Owner 1960s: Dorothy Jolly, wife of Dr Jolly. Rented by Kenneth Johnson At time of photo the clinic was the practice of Dr Adams and Dr BowersThe Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 10 stripsFuji 200eltham, houses, streets, margaret ball (pre 1960s houses) collection, luck street

L-R: Nr Sheila Prendergast, Sr Dorothy Roberts, Nr Mary Hayes, Nr Grace Fletcher. 1940s, Ballarat & District Hospital prendergast, roberts, hayes, fletcher, 1940s, ballarat, hospital

non-fictionWhitehorse has had an Environment Education Program for almost 40 years.meagher dorothy, parkswide environmental education program

Marion Blythman, Jenny Haymes in blue working on the Ballarat Mechanics' Institute stall at Clunes Book town. Dorothy Wickham is pictured in the black coat.clunes, book town, ballarat mecahnics' institute

It was a rough voyage from Brisbane to Port Moresby in cyclonic conditions. Dorothy David and Elwyn Kinnane travelled from Brisbane to Port Moresby on this vessel. Light purple card with blue printingM. V. Bulolo Dinner Menu Sunday 7th December 1958

Thomas Fairbridge came to Cockatoo about 1919 to manage the store for his brother-in-law Henry Knight and later bought it. The shop continued to operate as Fairbridges after Thomas died in 1941. On his death he was First Principal of the Belgrave Holy Royal Arch Chapter, this in memoriam book was given to the Fairbridge family on Feb 14th, 1942The lodge stated in the book -- The desire to pay homage and respect to the memory of our Most Excellent First Principal who passed to the Great Beyond in November of last year has prompted the Companions to present this token of the love and esteem in which he was held. To his loved ones we extend sincere sympathy. We offer it without reserve and with the most profound understanding.Leather bound book maroon in colour, with gold embossing. Held together with a maroon cord. Contained in its original maroon cardboard storage box.Includes a family photo, of Thomas, Mary and Dorothy Fairbridge. Newspaper obituary, tributes and memorial service cuttings with handwritten descriptions. Signatures of members from the Belgrave Holy Royal Arch Chapter.cockatoo, fairbridge, masonic,

tinted colour postcard, unmounted, original, fair conditionOn back: Dear Dorothy I shall be with you as usual tomorrow (Tues) at half past 4 oc. Hoping you are all well. Miss D Taffett, Bluff Road, Elwood.

A black and white photo of a house. Date and location unknown. on the back in pencil a description of the various rooms plus a note Auntie Winslade and Uncle Edgar's rooms at the back. Also a message: Dear Dorothy I wish you could come in at the front door and join us at tea in the sitting room.buildings, house, unkown

1823-1923.MR. JAMES VENN MORGAN. "FATHER OF" KEW."In a Village in Somersetshire in England on February 21, 1823, a son was born to George and Sarah Morgan. The child was so delicate that his parents feared that he would not live. How little ground the parents parents had for their fears may be judged from the fact that the boy, christened James Venn Morgan is still alive and hale. He is able to exhibit with pride the paper with its faded ink on which a clergyman wrote the certificate of his baptism almost 100 years ago. But for some slight infirmities of sight and hearing, Mr. Morgan, who is within six weeks of completing the 100th year of his life, is in good health, and is well able to attend to his business affairs. His immediate cause for regret is that he is not now able to do a day's work in his garden, as he was 12 months ago. After spending his early life in England, where he learned his trade as shoemaker, Mr Morgan came to Australia in April, 1851. He carried letters of introduction to Mr. Tripp, a solicitor, of Melbourne, who strongly recommended him to begin business as a shoemaker, and accordingly he opened a shop at the corner of Swanston and Bourke streets, where the Leviathan Stores now stand, and was not long in working up a good connection. Among his customers at that time Mr. Morgan recalls Mr. Justice A'Beckett and many leading men in law and medicine of the day. Then the news was flashed through Melbourne of the discovery of gold at Ballarat. Nothing can give a clearer idea of the excitement this news caused in Melbourne than that Mr. Morgan, who was a member of one of the first parties to leave for the diggings, left uncompleted in his workshop one of a pair of riding boots he was making for Mr. J. B. Weir. As the purchase of suitable clothing would have taken time, he set out to make his fortune wearing a top hat. At Ballarat he stayed for five or six weeks, and returned to Melbourne with 10oz. of gold. He remained in the city long enough to finish the second of the two riding boots, and then, with three companions, set out for Chewton, near Castlemaine. Here fortune smiled. The party tried their luck in an abandoned shaft, and in two weeks returned to Melbourne again after having won 35lb. weight of gold. How Kew Was Born. Mr Morgan was content with his success, and induced his partners to invest their money with him in land. After obtaining the advice of a friend, the party negotiated with Mr Samuel Watts, of Collngwood, who had recently purchased land from the Crown, and from him they took over at £15 an acre about 32 acres of land in the district that is now known as Kew. This land extended from where the Kew Post-office now stands to the locality of the Boroondara Cemetery. At that time there was not a house in the district, and there was a fairly large population of aborigines, but no white men. Here it was that Mr Morgan decided to settle, and, after having had the land surveyed, the partners apportioned it by drawing straws for the four sections into which it had been divided. One of them sold his holding later in the year for £100 an acre, and was sorry for it afterwards. In 1853 Mr. Morgan built the first house in Kew, and this house is the one in which he still resides. Here with his wife, he settled down to market gardening and dairying. He tells with a laugh how he was paid 1/ a lb for the first potatoes he grew, and 1/ a quart for milk. So successful was the new venture that he induced his father and other members of the family to come out to Australia to assist him. How different Kew of those days was from the Kew of to-day will be understood from Mr. Morgan's statement that for weeks at a time they never saw a a white face other than those of the family. The blacks, he says, although very noisy, were entirely friendly. Gradually the district became settled, Mr. Morgan parted with a portion of his holding, and subdivided and built on the remainder which he still retains. In 1884 he found himself in a position to retire from active business. Youth in Old Age. In Mr Morgan's garden, which is a large, one trees which he and his father planted more than 60 years ago are still bearing heavy crops of apples. Mr. Morgan has been a widower since 1915. He has three daughters all of whom are married, and numerous grandchildren and great-grandchildren. One of the great-grand children reccntly informed Mr. Morgan that he was about to be married. Perhaps the most striking characteristic of Mr. Morgan to-day is his activity. Not only does he move about with surprising alacrity, but is able to go into the streets and attend to his business affairs with but little fatigue The Argus, 17 January 1923, p.12.This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A group portrait on the occasion of the 100th birthday of James Venn Morgan in 1923. Dorothy Rogers used this photograph in 'A History of Kew' (1973). It faces page 17. In the book, the caption reads "JAMES VENN MORGAN'S 100TH BIRTHDAY ANNIVERSARY. The party was held at 'Morganville'. Mr Morgan is shown with a group of descendants."James Morgans 100th Birthday Party. james venn morgan, kew, model dairy, dorothy rogers

The Music Advancement Society of Bendigo 5th Concert, 1973 Series - 'The Oriana Madrigal Choir'. Conductor: Leonard Fullard, Harpsichordist: June Buckingham. Soprano: Dorothy Thyer. City Hall, Bendigo. Saturday, 17th November, at 8.15 p.m. Programme 25 cents. Bolton Bros Pty Ltd, Bendigo.event, entertainment, music, the oriana madrigal shoir, the music advancement society of bendigo, leonard fullard, june buckingham, dorothy thyer, bolton bros pty ltd

The Music Advancement Society of Bendigo presents the Second Concert 1965 Series - 'Duo Recital', - Brian Hansford, Baritone, Dorothy O'Donahoo, Mezzo Soprano, Robin Wright, Pianiste. City Hall, Bendigo on Thursday, 3rd June 1965 at 8.15 pm. Programme One Shilling. Boltons Print, Bendigo.event, entertainment, music, duo recital, the music advancement society of bendigo

"The Student Prince" is an Operetta in four acts, music by Sigmund Romberg and book and lyrics by Dorothy Donnelly, based on W. Meyer-Forster's play "Old Heidelberg".Bendigo Operatic Socety Music Programme for "The Student Prince" - a musical in 4 acts, opening for 6 nights, 15th, 16th 17th, 22nd, 23rd and 24th June 1972 - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. Included also are cast, musical numbers and Orchestra.programme, concert, bendigo operatic society, capital theatre

Picnics at Heidelberg Golf Club - The cooks: Merle Johnston, Shirley Heron, Dorothy Garrett, Margaret Hofer, Faye Lamb, Peg Healey, Judith Smyth.Colour photograph and captionheidelberg golf club, picnics

These items came from the estate of the Misses Ardlie, (Dorothy and Agnes). They are visiting cards for their father and themselves. Dorothy Ardlie (1910-1993) and Agnes Ardlie (1915-1993) were the daughters of Arthur and Ethel Ardlie of Warrnambool, the granddaughters of the prominent Warrnambool lawyer, William Ardlie and his wife Mary and the great granddaughters of John and Mary Ardlie, pioneer settlers in Warrnambool. Visiting cards were used for business purposes or when making formal calls to other families. These cards show two residences of Dorothy and Agnes – Aroona, 19 Princess Street and Little Wyton at 3 Nelson Street. Wyton was the name of one of Captain John Ardlie’s ships. The fact that the Misses Ardlie had visiting cards are an indication that they were two of the more affluent and high profile members of Warrnambool society in the 20th century. These cards are of interest, firstly as an example of a visiting card used in the early to mid 20th century and secondly as mementoes of the Ardlie family of Aroona, Warrnambool. .1 These are 9 identical white visiting cards for Agnes Ardlie. The cards are rectangular in shape and have black cursive printing. .2 These are 2 white visiting cards for Miss Ardlie. They are rectangular in shape and have black cursive printing and alterations in blue ink handwriting. .3 These are 5 white visiting cards for Arthur Ardlie. One card is very discoloured. The cards are rectangular in shape and have black cursive printing and alterations in blue ink handwriting on two of them. ardlie family,, warrnambool, warrnambool lawyer,

This cabinet is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Hilda Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable. it was a wedding gift to Mr Franz Streizel's daughter Frieda Streizel approximately 1910. A heavily inlaid veneer two door cabinet with carved Egyptian style heads in the middle of each door set in a triangular pattern. There are two small drawers and one long drawer at the bottom of the cabinet. Keys are kept nearby in a wooden box in the same collection.cabinets, furniture, storage and display furnirure

.2) Newsletter edited by Dot Kinnane (Dorothy Wickham). Black coloured front page, multiple, drawings and poetry. One poem is called 'The National Serviceman'. Also a photo of Vietnamese children with the caption "NO, daddys gone home to Australia. ... or is it America." .3) Foolscap newsletter of the Ballarat Teachers' College, October 1967. ballarat teachers' college, ballarat teachers' college 'standard', standard, newsletter, vietnam, national service, vietnam war

Bendigo advertiser '' The way we were'' from 2002. In tune: Fred Bush (front) is flanked by friends 9Left to right) Anthony Strange, Leila Watson, Gerson Krost, Dorothy Ford and Les Eames at his Williamson Street home - now the grain stores - for a musical evening in 1943. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Small postcard dated June 1912 addressed to Miss G Christie, Bull Street, Bendigo. Signed by Dorothy. On the front a young lady wearing a wide brimmed green hat and a black fur, she is holding a fox. at the bottom the names Charles Scribner's Sons N.Y and Reinthal & Newman Pubs N.Y.postcard

Document: St. Paul's Church, Bendigo 81st Festival Celebrations. 'Recital of Music' by Dorothy Neills-Stevens - violin, Ron Layton - Violin, Leslie Kerr - viola, Bill Johnstone - 'cello, Lindsay Maple - baritone, R.A. Anderson - organ. Sunday, November 13th, 1949 at 3 p.m. Retiring Collection.entertainment, music/religious

Although opened by the Church of England in 1857, Huntly was not recognised as beginning until 1860 when it began to receive government funding. In 1862 it became known as a Common School. In the 1870's it was partly destroyed in a wind storm and a brick building was built to replace it. It became a State School between 1873 and 1878 and was renamed Huntly Primary School in 1970.Newspaper clipping dated 13.6.60. Two images showing current Mothers' Club wearing 1860 clothing in one image. /tgree ex-pupils of the school are featured in the bottom image - Mrs D. Munro (Ada Fiedler) Mrs. P, Poulter (Ruby Honeybone and Mrs. R. Cail ( Dorothy Fiedler).

Photographs of the Turner family: Sheet 1: Charlotte Caroline Turner (1942), George Turner (29/03/1947); Sheet 2: Harold and Francis Virginia Turner (2 photos, Feb/March 1955 and December 1942), Francis Virginia Turner (nee Smith) was publican of the Greensborough Hotel; Sheet 3: Wedding of Harold Law to Dorothy Turner (group photo) at Greensborough Methodist Church (24/02/1917) and Harold and Dorothy on their wedding day.3 photocopies of black and white photos.Photographs are named.turner family, greensborough hotel

Alva Dorothy GOODEN (1864-1949) Gooden was a china painter who is best known for her decoration of many dishes, plates and vases with Australian wildflowers and blackboy trees. Although Alva Gooden painted on a variety of different china including Wembley Ware, she was not one of the artists employed at the Subiaco WA china factory. Much of her work is simply signed ALVA. (https://www.daao.org.au/bio/alva-dorothy-gooden/, accessed 25 March 2017)Image of three saucers and a small cup, all handpainted by Alva Gooden, and depicting Grass Trees. alva gooden, blackboys, grass trees, china, alva

This dress belonged to Dorothy May Mortlock (VF518245), who served as a Sapper with the Australian Women’s Army Service from 27 July 1945 to 1 August 1946.Light brown coloured woven cotton dress with button-up front secured by 6 metal buttons. Dress constructed of a skirt element attached to a short sleeve shirt-style torso section, a hook and eye sits on interior of two sections to fasten left and right sides together. One square topstitched pocket on the left chest and two angled hip pockets on front. Fabric belt with metal buckle held in place by fabric loops on both left and right side. Fabric epaulette passes through loop on both left and right side and secured with metal button. Two loops on interior left and right shoulders, left loop with inscription; woven label stitched to interior left side underneath which is a stamped motif.Ink inscription on interior loop difficult to read, “VF518245” and 5-6 indiscernible characters. Button reads “AUSTRALIAN MILITARY FORCES” below an embossed image of Australia with the King George V crown on top. Stamped motif reads “[broad arrow]/S.D.”women, wwii, world war two, second world war, australian womens army service, awas

A collection of photographs/postcards donated by Dorothy Hurst. Her grandfather, Rev. Garthshore Stirling Home, was the vicar at the Anglican Church in Cowes - possibly in the early 1930's.235-01. Black & White photograph of Forrest Caves, Phillip Island. 235-02 & 03. Black & White photographs (identical) of two koalas up a tree. 235-04. Black & White photograph of the road to the Back Beach, Phillip Island. 235-05. Black & White photograph of a view of Cowes Pier taken through the trees on the foreshore. 235-06. Black & White photograph of Cape Woolamai Granite quarrie with people on the granite and in a boat. 235-07. Black & White photograph of waves breaking over the rock possibly near the Nobbies, Phillip Island. 235-08. Black & White photograph of The Vicarage at Cowes, Phillip Island - 1930's 235-09. Black & White photograph of a coastal scene at Phillip Island. 235-10. Black & White photograph of a coastal scene of the beach at Cowes. 235-11. Black & White photograph of waves breaking over the rocks near The Nobbies. 235-12. Black & White photograph of The Nobbies with Seal Rocks faintly in the distance. 235-13. Black & White photograph of The Nobbies with Seal Rocks in the background. 235-14. Black & White photograph of The Isle of Wight Hotel in the background. Cenotaph in foreground with a crowd of people, portable organ/piano plus music stands, people standing, children and others sitting on grass for Anzac Day or Remembrance Day. Possibly 1920s from fashions.235-01 Forrest Cave, Phillip Island 235-02 & 03 Native Bear (Koala) 235-04 The Road to the Back Beach, Cowes. 235-05 A Glimpse Thro' the Ti-Tree, Cowes. 235-06 The Quarries, Cape Wollomai, Phillip Island 235-07 The Beach near the Nobbies, Phillip Island. 235-10 The Beach at Cowes, Phillip Island. Valentine's Series M4847forrest caves, phillip island, wildlife - koalas, the nobbies phillip island, seal rocks phillip island, granite quarries, cape woolamai granite quarry, cowes cenotaph, phillip island, cowes pier phillip island, cowes beach phillip island, the isle of wight hotel cowes phillip island, cowes anglican church vicarage,phillip island, rev garthshore stirling home, dorothy hurst

History of Kew written by members of the Kew Historical Society and published in 1960 on the occasion of the City's Centenary. This booklet was donated by John Rogers in 2016non-fictionLocal History produced by Kew Historical Societykew - history, kew historical society - publications

George Harold Merrett married Dorothy Lorna James at Christ church Horsham 14/8/1954. wedding gown and accessories were donated by family members.Worn by groomsmanOne pair male grey gloves size 6 featuring black press clip and 3 darts on front.costume accessories, glove accessories