Rural City of Wangaratta Collection, Wangaratta Art Prize 1978.A snowscape painted in oil using shades of brown, white, blue, and green. Obverse: colby/ (bottom right corner)wangaratta art gallery, shirley colby, painting, landscape

Rural City of Wangaratta Collection.A costal landscape of a group of stones painted in oil using a colour palette of blue, green, white, black, yellow, and orange.Obverse: Mezaks/ (bottom right corner)wangaratta art gallery, maggie mezaks, painting, landscape, costal

Rural City of Wangaratta Collection.An oil landscape of Lake Mokoan that has been painted using shades of blue, green, yellow, and brown.Obverse: A. D. MORRIS/ (bottom right)wangaratta art gallery, a. d. morris, ad morris, landscape, painting, lake mokoan

abstractRural City of Wangaratta Collection. Purchased with funds from the Wangaratta Art Council.An abstract painting of an eatery dinning area painted in oil using a colour palette of predominantly blue alongside shades of green, pink, brown, and yellow.Pyett/ '76/ (bottom left corner)wangaratta art gallery, christopher pyett, painting

Slawa Horowitz-Duldig) was both an artist and a designer, and both aspects of her practice are represented in the collection. There is an archive of approximately 255 drawings by Slawa dating from 1917 until 1922. Slawa’s sketchbooks from this period provide an insight into her early training and demonstrate the artist’s early interest in portraiture. A number of the drawings have been framed, but the majority remains 'in situ'. Slawa was a student at the Viennese Kunstschule für Frauen und Mädchen (the Viennese Art School for Women and Girls) (KFM) from 1917 until 1921, and in 1922 she became a student of Anton Hanak. The KFM School had been established in 1897 as a private school, and it was highly regarded both for its teaching staff and academic curriculum. By 1918 it had introduced stringent admission policy similar to those of the Austrian Academy of Fine Arts, and obtained government funding for its academic program, and began to focus on students seeking to pursue careers as professional artists. In 1921 when Slawa applied to the Austrian Academy of Arts for a place in its program, her application was unsuccessful, as her work was considered advanced, and a place in the third or fourth year of the program was not available. In 1922 she became a private student of Anton Hanak. Many of the portrait images from this early period concentrate on capturing the physical appearance of the face of the model. A number of these studies, in which the subject is not identified, display an academic approach to the genre. Her technical skills in capturing precise facial features of the model, the expression of eyes and the texture of hair are evident. These drawings were perhaps completed in the studio of the KFM School. There are also portraits of friends and family members, including her sister Rella and others, perhaps parents and grandparents, who have yet to be identified conclusively. It is these images of family and friends that particularly demonstrate Slawa’s confidence with pen, charcoal and crayon on paper. Amongst the group are several portraits that indicate the artist’s interest in conveying the inner psyche of a subject, as well as capturing a likeness. Ann Carew 2016The drawings from this period give us an insight into the artist’s early training, and the teaching methods of Viennese Kunstschule für Frauen und Mädchen, one of the first professional art schools for women in Vienna. The drawings and sketchbooks have artistic, interpretative and research significance as records of the art education of women in Vienna in the early 20th century. Ann Carew 2016Charcoal over pencil sketch on paper of Slawa's sister Rella.Artist signature in the bottom left corner.

Coloured linocut printSigned and dated along bottom of print.yallourn, landscape, linocut

World War One Trench Art from the Collection of Charles Henry HonybunA brass round bowl made from a shell casing with wire fram on top.on bottom - G.F.S.P. 264 June 1916trench art, ww1, honybun charles

Black and white post card photograph of Mt Carmel Convent, RutherglenAt bottom left of photo: "A. P. Thomas"presentation convent, presentation sisters, mt carmel convent

Black and white postcard photograph of the Rutherglen Bowling Green with marque, kiosk with a "Welcome" sign, and a Union Flag flying.At bottom of photograph: "The Bowling Green, Rutherglen"rutherglen bowling club, bowling green, sporting events

Black and white photocopy of a portrait photograph, probably taken from a section of a mounted group of photographs.At bottom of photograph: "A. Warren, Band Master"band, bandsmen, a warren, band master

Carlisle Cathedral The Priory near the cathedral was founded in 1122 by King Henry I. There were earlier buildings on the site. Ten years later the priory church became the Cathedral and the Kind created the diocese of Carlisle. The building is constructed of red sandstone. Celebrated architect Ivo de Raughton who lived a few miles south of Carlisle designed the intricate masonry. Many interesting features are recorded about Carlisle Cathedral in tourist brochures and its homepage, however they do not mention the many mason’s marks clearly visible on the stone columns inside the Cathedral. There have been hundreds of marks recorded, some being similar to those on the Yarrowee Channel in Ballarat. Digital photographA square with a shape like a "W" at the bottomcarlisle, cathedral, stonemasons, mason's marks

Black and White PhotographPlaque on front bottom left of frame.

Shire of Keilor president, councillors and officers 1957-58Black and White Photograph, Shire of Keilor 1957-58Names of council members at bottom of photograph

Black and White Photograph, City of Keilor 1961names of council members at bottom of photograph

President, councillors and officers, Centenary yearBlack and White Photograph, shire of Keilor 1934-35names of council members at bottom of photograph

An early 1800s B&W photographPlaque at front bottom centre of frame.

A program of a Legacy Demonstration at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Herald (Melbourne), Friday 19 October 1951, page 5 says: "Children in Legacy show Two hundred children will take part in a Legacy Club demonstration at the Melbourne Town Hall tonight and tomorrow night. They will show the work done in physical training and speech therapy classes. Boys will give gymnastic displays including wrestling and tumbling. Girls will feature costume dances and tableaux. They made the dresses themselves. Speakers will tell of the more serious side of Legacy's work, and of the benefits available to children."A record of a Junior Legatee Demonstration in 1951.Cardboard program includes running order, acts being presented and names of instructors. Presented at Melbourne Town Hall Friday 18th October and Saturday 20th October 1951.Pen 'X' in the bottom left corner.junior legatee, annual demonstration, legacy on parade

.1 - Newspaper clipping from The Sunday Advertiser, Saturday Night, 9/4/1955 (Adelaide) with a photo of a rail crash and a query about the photograph titled ""Have you seen this before?" .2 - Newspaper clipping from The Sunday Advertiser, Saturday Night, 16/4/1955 (Adelaide) with information about the photograph - a collision between two trains, at Walloway siding, near Orroroo, on 16/11/1901. Contained originally within Reg Item 5623 at the front of this note book. For items see btm5623 loose items list.pdfin pencil on bottom of .2 "16th August"sar, accidents

Black and white photograph of the R.U.F.C. team winners of the premiership in the 1921/1922 season. Charles Malloy 2nd row, first on right.At the bottom: Vincent Kelly, Bendigo 1919.football, 1921, premiers, rufc

UnknownPilgrim, Catherine. Tree. 2001, Etching, Brimbank City Council Art Collection, BrimbankEtchingNumbered 87/99, bottom lefttree, catherine pilgrim, 2001, national bank, valued client

Round bronze medallion depicting two lovers embracing. Inscribed MS on bottom centre front.matcham skipper, bronze, medallion, nude, male, female, lovers

Round silver medallion depicting two seated female nudes.Inscribed MS on reverse bottom right.matcham skipper, silver, medallion, female, nude

Rectangular bronze plaque depicting a reclining satyr playing a trumpet in front of Montsalvat's Great Hall. Inscribed on reverse "Matcham Skipper" at bottom.matcham skipper, bronze, plaque, satyr, great hall

Erin McCUSKEY Erin is a filmmaker, photographer and digital media artist with a bent on ‘difference’. She is the Creative Director at Yum Studio where she has forged a national reputation for delivering innovative and unique creative media projects, using projection, media, social media and social broadcasting. Ern McCuskey has a passion for producing projects with human rights at their core. Her short films, installations and commissions have screened at Museum of Australian Democracy at Eureka (MADE), Melbourne International Film Festival (MIFF), Flickerfest, Indiefest, Gertrude St Projection Festival, Ballarat International Foto Biennale, numerous exhibitions, performances and collections. Erin’s work is informed by the knowledge that difference is a necessary part of society and the core of a healthy one. She is passionate about creating media that is thought provoking, possibly controversial and also entertaining. Media creation is a group pursuit and those behind the camera are more often control the balance of power, therefore she is committed to unique collective story development. “I believe that art is in the everyday, that we all can, should and do, create. My work is informed by the moving images of my siblings as children recorded by my father, the houses and homes, spaces and events, which live on as objects themselves in various homes as photos, archives, projected and loved. These flickering images were embedded and now I spend time creating more.” (Central Highlands Art Atlas, http://www.artsatlas.com.au/erin/) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Three photographs mounted side by side (portrait orientation). #1 image of curtains #2 image of sculpture of man reflected in a mirror #3 light reflecting through crystal door handle. Slight scratching on front bottom of frame. art, artwork, erin mccuskey, mccuskey, photography, foto, available

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Representation of trees behind a picket fence.Signature bottom right hand cornerbookplate, keith wingrove memorial trust

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Large text on green background with indent and white line scrolls on both sidesR in bottom right hand cornerbookplate, australian bookplate design awards, keith wingrove memorial trust

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Naked woman leaning over an oversize book with an EXLIBRIS stamp pad on her back, all within an embossed rectangleSignature bottom right hand cornerkeith wingrove memorial trust, australian bookplate design awards, bookplate, life drawing, printmaking

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Resting above a sign inscribed with the words 'John Gartner', a coin depicts a knight holding an upright sword and standing behind a shield. A sailing ship and castle are shown between the sign and the coin.. Signature bottom right hand corner.keith wingrove memorial trust, australian bookplate design awards, printmaking