Country Womens Association Lakes Entrance Victoriaclubs, social history, fashion

Club official's trainers and players Stawell Football Club. At central Park 1923. Trees in background. Stawell Football Club Probably 1924 W. Twomey was coach 1922-23, then W. Walton came as coach and Twomey stayed here as a player. J. Bissett was coach in 1926 &1927. Albert Oliver (Secretary); Mat Newton, Bill Twomey, Dunn, Lewis, A (Mick) Dalziel, (Committee), Auggy Greenberger, Davidson, Blachford, Swalwell, Ike Cooper, Jack Curran, Bill? Walton (Coach), G, Mealy, Ike Richards & Richards (Senior), Bert Newton, Stan Freeland, Spoerl (Policeman), George Gilbert, Bill Earle, Norm Gleason, Phillips, Back Row: Jim Phillips, (32). Sam Ross (33)? Jack Neylan (34). Matt Pope (35). XXXXX, (36). Jim Dunn (37). Bill Holmes? (38) in white laying in front of team on the ground. Third Row: Darkie Miller (21). XXXXX, (22). Bert Newton (23). Geo. Gilbert, (24). Stan Freeland, (Sec)(25). W.J. Earle (Senior) Pres. (26). Jack Richards, (27). XXXXX, (28). XXXXX, (29). Bill Lewis, (30). Charlie Oliver, (31). Second Row: ? Trainer? (10). Ros Attrill, (11). XXXXX, (12). Len Clearson? (13). Clarrie Richards, (14). S. Purell, (15). Tony O'Leary? (16). (17). Dick Hewitt, (18). Arthur Hart (Steve), (19). Trainer Angus Dalziel, (20). Front Row: Les Oram (1). Jack Curran, (2). Wingie Ross, (3). Jack Sullivan, (4). Dick Holiday, (5). W. Twomey Captain Coach (6). Tom Swalwell, (7). Ike Cooper, (8). Mick Dalziel (9). Information came From Bert Newton then to Isaac Newton on to son Hartley Newton. Fay Newton. Sepia photographic of a Football Team taken beneath trees and timber seating either side. Also, enlarged sepia copy plus a black & white copy. Also, a black and white print with numbering marked on each person and a page of names responding to the numbers. The original in Photo Drawer 7 has the names handwritten on the back.Post Card Kodak Australiastawell sport

UnknownClock square with rounded corners cream bakelite electric wall clock with art deco style corners. Silver edged clock face with black numbers on silver edge with cream centre. Black filigree hands with a red minute hand. Black adjustment knob at bottom. Made in Great Britain by Smiths Sectric is marked on face. Back is black bakelite 'Smiths English Clocks' 200/250V 50SFC - Reg Trade Mark. Made in England. Instructions to set hands, press and turn knob. Made under one or moe Brit. Patents 366710 369 336 374 713 384441 484222. Back is cream with black book and white electric cord with black ring-grip plug 250V - 10amp. Made in Australiahorology, clocks, electrical technology, appliances & accessories

1 x inscribed with D.C.Hodge on back of belt. 1 x Inscribe with 10495 RAAF on back of belt. 1 x inscribed with Treasure .I.J 54391 Ex WA on back of belt. 1 x Z.Aglas 254803 on back of belt

Dr. Gwen Wilson, Emeritus historian, gifted this book at ANZCA's first independent Annual Scientific Meeting held in Launceston in 1994. Dr Wilson presented this gift after her speech about the life of William Russ Pugh and his significant contribution to anaesthesia in Australia. It is unclear as to how the book came into Dr Wilson's possession. Published in London, 1845, for Longman, Brown, Green and Longmans, this book was formally owned by general practitioner Dr William Russ Pugh, being the first medical practitioner in Australia to administer ether anaesthetic on 7 June 1847, in Launceston. The author of the book, P E De Strzelecki acknowledges Pugh for his assistance during his stay in Launceston and for allowing him the use of his laboratory for the analysis of the soils and minerals that were subsequently reported in this book (Page 131). Tan coloured cloth book with an embossed circular motif on the centre of the front and back cover. The same embossed motif is repeated four times along the spine of the book. An embossed design of small, four petal flowers borders the edge of the front and back cover. The title of the book 'Strzelecki's New South Wales and Van Diemen's Land' is printed in gold on the spine. The cloth has come unstuck at various places around the spine and a small section is missing from the base of the spine. The cover is worn and has numerous dark stains possibly from mould. The book contains 19 engraved and lithographed plates. This includes a handcoloured octavo folding, geological map, bound as a frontispiece, depicting the NSW coast down to Gippsland and Tasmania, a fold out single colour geological cross section of the Newcastle Coal Basin, 14 plates illustrating shellfish and flora and three tinted lithographs. Single page maps at the back illustrate wind patterns around Australia. [front title page, two black ink stamps that have bled through to the next page] W R.PUGH [front title page, black ink, cursive writing] H Grant \ 5 May 1910 [front title page, pencil, cursive writing, written around Pugh's stamp] Purchased from \ (unrecognizable script) [front title page, previous owner's name was rubbed out and consequently tore the page making the entry unreadable] [Inner back cover, bottom LHS, blue stamp] BOUND BY \ WESTLEYS & \ CLARK \ LONDON [Inner front cover, bottom LHS, black and purple ink] P65 \ 76 \ 78 \ 98 \ 163 \ 164 \ 217strzelecki, van diemen's land, wilson, gwen, pugh, william, launceston, green and longmans

These cotton reels were owned and used by Helena Warren of Newmerella. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She was a fine amateur photographer who supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).Helena Warren was a popular Orbost identity who was well known as an accomplished photographer and needleworker,Four wooden cotton reels. 2495.1 is an empty reel with paper labels at both ends. " Best Linen lace thread Barbours No 50 200 yards Wm Barbour & Sons Ltd Lisburn Ireland" 2495.2 is a wooden reel with thick linen thread. On one end " H11 underlined" 2495.3 is a narrow wooden reel with white thread and grey wound over it. It has paper labels at both ends. " J. & P. Coats 500 yards No 50 457 metres - Chain Brand Mercerised Cotton MR WHITE" 2495.4 is a wooden reel with synthetic thread - one paper label. "J. & P. Coats 6 Cord 200 yards 40 183 metres"needlework cotton-reels warren-helena

Publicity photograph of the cast from 'Cop Shop': [Back row] Paula Duncan, John Orcsik, Lynda Stoner, Gregory Ross, Terry Donovan, ?, Joanna Lockwood, Peter Adams. [Front row] Terry Norris, Louise Philip, Gil Tucker. Signed on the back 'To Neil, All my best, Gregory Ross. 3AW Yvonne Lawrence card is unsigned, however Bruce Mansfield and Philip Brady have autographed their with the first name only.1 black and white publicity photo of the cast from the TV show 'Cop Shop', 2 postcard sized publicity cards from 3AWnon-fictionassociation for the blind, elizabeth maxwell, neil maxwell, gregory ross, bruce mansfield, philip brady

The group, members of the Kallinikos family, is on board a ship, possibly farewelling a relative who is departing Melbourne for a return visit to Ithaca. A few Ithacans travelled back home during the 1940s and 1950s, and overtime more families made the long 30 day boat trip to Greece. The advent of air travel travel made it easier for people to travel back home regularly and today those Australian born of Ithacan descent regularly visit the island.A black and white photograph taken on the deck of a ship while it is in port. Three men, five ladies, a young girl and a little boy and girl are grouped together to farewell some of the people on an overseas trip. There are other people standing looking out across the bay.overseas trips