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Marysville & District Historical Society
Photograph (Item) - Colour photograph, 1992
A colour photograph of the front pergola at the entrance to Arbor Green Galleries in Marysville. This cottage, along with most of the buildings in the township, was destroyed in the 2009 Black Saturday bushfires.A colour photograph of the front pergola at the entrance to Arbor Green Galleries in Marysville.1 Falls Rd M'sville./ Arbor Green Galleries & Cottage.marysville, victoria, australia, photograph, accommodation, arbor green cottage, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of the sitting room in the cottage at Arbor Green Galleries and Cottage. This cottage, along with most of the buildings in the township, was destroyed in the 2009 Black Saturday bushfires.A colour photograph of the sitting room in the cottage at Arbor Green Galleries and Cottage.1 Falls Rd. M'sville./ Cottage Sitting Room.marysville, victoria, australia, photograph, accommodation, arbor green cottage, 2009 black saturday bushfires -
The Beechworth Burke Museum
Photograph - Photograph - Reproduction, c1920
This photograph depicts mining operations (in particular, hydrolic sluicing) at Three Mile Mine, Barramutha, during the later periods of mining, 1920s-1950s. Three Mile Mine was a major site of mining activity sating back to the 1850s, although was often not as prosperous as other sites such as those situated on the Woolshed Valley. Many miners would leave Three Mile Mine for better prospects on other claims. The main, most successful 'rush' at Three Mile Mine occurred during and immediately following September 1855. This photograph, however, depicts a much later period.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray a miner at a sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image, and its related images, it important for its historical significant of labour and mining extraction used for gold during the latter gold rushes in the 1900s. The Beechworth Burke Museum has additional images relating to gold mining in the region which can be analysed and studied alongside images like this one.A black and white rectangular photograph printed on matte photographic paperreverse: 7597.4 / copied from original on loan from Webb (Qld) / Donated Nov 2009 / Baarmutha Three Mile Mine 1920-1950 / Owned by Plain Bros then Parkinsons / John Weir or Jack Cox / Sluicing /mining, barramutha, three mile mine, sluicing, mine, beechworth -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Image from a magazine of the interior of the Chapel of Our Lady of Fatima, Brasilia, Brazil. 1958. The interior paintings are different, shape of interior the same. Initially the interior was covered by an abstract mural painting by Alfredo Volpi. In 2009, new paintings of Francisco Galeno were made as shown in the link. (Architect: Oscar Niemeyer.)slide, robin boyd -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Peter Duckett, 1940's
Yields information about the appearance of Geelong's Scrubber / track cleaning tram, c1930, early 1940's.Black and White Photograph of Geelong No. 15, Birney tram, showing "Eastern Beach" as the destination and a "Pay as You Enter" sign. Photo taken during the 1940's, before the tram went to Bendigo. Peter Duckett Collection. Dave O'Neil confirmed June 30/2009, tram is at the Chilwell terminus, the house in the view still remains. SeeOn rear, stamped in black ink "Photo supplied from P.W. Duckett Collection, All Rights Reserved, 69 Howitt Rd. Nth Caulfield 3161."trams, tramways, geelong, birney, chilwell, tram 15 -
Stawell Historical Society Inc
Photograph, Main Street Stawell looking East towards the Post Office
This photograph is of Main Street Stawell looking East around c 1920's. The photo was taken from just below Main & Wimmera Street corner. On the left side is the two story Post Office building. The photograph shows the telegraph poles in the street. Also Copley Post Office Hotel 1912- 22 and other business. On the road are a few people one pushing a trolly, one on a bike and two people in a horse drawn cart. Gustav Mahnke's Bakery is on right.Two Black & White photographs depicting the main street in Stawell's commercial business area in c 1920's. The view shows some two story buildings, shops with verandah's. One horse drawn vehicle, a person on a bike and a few people in the street. There is also a paper print of the photograph donated by Robyn Mackenzie Bacchus Marsh in 2009 The Rose series, P 1639 Main Street, Stawell, Victoriastawell business shops streetscape -
Bendigo Historical Society Inc.
Photograph - COLIBAN CHANNEL
Colour photo. Image shows channel to Castlemaine and tunnel, just after leaving Coiliban main Channel. 'Tracking the Coliban Main Channel' Bendigo Historical Society Inc., excursion 5th. December, 2009, organised by Phil Wilkin, member. John Kelly and Ray Smith in image., others unknown. Concrete lined channel, with tunnel in background.cottage, miners, coliban, channel, castlemaine, tunnel -
Melbourne Tram Museum
Pamphlet, Yarra Trams, "Think Like a Passenger - The Yarra Trams brand guide", Nov. 2009-2010
.1 - Book - 28 page full colour book, centre stapled, with cut out on the front page, with Yarra Trams logo, titled "Think Like a Passenger - The Yarra Trams brand guide". Provides many photos of Melbourne, leaves, trams, (B 2026 ) brandmarks, fleet upgrade, tram livery proposals and contact details. .2 - Pamphlet - DL size, 3 fold printed in full colour on white gloss paper, titled "Think Like a Passenger - your new look Yarra Trams", provides information on KDR's approach, brand and tram refresh, and information from Keolis Downer EDI rail and a message from Yarra Tram's CEO Michel Masson. Has KDR and Yarra Trams logos. Two copies held. Yarra Trams (KDR) took over from the Transdev franchise in Nov. 2009.trams, tramways, yarra trams, kdr, livery, logos, tramcars, information, tram 2026 -
Emerging Writers' Festival
Book, The Reader - Volume Two
The Reader brings together ideas and insights into the craft, philosophy and politics of being a writer. It’s about writing and everything that comes with that: editing and publishing, motivation and distraction, the missed opportunities and the poetics of failure. With articles, essays, poems, fiction and artworks, The Reader blurs the lines between the creative and the critical, ultimately asking, what is it to be a writer? The book was published in 2010 and edited by Aden RolfeThe second volume of The Reader, this book has a blue cover depicting a drawn writer at work in the only light room of a building.emerging writers' festival, 2009, literary programming, the wheeler centre, the reader, books, aden rolfe, 2010, -
Emerging Writers' Festival
Book, The Emerging Writer
The Emerging Writer is an insider’s guide full of valuable advice from fellow travellers – a resource you can keep within arm’s length, for when you need to consult that map again to help you find your way. The book was published in 2012 and edited by Karen Pickering.A blue, yellow and black book with an image of a fanciful hot air balloon on the cover.emerging writers' festival, 2009, literary programming, the wheeler centre, the emerging writer, books, karen pickering, 2012, -
Greensborough Historical Society
Book, Larkin Printers et al, A Shrine on the mountain: the story of St. Peter's Memorial Church Kinglake, 2016_07
St Peter's Memorial Church Kinglake was destroyed in the 2009 bushfires and rebuilt and re-consecrated in 2014. The author, Jillian Durance, is a grand daughter of Charles and Ivy Partington.160 p., illus. (some col.) paperback."To the Greensborough Historical Society, best wishes - Jillian Durance 2017"st peters memorial church kinglake, bushfire, kinglake -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Grave of Wilfred (Ted) and Rita Wieland, St Helena Cemetery, 28/07/2003
The Grave of Wilfred (Ted) Wieland (died 28/07/2003) and Rita May Wieland (nee Stewart) (died 15/04/2009), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, wieland family -
The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Print - Artwork- Print, Portrait Private Gregory Michael Sher, 2010
Private Greg Sher was killer in action 4 Jan 2009 in Uruzgan province. Prior to being posted to 1 Commando he was posted to 5/6 RVR.Portrait of former member of 5/6 RVR Large Colour Print Portrait Gregory Michael Sher Limited addition no 63/200 war on terror, support company, 5/6 rvr, greg sher, wark vc club -
Unions Ballarat
Photograph: John Baines, Marg Caddy and Graeme Shearer at Trades Hall Dinner, 26/2/2000
Photograph: John Baines, Marg Caddy and Graeme Shearer at Trades Hall Dinner Graeme Shearer was Secretary of Ballarat Trades Hall for 25 years, retiring in 2009.Photographbtlc, ballarat trades and labor council, ballarat trades hall, baines, john, caddy, mary, shearer, graeme -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, 1986
A colour photograph of the timber worker's cottage that became Arbor Green Cottage in Marysville. This cottage, along with most of the buildings in the township, was destroyed in the 2009 Black Saturday bushfires.A colour photograph of the timber worker's cottage that became Arbor Green Cottage in Marysville.1 Falls Rd M'sville./ Timber workers cottage/ To become Arbor Green Cottage./ Spring 1986.marysville, victoria, australia, photograph, accommodation, arbor green cottage, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of the main building and entrance gate to Arbor Green Galleries in Marysville. This cottage, along with most of the buildings in the township, was destroyed in the 2009 Black Saturday bushfires.A colour photograph of the main building and entrance gate to Arbor Green Galleries in Marysville.Arbor Green Galleries./ 1 Falls Rd M'sville./ Side approach.marysville, victoria, australia, photograph, accommodation, arbor green cottage, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of one of the cottages at Amber View Cottages in Marysville. These cottages, along with most of the buildings within the township, were destroyed in the 2009 Black Saturday bushfires.A colour photograph of one of the cottages at Amber View Cottages in Marysville.amber view cottages, marysville, victoria, australia, accommodation, photograph, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, 1986
A colour photograph of the timber worker's cottage that became Arbor Green Cottage in Marysville. This cottage, along with most of the buildings in the township, was destroyed in the 2009 Black Saturday bushfires.A colour photograph of the timber worker's cottage that became Arbor Green Cottage in Marysville.1 Falls Rd M'sville Spring 1986./ Rear cottage./ To become/ Arbor Green Cottage.marysville, victoria, australia, photograph, accommodation, arbor green cottage, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, 1986
A colour photograph of the timber worker's cottage that became Arbor Green Cottage in Marysville. This cottage, along with most of the buildings in the township, was destroyed in the 2009 Black Saturday bushfires.A colour photograph of the timber worker's cottage that became Arbor Green Cottage in Marysville.1 Falls Rd M'sville./ Spring 1986./ Timber workers cottage/ To bcome Arbor Green Cottagemarysville, victoria, australia, photograph, accommodation, arbor green cottage, 2009 black saturday bushfires -
Marysville & District Historical Society
Photograph (Item) - Colour photograph, Unknown
A colour photograph of the rear of the main building and garden at Arbor Green Galleries in Marysville. This cottage, along with most of the buildings in the township, was destroyed in the 2009 Black Saturday bushfires.A colour photograph of the rear of the main building and garden at Arbor Green Galleries in Marysville.Arbor Green Galleries./ 1 Falls Rd M'sville./ Rear aspectmarysville, victoria, australia, photograph, accommodation, arbor green cottage, 2009 black saturday bushfires -
Greensborough Historical Society
Photograph - Digital Image, Grave of Herbert V. Jennings and Ethel H. Jennings, Greensborough Cemetery, 08/07/1931
Grave of Herbert V. Jennings (died 1931) and Ethel H. Jennings (died1953) in Plot# E2 Greensborough Cemetery. Photograph taken by Noel Withers 30/07/2009.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there. Digital copy of colour photograph of grave/headstone.herbert v jennings, ethel h jennings, greensborough cemetery -
Stratford and District Historical Society
Tramp Art Frame
5/11/2009 recent edition of "Collectors" on ABC TV identified this genre, where silverpaper was placed behind degraded pictures in "craft" frames, as a form of Tramp ArtColoured print George V (1865-1936) and Queen Mary in mosaic frame. Frame has been overlaid with putty, painted gold, with pieces of broken china pressed into putty. Silverpaper has been placed behind degraded areas of paper.craft -
Stanley Athenaeum & Public Room
Work on paper - Darwin's cardboard cut-out, Darwin's Stand-up photo
Purchased to celebrate 150 years since the publication of Charles Darwin's 'Origin of Species' , displayed in exhibition and at the Charles Darwin celebratory dinner 2009. Sent by post from UK.Made of cardboard with lightweight stand at back. Brown and white colouring for photo. Stand at back handmade.starcut outs limited SC104 -
Bialik College
Document (Sub-series) - Documents relating to library redevelopment, 2009/2010
construction, buildings, 2000sconstruction, buildings, 2000s -
Circa Vintage Archive
Atomic 1950s dress, Atomic print cotton day dress 1950s by Julius Pollack, Early 1950s
This dress was featured in the book "Love Vintage", published 2009 by Carter's and has appeared in vintage fashion parades at the "Love Vintage" fair and the 2016 Glen Eira Storytelling Festival. This dress is an example of the "atomic" style printed design that was popular in the '50s and also shows adaptive use by its wearer, to facilitate breast-feeding.Sleeveless day dress with flared, mid-calf length skirt and big style front. Extra deep pockets and black piping trim to ornament. Bib style front features two large buttons and has been adapted for breast-feeding: the front is secured with press studs and the centre front seam underneath has been opened up, secured with a hook and eye. Side metal zipper. Printed cotton in multi-coloured "atomic" style design. Labelled Julius Pollack Original -
Glen Eira Historical Society
Magazine - St Mary The Virgin, Kooyong Road, South Caulfield
Anglican Catholic Church of Australia, November 2009. The journal includes an article in which they mention the two small reliqies that the church owns. Includes a photo with Fr. Graeme Mitchellst mary the virgin, kooyong road., jupiter street, caulfield south, mitchell graeme fr. -
Greensborough Historical Society
Business Card, Billions of beads, 2007c
Former names: Bella's Beauty & Massage, Billions of Beads; In 2019, Imperial Tattoos. Sold history: Aug. 2005 $365,000; Jun 2007 $450,000; Oct. 2009 $455,000Cardboard business card, printed in colour both sidesbillions of beads, main street greensborough -
The Beechworth Burke Museum
Photograph, c1920
This photo shows the large mining cavity with a hydraulic sluicing machine in operation at Baarmutha Three Mile Mine, Beechworth . The Beechworth Mining District was one of six mining districts established by the Governor-in-Council on 4 January 1858 under the provisions of An Act for Amending the Laws Relating to the Goldfields (21 Vic no.32). The District was further divided into seven divisions: Spring Creek, Snake Valley, Three Mile Creek, Buckland, Woolshed, Yackandandah and Omeo. The boundaries of each of these divisions and of the whole district are described in the Governor-in-Council's proclamation printed in the Government Gazette, 5 January 1858, pages 3-5. Hydraulic mining is a form of mining that uses high-pressure jets of water to dislodge rock material or move sediment. In the placer mining of gold or tin, the resulting water-sediment slurry is directed through sluice boxes to remove the gold. It is also used in mining kaolin and coal.This photograph shows the impact the gold rush era had on Australia and the earth.A black and white rectangular photograph printed on photographic paperCopied from original on loan film (WEBB QLD) / Donated 2009 NOV/ Baarmutha Three Mile Mine c1920-1950/ Managed by John Weir Peter Jereen Jack Cox / Owned by Plain Bros then Parkinsons Sluicing.mining, gold fields, beechworth, gold rush, burke museum, photograph, mining cavity, hydraulic mining, hydraulic sluicing, baarmutha -
Federation University Art Collection
Painting - Artwork, Trudi Harley, 'Fallen' by Trudi Harley, 2009
Trudi HARLEY Born Korumburra, Victoria Born in country Victoria Trudi Harley graduated with a Bachelor of Education (Art and Craft) at Victoria College, Burwood. After teaching for 10 years in both Government and Independent schools in Melbourne she worked as a Sales Executive and Art Educator for Cavalier Art Supplies for 16 years. Recently Trudi Harley completed a Bachelor of Arts (Visual Arts) (Honours) with Distinction between 2008 – 2009, and a Master of Arts (Research), Visual Art between 2010 – 2012 at the University of Ballarat (now Federation University). Maintaining an artistic practice while in a business partnership Trudi Harley owns and runs Atelier Art Supplies in Williamstown, Victoria, which is a major supporter of the arts in the western suburbs of Melbourne/ This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artist's Statement: As an artist am continually drawn to ‘what makes us who we are’ and as a result the work, whatever it may be, is a reflection on what makes me who I am. In this I refer to perception, experience and memory as aspects that contribute to our sense of reality. By using these references I intend to engage the audience and develop a sense of connection and community through the visual image. ‘Fallen’ was not necessarily a reflection on my own life but of life in general as I recall at the time I had a family member who was struggling to cope with their own reality. I can also recall at the time reflecting on the adage ‘walk a mile in my shoes’ and the pressures we all face in life. Added to this were my own influences of upbringing, I have always been particularly drawn to fabrics and patterns as my mother was/is (getting a little old now) a seamstress and my father was a bit of a ‘perfectionist’. During my honours study I came across the term ‘Esperpento’ which included such visual elements as exaggeration and unusual viewpoints. Fallen was a comment on the psychology associated with expectations in life, or more importantly those expectations placed on offspring by their parents. This painting reflected the consequences of not living up to those expectations. It is unfortunate that in life, by the time you get to the point of realising that you have the opportunity to set your own standards, that you’ve probably embodied a great many set of values by osmosis and that you’ve now claimed them as your own. The view is from above to dramatize the subject, the figure placed compositionally in the top right hand corner to open up the picture plane and allow for the narrative to continue outside the visual area of the canvas. It was also in this painting that I rubbed back some of the darker oil paint to allow the lighter underpainting to show through.art, artwork, trudi harley, harley, carpet, portrait, self-portrait, alumni -
Federation University Art Collection
Artwork, 'Cassandra After the Fact' by Andrew Potter, 2009
This work pays homage to Solomon J. Solomon’s Ajax and Cassandra. Andrew Potter’s painting tells of the subsequent event. Cassandra is undoubtedly a Trojan War casualty, symbolizing the personal pain of widows and rape victims. The flow of the fabric is the allegory of bloodshed, while the empty jar suggests displacement of refugees. Cassandra’s body, as mother earth, is a metaphor for the peaceful landscape that is desecrated by acts of war. The artist uses these iconic figures to exemplify and demonstrate why peace is always better than war. This work was awarded second prize in the 2009 Lucato Peace Prize. During that year Andrew Potter was undertaking the first year of a Bachelor of Visual Arts (Fine Arts) at the University of Ballarat’s Arts Academy. This item was runner up in the Lucato Peace Prize, and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Painted canvas depicting a naked woman lying on the round beside a glass jar.art, artwork, andrew potter, potter, lucato peace prize, mythology, available