Illustrations and description of sites within Greensborough and Greenhills: by Irene Turvey and Ron ReynoldsNow out of print, this book is an important record of the Greensborough and Greenhills areas. Copy 2 is signed by author and illustrator.Hard cover, 62 p., illustrated with pen and ink sketches.Copy 1: stamps with Eastern Metropolitan Library. Copy 2 signed by author and illustrator.greensborough, greenhills, irene turvey, ron reynolds

Framed behind Glass. Pen, ink, watercolour original drawingNight at Mersa Mutrah written bottom Right. T Meagher signature bottom Left.

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Details of the short course to be offered through Hawthorn Institute of Education. designed for Departmental and Area Safety Co-ordinators and School Safety Officers. The course outlines the role of safety officers, course dimensions and focus, general aims, course format, staffing, certification and assessment, course fees, course outline, seminar outline and contacts. An application form provides the dates the sessions will be conducted and costs applicable. Seven A4 sheets, typed. Comments in pen on introductory letter. Letterhead for Hawthorn Institute of Education. Signature of Peter Brereton, Assistant Director. Note from J B (Jack Barker). Note from Derek Woolley to Dennis (Else)viosh, victorian institute of occupational safety and health, hawthorn institute of education, departmental safety co-ordinators, area safety co-ordinators, school safety officers, peter brereton, assistant director, jack barker, director, derek woolley, dennis else, short course

Drawing in black pen of the end elevation of Bow County Court.bow county court, architecture, design, charles lamb, alumni

Black and white photocopied page with added notations in blue pen.Ellen Elizabeth Stanton, Married Woman of 35 Bell Street Richmond is now the Proprietor of an estate in Fee-simple, subject to the Encumbrances notified herunder in the surface down to the depth of fifty feet below the surface of the pie of land delineated and colored red purple and blue on the map in the margin, being Lot 29 Parish of Ringwood. Plan of Subdivision No. 12150. (undated).

8718.1 - Wooden pen with attached nib which is pretty rusted.

Group of 5 fountain pens of various makes sizes & colours.drawing, ink, pens

Used by Engineers for hand drawing plans. Used during 1980's. Hand drawing of plans was required prior to the use of digital plotters.TG1.S Technical Drawing Pen with 0.35 Thickness PointTG1.S

Two copies of student work pen drawings, mounted on board'6B' and VI girls (?)williamstown high school, 1960s, student work, art, pen and ink

Notes for a talk - how can we solve the problem of sprawl? We have to find our own answers, not solutions provided by others.Talk notesHandwritten (pen), quarto, 1 (folded, part of a page) pageMiss. Swinchatt' written in pencil on back of folded pagevon hertzen, reston, elliston, prefabrication, le corbusier, sprawl, robin boyd, manuscript

Photographs relate to the Poultry Farms that existed in Nunawading and Forest Hill in the1950s and 1960s. Photos taken in 1961-62. Poultry farmers included Messrs Boyce, Gallos, Foote,Grimsley, Greenwood and Dudley|Slides scanned as a 'tiff' at 300dpi to CD Rom and cleaned and adjusted by Ted Arrowsmith.View of Eckermann's Poultry Farm. The pens from the top of the woodshed.eckermann's, eckermann frank, poultry farms, nunawading, greenwood, forest hill, canterbury road, mount pleasant road nunawading, boyles, white, bruer's

Photograph of a framed pen and water colour painting of a scene in Italy.william gribble, bill gribble, perugia, italy, artwork, watercolour

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between 1983 and.2006. Each work is signed and dated by the artist. The series of drawings in the Picken Collection are invaluable assets for identifying architectural features and styles. The year in which the drawing was created is also a valuable record for house historians, as a number of the properties depicted have either been altered since that date or demolished.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film by Margaret Picken.4 bright street -- kew (vic.), californian bungalows, margaret picken, bright street, woodards -- kew (vic), property illustrations

Pastel and felt pen drawing of a male head with two bees. Signed (L.r) 'Percival' and (L.l) 'For Cliffe '85'john perceval, drawing, male head, bee, clifton pugh

Murray WALKER (1937- ) Born Ballarat, Victoria Described as one of Melbourne's Figurative Expressionists Murray Walker educated at the Ballarat Technical Art School (a division of the Ballarat School of Mines) in 1952 and 1953, followed by the National Gallery School and RMIT Art school, Melbourne between 1858 and 1859. He studied at the Slade School of Fine Art (London) from 1960 to 1962, with a Summer School at the Academia della Belle Arti, Perugia, Italy in 1961. Myth, narrative and people form an important place in the work of Murray Walker, and he has worked in many mediums including printmaking, painting, collage, assemblage, ceramics and tapestry design. Humour and storytelling are a feature of his work Figurative ExpressionismGift of Dr Graeme Williams OAMFramed hand coloured pen drawing of a number of life modelsavailable, alumni, life models, nude, life drawing

Black and white photograph. Poultry pens with 2 hens visible.One of a group of photographs inscribed, "Xmas break-up December 1941." 1941, poultry pens, egg-laying competition, poultry

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. This item is unique, handmade and has a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A map hand drawn in black pen on thick beige paper. map, subdivison, development, wodonga, local history, hamilton-smith, hamilton-smith collection

Ian PAGE Ian Page was an Art Lecturer at the Ballarat Teachers' College, and the Ballarat College of Advanced Education. Both are predecessor institutions of Federation University Australia. Ian Page presented John Mildren with this portrait, they had work together at Ballarat College of Advanced Education. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Black and white pen and ink self portrait of Ian PageIan D. Page, 77available, ian page, self portrait, staff member

Brown and Silver Biro with White Printing. Retractable pen with clipD. J. Fanning, Esso Agent, Charlton. BICbiro, d.j. fanning, esso agent, charlton

These items are typical of the ink wells used in the first half of the 20th century in a home or business. The use of ink wells was superseded by the introduction of fountain pens and ball point pens . These items have no known provenance but are retained for display purposes..1 A round ceramic ink well It is coloured brown and there is some damage on the side. .2 A round, brown ceramic ink well with a little ridged top.There is some damage on the base.ink wells, vintage house hold and business items

A Legacy ceremony at the Shrine of Remembrance. One of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to ANZAC Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. It is a photo of the children with floral wreaths on the steps of the Shrine in 1970. Item was in an envelope with other photos and programmes from different School Student ceremonies. Labelled S15 in red pen it was part of an old archive numbering system, that showed there has been efforts in the past to collect, order and save items of Legacy's history.A record of a ceremony for school students at the Shrine.Black and white photo of an Anzac Commemoration Ceremony for students at the Shrine in 1970.Photo is stamped with the Copyright of the Herald and Weekly Times in light blue ink. Stamped "The Property of Legacy' in purple ink. Date '24-4-70' written in blue pen. anzac commemoration for students, wreath laying ceremony

This item has come from the business of J.P.McMeekin of Warrnambool. It would have been sold or given to clients of the business for promotion purposes. The father of James McMeekin, with his brother, William, established their business in Warrnambool in the early 1880s with land, estate and insurance agencies and a produce store, including a dairy produce trade exporting butter to South Australia, South Africa and England. The business was initially in Fairy Street Warrnambool and then moved to Kepler Street. James McMeekin’s son, also James Parker McMeekin (1885-1935) continued on with the business until his death.His pen is of interest as an example of the type of promotion item issued by business men in Warrnambool in the 1930s. This is a pen with a brown-coloured wooden body tapering to a point at its end. It has a metal band at the other end with a metal nib inserted. The end of the pen is slightly broken and the nib is rusted. J.P.McMeekin Produce Merchant Warrnambool Phone 263j.p.mcmeekin, history of warrnambool

Produced and distributed during commemoration of Centenary of St John's Catholic Church MitchamBlue and black ink biro pen with plastic steel ball point and top with steel pocket clip and steel trim. The barrel of the pen has a printed dull gold logo and text.Logo: oval logo 'SJM/ with faith and love'|'1888 - 1988 / St John's Mitcham Centenary'|End of barrel: 'Made in USA'domestic items, writing equipment

This oil painting is in a handmade, carved frame, dates back to the period of the old Warrnambool Museum and Art Gallery. The two-masted, sail-and-steam-powered ship has the sails and bow shape of a tall clipper ship plus the extra power of steam. It dates to the transition between the clipper ships with their billowing sails and the steam-powered ships, which happened in the late 19th to early 20th century. The flag flown from the stern is that of the British Merchant Navy that traded around the world to transport cargo, and later passengers, from one destination to another. The painting was originally catalogued as the "S.S. Warrnambool" although it has a different design. It was also attributed to the ship portrait painter, the renowned C.K.M. - Charles Keith Miller - but differs from his style. Further research is being carried out at this time. In 1966, between the closure of the old Warrnambool Museum and Art Gallery and the distribution of the painting to Flagstaff Hill, this painting was repaired by David Heysen, son of the German-born artist Hans Heysen OBE. David was born in Hahndorf (called Ambleside for a short period of time), South Australia, married Lyly Refshauge from Melbourne, and they raised a family on their property in Kalangadoo, near Penola, in South Australia.The painting's frame is an example of handmade carving and joinery created in the late 19th century. The artist has depicted the image of a historical sail-and-steam ship of the type in which cargo was traded across the world, including to and from Australia. Vessels such as this also brought migrants to Australia.Painting, oil on board, in hand carved wooden frame with floral and geometric pattern, inner border painted gold. Image of a two-masted sail and steam ship, sails raised, black funnel emitting smoke. Hull is black with white horizontal stripe and white trim around sides of deck. Three lifeboats are visible. Bow is ‘clipper shape’ with what appears to be a figurehead. A red ensign flag flies at the stern and a blue and red flag is attached to the mainmast. The frame has been assembled using Mortice and Tenon joints, one of which is exposed on the back, lower right corner. Chandelier chain has been attached for hanging. There is no visible signature, date or title on the front of the painting. The back board has empty holes spaced around the edge and is held in place by staples. The visible surface has remnants of adhesive from two rectangular attachment s. There are two small white stickers attached, one with a hand written inscription. There are pencil and pen inscriptions. The painting is protected by cardboard with inscriptions in marking pen.On back board, written in the style used by the Warrnambool Museum and Art Gallery: - On white sticker, in pen “A-P31/1-74” - Pencil “A27/1883 / Artist CKM 1883 / Title SS Warrnambool / oil on board” Written in pen by the repairer - “Repaired & re-drilled – cleaned etc. / David Heysen 11/66” Written by Flagstaff Hill’s Cataloguer - Pencil “3031” On cardboard wrapper, in marking pen: - “S.S. Warrnambool / by / C.K.M. 1883” - “A-P/31/1-74” - “3031”flagstaff hill, warrnambool, shipwrecked coast, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, s s warrnambool, charles keith miller, charles miller, steam and sail ship, british merchant navy, slipper shaped bow, 19th century sea trade, warrnambool museum and art gallery, old warrnambool art gallery, hand carved picture frame, mortice and tennon picture frame, migrants, c.k.m.

A document written in 1976 by Legatee Frank Meldrum containing his account of the start of Legacy. He was responding to a request for information about the history of Legacy that the archive committee was collating. He mentions several key members by name and what they achieved. As with other similar accounts he mentions the original objective was to see diggers placed in employment. When two years later the focus changed to the families 'thanks to Frank Doolan Legacy found its SOUL'. Many other accounts have also used the term 'soul' when referring to Frank's suggestion. It seems many Legatees had been quietly helping families of their comrades; Frank 'said he was helping a widow with two children of an old army mate. It was discovered that several of the Board were doing the same. Stan Savige had taken over the care of his widowed sister and her two boys, whose father had died at Passchendale. I had a widow with two little ones whose father was one of my best mates at Anzac. He died of flu virus after returning to Australia. I think eleven members of the Board or Committees were already giving similar service. Frank's proposal caught on immediately. Legacy had found its Soul!' 'Harold Peters started his Lit and Debating Class and I was asked by Stan to find a PT instructor', Frank Meldrum asked for the 'Billy' Williams to helped, and a cobber from Anzac, Louis Vavjanezki, to take on boxing and wrestling classes. 'All committees carried their own expenses amongst themselves - nothing was charged to JLC. Hugh Brain started the Education Committee and was given a donation, I think of $1000 (a heck of a lot in those days) by the Ballieu Bros.' He also mentions 'For the first 5-10 years practically all administrative costs were borne by the members.' 'Stan Savige was, of course a tremendous driving force in all the work for the Juniors. He put on a Christmas Camp at Balnarring on his own property and was Camp Commandant and Camp Cook.' Legatee Keith Mitchell helped Frank Meldrum in doing a dental examination of all children in the classes and then Frank did the necessary treatments in his rooms. When it was known they were treating over 400 children and their mums, Syd Birrell then got the board to co-opt two more dentists into the Club and form a Dental Clinic. Syd Birrell also started a Legal Committee to provide free legal advice. 'Committees quietly vied with each other to give better services to the Juniors and their mums. It was an atmosphere that was unbelievably happy - SERVCE WITHOUT SELF'. He mentions picnics, including one at Grimwade house - photos are at 01382 - where legatees were dressed up. The first demonstration was held in the 'Playhouse, just over Princes Bridge and was a great success.' Aaron Beattie and Mrs Gilles were mentioned. The notation H33 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. A summary of the first fifty years of Legacy written by a key founding member.White foolscap paper with black type x 6 pages of Frank Meldrum's account of Legacy's history dated 6 March 1976.Handwritten H33 in red pen and 'from Meldrum' in blue pen on first page. Stamped 'COPY ONLY' in purple ink.history, founding legatee, frank meldrum