Sample of trolley wire taken from overhead (South wire ear 10B) which has worn end and then suffered a fractured or break (North end), during replacement operation. Item noted as fractured when ear was disconnected from hanger. Finally fractured or parted at time of lowering wire to the ground. Images added 3-12-2016ballarat, overhead, fittings, trolley wire

68 page book (including covers), timetable for Hobart - airlines, ferry, trams, buses, mail, Trains with various advertisers, known as 'Moore's Guide' - revised edition, price 3d. Blue grey car cover, off white paper and single staple. Record reviewed and scanned images of cover and sample page added 5/9/13.trams, tramways, hobart, timetables

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. The Christmas Bells pattern suggests usage as a Christmas decoration.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects around the home such as curtains and mantlepieces.Length of handmade crochet lace. Mercerised white crochet thread has been used to crochet a repeat pattern consisting of three rows: a decorative top row, a middle section of diamond shapes and a bottom row of Christmas bells.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. It may have been used to edge curtains, a table runner or a mantlepiece. The Christmas Bells pattern suggests usage as a Christmas decoration.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects around the home such as curtains and mantlepieces.Length of handmade crochet lace. Mercerised white crochet thread has been used to crochet a repeat pattern consisting of four rows: a decorative top row, a second row composed of diamond shapes, a repeat of the decorative top row and finally a row of Christmas bells to complete the pattern.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim

The word Pasquin refers to writings that are satirical. The Bendigo Pasquin relied heavily on advertising but this was not enough to keep it afloat. It had ceased its weekly publication by 1865. From the date and edition number on this sample it appears that it began publishing c. mid 1860.Advertising flyer, single page, paper, black & whiteadvertising, pasquin, february12, 1862

A collection of six patient slides collected by Sir Peter MacCallum. The tissue samples within the slides have been hand stained and labelled to identify various cell types under a light microscope likely related to Sir Peter's work in pathology. Case Marked with P.MacCallum. Slides mark R.G.H. Heidelberg each with individual dates and codesscience, pathology, hisotry, medicine, research

The Ballarat School of Mines undertook assay analysis in their model mine. Gray paper telegraph with 'Commonwealth of Australia Postmaster-General's Department, Victoria, mast. The telegram is from Norseman to the Ballarat School of Mines asking for progress on assay.Typed "28 3/_RP Southern Cross School of Mines Ballarat Informed about year eighteen hundred ninetysix January of february Darold bucknall sent from Norseman sample Cinebar for assay have you record anxious reply Paid" Harvey 10 20 I 21ballarat school of mines, bucknall, norseman, southern cross, assay, mining, mining companies

Public Works Street Maintenance, Gellibrand Street, Kew, Company supplied photograph of root clearance from drains. Inscribed above photo: "Cable winch setup with 'snatch block' in manhole. Sample of roots removed on spoil. Gellibrand St. 24.4.70." Company information: "General Descaling / Company / 1st Floor 66-68 Albert Road/ South Melbourne 3205 Victoria / Telephone 699 1455 / 699 1635."general descaling, drains, gellibrand street (kew)

The sample of crochet lace is an example of a handmade item that would have been used to decorative purpose around the home. Being a shorter length it may have edged towels or found use as a collar however no tie or buttons have been attached at the ends.The item is significant socially to show the use of textile crafts, such as handmade crocheted lace, to decorate regular domestic objects or create pieces of clothing.A strip of handmade crochet lace with a pointed edge. Mercerised white crochet thread has been used to crochet a lace pattern consisting of small open weave areas reflecting the pointed shape of the lace and a larger, open, zig zag and line pattern. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lace, handmade lace, crocheted lace, decorative edging, decorative lace edging, domestic object, crocheted trim, ladies collar, crocheted collar

Like many schools across Australia, our VCE Year 12 students as a rite of passage come dressed up in fancy dress on the last day of regular classes. These photos are just a sample from the 2012 Muck Up Day at Galen in 2012.galen catholic college, galen college, vce, muck up, year 12, fancy dress, 2012

Knife used to puncture and retrieve wool samples from within bales. Knife was used by Maurice Dalton, who was foreman of the show floor at Dennys Lascelles (bow truss building) until his retirement after 34 years with the company (1941-1977).Wood handle with metal protruding from both the top and bottom of handle. Bottom of handle may be a 'rooster’s tale' as is common in a Farrier's knife (It is possible this knife was originally a Farrier's knife before being repurposed). Top of the knife is approximately half the size of the handle with a sharped edge which has dulled over time.

An example of a Junior Legacy Club Badge that was stitched onto clothes. It appears to be a manufacturers sample. Junior Legatees would have had badges like this on their outfits for the classes held by Melbourne Legacy for many years. Outfits were provided for the children by Melbourne Legacy.An example of the cloth badge worn by Junior Legacy Club members.Cloth badge of the Legacy torch stitched on blue fabric containing the words Junior Legacy - Leader.Embroidered with 'Junior Legacy - Leader'junior legatee, boys' classes, girls' classes, jlc

Issued as a uniform item post WWII until the late 1980s. It was also used parade dress until its replacement of a newly designed uniform made of polyester. This particular sample belonged to CPL K. Howe 3144504 whist in the Army Reserves 1982 to 2005The khaki battledress was standard uniform issued post world war two and used until the introduction of the polyester uniform in the late 1980s. This uniform belonged to CPL K. Howe, the donor providing good provenance. In conjunction with other items of militaria donated by the Howe family. Item can be to tell a story of multi generations of military service of the Howe familySingle breasted hip-height jacket in khaki fabric, fastened with five buttons down the centre of the chest. Two pleated breast pockets with triangular flaps fastened with two buttons. All buttons plastic and khaki green in colour. Jacket is fastened around the hips with a belt, attached on left hand side and buckled in a rectangular metal buckle on right hand side. Both left and right sleeves bear two patches, a double chevron and red rectangular patch rounded to follow the seam of the shoulder, with embroidered text. Navy lanyard looped around right shoulder, held in place by epaulet and tucked into right side pocket. Red patch reads "ROYAL AUSTRALIAN ENGINEERS" Internal left chest label reads "A.G.C.F./VIC. 1981/[broad arrow symbol]/6405.66.025.6408/SIZE OF CHEST/SIZE 99-102R/MACQUARIE 80/BATCH J/DRY CLEAN ONLY/CREASE UPPER/HALF OF/LAPELS ONLY/No. 3144504 [handwritten]/NAME/CPL K. HOWE [handwritten]"jacket, battledress jacket, battledress jacket khaki, royal engineers

This microscope was made in the mid 1960s as an introductory microscope for students. As indicated by the brand plate on the front, it could be set to 3 different magnification settings of 75x, 300x or 600x. When originally produced these microscopes came as part of a kit including microscope slides and testing samples.This item is representative of a range of scientific tools available to engage young people in scientific discovery in the 1960s.Small green and silver metal microscope with adjustable focus dial. It includes a mirror and clamp arms to hold slides and plastic knobs to adjust focus.On metal plate: "tasco/ 75x - 300x - 600x/ 600x/ REG-NO-GE 6'00" Underneath rubber base:"PAT. PEND. NO. 026004/ JAPANtasco, student microscope, microscope

The photo is taken at the home of Jim and Leah Kandiliotis in 1996 during the preparations for an Ithacan New Years Eve barbeque function. The tables are set up for the guests and Jim Kandiliotis is carving the meat with help from Nick Lourantos and Stathi Raftopoulos looks to be sampling the fare.Cooking meat on a spit is popular fare in Greek celebrations. A coloured photograph of three men cooking a side of lamb on a spit which is on a patio.

This is a typical exercise book used by students throughout the 20th century. Students often had a book for each subject . This one has samples. The work is written in fountain pen and contains examples of handwriting , arithmetic, spelling and English. Jack French was from the Panmure district.This exercise book is a good example of school work from the 1930's. It provides an insight into the type of work undertaken on a daily basis by students.Dark brown and navy blue marbled pattern exercise book with cream label inset on the front cover and lightly stained pink above the label . Back cover is patterned all over.The pages contain school exercises in various subjects. Jack French Work Book.The Latrobe Exercise Book. Some of the work is dated 1931. 1930's school book,, jack french, history of warrnambool, panmure

Stapled folder containing handwritten inventory of historic items collected for school fund-raising exhibition.Column headings include name of collector, type of item, and record of payment of 3d/per item entry fee. Sample of exhibit items include personal and household items, geological specimens, weaponry, and taxidermry. (Prizes for oldest exhibit and most unusual or most original exhibit categories advertised but results not recorded.)

This small piece of wood was cut from a rib of the wreck of the Enterprise in c1885 by Mr John Flett (1869 – 1944), whilst it was lying on the beach in Lady Bay, Warrnambool. Mr Flett was about 16 years old at the time and used the wood (with other pieces from the wreck) to make a picture frame. A newspaper report published in the Gippsland Gazette on Tuesday 16th July 1912 titled "An Interesting Relic" describes a picture frame being displayed in Mr. Flett's shop in Warragul which was of interest as it had been made from wood taken from the wreck of the Enterprise when it was lying on the beach at Lady Bay, Warrnambool. This was still in his possession in the 1930’s when Mr. Flett presented the small sample of wood to Mr. Henri Worland of the Warrnambool Museum and Art Gallery - along with a signed letter of ownership. A transcription of the letter is as follows - “Kalos” 12 Yendon Road Glen Huntly S.E.9 Dear Mr Warland, I am enclosing herewith a small piece of timber which, about 50 years ago, I cut from a rib of the old wreck which at that time was well known as the old “Enterprise”. I am prepared to sign a sworn statement that this is a piece of that wreck and has never been out of my possession since I cut it from the wreck. Since returning to the city I visited the museum and inspected the walking stick and small model of a boat, presented I think, by Mr Richie. I notice the different grain of the timber and would suggest that they are not Blue Gum, and the piece I am enclosing is definitely of that Tasmanian timber. Of course there may have been other imported timbers used and only the frame of the vessel made of the Blue Gum; I am not suggesting an error on the part of Mr Richie, who evidently knew the old wreck [in an?] earlier date than I did. The piece I am enclosing was incorporated in an old picture frame which I made 50 years ago, and although not used for many years has always been in my possession. With kind regards Yours faithfully J Flett (signature) P.S. I have other small pieces in a small photo frame which I may let you see some day, but not just now. Mr R. Christian will recognise the other frame when he sees it, as we were working together when it was made. J.F. There were several branches of Fletts living in Warrnambool in the mid to late 1800’s. They were all related and had emigrated from Stromness in the Orkney islands – arriving mostly in the 1850’s on different ships. John Flett’s mother was Jessie Isbister who arrived in Australia in 1852 with her family on board the Ticonderoga. Over 168 passengers died on the voyage including two of Jessie’s sisters and one of her brothers. Mrs Jessie Flett's obituary (titled "An Old Colonist") which appeared in the West Gippsland Gazette on Tuesday 8th September 1914 describes her early connections to Warnambool and the Ticonderoga. John Flett moved from Warrnambool to Birchip, Warragul and later went to Melbourne where he worked for the YMCA. During WW1, he worked at the Caulfield Military Hospital and volunteered for active service with the YMCA in France -caring for the welfare of the soldiers. After the war, he continued to work with the YMCA in a secretarial capacity. THE ENTERPRISE 1847-1850 The wooden, two-masted schooner Enterprise was built in New Zealand in 1847 and registered in Melbourne, Australia. The Enterprise carried a cargo of agricultural produce and other commodities for trade between the ports of the Colony. On September 14, 1850, the Enterprise was at anchor in Lady Bay under its Master, James Gardiner Caughtt, loaded with a cargo of wheat and potatoes. A strong south-easterly wind caused the vessel to drag on its only anchor and the rudder was lost. The gale force wind blew it sideways and it became grounded. A local aboriginal, Buckawall, braved the rough sea to take a line from the shore to the Enterprise. All five members of the crew were able to make it safely to land. The Enterprise was totally wrecked. The Enterprise wreck was in an area called Tramway Jetty in Lady Bay. Since then the area became the location of the Lady Bay Hotel and now, in 2019, it is in the grounds of the Deep Blue Apartments. In fact, with the constantly changing coastline through built-up sand, the wreck site is now apparently under the No 2 Caravan Park in Pertobe Road, perhaps 150 metres from the high tide. Its location was found by Ian McKiggan (leader of the various searches in the 1980s for the legendary Mahogany Ship). DIFFERENTIATING the New Zealand Schooner “Enterprise” from John Fawkner’s “Enterprize“ Dr. Murray Johns, Melbourne, says in his article The Mahogany Ship Story “… In fact, as I documented in 1985, the Warrnambool wreck was of an entirely different ship, also called Enterprize [with the spelling ‘Enterprise’], but built in New Zealand in 1847. Fawkner’s ship had already been sold to a Captain Sullivan in 1845 and was wrecked on the Richmond Pier in northern New South Wales early in 1847. “ - (further details are in NOTES: and FHMV documents) Mr Flett had assumed the timber was Tasmanian Gum as he thought it had come from the Enterprise which had been owned by Mr Fawkner and built in Tasmania but we now know the ship was built in New Zealand and the timber was most probably New Zealand Rimu.This piece of wood is significant for its association with the wreck of the schooner Enterprise, now on the Victorian Heritage List VHR S238, being a New Zealand built but Australian owned coastal trader. The wreck is also significant, by connection with the Enterprise, for its association with indigenous hero Buckawall who saved the lives of the five crew on board. The original owner of the wood (Mr John Flett) is significant as a member of one of Warrnambool’s pioneering families, which has contributed to the growth of the community in several ways over the years, living and working in the area.Small square piece of brown wood with a handwritten inscription on the back. The front is polished with a prominent grain and a shallow indentation along two sides. The back has the words "FLETT" and "ENTERPRISE" written in ink with a line separating them. The back is rough and has two indentations - possibly from a nail or tack. The wood sample is accompanied by a letter. Handwritten letter (two pages) of authenticity by Mr. John Flett to Mr. Worland (Manager of the Warrnambool Museum and Art Gallery). Transcribed below"FLETT" and "ENTERPRISE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, carpentry, enterprise, lady bay warrnambool, schooner enterprise, wreck of the enterprise 1850, buckawall, shipwreck relic, john flett, warrnambool museum and art gallery, flett relic, letter, flett letter, ticonderoga, henri worland

Book was given to Mr Robert 'Bob' Edward Mitchell in 1938. Mr Mitchell trained as a wool classer in the 1930's and was awarded this book as the senior prize. Mr. Mitchell grew up on the Moorabinda sheep property and is on the honour roll as a past student who served in World War II from Wharparilla West State School.Large black bound book containing 12 double-sided pages, each with several wool samples mounted to a blue paper with the name of sheep breed which the wool came from. Each page also has a loose sheet of wax paper over the wool. Book can be closed and secured with a length of black material which can be tied up.

Miscellaneous colour and black and white photographs of the Nursery extended into the Random Sample Laying area in 1980 with donations from Eden Glasshouses and I.C.I. . (1) Potting palm trees. (2) Nursery seen from entrance drive. Ref No. 1981(914-24). (3,4) Potted palm 01.08.1984 (Chamaedorea elegans Parlour Palm.) (5,6) Nursery equipment "2/85."nursery, random sample laying, eden glasshouses, potting, palm trees, i.c.i., nursery equipment, chamaedorea elegans, parlour palm

The Victorian Railways continued to operate a bus service along the former Black Rock - Sandringham line, long after the tram line closed. This set of tickets represents samples of Edmondson-style tickets sold at stations for use on the bus. 1 - Middle Brighton to Cnr of Bluff Road & Royal Ave - first class - joint rail and tram tickets - No. 0128 - dated stamped 15 June 1971 (this ticket was purchased by the donor as a sample at the time) 2 - Weekly ticket - Black Rock and Elsternwick - issued at Sandrinham - No. 0809 3 - Single ticket - 4 sections - Pacific Boulevard - No. 05208 4 - Return ticket - 2 sections - day return - Pacific Boulevard - No, 00826 Demonstrates a railway ticketting system that was used on buses and railwaysSet of 4 Edmondson style railway tickets.railways, tickets, weekly tickets, buses, victorian railways, sandringham, sandringham to black rock, pacific boulevard

Sample form titled "6 monthly sixty save concession card" - to enable a holder to purchase concession tickets on The Met and off peak tickets on services provided by the State Transport Authority. See conditions on rear. Has space for a photograph. Would have been laminated.Demonstrates a concession card authorisation form.form - printed on safety paper with red stripe along lower edge. Stamped Cancelled.tickets, the met, sta, concession card, concession fares

Notebook - 54 double sided ruled page notebook, blue horizontal lines and red vertical lines - ruled for a financial notebook. Black gloss covers, sewn in single block, light orange inside covers. About 22 pages of notes or questions that a trainee tram driver would have to know to pass an examination, notes on takings on a tram on Friday 3 October?, 24 pages of notes on lathes and machining, and about 66 pages of notes on Ballarat tram timetables, drivers notes, run details and instructions including a calendar for the period March to December. Matches the calendar for 1909. Date on a page, noting a special notice issued on Friday May 14, 1909. Images - 1 of book 2 - of a page of notes on driving a tram 3 - sample instructions for driver and conductors and the colour of the destination of trams at night 4 - sample timetable.trams, tramways, notebooks, driver training, machines, timetables, esco

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).The tiebacks complete with tassels are historically significant for being associated ensuite with DAD-035-0001, the suite of curtains. The tassels have aesthetic significance as beautiful and intricate pieces of late 19thC interior decoration.6 parts of a total of 3 pairs of curtain tiebacks. Each pair comprises a length of plain gold silk cable cord plus a second, equal length with a magnificent tassel in the middle; the two pieces would loop around the lower-middle length of each curtain, pulling it open in a graceful drape. One pair is slightly shorter than the other two. The tie backs are made of floss (soft, shiny) silk cord, composed of two thick strands twisted together into a cable cord. Three lengths have an elaborate tassel attached to the middle of each cord, to weight the tieback in an elegant loop, with the loose ends attached to hooks or pins on the window frame. Each tassel is formed on a turned wooden core, wrapped with floss silk thread; further decorated with knotted netting, applied braid, and 16 glass beads. The big end of the mould forms a large, flattened shape, from which hangs a ring of long bullion fringe. Today this looks tarnished-silver (nearly black), colour, but as shown by the card of detached lengths of bullion fringe (DAD-035-0005), the untarnished colour would have been bright gold. Part of a group of 7 curtains with associated furnishings which includes a curtain with original fittings, fringe and braid unpicked from other curtains, and these 6 curtain tie backs. The six curtain tie backs are identical, though one pair is shorter. These curtain decorations are truly luxurious; the original suite of curtains would have been very expensive, an eloquent item of conspicuous consumption of luxury goods.Attached handwritten note : "VA Th. 7/6/2012 Ric Freeman 0419875707 (Nat Trust member) & Julie Freeman 0419875706 / re soft furnishings, tassels, trimmings, braid set / Jessie, Terry (and Chris St) to view, collect". The phone numbers were tried in October 2024, and though picked up, the contacts did not want to talk about the curtain donation.interior decoration - history, curtain accessories, tassels

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Sections of a dado featuring a vertical design of roses and bows within bordered narrow panels. The colourway includes shades of pink for the roses, green for the leaves, and brown for the bows, against a solid yellow background. The white of the backing paper is used within the design to create an illusion of depth in the pattern.decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Arthur Bond & Co. (wallpaper shop Melbourne) reproduction of 1850s/1860s French design. Manufactured in the 1970s in France (presumably on behalf of Arthur Bond & Co). "Manuela" design. 2 rolls, lustre brown. "3017" written on back of rolls.Verso: "3017"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Janeway & Carpender border frieze. c.1910-1920. Fleur de lis pattern in burgundy fading to gold "Janeway & Carpender New Brunswick (…illegible…) & Chicago no.2144" written on back.decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Traditional flock wallpaper. 1970s reproduction of 17th or 18th Century design. Damask pattern.Verso: "67547 D3 p [in blue]decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Christopher Dresser designed wallpaper. Important example of original design. This is an off-cut from the wallpaper used in the hallway of the historic house Raheen in Kew. Paper is a floral pattern, with gold, green, blue, brown and yellow colours. Two rolls.Verso: "3017"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Christopher Dresser designed dado wallpaper. Important example of original design. This is an off-cut from the wallpaper used in the hallway of the historic house Raheen in Kew. Paper is a floral and symetric pattern, with burgundy, blue, green and gold colours. Three rolls.decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history