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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Baby Layette 5 piece wool hand knitted 1962, 1962
Women in the City of Moorabbin knitted, sewed and crocheted clothes for their babies as they established their families in the new settlements in Ormond, Bentleigh and Moorabbin that followed World War 11. Typical of a Baby Layette of hand knitted woollen dress, coat , hat, and bootees with satin ribbon worn in City of Moorabbin c 1960 Women were accomplished knitters, craft workers and dressmakers as they cared for their families Baby Layette consisting of cream woollen hand knitted dress, coat, hat and bootees with ribbon knitting, craftwork, baby clothes, baby layette, sharp valma, wool, city of moorabbin, ormond, bentleigh, moorabbin, post war settlers, world war 11 1939-40, baby boomers, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Baby 5 pieces wool hand knit 1962, 1962
Typical Baby clothes consisting of hand knitted wool coat, hat, singlet and 2 dresses worn in the City of Moorabbin c 1960 Women in City of Moorabbin were accomplished knitters, dressmakers and craft workers as they cared for their families while settling in to the new housing estates in post World War11 Ormond , Bentleigh and Moorabbin Baby Clothes consisting of cream woollen hand knitted, coat, hat, singlet and 2 dresses clothing, manufactured lace, dressmaking, blousknitting, craftwork, early settlers, moorabbin shire, mechanics institute cheltenham, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, sharp valma, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Child's white nylon dress & pink silk petticoat, c1960
This white Nylon sleeveless dress with the pattern of Deer machine embossed on the material was made by a local resident in City of Moorabbin for her child in the new popular synthetic material. A pink jap silk sleeveless petticoat with lace trim completes the set. Press studs fasten the dressWomen in City of Moorabbin were accomplished knitters, dressmakers and craft workers so they made clothes for their families using the popular new synthetic material. Nylon was easy care with embossed pretty patterns and required no ironing. A Child's white nylon sleeveless dress with machine embossed deer and a pink silk petticoat Fasteners are press studs clothing, baby, nylon, machine pressed designs, layette, knitting, craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Baby Bibs x 2 c1960, c1960
Nylon became a very popular dressmaking material in City of Moorabbin c1960 as the new settlers established their families in the new estates post World War 11 in Ormond, Bentleigh, Moorabbin These Baby feeding Bibs x 2 with ribbon ties were made by a local resident of City of Moorabbin for her child c 1960 Women in City of Moorabbin were accomplished knitters, dressmakers and craft workers who made the clothes for their families while settling in to the new estates that opened up in Ormond, Bentleigh,and Moorabbin after World War 11 Baby Bibs, x 2 made by a local resident for her children. a) towel, nylon, lace trim, with an appliqued flower and ribbon ties b) flannel, nylon, lace trim and ribbon ties clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma, -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, Baby's Christening gown , fine muslin, cut work, c1900, c1900
This Baby's long white Christening gown is made from fine muslin, with short sleeves and cut-work and pin tucked front panels The women of the early settler families were very skilled dressmakers and made the clothes for their families. The early settler families followed the religious rites of their Christian Church and this Baby's Christening gown shows the dressmaking skills of the pioneer women of Moorabbin Shire c1900 , A Baby's Christening gown of fine white muslin with cut-work and needlework on yoke, gathered skirt and short sleeves with a draw string waist and neck . The front panel has 5 sections of pin tucks and cut work . clothing, christening gown, methodist church, church of england, brighton, moorabbin, pioneers, dressmaking, lacework, cutwork, market gardeners, early settlers, craftwork , bentleigh, , moorabbin shire blackburn nance, dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Haberdashery, Antimacassar cotton crochet, c1900
This white cotton Antimacassar has a hand crocheted lace pattern of flowers and a fringe of cotton strands tied to form tassels and was made by a woman from an early settler family in Moorabbin Shire c1900 The women of the early settler families made the clothing, haberdashery and napery for their families as the market gardens and farms were established in Moorabbin Shire c1900 A hand crocheted white cotton antimacassar with tassel fringe clothing, haberdashery, crochet brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, lacework, moorabbin shire , dairy farms, fruit orchards -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, baby's cream silk dress, lacework, c1900
This baby's cream silk dress has long sleeves, lacework on centre yoke, cuffs and hemline. Vertical pin tucks beside lacework on yoke and horizontal between lacework on hemline . This dress is an example of the dressmaking and lacework skills of the women of the early settlers families in Moorabbin Shire c1900 Early settlers and market gardeners established their families in Moorabbin Shirec1900 and this item shows the dressmaking and lacework skill of the women of these families This baby's cream silk dress has long sleeves, lacework on centre yoke, cuffs and hemline. Vertical pin tucks beside lacework on yoke and horizontal between lacework on hemline, The dress is fastened at the nape by a small mother of pearl button, clothing, baby clothes, cotton, silk, lacework, needlework, nylon, dressmaking, layette, knitting, craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40, risstrom l -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Theatrical outfit, jacket, pants, Ormond Choral Society, c1950
This Theatrical outfit was used by the Ormond Choral Society, a group of local residents who gathered for community activities and to provide entertainment for the post WW11 settlers in the new estates in Moorabbin Shire c1950 Gladys Reed was a member of the Ormond Choral Society c 1950. and these clothing props were used in the plays and musicals when performed in the the City of Moorabbin A Theatrical outfit for the Ormond Choral Society c1950 of a 3 /4 wrap around pink jacket with , 3/4 sleeves, ribbon ties and machine over sewn scalloped edges and black decoration. The full length pink pants have elastic at waist clothing, theatrical outfits, ormond choral society, musical societies, reed gladys, clark judy, post world war 11 estates, city of moorabbin, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, bentleigh, lacework -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Theatrical prop, waistband beaded eveningwear, c1950
This beaded sequined waist band for evening wear was a clothing prop used in the plays and musicals performed in the the City of Moorabbin. Gladys Reed was a member of the Ormond Choral Society c 1950. Gladys Reed was a member of the Ormond Choral Society c 1950. and this beaded sequined clothing prop was used in the plays and musicals when performed in the the City of Moorabbin A Theatrical prop, evening wear as a taffeta waistband with beading, multi coloured sequins, and corded cotton waist ties.c1950 Shown with Theatrical prop white beaded lace hat MAV 00295clothing, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Lady's ightdress, white silk, cap sleeves, lace, c1950
This simple white silk, full length, v-neck nightdress with lace insert and capped sleeves and waist ties, is an example of the style worn by women in the post World War 11 Estates in the City of Moorabbin c1950 Gladys Reed was a member of the Ormond Choral Society c 1950. and this simple white silk nightdress is an example of her dressmaking skill A white silk, full length, v-neck nightdress with lace insert , capped sleeves with lace edging and waist ties clothing, dressmaking, lacework, nightdress, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Lady's nightdress crepe de chine, floral c1950, c1950
Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals in the City of Moorabbin and she made this nightdress c1950 Crepe de Chine, also spelled Crêpe De Chine, (French: “crepe of China”), light and fine plain woven dress fabric in silk, wool, or synthetic fibre fabric with a distinctively crisp, crimped appearance produced either with all-silk warp and weft or else with a silk warp and hard-spun worsted weft. This material was easy to sew, wash and dry and required no ironing . . This crepe de chine nightdress is an example of the popular style worn by women in the post World War 11 Estates in the City of Moorabbin c1950 A lady's floral crepe de chine, full length, nightdress with shoulder straps and waist ties clothing, nightdress, crepe de chine, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george -
Ukrainian Museum of Australia
embroidered serviette, 2009
Serviette embroidered for a wedding 2009Representative of Ukrainian embroidery from (?) regionwhite linen serviette with red and black cross stitchembroidery, ukrainian cross stitch -
Clunes Museum
Artwork, other - ARTWORK
Holly Barkell was an original settler in Clunes, Victoria, Australia..1 Ornate gold frame, lady standing, barefooted, arms raised over head. Background is dark curtain, Wearing a Grecian style dress. .2 Ornate gold frame. Lady standing looking up at roses, wearing a Grecian style dressNilholly barkell, artwork -
Tatura Irrigation & Wartime Camps Museum
Book - Book - Childrens, Everyday Stories to tell to Children, January 1930
Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. Olive green linen cover with embossing on edge and spine. Gold printing on spine. 256 pages. The front of the original dust cover has been attached to the inside of the book. It is colour picture of four children in a farmyard with chickens and two cats. Painted by Ettel Kate Burgess.Hand written inside: Else-Lore Oertel from the Red Cross, Christmas 1942, Tatura Internment Camp 3A. else lore hukins, children's books, camp 3, christmas, red cross, internees -
Tatura Irrigation & Wartime Camps Museum
CD, An Account of life in Internment Camp 2 During WW2
An account of life in internment camp 3 during WW2 by Irmhild BeinssenGold and black disc with palm trees printed on gold text. Yellow and clear plastic case.irmhild beinssen, internment camp 3 internees -
Tatura Irrigation & Wartime Camps Museum
Document, Biography of Heinrich Walter Fuchs MD, 1991
Biography of Heinrich Walter Fuchs MD, an internee in Persia and Camp 3 Australia. Written by his daughter. Presented to the Society by his daughter.Plastic folder with red back.heinrich fuchs, internment camps, camp 3, persia, medical personnel -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Tablecloth, 1920's - 1930's
Names included on cloth: Colliver, Whelpdale, E. Williams, Ms Lynch, Slender, Dowell, Corrigan, McDonald, Hutchinson, Loveden, Young, Hogan, Maher, Reilly, Fraser and Fahey.Square cotton tablecloth embroidered in blue silk, crocheted around edges. Fancy worked blue birds holding cards with local family names from reserve, south of Tatura,1920's - 1930's.local craftwork, cotton tablecloth, colliver, whelpdale, e williams, lynch, slender, dowell, corrigan, mcdonald, hutchinson, loveden, young, hogan, maher, reilly, fraser, fahey -
Tatura Irrigation & Wartime Camps Museum
Folder, An Account of Life in Internment Camp 3 Tatura during WW2, 1994
Recollections written in 1994 relating to experiences of German family residing in Sydney in 1940/ internment of Ekke Beinssen/internment of his wife Irmhild and 3 children in Camp 3. English translation by Gerhard Meinke.green plastic folder containing clear plastic envelopes and black spineekke beinssen, irmhild beinssen, camp 3 internees, gerhard meinke -
University of Melbourne, Burnley Campus Archives
Book, Fiji Native Plants, 1943
Olive Mellor (nee Holttum) graduated 1911 and was staff between 1914-1920, which she donated her collection of books to the Library.olive mellor (nee holttum), staff, female students -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1950
Duloe Park later known as SunnysideBlack and white photograph of unknown workman taken in the driveway of Duloe Flats and Camp Park in Roadknight Street Lakes Entrance Victoriacelebrations -
Nillumbik Historical Society Incorporated
Book - Hardcover book, Mrs Henry Clarke, A Lad of Devon
Deep red board cover with an etching of a boy and his dog in black and green on the cover and blank back - 128 pagesfiction -
Clunes Museum
Decorative object - VASE
.1 & .2 PAIR LARGE URNS/VASES. EMBOSSED WITH PAINTED DESIGN AND GOLD TRIMMINGSlocal history, ceramic, earthenware, barkell. mrs. -
Clunes Museum
Drawing - TAPESTRY
COLOURED TAPESTRY OF LADY SITTING UNDER A TREE. BEING SERENADED BY GENTLEMAN WITH STRINGED INSTRUMENT.local history, handcraft, tapestry, barkell, harris family -
Stawell Historical Society Inc
Work on paper - Realia, Scrapbook - Back to School, 1994
Created for Back to Reunion (previous Cat No. 147.5 in Photographs)Ruby (nee Willy) Back to School scrapbook. Photocopied newspaper items of Stawell and District School Page 21education, school reunion -
Stawell Historical Society Inc
Photograph - Government Office, CES Office in Church Street, 1987
Demolished now CES Office was 38 Church Street. Drawing froAMED by Glover and Black Art. Shop 6 P.O. Arcade Stawell 3380 PH 58 3746Pencil on white Paper of WeatehrboardHouse used as CES Office. Balck framed WoodCES Employment Sharon Jenkins'87employment, govenment -
Stawell Historical Society Inc
Photograph, Sunset from Big Hill, Nov 2008
Colour Photograph; Sunet from Big Hill Looking toward the Grampiansbig hill -
National Wool Museum
Textile - Quilt, Judith Oke et al, Isolation Quilt, 2020-2021
In 2020 during the period of lockdown due to COVID the National Wool Museum asked their volunteers to make and donate blocks made from a variety of materials found in their homes, for an ISO quilt. The NWM reached out to the patchwork and quilter community to find a local quilter to sew the donated blocks together. The quilt is sewn together and quilted by Judith Oke, 2020-2021. Judith is a local patchwork and quilter and a member of Geelong Patchwork & Quilters Guild. Through the process she was inspired by the tradition of wagga quilts, where bits and pieces are stitched together, sometimes lined with whatever the sewer found available, such as clothing and sacking, to provide warmth. In construction of the finished quilt the challenge was combining 10 inch blocks made from a variety of materials, with uneven sizing. The aim was to combine these very different blocks into a harmonious whole. To this end a light and dark pattern was planned, with the blocks to be sewn onto a blanket. The choice to layer the blocks over each other, rather than sew an even seam was aimed at emphasizing the make do nature of these ISO blocks. Due to the weight of the blanket a decision was made to sew the blocks onto a base before the whole was stitched onto the blanket. The blanket was sourced from NWM donations. The rich, red of the blanket provides a bright, warm background for the colourful squares. Some of the light weight blocks were backed with iron-on interfacing to strengthen them for sewing. The edges of two of the woven squares were blanket stitched with knitting wool. The 10 inch donated blocks/squares were machine sewn to a cotton sheet base, with liberal use of blanket stitching, as the blanket was too heavy to sew the blocks directly onto the blanket. The base with squares was then machine sewn onto the red blanket backing.Various multi coloured and designed patchwork squares sewn onto a red woollen blanket. isolation, covid, quilt, wool -
National Wool Museum
Clothing - Jacket, Mrs Jean Inglis, 1988
This jacket is by the prolific spinner and weaver Jean Inglis. It has been woven with a warp of commercially brought wool & a weft of hand spun Corriedale. It is completed in a Swedish lace style of weaving. The highlight of the jacket is the blue section of fabric on the top left shoulder of the wearer, which works down to the bottom right hip. This pattern looks like long thin individual separate sections of fabric stitched to the jacket; however, only one section of fabric has been added. A dying technique has been utilised to give the appearance of multiple sections. This Japanese dyeing technique is called Shibori, “to wring, squeeze or press". It is a manual tie-dyeing technique, which produces several different patterns on fabric. The specific pattern on this fabric is known as Kumo Shibori. It utilises bound resistance. This technique involves folding sections of the cloth very finely and evenly. Then the cloth is bound in very close sections. The result is a very specific spider-like design. This design requires very precise technique. Specific to this jacket, the fabric for the dyed section was made with the same fabric as the rest of the jacket. A section of the excess fabric was concertina wrapped around a 100mm pipe and tied up before dying. This gives the consistent straight blue lines, with no bleed from the dye. The sections were then sewed into the jacket with the occasional sequin added for additional decoration and glamour. The jacket won 1st prize at the 1988 Geelong Show. Jean was assisted by the dress maker Ruth Randell with some of the design and sewing. Jean always found sewing “a bit of a bore”. The jacket also has an attached swing tag. It was added to provide information to the judges at the Melbourne Show on how the jacket was created. It comes complete with Jean’s self-proclaimed terrible handwriting. It was donated to the National Wool Museum in 2021.Cream singled breasted jacket with no overlap. The jacket has no column of buttons for fastening, or lapels. It is designed to be plain, to not draw attention. The jacket is highlighted by the Shibori dyed waves on the top left shoulder of the wearer, which works down to the bottom right hip. This blue dyed section of fabric is dotted with the occasional blue sequin. Internally, the jacket features a white silk lining for comfort. The jacket ends in a straight cut hem, including at the cuffs. The jacket has an attached swing tag. The swing tag is cream with a printed thin black boarder. Within the boarder, handwriting in black ink is found. It has a hole punch in the top left corner of the swing tag for attaching to the jacket.hand spun, hand weaving, textile design, textile production, shibori, kumo shibori -
National Wool Museum
Textile - Quilt, Child's Coverlet, 1953
Made for Chris Neyland by Rene Densham when he was born in 1953 and later given to Running Stitch by Lois Densham who is Chris Neylands aunt. The quilt was made from scraps of woollen fabric from clothing used in the family. It was used in Chris' cot or pram when he was an infant. Lois can remember the dark green fabric coming from a jacket she once wore and the blue tartan pieces from a skirt worn by Rene, her mother. Lois also remembers her mother being "a better piano player than a cook or a sewer" and " made in the tradition of making do from a family who knew how". The family structure is as follows: Rene married Bob Densham and had three daughters: Doreen (Saunders), Betty and Lois Densham. Betty married Bob Neyland and they have a son, Chris.Quilt, child's coverlet made of woollen squares from suits and jackets. Colours are greens and browns.quilting history, running stitch group, running stitch collection, densham, mrs rene elizabeth neyland, mr chris, quilting - history -
Unions Ballarat
Australian roundup 1790-1950, 1953
A series of Australian short stories dating from 1790-1950.The editor, Colin Broderick, was known for promoting Australian literature. Fiction - of national interest. Hardcover, blue cloth paper amalgam; gold lettering on spine; 374 pages.Spine: title and author's name. Ararat Municipal Library stamp appears in several places on the inside of the book. Library loan slip and original card (2423) are located at the back. Last stamped on 20 Nov 1970.btlc, ballarat trades hall, ballarat trades and labour council, fiction - short stories, fiction - australian