Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a light tan rendered brick house with a small curved additional roof jutting over the front door. Other features include tiled roof, white framed windows, door and guttering, feature chimney and a low unpainted variegated brown brick fence in the foreground with bushes and lawn behind the fence. Tall trees behind the house.murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, dalny road, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, chimneys, brick fences

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, weatherboard, 3 gable rooves and small gabled portico. All gables decorated with rough cast and wooden slats. Decorative chimneys with pots, verandah posts with capitals. Tall palm tree in established garden picket fence, with ornate fence posts. Creeper over gateway. Queen Street.Frank A. Jeffree Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

black and white photograph. Exterior of California bungalow house and picket fence. Patterned windows in bow window at front. Pergola over porch at left. Covered verandah at right. 2 chimneys visible. 2 gables, canopy over bow window. Neatly trimmed hedge behind picket fence. 2 street trees - 1 each side of house.buildings, residential, california bungalow

Photograph of Sayer Bros. Norfolk Brewery. A two storied brick building, the section on the right hand side has two chimney stacks. There is a picket fence along the front and a large curved sign over the gateway, Stack of wood are to the left inside the gateway and there are two carts loaded with barrels. Batchelders cart is visible on the left hand side outside the fence.Batchelderbuildings, commercial, norfolk brewery, norfolk brewery, sayer bros., batchelder

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Victorian villa of Hawthorn brick. Built in 1890 and with Grade B heritage listing by the City of Boroondara. Rear additions and alterations in 1999. Replacement verandah roof and floor in 2020. Stone fence has been replaced with a palisade fence. The pen and ink architectural drawing on drafting film of 72 Charles Street, Kew was made by Margaret Picken in 1997.72 CHARLES ST., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 72 charles street -- kew (vic.)

The 3 front blocks facing Union Road were subdivided off in circa 1967, so this building now faces Barton Street. Since 1984 it has been a private residence. It was originally built in c1890 and from 1896 it was used as facilities for Surrey College, a private boys' boarding school. Dr F Darling was Principal. From 1935-1960s it became Nethercourt Private Hospital. This had previously operated from 1921 in Wilson Street. Later it was known as St Jude's Hospital; this closed in 1983.Black and white photo of Nethercourt Private Hospital taken from Union Road. It shows a 3 storey brick rendered building painted in a light colour. It is fronted by a paling fence and with a vacant area in the foreground, on which there is a bare-leafed mature tree to the right and an evergreen tree to the left. The fence appears to be new suggesting that the photo was taken at the time of subdivision of the land.The original has the following inscriptions: Top: In black biro "D Hall our collection / hall / family" in Jocelyn Hall's writing. Below in lead pencil "Old entrance of / St Judes" - unknown hand; presumed to be Duncan Hall's. In black biro in Jocelyn Hall's hand: "Taken c. 1976." nethercourt private hospital, the surrey college, norwich hall, st judes hospital, barton street, medical services, education, dr f darling

The foundation stone for St George's Church of England, Mont Albert was laid in 1886 on land donated by Edward Dyer and the first service was preached in January 1887. From 1904 until 1907 it was known as Holy Trinity, Surrey Hills. The original church was weatherboard and replaced by a brick one in the Gothic Revival style which was designed by local architect George J V Blackburne, who also designed the Wesleyan School at Surrey Hills. The building was partly funded by donations, profits from a bazaar and concert, and other people donated furnishings. The church had boundaries along Mont Albert Road and St Georges Road. In 1998 the Church was sold and converted into a complex of units. Its current address is 19 St Georges Avenue, Mont Albert. The purpose of this working bee in 1923 was to close up the double gateway, which in earlier times had been used for entry of by horse-drawn vehicles to the church grounds. 'Lugano' was built in 1893 for William Wilson, a prominent stonemason and importer of marble fireplaces. In 1903 it became the home of William Holmes who was Chief Electrical Engineer for the Victorian Railways. He designed the electrification of the Melbourne suburban network. 'Lugano' stayed in the Holmes family until the 1930s. Norman Carter took many photos of Surrey Hills and Mont Albert from the 1920s in particular of events and activities associated with the Church of England.Black and white photo of 6 men behind and in front of a picket fence, a section of which has posts and railings only. In front of the fence is a wide grassy verge on which a bench is set up for cutting lengths of wood. A large Victorian house ('Lugano') can be seen in the background and a lamp post with a street sign. Beyond the house are mature eucalyptus trees.churches, holy trinity church, anglican church, st george's anglican church, working bees, lugano, william holmes, william wilson, norman brodley carter

This photograph shows the height of the river in the 1974 floods. The fence on top of the wharf can be seen the other side of the Pevensey. The height of the river can also be seen on the N.S.W bank. This photograph is significant because it shows the height of the river in the 1974 floods.This is a small square black and white photograph of the P.S Pevensey tied up to the Echuca wharf in the 1974 floods. The P.S Canberra is tied up in front of the Pevensey. A very small portion of the Canberra can be seen. On the front of the photograph the words Pevensey can be seen. On the back of the photograph hand written in ink are the words" Pevensey 1974 floods. Beside wharf. Canberra in foreground."1974 floods, flooding, p.s.pevensey, echuca wharf

The Ballarat Botanic Gardens were once formally fenced and the gates closed at night. The gate posts still remain. The sign in photo 585 reads 'Motorists Drive Slowly'.ballarat botanic gardens, north gates, garden, streetscape

This building in Victoria Street replaced wooden cottages which were retained at rear. Built by Mr J Kellett at cost of £13000. Iron fence later replaced by bricksisters of mercy, victoria street, j. kellett, building, church

This is a photograph of the Saunders Family at Orbost 1888-89. It is Arthur and Agnes Saunders with their children, Beatrice, Cyril, Hilda and Vera. Arthur Scott Saunders was born 1864 in Orbost and died 3.12.1913 in Orbost where he is buried. He was the son of Son of Thomas Frederick Saunders and Lucy Beard Scott. He was a storekeeper at Orbost, a member of the early Show Committees, a Rechabite in 1893, and was a member of the Board of Guardians of the Church of England from 1894 to 1913 where he served as secretary and treasurer of the Board. His wife was Agnes Louisa Stuart Morriss who was born in 1862 and died 26-11-1938 at East Malvern and is buried in . Orbost cemetery. She sold the business in 1919 to Mr J. H, V. Dale. She left Orbost with her two daughters for East Malvern in April 1927. Saunders General Store was opened in 1900, overlapping part of the present Mensland and Coultons. The ―Melbourne Store‖ refers to it being a branch of their Melbourne store. The shop was burnt down in the early 1930‘s. ( info. from Saunders Family Newsletter by John Phillips)This is a pictorial record of a prominent early Orbost family and is a useful research item.A black / white photograph of a family group with the parents seated and their children standing around them. In the background is a wooden fence. It is on a beige coloured buff card.on front - "Saunders family at Orbost" on back - " Saunders family at orbost, 1888 - 1889"saunders-orbost

The Warrnambool aquarium was opened in 1971 and was mostly underground with three domes above ground level. It is situated near the Warrnambool breakwater and the main structure is still extant. It closed as an aquarium in 1990 and was then used by Deakin University as a research centre for a few years. The aquarium contained exhibits of marine life and shells. This slide is retained as a reminder of the Warrnambool aquarium, an important tourist attraction for over twenty years.This slide in a cardboard frame is a multi- coloured one of the Warranmbool aquarium showing the three domes and the coastline in the background. There is a wooden sign, a fence and the road in the foreground. AQUARIUM COOKED/ LIVE CRAYS SOUVENIRS BAIT MUSEUM KIOSK DOWNSTAIRS warrnambool, warrnambool aquarium

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing house with wide verandah of three visible sides, behind light-coloured post and wire fence with a metal gate.Front: (no inscriptions) Back: Homestead 1920. Now all creepers and trees.esther winifred hall, photography, henty, portland centenary, 1934

A Wireless Patrol car with driver inside Studebaker outside a brick house with a picket fence. Two young boys are standing to the right and an unidentified person is sitting in the driver's seat. Circa 1964police vehicles; wireless patrol; motor transport branch; motor transport section; studebaker car

Peter Cameron, came to Orbost in 1885, at the age of 69, having sold his farm at Geelong. Peter bought the property ―Glen Avon from a Mr Street. The home was situated at the bottom of the paddock, near the corner of Morley and Livingstone streets. The farm stretched from Tennyson Street to the end of Snaggers Lane and along the river frontage to “Carinya” Cameron Home. In the Gippsland Times on Wednesday. 2 Jul 1890 on Page 3 is an article titled "THE SNOWY RIVER CALAMITY" which describes an ".unexpectedly sudden rush of water down the flats..... the terrified people commenced to remove their stock from the land and the work of saving property was continued all day ............ many head of cattle were washed away.......The river road, for its entire length, is obliterated, and the approaches to the bridge at Watt's Gulch are gone, with the enormous volume of flood water," These photographs are pictorial records of a significant event in the history of Orbost. There are few personal records of the very early floods.Three black / white photographs of wooden buildings with flood water in foreground. There are post and rail fences. 3193.2 has been taken from a distance.on back -" "Glenavon east of Lagoon 1897 Feb"floods-orbost-1890s glenavon-orbost

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of cream rendered house. Other features include a curved porch with pillars, tiled roof and low unpainted brick fence in the foreground. murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, brick fences

This photo was in the collection of Frank Wright. Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in AustraliaBlack and white photograph of a man ploughing a field with a team of three horses. In the background is a large cypress and a house can be seen behind a hedge and fence.frank wright, ballarat, cornet, conductor, smeaton, plough, team of horses

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in AustraliaBlack and white photograph of a man driving a tractor which is towing a wagon of hay. In the background is a picket fence and large tree. The man is Frank Wright.frank wright, ballarat, cornet, conductor, smeaton, tractor, hay

Laura Ritchie was the sister of Frank Wright who was a renown resident of Smeaton, She was a gifted viola player and won the Australian Violin Championship. They lived at Laura Villa, and attended Smeaton State School. Frank's father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. Hand coloured photograph of a woman with a baby on her lap, seated on a path in front of a cottage with a picket fence. The woman is Laura Ritchie nee Wright.frank wright, cornet, conductor, ballarat, laura ritchie

black and white photo: image shows front view of Sacred Heart Cathedral, Bendigo. Brick front fence ( stepped ) and stairway to main door.bendigo, church, sacred heart cathedral, sacred heart cathedral, bendigo, sandhurst, catholic, catholic diocese

Small portrait of a lady standing beside a stone fence. She is wearing a long, high neck dress with puff sleeves and a seven layer skirt.Paterson Brothers, 8 Bourke St. East Melbournephotograph, portrait, female, portrait of a lady, paterson brothers

sepia photograph: Bendigo Post Office, from Rosalind Park. Large pine trees in foreground. Trellis type fences in garden immediate foreground.Pall Mall Studio. Sandhurstbuildings, government, bendigo post office

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade. This series of photographs show candid pictures taken by previous residents of the Island.Photograph of two men standing in front of a fence amongst the bush. One appears to be leaning over and inspecting the bus with a group of tools standing on the grass.Catalogue number written on the reverse in pencil.photograph, churchill island

Churchill Island has a large photographic collection dating from the nineteenth century. Photograph of three parked cars including a vintage brown Rolls Royce and a vintage eggshell blue MG in front of a tall wooden picket fence.churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century.Colour photograph of a sailboat moored beside a rope fence, with a man carrying a woman across the shallow water, and another man standing holding a line.catalogue number on reverse in pencilchurchill island, photograph

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of pastures with scarecrow, windmill, and on the other side of the fence a horse ploughs another pasture. Behind, a group of men make haybales.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island