Bendigo R.S.L. News Volume 1, Number 3 Christmas-New Year Issue. Red, blue, yellow and gold badge on the front cover. Contains advertisements from local businesses, Bendigo R.S.L. Office Bearers 1960, news, notes from Clubs, an article titled 'When the Japs Broke Out at Cowra' and a short obituary of Sir Horace Robertson.A Wicks Knott Publication, Printed by Southdown Press, 33 Rosslyn Street, West Melbourne.magazine, organization, bendigo rsl, r.s.l. bendigo collection - bendigo r.s.l. news vol. 1 no. 3, ashmans dry cleaners, h q radio service, f c straub, hampel furniture products, pierce grenfell, ron meurer, h w snell, axedale quarries, a l & k stringer, excavations, al & b g pearce, w mcculloch & co, bendigo motor co, m g taylor, fair-view upholsterers, alwyn nelson, northern terrazzo co, l fawssett & co, bendigo sub-branch r.s.s, &, a.i.l.a., col j w swatton, h a w morey, s thompson, g j baker, j k barnes, a c harridge, j harrison, t h hume, w h pinder, d e mcgregor, f e schilling, g g styles, c vaughan, j e fay, geo j baker, a v palmer, n mclaren young, e m vains & co, g e h rowell, a v & l e smith, j r palmers, graham lowe refrigeration service, a w pulfer motors, b r burns, vic palmer, golden square dry cleaners, j w carter & sons, alltyre service pty ltd, ian wills, bill nicholls jack watts, the robyn, a g power, leo a hughes, bendigo manchester house, frank wilson, hesse bros, frank bouchier, your typewriter sales and service, tom heenan, win patten, bendigo legacy, r wilson, w e p carruthers, antonian café, kairn's auto-bits, cohns, jeffreys bread, 4th armoured regt social club, g e baldwin, bendigo & district ex-p.o.w. social club, w hargreaves, d gregor, bendigo r.s.l. ladies auxiliary, mrs h morey, mrs p floyd, mrs w hocking, mrs h sims, mrs t hall, rsl women's council of victoria, mr & mrsa kersting, w coates, a bolitho, w hocking, n mcivor, perretts, martin washington, e a bennett pty ltd, john burgoyne, 38th battalion (a.i.f.) social club, j plim c findlay, ex-navelmen's club, t staley, airforce association, a stevens, t grimes, rats of tobruk association, j ferguson, catholic war veterans' association, j noonan, t coppock, dads' association, w murphy, bendigo legacy club, win patten, t h iser, t h runnalls, legacy house, 105 anti-tank regiment social club, alwyn nelson, laurie townsing, bendigo repatriation local committee, v w hosking, w rex porter, g a pethard, f t dunphy, l m porter, e h duus, lt col thomas waitson williams dso, ric coulson, r ball & son, lorraine florist, neol searle pty ltd, bendigo and district t & p i social club, e j taylor, t wellins, w phelan, g keily, l boyd, t tuddenham, e butler, g armstrong, geo j baker, easter fair society, bendigo agricultural society, 6th battalion (a.i.f.) social club, f t dunphy, w green, r c wright, bendigo showgrounds r.a.a.o.c. camp club, j j davies, e p perrett, t g heenan, w rex porter, fred coulson, harry hall, alan bath, tom hume, ted commons, geo h baker, percy floyd, stan hunter, joe wagland, railway sub-section r.s.l., g brown, don chalmer pty ltd, bendigo timber co pty ltd, g p hyett, a w comber, w nichols, maurice f noonan, allans walk delicatessen, r b webb, jack l lyons, perrow, s paints, t c sheers, provincial motors (bendigo) pty ltd, banjo paterson, will ogilvey, ben hall, joe gardiner, major bob ramsay mc, 53rd batt., major e v timms, ww1, 2nd a.i.f., f m carson, tooranie house, brian abe, p e dunstan, a lam sun, don murray, windermere hotel, bendigo disposals, frank a hill & co, fitzpatrick's, sandhurst dairies pty ltd, m williamson, george symon's dairy, w h oakley, sir horace robertson, british commonwealth occupation forces, australian light horse, state savings bank, royal military college, golden fleece service station, j w williams, tomlins simmie pty ltd, clark king & co pty ltd, mckenna's modern store, bryan mckenna, wicks knott publication, southdown press

Three President's Reports containing Club news, etc. One has the conclusion to a series titled 'Quadrilles'. Another has an article titled 'Vale Trevor'. Trevor Holt was a member of the Wedderburn Oldtimers.clubs, music, bush dance & music club of bendigo, peter ellis collection, mavis mcgregor, lex ottrey, latrobe university school board, whipstick parks advisory committee, bendigo field naturalist club, western victorian field naturalist clubs association, jack kellam, bert gibson, shirley andrews, trevor holt, myers, brash's, wedderburn oldtimers, morrie gierisch, ian johnson, jack condon, salvation army, carolyn marrone, wally & phyllis tugwell, peter hunter, pedre gurteen, jack stroud, max klubal, rae doudle, bob allen, alex fisher, tom brereton, colin silk, mary smith, ellen smith, harry mcqueen, joe byatt, beat klippel, bertie gibson, ron mcnally, anthony & lisa simon, tom adams, ted egan, geraldine doyle, les rankin, maree murrell, victor silvestor, ken hall

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

Frances Burke: Designer of Modern Textiles Australia’s most influential and celebrated textile designer of the mid-20th century, Frances Burke (1904-1994), employed Australian native flora, garden flowers, marine subjects, Indigenous culture and increasingly, abstract motifs in her stunning modern fabrics. A confident, determined designer and businesswoman; Burke made the shift from fine art to design in 1937. While she began by designing dress fabrics for Melbourne’s fashionable Georges Department store, printing them on linen using lino blocks, she was an early adopter of the screen-printing process and during the war years began printing on cotton. Burke’s furnishing fabrics took their place in influential modern buildings Australia-wide through collaborations with leading architects and interior designers. They included Robin Boyd’s 1949 House of Tomorrow, Roy Grounds’ Quamby flats, Guilford Bell’s Royal Hayman Island Resort for Ansett Airlines, and Yuncken, Freeman Brothers, Griffiths and Simpson’s Canberra Civic Centre Theatre. In the post-war period, Burke made regular trips to the United States and Europe, on her return advising homeowners and manufacturers on the latest trends in products, colours and home design in lectures and interviews. At New Design her fabric showroom and interior design consultancy Burke introduced furniture by emerging designers Clement Meadmore and Grant Featherston in the early 1950s and presented local and imported homewares, mostly from the United States. She was enthusiastic about the convenient and comfortable lifestyle experienced by ordinary American women. Her fabrics and advice were regularly featured in Australian Home Beautiful, Australian House and Garden and the newspapers of the day. Some of Burke’s designs had remarkable longevity. Tiger Stripe (1938) for example, continued to be produced in a wide range of colours until 1970 and Crete (1946) remained a popular choice for interiors into the 1960s. Drawing from a rich variety of sources including Indigenous culture in Goanna (c.1954) and Pacific Island tapa cloth designs in Bird and Tree (1940), Burke also looked to Japan in designs such as Plum Blossom (1948) and Zen (1965). She loved exploring the potential of native flora, seen in designs including Waratah (1955) and Flannel Flower (1955), while garden flowers were the source for many other designs including Belladonna (1940), Periwinkle (n.d.) and Rose (1947). Burke’s clever interplay of a single striking printed colour with lively gestural lines revealing the white base fabric, gave her designs a vibrancy that characterised the optimistic post-war era. This can be seen in Burke’s fabrics for Hayman Island including Angel Fish and Seapiece (both 1949) which expressed the freshness and excitement of the luxurious new tropical resort and led to further commissions. Burke’s three decades in business (1937-1970) were an unparalleled success in the story of Australian design. Her fabrics have been collected by the NGA, the Powerhouse Museum, NGV, RMIT Design Archives and Sydney Living Museums in addition to Ararat Gallery TAMA. Written by Nanette Carter and Robyn Oswald-Jacobs.

The Kew Historical Society's map collection includes a substantial number of real estate subdivision plans, mainly of Kew but also of surrounding suburbs in Melbourne. Most of the subdivision plans date from the 1920s and 1930s when the districts old homes and local farmland were being split up to accommodate residential growth in the postwar period. These early plans were assembled by a local firm, Jas R Mather & McMillan, which had an office in Cotham Road. Many of the plans, and sometimes photos, were annotated by the agents.Subdivision plans are historically important documents used as evidence for the growth of suburbs in Australia. They frequently provide information about when the land was sold as well as evidence relating to surveyors and real estate and financial agents. The numerous subdivision plans in the Kew Historical Society's collection represent working documents, ranging from the initial sketches made in planning a subdivision to printed plans on which auctioneers or agents listed the prices for which individual lots were sold. In a number of cases, the reverse of a subdivision plan in the collection includes a photograph of a house that was also for sale by the agent. These photographs provide significant heritage information relating house design and decoration, fencing and household gardens.The photograph may also be aesthetically significant depending on the importance of the photographic atelier.Subdivision plan for the so-called Winton Estate in East Kew. The Estate comprised 10 lots facing Simpson Street and Campbell Street. The estate was auctioned by Jas. R. Mathers, Son and McMillan. campbell street, simpson street, hunter street, normanby road - kew, subdivision plans - east kew, subdivision plans - kew

St. Leonards, N.S.W. : Allen & Unwin, 1994 xiii, 313 p. : ill., ports. ; 24 cm. non-fictionTraces the story of the Heidelberg Repatriation Hospital from its creation in 1947 as an institution to cater exclusively to the needs of ex-service personnel. Due to this limited ambit, despite its achievements and its status as a teaching hospital, both hospital and staff have had to battle for recognition from the general medical community.repatriation general hospital (heidelberg, veterans' hospitals -- victoria -- heidelberg -- history., teaching hospitals -- victoria -- heidelberg -- history.

583 p., <16> leaves of plates (2 folded) : ill., maps, 1 port. non-fictionFacsimile of journals of the voyages from England to Port Jackson and Norfolk Island and return by Governors Phillip and King, and Lieut. Ball 1787-1792, including maps, charts, drawings and tables. Reproduced from a copy held in the State Library of South Australia originally published in 1793.norfolk isalnd - history, port jackson, hunter, john (1737-1821)

Field notebook was used by Lieutenant LA Deegan 13th Australian Light Horse Regiment, 1st Anzac Corps Mounted Troops. Book covers the period 20 July 1917 to 1 September 1917.The notebook is well provenanced and is a rare example of the day-to-day correspondence conducted by a regimental officer of a light horse regiment serving on the Western Front in 1917. The contents of the book are of historical significance and were used in "My Corps Cavalry" Doug Hunter, Slouch Hat Publications,1999. Carbon copies are legible and the general condition of the object is good considering its age.Natural coloured soft cover bound carbon copy duplicate book. Book has been used for routine correspondence and reports.deegan leslie lieutenant, 13th light horse, field notebook

Picture of 1951 Reserves Premiership teamFirst Carlton Reserves Premiership since 1928. Carlton 2.5 17 4.8 32 8.13 61 8.15 63 Essendon 0.3 3 2.6 18 3.7 25 7.9 51 George Ferry (5), Doug Guy (1), Bill Milroy (1) and Johnny Blake (1). Best: Doug Beasy, George Stafford, Ken Aitken, Harry Dern, George Ferry and Bill Milroy. Carlton Reserves Player's Guernsey Numbers (Football Record, Preliminary Final) 1. Ken Aitken (Captain), 2. Bill Huntington, 3. Johnny Blake, 4. Doug Guy, 5. Morrie Williams, 6, Gerald Burke, 7. Jack Hedley, 8. N. Lee, 9. J. Ryan, 10. Keith Batchelor, 11. A. Max Thomas, 12, Doug Williams, 13. Harry Dern, 14. Adam Inglis, 15. Harvey Dunn jnr, 16. G. Neal, 17. Doug Beasy, 18. Alan Thynne, 19. Don Calder (Vice Captain), 20-28 not allocated, 29. Bill Milroy, 30. George Stafford, 31. not allocated, 32. Brian Molony, 33. G. Hunter, 34. Bernie Baxter, 35. G. Rich, 36. Tom Jones, 37. Ron Price, 38. Frank Bateman, 39. George Ferry, 40. Dick Gill. Metal & Plastic photo with stand

Two copies of Australian Red Cross Society Knitting Book, one small and one larger. The front cover shows the name of the society, a large red cross with the title Knitting Book underneath. The smaller book has information about the purpose of the Australian Red Cross Society in war times, Price: Threepence. Second Edition. The back cover has information regarding free carriage on S.A Railways and by Adelaide Steamship Company. It also has a 5 inches ruler on the left edge of the back cover.The larger book has the same title with the addition of Parcels addressed "Australian Red Cross" are carried free over the railways. On the back cover is printed Copies of this knitting book may be obtained upon application to any Red Cross Emergency Service Company in Victoria. Inside are various patterns for clothing - caps, sleeveless pullover, waistcoat muffler, armlets, man's socks and mittens, kneecaps, hot water bottle covers and scarves. non-fictionTwo Australian Red Cross knitting pattern booklets for home knitters, c.1940's. They were used by Ms Dorothy Hunter. These booklets were collected over 15 years and were used for exhibition at Memo, Gallery Healesville Friday 23rdOct to 18th November 2015.knitting, knitting patterns, knitting equipment

Made for Mrs. W. Johnson's daughter - Gertrude.Cream silk and lace Christening robe and carrying jacket.Dress gathered at skirt with tucks and lace inserts, and smocking on sleeves. Circular cape with tucks and lace inserts.christening clothing, baby clothing

p.248.non-fictionErnest Wilson was a professional plant-hunter. This book is an account of his travels in Africa, Australia and New Zealand.botany - australia, botany - new zealand

Paperback book

A publication of 156 pages including text, illustrations, facsimiles and portraits. It also includes bibliographical references and an index.This publication tells the story of the men and women from Albury and district who served in the Great War of 1914 to 1919. It tells of those who served on the battlefield, but also those who supported and sustained them from home whilst maintaining the community of Albury. As indicated on the back cover, the author Lieutenant Colonel Douglas Hunter had a long military service and connection with Albury Wodonga. He was awarded the Medal of the Order of Australia in 2009 for services to military history. The book was based on research carried out with the assistance of members of the Albury and DIstrict Historical Society. It included a forward by Councillor Kevin Mack, Mayor of the City of Albury (2015).impact of world war 1 albury, soldiers ww1 albury, ww1 participation albury

non-fictionThe Albury Show Society is one of the oldest organisations in Albury, NSW. In 1857, forty people attended a meeting in Albury called by Robert Brown. From that meeting, 150 years ago, the Albury and Murray River Agricultural and Horticultural Society was born. It was eventually to evolve into the Albury Show Society through the work of many dedicated members. This publication includes a brief history of the Society and biographies of key people in its development.albury show society, agricultural shows new south wales, biographies